Showing 46 items matching "cra"
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Moorabbin Air MuseumSlide (item) - (SP) Finnigan collection of slides taken in 1960s covering hundreds of aircraft with Australian registration (VH-), VH-AAJ DHC-2 Beaver, VH-AAK DHC-2 Beaver, VH-AAP DH82A Tiger Moth, VH-ABR Douglas DC3, VH-ACE Thorp T18 Tiger, VH-ACK Aeronca K Scout, VH-ACU Beech 17 Staggerwing, VH-ACW Fairchild 24R-9, VH-ACZ Stinson 105, VH-ADQ Auster J1B Aiglet, VH-AEQ Douglas C47-DL, VH-AFG De Havilland DHC-1 Chipmunk, VH-AFT Auster Autocar, VH-AGC De Havilland DH84A Dragon 3, VH-AGE Cessna 185 Skywagon, VH-AGJ Lockheed Hudson 111A, VH-AGR Ryan STM-2, VH-AGS Lockheed Hudson lVA, VH-AGW Ryan ST-M, VH-AHC Ryan ST-M2, VH-AHD Ryan ST-M2, VH-AIB De Havilland DH94 Moth Minor, VH-AJE Auster J-1 Autocrat, VH-AKE De Havilland DH82A Tiger Moth, VH-ALV CAC CA-6 Wackett Trainer, VH-AMA Piper PA-25-235 Pawnee B, VH-ANE Sikorsky S-62A, VH-ANJ Douglas C47-DL, VH-ANO Douglas C49B-DO, VH-ANP Douglas C49B-DO, VH-ANQ Douglas C49-DO, VH-ANS Douglas C47-DL, VH-ANV Douglas C47A-50-DL, VH-ANW Douglas C47A-25-DK, VH-ANX Douglas C47A-65-DL, VH-ANZ Douglas C47A-30-DL, VH-ARM De Havilland dh82 Tiger Moth, VH-ASF De Havilland DH82 Tiger Moth, VH-ASP Cessna 180 Skywagon, VH-AST De Havilland DHC 1 T10, VH-ASV Lockheed 12A Electra Junior, VH-ATJ De Havilland DH 82A Tiger Moth, VH-ATN De Havilland DH 82A Tiger Moth, VH-AUA De Havilland DH 82 Tiger Moth, VH-AUS De Havilland DH 82 Tiger Moth, VH-AUX Piper PA 22-150 Tri Pacer, VH-AZO Piper PA 25-235 Pawnee, VH-BAA Douglas C47 DC3-3CSI3G, VH-BAB Douglas C47 Skytrain, VH-BAE Chrislea CH3 Super Ace, VH-BAF Avro 652A Anson, VH-BAG Hughes 500C, VH-BAM Douglas C47A Skytrain, VH-BAW Bristol Sycamore Mk4 HR51, VH-BBH Fletcher FU-24A A4, VH-BBM Fletcher FU-24A A4, VH-BGO De Havilland DH82 Tiger Moth, VH-BGU Auster J-5B Autocar, VH-BGX De Havilland DH82 Tiger Moth, VH-BHG SAAB 91C Safir, VH-BIB Beech King Air, VH-BIZ Dassault ( Fan Jet ) Falcon 20CC, VH-BKC De Havilland DH82A Tiger Moth, VH-BLL Bell 47J-2A-1 Ranger, VH-BLM Bell 47G-3B-2, VH-BMD Piper PA-22-150 Tri Pacer, VH-BMG Saab 91C Safir, VH-BOM Piper PA-25 Pawnee, VH-BOR De Havilland DH82A Tiger Moth, VH-BOU Hawker Sea Fury, VH-BPP Piper PA-22-150 Tri Pacer, VH-BSM De Havilland DHC-1 Chipmunk 22, VH-BSR De Havilland DHC-1 Chipmunk 22, VH-BTB Piper J 3 Cub, VH-BTI Auster J5R Alpine, VH-BWI Victa Airtourer 100, VH-BWT Victa Airtourer 100, VH-BXP Piper PA-25-235 Pawnee, VH-BXQ Percival Proctor 3, VH-BZN Convair 440-97, VH-CAG Beech V35A Bonanza, VH-CAN Douglas C47A Skytrain, VH-CAO Hawker Siddeley HS-125-1B, VH-CAQ Beech A36 Bonanza, VH-CAS Cessna 170A, VH-CAT Fokker F27-1009 Friendship, VH-CAU Aero Commander 560E, VH-CAW Aero Commander 560E, VH-CAZ Cessna 310C, VH-CBS Corby CJ-1 Starlet, VH-CDS Auster J-5 Autocar, VH-CES De Havilland DH82A Tiger Moth, VH-CHP Victa Airtourer 115, VH-CJW De Havilland DH82 Tiger Moth, VH-CMA Piper PA-22-160 Tri Pacer, VH-CND Victa Airtourer 115, VH-CNO Victa Airtourer 100, VH-COD Piper PA-25-235 Pawnee, VH-CRA Grumman G-159 Gulfstream 1, VH-CTE Beech 65 Queen Air, VH-CTM Victa Airtourer 100 A1, VH-CTS De Havilland DH104 Dove 5, VH-CUB Piper PA-18-150 Super Cub, VH-CVA De Havilland DH82A Tiger Moth, VH-CWI Piper PA-28-180 Cherokee, VH-CXD Piper PA-22-150 Tri Pacer, VH-CXR Ryan STM-S2, VH-CXU Piel CP-301 Emeraude 100, VH-CXY DH82 Tiger Moth, VH-CYN De Havilland DHC-1 Chipmunk T10, VH-CYY Yeoman Cropmaster, VH-CZC Douglas DC9-31, VH-CZD Douglas DC9-31, VH-CZE Douglas DC9-31, VH-DAY Bellanca 7KCAB Citabria, VH-DBJ Piel CP301 Emeraude 100, VH-DBS De Havilland DHC-1 Mk21 Chipmunk, VH-DCM Fletcher FU-24A Mk2, VH-DDZ Victa Airtourer 100, VH-DEF Morane-Saulnier MS880B Rallye Club, VH-DES Thorp T-111 Sky Scooter, VH-DFJ DH82 Tiger Moth, VH-DLM Cessna 180A, VH-DLR Piper PA 18 Super Cub, VH-DMR Bell 47J-2A Ranger, VH-DRJ Jodel D11, VH-DUC Orlican L-40 Meta Sokol, VH-DUD Thorp T18, VH-DUR CZL Aero 145, VH-DUY Orlican L-40 Meta Sokol, VH-EMA Maule M-4-210 Rocket, VH-EMW Piper PA-22-20-160 Pacer, VH-EOD Fletcher FU24 Mk2, VH-EOL Gardan GY-80-160D Horizon, VH-EOV DH82A Tiger Moth, VH-EPC Beagle B121 SRS2 Pup 150, VH-EQE Britten Norman BN-2a Islander, VH-EQH Fletcher FU-24, VH-ESP De Havilland DHC-1 Chipmunk T10, VH-EWE Douglas C47 - DL, VH-EXR Aero Commander 500S, VH-EXY Aero Commander 680E, VH-FAH DH82A Tiger Moth, VH-FAL Piper PA-25-235 Pawnee, VH-FAS DH82A Tiger Moth, VH-FBR DH82A Tiger Moth, VH-FBS IMCO Callair A-9A, VH-FDC DHA-3 Drover, VH-FDS DHA-3 Drover, VH-FDT DHA-3 Drover, VH-FID Beechcraft D18S, VH-FIE Beechcraft D18S, VH-FJS Aerospatiale SE-3130 Alouette 2, VH-FMC Piper PA-25-235 Pawnee B, VH-FME Victa Airtourer 115, VH-FNA Fokker F27-050, VH-FNB Fokker F27-050, VH-FNO Fokker F27-050, VH-FNT Fokker F27-050, VH-FPA Grumman G-164 Agcat, VH-FSB Pilatus PC6-B1-H2 Turbo Porter, VH-FWG Beech A65-8200 Queen Air, VH-FZA Cessna 150M, VH-GAB Cessna 180A, VH-GAV Piper PA-25-150 Pawnee, VH-GCN Snow S-2D-600, VH-GCV Taylorcraft E Auster Mk3, VH-GEB De Havilland DHC-1- Sasin SA-29 Spraymaster, VH-GEK Piper PA-22-150 Tri Pacer, VH-GMC DH82A Tiger Moth, VH-GMD Hughes 269B, VH-GVA De Havilland 82A Tiger Moth, VH-IAM Cessna 180, VH-IAT Piper PA-20 Pacer, VH-IDA