corinella mark

Parry Collection ‘Sunbeams’ and ‘Corinella’ were two of the few ways an Australian kid could get some acknowledgement and a pat on the back from the big wide world from the 1930s through to the 1950s. The Corinella columns ran in the Sun Newspaper with puzzles, jokes and colouring competitions. Kath Farmer played the role of ‘Corinella’ for yonks and hosted annual ‘Corinella’ Parties for boys and girls aged 5 to 13 years for decades. Sunbeam Certificates were awarded to young readers for good puzzles, riddles, drawings or original stories or verses. The Sun Newspaper Sunbeams Club Envelopes and Awards, envelopes with Ginger Meggs effigy and warning for the postman to take care with the delivery; various certificates received in return for colouring competitions and puzzles submitted back to the Sun Newspaper. Letters were sent to Merle Symons, Orville, Murphys Creek.history, bendigo, sunbeam club sun newspaper, merle lummis collection

This painting shows a historic depiction of Australian whalers in action at sea, and shows the scale of man to whale. Whaling was one of the first industries in early Victoria. John Dollery was born in London in 1933. As a child he loved to draw and was a frequent visitor to the National and Tate Galleries. In 1957 Dollery came to Australia, settling in Queensland in 1965. After receiving a prize in a drawing exhibition, he began painting in oils, and is entirely self-taught. Whilst in Queensland he painted most of his canvases strictly from life and in 1977 he moved to Melbourne where he established himself as a full-time artist. John was very interested in Australia’s history, and most of his work represents this theme. Many of his pieces are in collections both in Australia and overseas. Dollery’s daughter is also an artist and has exhibited both her father's and her own works together in an exhibition 'Now and Then, Father and Daughter'.The painting is a significant work by artist John Dollery. Its subject of whaling shows an early Australian industry and shows the scale of man to whale. The decorative frame is appropriate for the era in which the scene would have taken place.Painting in oil on canvas, in gilt carved timber frame. Seascape, depicting a whale hunt. A spouting whale is behind a whale boat with six whalers aboard. A tall ship with seamen aboard is behind the whale. Two other tall ships and another whale boat are in background. An embossed plaque in bottom centre of lower frame has inscription.. Artist is J. Dollery. Stamped on the sticker “John Dollery / ARTIST / Crown Lot 16 The Esplanade Corinella, Victoria 3984 / Telephone: (056) 78 0644 “ Hand written on sticker “THE CHASE $xxx” Embossed in the wooden frame “30 / ART / Specturm” Signed “J DOLLERY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, whales, whaling, industry, whale oil, blubber, john dollery, the chase, corinella, historic art work, australian art work, australian historic artwork

One of three Cannon Balls found c1920 on the north side of Rhyll by Oswald Underdown. It is presumed to be from the 1826 British battery Fort Dumaresq. This together with the settlement near Corinella was set up to deter the French from taking possession of the area.Cannon ball, black cast iron, minor rusting - one of three. fort dumaresq, cannon, samuel wright, 3 pound cannon ball, oswald underdown

Donated by N.M. & J.D. Archibald, 1973 April.Black & White Photograph. Chicory Kiln. Kingston Gardens. Mr. V. Johnston. Built for Mr. de la Haye. Very early bricks. Thought to be from McHaffie Homestead and later from Innishowen. These bricks could have been originally from Corinella Settlement. Walls also show pieces of local rock, iron piping, bedsteads etc. Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, chicory industry, kingston gardens, v johnston, n & j archibald