DeHavilland DHC-2 Beaver 1, VH-IDB DeHavilland DHC-2 Beaver 1, VH-IDD DeHavilland DHC-2 Beaver 1, VH-IDI DeHavilland DHC-2 Beaver 1, VH-IDK DeHavilland DHC-2 Beaver 1, VH-IDL DeHavilland DHC-2 Beaver 1, VH-IDS DeHavilland DHC-2 Beaver 1, VH-IDT DeHavilland DHC-2 Beaver 1, VH-IDU DeHavilland DHC-2 Beaver 1, VH-IDW DeHavilland DHC-2 Beaver 1, VH-IDX DeHavilland DHC-2 Beaver 1, VH-IGC Piel CP-301 Emeraude 100, VH-IHC Schweizer 300c, VH-IHF Schweizer 300c, VH-INB Douglas C-47A-20-DL, VH-INC Douglas C-47A-1-DK, VH-IND Bell 47J Ranger, VH-INE Bell 47J Ranger, VH-ING Douglas C-47A-85-DL, VH-INK Aviation Traders ATL-98A Carvair, VH-INM Aviation Traders ATL-98A Carvair, VH-INX Douglas C-54B-5-DO, VH-IRW Piper PA-22-108 Colt, VH-IXQ Cessna 180H Skywagon, VH-KAJ Auster J-1B Aiglet, VH-KBI Auster J-1B Aiglet, VH-KBU Auster J-1B Aiglet, VH-KCB Auster J-5P Autocar, VH-KCD Auster J-5-8 Bushmaster, VH-KCF Auster J-5G Cirrus Autocar, VH-KCT Auster J-1N Aiglet 2, VH-KEA Auster J-1 Autocrat, VH-KFB Piper PA-22-108 Colt, VH-KFC Piper PA-22-108 Colt, VH-KFJ Piper PA-22-108 Colt, VH-KOG Piper PA-25 Pawnee, VH-KSD Piper PA25-235 Pawnee, VH-KSN Auster J-5 Adventurer, VH-KSZ Auster J-5 Adventurer, VH-KVD Cessna A188 Agwagon, VH-KVL Cessna A188 Agwagon, VH-KVY Cessna 310L, VH-KWM Cessna C-34 Airmaster, VH-MBA Taylorcraft E Auster Mk3, VH-MBJ Victa Airtourer 100, VH-MBM Victa Airtourer 100, VH-MCH Piper PA-25-235 Pawnee B, VH-MEJ Piper PA-22-108 Colt, VH-MFN Victa Airtourer 100, VH-MFP Victa Airtourer 100, VH-MJD DeHavilland Dove Srs2, VH-MJE Beech D17S Staggerwing, VH-MJF Cessna 180A, VH-MKY Piper PA-22-160 Tri-pacer, VH-MLB DeHavilland DHC-2 Beaver, VH-MLE Cessna 182Q Skylane, VH-MLR Piper PA-25-235 Pawnee B, VH-MLS Piper PA-25-235 Pawnee B, VH-MMJ Fokker F28-1006 Fellowship, VH-MOA Victa Airtourer 100, VH-MOH Victa Airtourer 100, VH-MOI Victa Airtourer 100, VH-MOJ Victa Airtourer 100, VH-MPC Intermountain Callair A-9A, VH-MPN Intermountain Callair A-9A, VH-MRD Auster J-5G Cirrus Autocar, VH-MRZ Victa Airtourer 100, VH-MSA Piper PA-18A-150 Super Cub, VH-MSH Intermountain Callair A-9A, VH-MSU Intermountain Callair A-9A, VH-MTE Victa Airtourer 100, VH-MTP Victa Airtourer 100, VH-MTS Piper PA-22-150 Tri-Pacer, VH-MUE Victa Airtourer 100, VH-MUJ Victa Airtourer 100, VH-MUN Victa Airtourer 100, VH-MUO Victa Airtourer 100, VH-MUQ Victa Airtourer 100, VH-MUV Victa Airtpourer 100, VH-MVI Victa Airtourer 100, VH-MVJ Victa Airtourer 100, VH-MVP Victa Airtourer 100, VH-MWN DeHavilland DH82A Tiger Moth, VH-OYS, VH-PCK Piper PA-22-108 Colt, VH-PEX Piper Cub, VH-PIF Piper PA-22-108 Colt, VH-PPP Piper PA-25-235 Pawnee C, VH-PRT Avro 643 Cadet 2, VH-PSG Aero Commander 680, VH-PTP Champion 7EC Traveler, VH-PUL Auster J-2 Arrow Special, VH-PXQ Piper PA-18-150 Super Cub, VH-PXZ Piper PA-36-375 Brave, VH-PZA Champion 7ECA Citabria, VH-RFF Cessna180A Skywagon, VH-RJK De Havilland DHC-1 Chipmunk T10, VH-RJP Auster J-5 Adventurer, VH-RMB Lockheed L188A Electra, VH-RMG Locckheed L188A Electra, VH-RNI De Havilland DH82A Tiger Moth, VH-RSD De Havilland DHC-1 Chipmunk, VH-RSQ De Havilland DHC-1 Chipmunk 22, VH-RVG Cessna 172F Skyhawk, VH-RVS De Havilland DHC-1 Chipmunk T10, VH-RVY de Havilland DHC-1 Chipmunk T10, VH-SJH Piel CP-301 Emeraude 100, VH-SLS Cessna 180 Skywagon, VH-SMF Piaggio P166, VH-SSI De Havilland DH82A Tiger Moth, VH-SZT Victa Airtourer 115, VH-TBB Bristol 170-31 Freighter, VH-TFA Fokker F27-1002 Friendship, VH-TIG De Havilland DH82A Tiger Moth, VH-TJA Boeing 727-76, VH-TJC Boeing 727-76, VH-TJK Douglas DC-9-31, VH-TJN Douglas DC-9-31, VH-TLB Lockheed 188A Electra, VH-TQO Fokker F27-6152 Friendship, VH-TRB Transavia PL-12 Airtruk, VH-TRH Transavia PL-12 Airtruk, VH-TRK Transavia PL-12 Airtruk, VH-TSA Piper PA-25-235 Pawnee, VH-TTQ Piper PA-25-235 Pawnee B, VH-TVG Vickers Viscount 720, VH-TVI Vickers Viscount 756D, VH-TVL Vickers Viscount 756C, VH-TVM Vickers Viscount 756D, VH-TVP Vickers Viscount 816, VH-TVRVickers Viscount 818, VH-UAC CAB GY-20 Minicab, VH-UDE Avro 594 Avian Mk4, VH-UEI Druine D-31 Turbulent, VH-UHG Bell 205A-1, VH-UHU Westland Widgeon 3, VH-UKL De Havilland DHC-2 Turbo Beaver, VH-UKV De Havilland DH60 Gipsy Moth, VH-ULA Stilts SA-6B Flut-r-Bug, VH-ULL Luton LA-4 Minor, VH-ULM De Havilland DH60M Moth, VH-UMA De Havilland DHA-3 Drover, VH-UNL Beagle 206S Series 2, VH-UPD De Havilland DHC-1 Chipmunk T10, VH-UQB De Havilland DH80A Puss Moth, VH-UQE Avro 594 Avian Mk4, VH-UQV De Havilland DH-60M Moth, VH-UUR Klemm L25d , VH-UUY British Aircraft BA Eagle 2, VH-UYM Taylor J2 Cub, VH-WMM Auster
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VH-AAJ DHC-2 Beaver, VH-AAK DHC-2 Beaver, VH-AAP DH82A Tiger Moth, VH-ABR Douglas DC3, VH-ACE Thorp T18 Tiger, VH-ACK Aeronca K Scout, VH-ACU Beech 17 Staggerwing, VH-ACW Fairchild 24R-9, VH-ACZ Stinson 105, VH-ADQ Auster J1B Aiglet, VH-AEQ Douglas C47-DL, VH-AFG De Havilland DHC-1 Chipmunk, VH-AFT Auster Autocar, VH-AGC De Havilland DH84A Dragon 3, VH-AGE Cessna 185 Skywagon, VH-AGJ Lockheed Hudson 111A, VH-AGR Ryan STM-2, VH-AGS Lockheed Hudson lVA, VH-AGW Ryan ST-M, VH-AHC Ryan ST-M2, VH-AHD Ryan ST-M2, VH-AIB De Havilland DH94 Moth Minor, VH-AJE Auster J-1 Autocrat, VH-AKE De Havilland DH82A Tiger Moth, VH-ALV CAC CA-6 Wackett Trainer, VH-AMA Piper PA-25-235 Pawnee B, VH-ANE Sikorsky S-62A, VH-ANJ Douglas C47-DL, VH-ANO Douglas C49B-DO, VH-ANP Douglas C49B-DO, VH-ANQ Douglas C49-DO, VH-ANS Douglas C47-DL, VH-ANV Douglas C47A-50-DL, VH-ANW Douglas C47A-25-DK, VH-ANX Douglas C47A-65-DL, VH-ANZ Douglas C47A-30-DL, VH-ARM De Havilland dh82 Tiger Moth, VH-ASF De Havilland DH82 Tiger Moth, VH-ASP Cessna 180 Skywagon, VH-AST De Havilland DHC 1 T10, VH-ASV Lockheed 12A Electra Junior, VH-ATJ De Havilland DH 82A Tiger Moth, VH-ATN De Havilland DH 82A Tiger Moth, VH-AUA De Havilland DH 82 Tiger Moth, VH-AUS De Havilland DH 82 Tiger Moth, VH-AUX Piper PA 22-150 Tri Pacer, VH-AZO Piper PA 25-235 Pawnee, VH-BAA Douglas C47 DC3-3CSI3G, VH-BAB Douglas C47 Skytrain, VH-BAE Chrislea CH3 Super Ace, VH-BAF Avro 652A Anson, VH-BAG Hughes 500C, VH-BAM Douglas C47A Skytrain, VH-BAW Bristol Sycamore Mk4 HR51, VH-BBH Fletcher FU-24A A4, VH-BBM Fletcher FU-24A A4, VH-BGO De Havilland DH82 Tiger Moth, VH-BGU Auster J-5B Autocar, VH-BGX De Havilland DH82 Tiger Moth, VH-BHG SAAB 91C Safir, VH-BIB Beech King Air, VH-BIZ Dassault ( Fan Jet ) Falcon 20CC, VH-BKC De Havilland DH82A Tiger Moth, VH-BLL Bell 47J-2A-1 Ranger, VH-BLM Bell 47G-3B-2, VH-BMD Piper PA-22-150 Tri Pacer, VH-BMG Saab 91C Safir, VH-BOM Piper PA-25 Pawnee, VH-BOR De Havilland DH82A Tiger Moth, VH-BOU Hawker Sea Fury, VH-BPP Piper PA-22-150 Tri Pacer, VH-BSM De Havilland DHC-1 Chipmunk 22, VH-BSR De Havilland DHC-1 Chipmunk 22, VH-BTB Piper J 3 Cub, VH-BTI Auster J5R Alpine, VH-BWI Victa Airtourer 100, VH-BWT Victa Airtourer 100, VH-BXP Piper PA-25-235 Pawnee, VH-BXQ Percival Proctor 3, VH-BZN Convair 440-97, VH-CAG Beech V35A Bonanza, VH-CAN Douglas C47A Skytrain, VH-CAO Hawker Siddeley HS-125-1B, VH-CAQ Beech A36 Bonanza, VH-CAS Cessna 170A, VH-CAT Fokker F27-1009 Friendship, VH-CAU Aero Commander 560E, VH-CAW Aero Commander 560E, VH-CAZ Cessna 310C, VH-CBS Corby CJ-1 Starlet, VH-CDS Auster J-5 Autocar, VH-CES De Havilland DH82A Tiger Moth, VH-CHP Victa Airtourer 115, VH-CJW De Havilland DH82 Tiger Moth, VH-CMA Piper PA-22-160 Tri Pacer, VH-CND Victa Airtourer 115, VH-CNO Victa Airtourer 100, VH-COD Piper PA-25-235 Pawnee, VH-CRA Grumman G-159 Gulfstream 1, VH-CTE Beech 65 Queen Air, VH-CTM Victa Airtourer 100 A1, VH-CTS De Havilland DH104 Dove 5, VH-CUB Piper PA-18-150 Super Cub, VH-CVA De Havilland DH82A Tiger Moth, VH-CWI Piper PA-28-180 Cherokee, VH-CXD Piper PA-22-150 Tri Pacer, VH-CXR Ryan STM-S2, VH-CXU Piel CP-301 Emeraude 100, VH-CXY DH82 Tiger Moth, VH-CYN De Havilland DHC-1 Chipmunk T10, VH-CYY Yeoman Cropmaster, VH-CZC Douglas DC9-31, VH-CZD Douglas DC9-31, VH-CZE Douglas DC9-31, VH-DAY Bellanca 7KCAB Citabria, VH-DBJ Piel CP301 Emeraude 100, VH-DBS De Havilland DHC-1 Mk21 Chipmunk, VH-DCM Fletcher FU-24A Mk2, VH-DDZ Victa Airtourer 100, VH-DEF Morane-Saulnier MS880B Rallye Club, VH-DES Thorp T-111 Sky Scooter, VH-DFJ DH82 Tiger Moth, VH-DLM Cessna 180A, VH-DLR Piper PA 18 Super Cub, VH-DMR Bell 47J-2A Ranger, VH-DRJ Jodel D11, VH-DUC Orlican L-40 Meta Sokol, VH-DUD Thorp T18, VH-DUR CZL Aero 145, VH-DUY Orlican L-40 Meta Sokol, VH-EMA Maule M-4-210 Rocket, VH-EMW Piper PA-22-20-160 Pacer, VH-EOD Fletcher FU24 Mk2, VH-EOL Gardan GY-80-160D Horizon, VH-EOV DH82A Tiger Moth, VH-EPC Beagle B121 SRS2 Pup 150, VH-EQE Britten Norman BN-2a Islander, VH-EQH Fletcher FU-24, VH-ESP De Havilland DHC-1 Chipmunk T10, VH-EWE Douglas C47 - DL, VH-EXR Aero Commander 500S, VH-EXY Aero Commander 680E, VH-FAH DH82A Tiger Moth, VH-FAL Piper PA-25-235 Pawnee, VH-FAS DH82A Tiger Moth, VH-FBR DH82A Tiger Moth, VH-FBS IMCO Callair A-9A, VH-FDC DHA-3 Drover, VH-FDS DHA-3 Drover, VH-FDT DHA-3 Drover, VH-FID Beechcraft D18S, VH-FIE Beechcraft D18S, VH-FJS Aerospatiale SE-3130 Alouette 2, VH-FMC Piper PA-25-235 Pawnee B, VH-FME Victa Airtourer 115, VH-FNA Fokker F27-050, VH-FNB Fokker F27-050, VH-FNO Fokker F27-050, VH-FNT Fokker F27-050, VH-FPA Grumman G-164 Agcat, VH-FSB Pilatus PC6-B1-H2 Turbo Porter, VH-FWG Beech A65-8200 Queen Air, VH-FZA Cessna 150M, VH-GAB Cessna 180A, VH-GAV Piper PA-25-150 Pawnee, VH-GCN Snow S-2D-600, VH-GCV Taylorcraft E Auster Mk3, VH-GEB De Havilland DHC-1- Sasin SA-29 Spraymaster, VH-GEK Piper PA-22-150 Tri Pacer, VH-GMC DH82A Tiger Moth, VH-GMD Hughes 269B, VH-GVA De Havilland 82A Tiger Moth, VH-IAM Cessna 180, VH-IAT Piper PA-20 Pacer, VH-IDA DeHavilland DHC-2 Beaver 1, VH-IDB DeHavilland DHC-2 Beaver 1, VH-IDD DeHavilland DHC-2 Beaver 1, VH-IDI DeHavilland DHC-2 Beaver 1, VH-IDK DeHavilland DHC-2 Beaver 1, VH-IDL DeHavilland DHC-2 Beaver 1, VH-IDS DeHavilland DHC-2 Beaver 1, VH-IDT DeHavilland DHC-2 Beaver 1, VH-IDU DeHavilland DHC-2 Beaver 1, VH-IDW DeHavilland DHC-2 Beaver 1, VH-IDX DeHavilland DHC-2 Beaver 1, VH-IGC Piel CP-301 Emeraude 100, VH-IHC Schweizer 300c, VH-IHF Schweizer 300c, VH-INB Douglas C-47A-20-DL, VH-INC Douglas C-47A-1-DK, VH-IND Bell 47J Ranger, VH-INE Bell 47J Ranger, VH-ING Douglas C-47A-85-DL, VH-INK Aviation Traders ATL-98A Carvair, VH-INM Aviation Traders ATL-98A Carvair, VH-INX Douglas C-54B-5-DO, VH-IRW Piper PA-22-108 Colt, VH-IXQ Cessna 180H Skywagon, VH-KAJ Auster J-1B Aiglet, VH-KBI Auster J-1B Aiglet, VH-KBU Auster J-1B Aiglet, VH-KCB