Pink paper covered book by Stanley Hunter, Engineer in Charge of Boring Operations. Contents include tunnelling, deep sinking, the Chiltern Method, the Ballarat Method, Stawell, Ararat, Moyston, Raglan, Wimmera, Landsborough, Avoca, Ballarat West Leads, Berry-Moolort-Loddon Lead System, Clunes, Creswick, Bullarook Affluent, Corinella, Daylesford-Castlemaine Tributary, Majorca-Carisbrook tributary, Huntly, Coliban, Campaspe, Rutherglen., Smythesdale, Durham Lead, Tanjil, Evolution of Mining Machinery, size of claims, Definition of a Deep Lead, Discovery of Gold in Victoria, Geographical Position of Deep Leads, Water in Deep Leads, Methods of Deep Lead Mining, Cost of Deep Lead Mining, Stawell, Ararat, Moyston, Raglan, Wimmera, Landsborough, Avoca, Ballarat West, Berry, Springs Hill, Loddon Valley, Charlotte Plains, , Timor, Burn Creek, Huntly, Colinan, Goulburn, Ovens Valley, Chiltern, Indigo, Morrison's Lead, Plans include: geological Map of Stawell, ararat, Raglan and Landsborough; Kempson's Freehold Mine, Stawell; Geological Map of Beaufort, Avoca, Maryborough, Ballarat west, Berry-Moolort, Loddon, Creswick, Marong, &c; Cardigan Propriety Gold Mine; Working Miners United Gold Mine, Homebush; Hepburn Deep Lead Plan; Madame Berry West Mine; West Berry Consols Mine; Spring Hill and Central Leads; Berry Consols Extended Mine; Loddon Valley Goldfields; Chalk's No 3 Mine; Charlotte Plains Considated Mine; Duke United Mine; Geological Map of Bendigo, Huntley, Campaspe, Malmsbury, Kyneton, trentham, &c; Geological Map of Chiltern, Rutherglan, Eldorado, Beechworth, &c; Chiltern Valley Gold Mine; Wallace Chiltern Valley Consols Mine; great Southern and Chiltern Valley United Mine; great Northern extended Consols; Prentice and Southern deep Leads; Glenfine South Gold Mine; Geological map of Pitfield, Rokewood, Mt Mercer, Ballark, Meredith, &c.; McEvoy Mine; Dargo . . . . . . . . . . . . . . . . . . . . . . . mining, deep leads, squire, tools, gold panning, gold cradle, cradling, puddling, tubbing, mining shaft, shaft sinking, whip, horse whip, whim, horse whim, chalk's no. 1 mine, maryborough, mining cage, shaft, mining trucks, maryborough, washdirt, puddler, tunnelling, deep sinking, chiltern method of working, ballarat method of working, sampling washdirt. gravels, balmoral, mt william, stawell, moyston, great western, ararat, raglan, wimmera valley, landsborough, cardigan, haddon, beaufort, waterloo, avoca, lamplough, caralulup, ballarat west, ballarat, smythesdale, glenfine, illabarook, durham lead, morrison's lead, bullengarook, berry-moolort-loddon system, clunes, creswick, spring hill, bullarook, castlemaine - daylesford, majorca, carisbrook, timor, burnt creek tributary, tarnagulla, marong, rheola, inglewood, huntly, coliban, campaspe, goulburn lead system, ovens valley system, mitta mitta, kiewa valley, tarago, tanjil, moondarra, bogong, dargo high plains

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Pink soft covered foolscap book of 67 pages listing the gold nuggets found in Victoria. The Book is no 12 in the 'Memoirs of the Geological Survey of Victoria' series. The listing of nuggets found in Victoria includes number of nugget, whether found in quartz or alluvial, weight, where found, depth, name of nugget. date found, finders, authority and remarks. 1360 nuggets weighing over 20 ozs are listed.geological survey of victoria, gold nuggets, e.j. dunn, w. dickson, peter mcbride, a. e. smith, tinworth's party, welcome stranger, ah chung, dalton's flat, lady hotham, lady don, lady barkly, needful, corinella mining co, w. kitt, p. flood, celeste lafranchi, bravo, w. passobi, mrs rowlands

A5 Card bi-fold with red ink.Ceremony of Installation of WBro. Raymond Lindstromcorinella mark

non-fictionLetters to early settlers 1840s to 1870s. Settlement of Melbourne by Yarra River.la trobe collection, early settlement in victoria, settlement in corinella 1826, jolimont by yarra river, la trobe cottage, victorian goldfields