Auster J-5P Autocar, VH-KCD Auster J-5-8 Bushmaster, VH-KCF Auster J-5G Cirrus Autocar, VH-KCT Auster J-1N Aiglet 2, VH-KEA Auster J-1 Autocrat, VH-KFB Piper PA-22-108 Colt, VH-KFC Piper PA-22-108 Colt, VH-KFJ Piper PA-22-108 Colt, VH-KOG Piper PA-25 Pawnee, VH-KSD Piper PA25-235 Pawnee, VH-KSN Auster J-5 Adventurer, VH-KSZ Auster J-5 Adventurer, VH-KVD Cessna A188 Agwagon, VH-KVL Cessna A188 Agwagon, VH-KVY Cessna 310L, VH-KWM Cessna C-34 Airmaster, VH-MBA Taylorcraft E Auster Mk3, VH-MBJ Victa Airtourer 100, VH-MBM Victa Airtourer 100, VH-MCH Piper PA-25-235 Pawnee B, VH-MEJ Piper PA-22-108 Colt, VH-MFN Victa Airtourer 100, VH-MFP Victa Airtourer 100, VH-MJD DeHavilland Dove Srs2, VH-MJE Beech D17S Staggerwing, VH-MJF Cessna 180A, VH-MKY Piper PA-22-160 Tri-pacer, VH-MLB DeHavilland DHC-2 Beaver, VH-MLE Cessna 182Q Skylane, VH-MLR Piper PA-25-235 Pawnee B, VH-MLS Piper PA-25-235 Pawnee B, VH-MMJ Fokker F28-1006 Fellowship, VH-MOA Victa Airtourer 100, VH-MOH Victa Airtourer 100, VH-MOI Victa Airtourer 100, VH-MOJ Victa Airtourer 100, VH-MPC Intermountain Callair A-9A, VH-MPN Intermountain Callair A-9A, VH-MRD Auster J-5G Cirrus Autocar, VH-MRZ Victa Airtourer 100, VH-MSA Piper PA-18A-150 Super Cub, VH-MSH Intermountain Callair A-9A, VH-MSU Intermountain Callair A-9A, VH-MTE Victa Airtourer 100, VH-MTP Victa Airtourer 100, VH-MTS Piper PA-22-150 Tri-Pacer, VH-MUE Victa Airtourer 100, VH-MUJ Victa Airtourer 100, VH-MUN Victa Airtourer 100, VH-MUO Victa Airtourer 100, VH-MUQ Victa Airtourer 100, VH-MUV Victa Airtpourer 100, VH-MVI Victa Airtourer 100, VH-MVJ Victa Airtourer 100, VH-MVP Victa Airtourer 100, VH-MWN DeHavilland DH82A Tiger Moth, VH-OYS, VH-PCK Piper PA-22-108 Colt, VH-PEX Piper Cub, VH-PIF Piper PA-22-108 Colt, VH-PPP Piper PA-25-235 Pawnee C, VH-PRT Avro 643 Cadet 2, VH-PSG Aero Commander 680, VH-PTP Champion 7EC Traveler, VH-PUL Auster J-2 Arrow Special, VH-PXQ Piper PA-18-150 Super Cub, VH-PXZ Piper PA-36-375 Brave, VH-PZA Champion 7ECA Citabria, VH-RFF Cessna180A Skywagon, VH-RJK De Havilland DHC-1 Chipmunk T10, VH-RJP Auster J-5 Adventurer, VH-RMB Lockheed L188A Electra, VH-RMG Locckheed L188A Electra, VH-RNI De Havilland DH82A Tiger Moth, VH-RSD De Havilland DHC-1 Chipmunk, VH-RSQ De Havilland DHC-1 Chipmunk 22, VH-RVG Cessna 172F Skyhawk, VH-RVS De Havilland DHC-1 Chipmunk T10, VH-RVY de Havilland DHC-1 Chipmunk T10, VH-SJH Piel CP-301 Emeraude 100, VH-SLS Cessna 180 Skywagon, VH-SMF Piaggio P166, VH-SSI De Havilland DH82A Tiger Moth, VH-SZT Victa Airtourer 115, VH-TBB Bristol 170-31 Freighter, VH-TFA Fokker F27-1002 Friendship, VH-TIG De Havilland DH82A Tiger Moth, VH-TJA Boeing 727-76, VH-TJC Boeing 727-76, VH-TJK Douglas DC-9-31, VH-TJN Douglas DC-9-31, VH-TLB Lockheed 188A Electra, VH-TQO Fokker F27-6152 Friendship, VH-TRB Transavia PL-12 Airtruk, VH-TRH Transavia PL-12 Airtruk, VH-TRK Transavia PL-12 Airtruk, VH-TSA Piper PA-25-235 Pawnee, VH-TTQ Piper PA-25-235 Pawnee B, VH-TVG Vickers Viscount 720, VH-TVI Vickers Viscount 756D, VH-TVL Vickers Viscount 756C, VH-TVM Vickers Viscount 756D, VH-TVP Vickers Viscount 816, VH-TVRVickers Viscount 818, VH-UAC CAB GY-20 Minicab, VH-UDE Avro 594 Avian Mk4, VH-UEI Druine D-31 Turbulent, VH-UHG Bell 205A-1, VH-UHU Westland Widgeon 3, VH-UKL De Havilland DHC-2 Turbo Beaver, VH-UKV De Havilland DH60 Gipsy Moth, VH-ULA Stilts SA-6B Flut-r-Bug, VH-ULL Luton LA-4 Minor, VH-ULM De Havilland DH60M Moth, VH-UMA De Havilland DHA-3 Drover, VH-UNL Beagle 206S Series 2, VH-UPD De Havilland DHC-1 Chipmunk T10, VH-UQB De Havilland DH80A Puss Moth, VH-UQE Avro 594 Avian Mk4, VH-UQV De Havilland DH-60M Moth, VH-UUR Klemm L25d , VH-UUY British Aircraft BA Eagle 2, VH-UYM Taylor J2 Cub, VH-WMM Auster,...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne VH-AAJ DHC-2 Beaver, VH-AAK DHC-2 Beaver, VH-AAP DH82A Tiger Moth, VH-ABR Douglas DC3, VH-ACE Thorp T18 Tiger, VH-ACK Aeronca K Scout, VH-ACU Beech 17 Staggerwing, VH-ACW Fairchild 24R-9, VH-ACZ Stinson 105, VH-ADQ Auster J1B Aiglet, VH-AEQ Douglas C47-DL, VH-AFG De Havilland DHC-1 Chipmunk, VH-AFT Auster Autocar, VH-AGC De Havilland DH84A Dragon 3, VH-AGE Cessna 185 Skywagon, VH-AGJ Lockheed Hudson 111A, VH-AGR Ryan STM-2, VH-AGS Lockheed Hudson lVA, VH-AGW Ryan ST-M, VH-AHC Ryan ST-M2, VH-AHD Ryan ST-M2, VH-AIB De Havilland DH94 Moth Minor, VH-AJE Auster J-1 Autocrat, VH-AKE De Havilland DH82A Tiger Moth, VH-ALV CAC CA-6 Wackett Trainer, VH-AMA Piper PA-25-235 Pawnee B, VH-ANE Sikorsky S-62A, VH-ANJ Douglas C47-DL, VH-ANO Douglas C49B-DO, VH-ANP Douglas C49B-DO, VH-ANQ Douglas C49-DO, VH-ANS Douglas C47-DL, VH-ANV Douglas C47A-50-DL, VH-ANW Douglas C47A-25-DK, VH-ANX Douglas C47A-65-DL, VH-ANZ Douglas C47A-30-DL, VH-ARM De Havilland dh82 Tiger Moth, VH-ASF De Havilland DH82 Tiger Moth, VH-ASP Cessna 180 Skywagon, VH-AST De Havilland DHC 1 T10, VH-ASV Lockheed 12A Electra Junior, VH-ATJ De Havilland DH 82A Tiger Moth, VH-ATN De Havilland DH 82A Tiger Moth, VH-AUA De Havilland DH 82 Tiger Moth, VH-AUS De Havilland DH 82 Tiger Moth, VH-AUX Piper PA 22-150 Tri Pacer, VH-AZO Piper PA 25-235 Pawnee, VH-BAA Douglas C47 DC3-3CSI3G, VH-BAB Douglas C47 Skytrain, VH-BAE Chrislea CH3 Super Ace, VH-BAF Avro 652A Anson, VH-BAG Hughes 500C, VH-BAM Douglas C47A Skytrain, VH-BAW Bristol Sycamore Mk4 HR51, VH-BBH Fletcher FU-24A A4, VH-BBM Fletcher FU-24A A4, VH-BGO De Havilland DH82 Tiger Moth, VH-BGU Auster J-5B Autocar, VH-BGX De Havilland DH82 Tiger Moth, VH-BHG SAAB 91C Safir, VH-BIB Beech King Air, VH-BIZ Dassault ( Fan Jet ) Falcon 20CC, VH-BKC De Havilland DH82A Tiger Moth, VH-BLL Bell 47J-2A-1 Ranger, VH-BLM Bell 47G-3B-2, VH-BMD Piper PA-22-150 Tri Pacer, VH-BMG Saab 91C Safir, VH-BOM Piper PA-25 Pawnee, VH-BOR De Havilland DH82A Tiger Moth, VH-BOU Hawker Sea Fury, VH-BPP Piper PA-22-150 Tri Pacer, VH-BSM De Havilland DHC-1 Chipmunk 22, VH-BSR De Havilland DHC-1 Chipmunk 22, VH-BTB Piper J 3 Cub, VH-BTI Auster J5R Alpine, VH-BWI Victa Airtourer 100, VH-BWT Victa Airtourer 100, VH-BXP Piper PA-25-235 Pawnee, VH-BXQ Percival Proctor 3, VH-BZN Convair 440-97, VH-CAG Beech V35A Bonanza, VH-CAN Douglas C47A Skytrain, VH-CAO Hawker Siddeley HS-125-1B, VH-CAQ Beech A36 Bonanza, VH-CAS Cessna 170A, VH-CAT Fokker F27-1009 Friendship, VH-CAU Aero Commander 560E, VH-CAW Aero Commander 560E, VH-CAZ Cessna 310C, VH-CBS Corby CJ-1 Starlet, VH-CDS Auster J-5 Autocar, VH-CES De Havilland DH82A Tiger Moth, VH-CHP Victa Airtourer 115, VH-CJW De Havilland DH82 Tiger Moth, VH-CMA Piper PA-22-160 Tri Pacer, VH-CND Victa Airtourer 115, VH-CNO Victa Airtourer 100, VH-COD Piper PA-25-235 Pawnee, VH-CRA Grumman G-159 Gulfstream 1, VH-CTE Beech 65 Queen Air, VH-CTM Victa Airtourer 100 A1, VH-CTS De Havilland DH104 Dove 5, VH-CUB Piper PA-18-150 Super Cub, VH-CVA De Havilland DH82A Tiger Moth, VH-CWI Piper PA-28-180 Cherokee, VH-CXD Piper PA-22-150 Tri Pacer, VH-CXR Ryan STM-S2, VH-CXU Piel CP-301 Emeraude 100, VH-CXY DH82 Tiger Moth, VH-CYN De Havilland DHC-1 Chipmunk T10, VH-CYY Yeoman Cropmaster, VH-CZC Douglas DC9-31, VH-CZD Douglas DC9-31, VH-CZE Douglas DC9-31, VH-DAY Bellanca 7KCAB Citabria, VH-DBJ Piel CP301 Emeraude 100, VH-DBS De Havilland DHC-1 Mk21 Chipmunk, VH-DCM Fletcher FU-24A Mk2, VH-DDZ Victa Airtourer 100, VH-DEF Morane-Saulnier MS880B Rallye Club, VH-DES Thorp T-111 Sky Scooter, VH-DFJ DH82 Tiger Moth, VH-DLM Cessna 180A, VH-DLR Piper PA 18 Super Cub, VH-DMR Bell 47J-2A Ranger, VH-DRJ Jodel D11, VH-DUC Orlican L-40 Meta Sokol, VH-DUD Thorp T18, VH-DUR CZL Aero 145, VH-DUY Orlican L-40 Meta Sokol, VH-EMA Maule M-4-210 Rocket, VH-EMW Piper PA-22-20-160 Pacer, VH-EOD Fletcher FU24 Mk2, VH-EOL Gardan GY-80-160D Horizon, VH-EOV DH82A Tiger Moth, VH-EPC Beagle B121 SRS2 Pup 150, VH-EQE Britten Norman BN-2a Islander, VH-EQH Fletcher FU-24, VH-ESP De Havilland DHC-1 Chipmunk T10, VH-EWE Douglas C47 - DL, VH-EXR Aero Commander 500S, VH-EXY Aero Commander 680E, VH-FAH DH82A Tiger Moth, VH-FAL Piper PA-25-235 Pawnee, VH-FAS DH82A Tiger Moth, VH-FBR DH82A Tiger Moth, VH-FBS IMCO Callair A-9A, VH-FDC DHA-3 Drover, VH-FDS DHA-3 Drover, VH-FDT DHA-3 Drover, VH-FID Beechcraft D18S, VH-FIE Beechcraft D18S, VH-FJS Aerospatiale SE-3130 Alouette 2, VH-FMC Piper PA-25-235 Pawnee B, VH-FME Victa Airtourer 115, VH-FNA Fokker F27-050, VH-FNB Fokker F27-050, VH-FNO Fokker F27-050, VH-FNT Fokker F27-050, VH-FPA Grumman G-164 Agcat, VH-FSB Pilatus PC6-B1-H2 Turbo Porter, VH-FWG Beech A65-8200 Queen Air, VH-FZA Cessna 150M, VH-GAB Cessna 180A, VH-GAV Piper PA-25-150 Pawnee, VH-GCN Snow S-2D-600, VH-GCV Taylorcraft E Auster Mk3, VH-GEB De Havilland DHC-1- Sasin SA-29 Spraymaster, VH-GEK Piper PA-22-150 Tri Pacer, VH-GMC DH82A Tiger Moth, VH-GMD Hughes 269B, VH-GVA De Havilland 82A Tiger Moth, VH-IAM Cessna 180, VH-IAT Piper PA-20 Pacer, VH-IDA DeHavilland DHC-2 Beaver 1, VH-IDB DeHavilland DHC-2 Beaver 1, VH-IDD DeHavilland DHC-2 Beaver 1, VH-IDI DeHavilland DHC-2 Beaver 1, VH-IDK DeHavilland DHC-2 Beaver 1, VH-IDL DeHavilland DHC-2 Beaver 1, VH-IDS DeHavilland DHC-2 Beaver 1, VH-IDT DeHavilland DHC-2 Beaver 1, VH-IDU DeHavilland DHC-2 Beaver 1, VH-IDW DeHavilland DHC-2 Beaver 1, VH-IDX DeHavilland DHC-2 Beaver 1, VH-IGC Piel CP-301 Emeraude 100, VH-IHC Schweizer 300c, VH-IHF Schweizer 300c, VH-INB Douglas C-47A-20-DL, VH-INC Douglas C-47A-1-DK, VH-IND Bell 47J Ranger, VH-INE Bell 47J Ranger, VH-ING Douglas C-47A-85-DL, VH-INK Aviation Traders ATL-98A Carvair, VH-INM Aviation Traders ATL-98A Carvair, VH-INX Douglas C-54B-5-DO, VH-IRW Piper PA-22-108 Colt, VH-IXQ Cessna 180H Skywagon, VH-KAJ Auster J-1B Aiglet, VH-KBI Auster J-1B Aiglet, VH-KBU Auster J-1B Aiglet, VH-KCB Auster J-5P Autocar, VH-KCD Auster J-5-8 Bushmaster, VH-KCF Auster J-5G Cirrus Autocar, VH-KCT Auster J-1N Aiglet 2, VH-KEA Auster J-1 Autocrat, VH-KFB Piper PA-22-108 Colt, VH-KFC Piper PA-22-108 Colt, VH-KFJ Piper PA-22-108 Colt, VH-KOG Piper PA-25 Pawnee, VH-KSD Piper PA25-235 Pawnee, VH-KSN Auster J-5 Adventurer, VH-KSZ Auster J-5 Adventurer, VH-KVD Cessna A188 Agwagon, VH-KVL Cessna A188 Agwagon, VH-KVY Cessna 310L, VH-KWM Cessna C-34 Airmaster, VH-MBA Taylorcraft E Auster Mk3, VH-MBJ Victa Airtourer 100, VH-MBM Victa Airtourer 100, VH-MCH Piper PA-25-235 Pawnee B, VH-MEJ Piper PA-22-108 Colt, VH-MFN Victa Airtourer 100, VH-MFP Victa Airtourer 100, VH-MJD DeHavilland Dove Srs2, VH-MJE Beech D17S Staggerwing, VH-MJF Cessna 180A, VH-MKY Piper PA-22-160 Tri-pacer, VH-MLB DeHavilland DHC-2 Beaver, VH-MLE Cessna 182Q Skylane, VH-MLR Piper PA-25-235 Pawnee B, VH-MLS Piper PA-25-235 Pawnee B, VH-MMJ Fokker F28-1006 Fellowship, VH-MOA Victa Airtourer 100, VH-MOH Victa Airtourer 100, VH-MOI Victa Airtourer 100, VH-MOJ Victa Airtourer 100, VH-MPC Intermountain Callair A-9A, VH-MPN Intermountain Callair A-9A, VH-MRD Auster J-5G Cirrus Autocar, VH-MRZ Victa Airtourer 100, VH-MSA Piper PA-18A-150 Super Cub, VH-MSH Intermountain Callair A-9A, VH-MSU Intermountain Callair A-9A, VH-MTE Victa Airtourer 100, VH-MTP Victa Airtourer 100, VH-MTS Piper PA-22-150 Tri-Pacer, VH-MUE Victa Airtourer 100, VH-MUJ Victa Airtourer 100, VH-MUN Victa Airtourer 100, VH-MUO Victa Airtourer 100, VH-MUQ Victa Airtourer 100, VH-MUV Victa Airtpourer 100, VH-MVI Victa Airtourer 100, VH-MVJ Victa Airtourer 100, VH-MVP Victa Airtourer 100, VH-MWN DeHavilland DH82A Tiger Moth, VH-OYS, VH-PCK Piper PA-22-108 Colt, VH-PEX Piper Cub, VH-PIF Piper PA-22-108 Colt, VH-PPP Piper PA-25-235 Pawnee C, VH-PRT Avro 643 Cadet 2, VH-PSG Aero Commander 680, VH-PTP Champion 7EC Traveler, VH-PUL Auster J-2 Arrow Special, VH-PXQ Piper PA-18-150 Super Cub, VH-PXZ Piper PA-36-375 Brave, VH-PZA Champion 7ECA Citabria, VH-RFF Cessna180A Skywagon, VH-RJK De Havilland DHC-1 Chipmunk T10, VH-RJP Auster J-5 Adventurer, VH-RMB Lockheed L188A Electra, VH-RMG Locckheed L188A Electra, VH-RNI De Havilland DH82A Tiger Moth, VH-RSD De Havilland DHC-1 Chipmunk, VH-RSQ De Havilland DHC-1 Chipmunk 22, VH-RVG Cessna 172F Skyhawk, VH-RVS De Havilland DHC-1 Chipmunk T10, VH-RVY de Havilland DHC-1 Chipmunk T10, VH-SJH Piel CP-301 Emeraude 100, VH-SLS Cessna 180 Skywagon, VH-SMF Piaggio P166, VH-SSI De Havilland DH82A Tiger Moth, VH-SZT Victa Airtourer 115, VH-TBB Bristol 170-31 Freighter, VH-TFA Fokker F27-1002 Friendship, VH-TIG De Havilland DH82A Tiger Moth, VH-TJA Boeing 727-76, VH-TJC Boeing 727-76, VH-TJK Douglas DC-9-31, VH-TJN Douglas DC-9-31, VH-TLB Lockheed 188A Electra, VH-TQO Fokker F27-6152 Friendship, VH-TRB Transavia PL-12 Airtruk, VH-TRH Transavia PL-12 Airtruk, VH-TRK Transavia PL-12 Airtruk, VH-TSA Piper PA-25-235 Pawnee, VH-TTQ Piper PA-25-235 Pawnee B, VH-TVG Vickers Viscount 720, VH-TVI Vickers Viscount 756D, VH-TVL Vickers Viscount 756C, VH-TVM Vickers Viscount 756D, VH-TVP Vickers Viscount 816, VH-TVRVickers Viscount 818, VH-UAC CAB GY-20 Minicab, VH-UDE Avro 594 Avian Mk4, VH-UEI Druine D-31 Turbulent, VH-UHG Bell 205A-1, VH-UHU Westland Widgeon 3, VH-UKL De Havilland DHC-2 Turbo Beaver, VH-UKV De Havilland DH60 Gipsy Moth, VH-ULA Stilts SA-6B Flut-r-Bug, VH-ULL Luton LA-4 Minor, VH-ULM De Havilland DH60M Moth, VH-UMA De Havilland DHA-3 Drover, VH-UNL Beagle 206S Series 2, VH-UPD De Havilland DHC-1 Chipmunk T10, VH-UQB De Havilland DH80A Puss Moth, VH-UQE Avro 594 Avian Mk4, VH-UQV De Havilland DH-60M Moth, VH-UUR Klemm L25d , VH-UUY British Aircraft BA Eagle 2, VH-UYM Taylor J2 Cub, VH-WMM Auster, Slide (SP) Finnigan collection of slides taken in 1960s covering hundreds of aircraft with Australian registration (VH-) ... -
Shepparton RSL Sub BranchUniform, Pants, Circa 1942
... High waist 6 x buttons for suspenders, 6 buttons to fly, 2 pockets, striped material to waist, lable MTX along with indelable pen CRA....Label MTX and indelible pen CRA...High waist 6 x buttons for suspenders, 6 buttons to fly, 2 pockets, striped material to waist, lable MTX along with indelable pen CRA. Uniform, Pants ...WW2 Royal Australian Air Force. Also see statement of Signifiance.Example of WW2 Officers Pants. Tunic material can determine which country the tunic came from, Dark Blue- Australia, Light Blue-England, in between, South Africa, Canada and New Zealand.RAAF Officers Pants Dark Blue Wool Serge, multiple moth holes both legs. High waist 6 x buttons for suspenders, 6 buttons to fly, 2 pockets, striped material to waist, lable MTX along with indelable pen CRA.Label MTX and indelible pen CRAraaf, officers uniform -
Shepparton RSL Sub BranchUniform, Tunic, Circa 1942
... Lable in coller MTX Size 8 overwritten in black CRA....On coller lable which says MTX Size Eight, overwritten in black CRA....Lable in coller MTX Size 8 overwritten in black CRA. Uniform, Tunic ...WW2 Royal Australian Air Force. Also see statement of Signifiance.Example of WW2 Officers Tunic, this example has a Kings Crown on the sleeve which denotes that the tunic could have been worn as late as 1953, after 1953 it would have been a Queens crown. Crown and eagle denotes Air-Crew. Tunic material can determine which country the tunic came from, Dark Blue- Australia, Light Blue-England, in between, South Africa, Canada and New Zealand.RAAF Officers Tunic, Flying Officer, Dark Blue Wool Serge, with four pockets, inside lining is of black cotton, sleeve lining is of striped sleeve lining material. Five Red Year Shevrons on lower right sleeve, with waist belt with black bakalite buckle held in place by two buttons. Four eyelets to end of waist belt.On lower sleves Crown and Eagle in blackened copper with blue and white rank lace. Number of buttons in correct position (8). Lable in coller MTX Size 8 overwritten in black CRA.On coller lable which says MTX Size Eight, overwritten in black CRA.raaf, officers uniform -
Phillip Island and District Historical Society Inc.
Photograph, 21/11/1969
... CRA. 3UL...Local History PHOTOGRAPHY Photographs Slides Film CIVIL ENGINEERING Bridges Phillip Island Bridge 1969 Black & White Photograph Mrs Helen Jansson Second Phillip Island Bridge 1969 CRA. 3UL Slightly side close-up view of man at microphone 3UL. ...Part of a collection donated and presented by Mrs Helen Jansson. Official opening of second Phillip Island Bridge to San Remo, by Hon. M. V. Porter, MLA, at 2.15 pm 21/11/1969.Slightly side close-up view of man at microphone 3UL. Low bushes in foreground. CRB roofed shelter.CRA. 3ULlocal history, photography, photographs, slides, film, civil engineering, bridges, phillip island bridge 1969, black & white photograph, mrs helen jansson, second phillip island bridge 1969 -
Melbourne Tram MuseumSlide, Keith Caldwell, Mar. 1962
... The Rio Tinto, later the CRA building can be seen in the skyline....The Rio Tinto, later the CRA building can be seen in the skyline. Slide Keith Caldwell ...Agfa Colour slide, cardboard, by Keith Caldwell dated March 1962 of W7 1039 in Nicholson St with the Exhibition Gardens in the background. The tram has the destination of Exhibition, Route 95. The Rio Tinto, later the CRA building can be seen in the skyline.In ink "1039 Nicholson Mar 62"trams, tramways, nicholson st, exhibition, w7 class, route 95, tram 1039 -
Uniting Church Archives - Synod of VictoriaPhotograph, Profit and the Christian: John Ralph interview, 1984
... Ralph was managing director of CRA, chairman of Comalco, at the time....Ralph was managing director of CRA, chairman of Comalco, at the time. profit and the christian long, bernard church & nation ralph, john Identification of person and source. ...John Ralph was interviewed by Bernard Long in an article entitled "Profit and the Christian - Bernard Long breakfasts with me at the top and later with folk at the bottom." Ralph was managing director of CRA, chairman of Comalco, at the time.Head and shoulders portrait of John Ralph.Identification of person and source.profit and the christian, long, bernard, church & nation, ralph, john -
Melbourne Tram MuseumPostcard, Murfett Publishers, Spring and Collins St, with one of the Parliament House light standards, early 1960's
... On the rear - has a divided back, with National View by Murfett Publishers and logo, description of the station and number BP1019.1, notes the Consolidated Zinc (or Rio Tinto - CRA) building....On the rear - has a divided back, with National View by Murfett Publishers and logo, description of the station and number BP1019.1, notes the Consolidated Zinc (or Rio Tinto - CRA) building. Spring and Collins St, with one of the Parliament House light standards Postcard Murfett Publishers ...Postcard - Colour - National View by Murfett Publishers, BP1019.1 from the corner of Spring and Collins St, with one of the Parliament House light standards, looking east at the Paris end of Collins St, a W2 class tram is in the view. On the rear - has a divided back, with National View by Murfett Publishers and logo, description of the station and number BP1019.1, notes the Consolidated Zinc (or Rio Tinto - CRA) building.On the rear has the stamp of Graeme S Breydon - see image i2.trams, tramways, collins st, spring st, parliament -
Federation University Historical Collection
Letter, Correspondence between Ian Whitcher and E.J. (Jack) Barker, 05/12/2008
... ...CRA...Barker Library (top floor) Mount Helen goldfields Ian whitcher Ballarat school of Mines alumni Hammersley COnsolodated Zinc Pty Ltd CRA CAP Tom Price Three page letter from Ian Whitcher (Ballarat School of Mines Alumni) to E. ...Three page letter from Ian Whitcher (Ballarat School of Mines Alumni) to E. J. Barker (former Ballarat School of Mines principal concerning the career of Ian Whicherian whitcher, ballarat school of mines, alumni, hammersley, consolodated zinc pty ltd, cra, cap, tom price -
Melbourne Tram MuseumPostcard - Collins St Melbourne, Murfett Publishers, c1965
... The photograph shows Collins St looking west from near Spring St. The CRA building built in 1962 was Melbourne's tallest building. ...Melbourne Tram Museum 8 Wallen Road Hawthorn melbourne The photograph shows Collins St looking west from near Spring St. The CRA building built in 1962 was Melbourne's tallest building. ...The photograph shows Collins St looking west from near Spring St. The CRA building built in 1962 was Melbourne's tallest building. Tram 523 is westbound running a route 12 service, Published by Murfett Publishers Melbourne, card No. P.142, Pastichrome printed in the USA.Yields information about Collins St c1965.Postcard - full colour, divided back.melbourne, postcard, collins st, cra buildiing, murfett, tram 523, w2 class, route 12, mmtb -
Flagstaff Hill Maritime Museum and VillageBook - Book of Plays, William James Craig, Shakespeares Complete Works, 1894
... The label on the spine cover with typed text PAT 822.3 CRA Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service. ...The label on the spine cover with typed text PAT 822.3 CRA Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service. ...The 1894 volume of Shakespeare's Complete Works, published by Oxford, is a historic and highly regarded edition in the history of Shakespearean publishing. This volume is the "Oxford Shakespeare," edited by the renowned Irish scholar William James Craig (1843–1906). Craig originally compiled and published this single-volume, modern-spelling edition for Oxford in late 1891 (often referred to as the 1891/1892 edition), making the 1894 printing one of the earliest subsequent editions. While the spine or title page reads "Oxford" or "Oxford University Press," it was printed under the prestigious Clarendon Press imprint.Bound Compilation of Shakespeare's Plays Shakespeare's Complete Works Author: William Shakespeare Editor: William James Craig Publisher: Oxford/Oxford University Press Date: 1894fictionThe 1894 volume of Shakespeare's Complete Works, published by Oxford, is a historic and highly regarded edition in the history of Shakespearean publishing. This volume is the "Oxford Shakespeare," edited by the renowned Irish scholar William James Craig (1843–1906). Craig originally compiled and published this single-volume, modern-spelling edition for Oxford in late 1891 (often referred to as the 1891/1892 edition), making the 1894 printing one of the earliest subsequent editions. While the spine or title page reads "Oxford" or "Oxford University Press," it was printed under the prestigious Clarendon Press imprint. flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, shakespeares complete works, william shakespeare -
Bacchus Marsh & District Historical SocietyGeological specimen - Sample of Pulverised Dried Brown Coal, Maddingley Brown Coal Mine, 1981
... Maddingley brown coal was then used to fire boilers for the CRA/VISY cardboard factory at Bacchus Marsh. ...Maddingley brown coal was then used to fire boilers for the CRA/VISY cardboard factory at Bacchus Marsh. ...The Maddingley area of Bacchus Marsh was surveyed for brown coal deposits in the 1930s. By the early 1940s brown coal in large quantities was being extracted and was transported to Melbourne where it was used to fire boilers for the Australian Paper Mills (APM) company. By the 1970s APM was using natural gas instead of coal. Maddingley brown coal was then used to fire boilers for the CRA/VISY cardboard factory at Bacchus Marsh. This factory closed down in 1990. During the 1990s the mine was acquired by the Calleja family company who ran transport and waste management operations.The Maddingley Brown coal mine was a major industry in Bacchus Marsh for 50 years. A sample of coal from the mine is a reminder of the importance of this local industry over an extended period of time.Two cylindrical plastic containers mounted on rectangular baseSample of pulverised brown coal produced from Maddingley brown coal deposit located at Bacchus Marsh Victoria, October 1981. Moisture content 12% - Specific energy - 22 GJ/Tonne - Particle size - 25% +90 Microncoal mines, mining, brown coal, maddingley brown coal mine -
Melbourne Tram MuseumPostcard - National View, Nucolorvue Publishing, Wellington Parade Melbourne, early 1970's
... Shows a Safety Zone on the north side of the tram tracks. Has the CRA building, the hotel on the corner of Flinders and Spring St that was demolished for Shell House. ...Shows a Safety Zone on the north side of the tram tracks. Has the CRA building, the hotel on the corner of Flinders and Spring St that was demolished for Shell House. ...One of a series of postcards published by National View by Murfett Publishers Australia. Has the details on the rear with place for a stamp, address etc, and logo. Shows W2 546 (Spencer St Route 38), possibly about to pick up passengers at the Jolimont Road Stop. At the time Wellington Parade was effectively a one-way street with extensive car parking on the south side. Shows a Safety Zone on the north side of the tram tracks. Has the CRA building, the hotel on the corner of Flinders and Spring St that was demolished for Shell House. See Reg Item 3555 for a later view by the same company.Yields information about the appearance of Wellington Parade, Jolimont, mid to late 1970's.Postcard - National View - plain edges, Wellington Parade looking west towards the CBD. Card No. P-1014-2w2 class, postcard, souvenir, wellington parade, route 38, tram 546, national view -
Melbourne Tram MuseumPostcard, Valentine's, "Melbourne Mansions Collins St Melb", 1919c
... The building was demolished in 1958 to make way for Consolidated Zinc Building (CRA) completed in 1962. but since demolished. ...The building was demolished in 1958 to make way for Consolidated Zinc Building (CRA) completed in 1962. but since demolished. ...Postcard Real photo number M2844, titled "Melbourne Mansions Collins St Melb", by Valentine Sons. Featuring a west bound cable tram set in Collins Street between Exhibition and Russell Streets bound for Spencer Street, The trailer car appears to be No 52 and also has a non-standard destination box fitted on the side. The Melbourne Mansions Building. 91 - 101 Collins Street, was funded by David Syme proprietor of The Age newspaper and built in 1906. It is thought to be the first block of residential flats within the city limits. The building was demolished in 1958 to make way for Consolidated Zinc Building (CRA) completed in 1962. but since demolished. The large building further along Collins Street is the Austral Building completed in 1891. There are several parked cars and horse drawn wagons on the south side of Collins Street and an early Morris Oxford (Bullnose) on the northside. Behind that is one of the early ornate electric street lighting poles of the era. The photo has been taken around 1919 as the fourth floor addition to The Alexandra Club is visible in the photo. Unfortunately this particular copy of the photo has faded over time.Demonstrates a Valentine and Sons Real photograph postcard.Postcard - Real photograph - divided back unused.cable trams, collins st, tramways, tram 52 -
Bendigo Historical Society Inc.Document - BALLOT PAPERS TARNAGULLA, 19th May, 1973
... Another piece of paper has Mr Cra? Goldfield's Historical Society written on it. ...Another piece of paper has Mr Cra? Goldfield's Historical Society written on it. ...Blue Voting paper with Borough of Tarnagulla printed at the top. Candidates' Names are George Barlow, Thomas Bayliss, John Beynon, Thomas Henderson, William Herd Voting directions at the end of page. White paper titled Ballot Paper School District of the Borough of Tarnagulla. Candidates' Names are Henry Charles Bristol, Robert Harrison Burstall, Edward Buckley, Thomas Comrie, James Clouston, George Minto, and Thomas Scorer. Voting Directions printed at the bottom of page. Printed by John Ferres, Government Printer, Melbourne. Another piece of paper has Mr Cra? Goldfield's Historical Society written on it. Typed on another piece of paper is: These two ballot papers were found in the Tarnagulla Town Hall before its reconstruction this year. Apart from a few records in possession of the Goldfields Historical Society the Tarnagulla Borough Records were pulped during the war. The ballot paper for the School District is an election for a School Board of Advice in 1873 (the first election under the Act). The Voting paper is for the Borough Council, date unknown but it was not (underlined) the first election. With compliments of the Goldfields Historical Society per their Curator John J. Alderson. 11/4/61By Authority John Ferres, Government Printer, Melbourneevent, official, civic, ballot papers tarnagulla, tarnagulla town hall, goldfields historical society, tarnagulla borough records, school board of advice, john j alderson, henry charles bristol, robert harrison burstall, edward buckley, thomas comrie, james clouston, george minto, thomas scorer, george barlow, thomas bayliss, john beynin, thomas henderson, william herd, john ferres -
Sunshine and District Historical Society IncorporatedPainting - A Meet of the Melbourne Hunt Club Members on Horseback Lithograph Print, 1893
... A Meet of the Melbourne Hunt Club correspondence for the painting on North Wall|Key to A Meet on the Melbourne Hunt Club by Herbert Woodhouse|His Excellency The Governor The Earl of Hopetoun|The Countess of Hopetoun|Mr Geo Watson Master|Mr Godfrey Watson Deputy Master|Miss Chirnside|Miss Watson|Miss C Crooke|Miss Manifold|Mr Mars Buckley|Mrs F Lanyoon Pesso|Miss G Crooke|Lieutenent Cras Commiss|Ms J Madden|Ms TP Manifold|Late Mrs FD Haghety|Mr C Willan|Mr WN Williams|Mr Arhur Anderson|Mr Geo Russell|Mr Ned Watson|Mr W Snr J Robertson|Mr RF Yeomans|Mr Arthur Earl Lewis|Mr JH Gill|Mr Cecil MacMeehan|Mr Richard Gibbon|Mr RM Turner|Dr CL Lempsienne|Mr Maurice Miller|Mr RR De Little|Mr R De Courcy Talbot|Mr W Glasscock|Mr H Osborn|Mr Oswald Gibbons|Mr WF Landdon|Mr F Cooper Smith|Mr FB Eccles|Mr TE Lempriere|Mr C Glasscoke|Mr TH Payne|Mr Seton G Williams|Mr FH Bacon|Mr B Armitage|Mr Donald Munro|Mr R Hethold|Mr W Stawell|Mr K Hayes|Mr WAT Peell|Mr CE Prell|Mr H Brush|Mr JB Nutting|Mr A Chirnside|Mr R Grice|Mr P Hethold...With kind regards Jonathan Benyei (co-Executor for Dorothy Benyei) [email protected] Melbourne Hunt Club A Meet of the Melbourne Hunt Club correspondence for the painting on North Wall|Key to A Meet on the Melbourne Hunt Club by Herbert Woodhouse|His Excellency The Governor The Earl of Hopetoun|The Countess of Hopetoun|Mr Geo Watson Master|Mr Godfrey Watson Deputy Master|Miss Chirnside|Miss Watson|Miss C Crooke|Miss Manifold|Mr Mars Buckley|Mrs F Lanyoon Pesso|Miss G Crooke|Lieutenent Cras Commiss|Ms J Madden|Ms TP Manifold|Late Mrs FD Haghety|Mr C Willan|Mr WN Williams|Mr Arhur Anderson|Mr Geo Russell|Mr Ned Watson|Mr W Snr J Robertson|Mr RF Yeomans|Mr Arthur Earl Lewis|Mr JH Gill|Mr Cecil MacMeehan|Mr Richard Gibbon|Mr RM Turner|Dr CL Lempsienne|Mr Maurice Miller|Mr RR De Little|Mr R De Courcy Talbot|Mr W Glasscock|Mr H Osborn|Mr Oswald Gibbons|Mr WF Landdon|Mr F Cooper Smith|Mr FB Eccles|Mr TE Lempriere|Mr C Glasscoke|Mr TH Payne|Mr Seton G Williams|Mr FH Bacon|Mr B Armitage|Mr Donald Munro|Mr R Hethold|Mr W Stawell|Mr K Hayes|Mr WAT Peell|Mr CE Prell|Mr H Brush|Mr JB Nutting|Mr A Chirnside|Mr R Grice|Mr P Hethold A framed Lithograph Print of the "Meet of the Melbourne Hunt Club Members on Horseback" Painting A Meet of the Melbourne Hunt Club Members on Horseback Lithograph Print ...The hand coloured 1893 original lithograph copy which you took receipt of today measures approximately 90x145cm. My mother (who went on to work in a bank during the second world war) learned numeracy from the picture (counting the number of white horses, tails of the dogs etc) and inherited the painting from her uncle and aunt (Douglas & Doris Milne from Colac). They were given the lithograph by the owners of one of the grand homesteads in the region who were close associates of the Milnes. My mother thought it might have been one of the Robertson homesteads ‘Corongamorah’, ‘Coraguluc’, ‘Cororooke’, ‘Glen Alvie’ or ‘The Hill’ (the attached picture legend #24 references a Mr W St J Robertson). As Executor for my mother (who died on 25 September and who was also the archivist for the Kew Historical Society for over 30 years), I can confirm that we are delighted that this much loved lithograph has returned to a place and with people who appreciate the history and provenance. The picture is yours to do with as you wish. With kind regards Jonathan Benyei (co-Executor for Dorothy Benyei) [email protected] framed Lithograph Print of the "Meet of the Melbourne Hunt Club Members on Horseback"A Meet of the Melbourne Hunt Club correspondence for the painting on North Wall|Key to A Meet on the Melbourne Hunt Club by Herbert Woodhouse|His Excellency The Governor The Earl of Hopetoun|The Countess of Hopetoun|Mr Geo Watson Master|Mr Godfrey Watson Deputy Master|Miss Chirnside|Miss Watson|Miss C Crooke|Miss Manifold|Mr Mars Buckley|Mrs F Lanyoon Pesso|Miss G Crooke|Lieutenent Cras Commiss|Ms J Madden|Ms TP Manifold|Late Mrs FD Haghety|Mr C Willan|Mr WN Williams|Mr Arhur Anderson|Mr Geo Russell|Mr Ned Watson|Mr W Snr J Robertson|Mr RF Yeomans|Mr Arthur Earl Lewis|Mr JH Gill|Mr Cecil MacMeehan|Mr Richard Gibbon|Mr RM Turner|Dr CL Lempsienne|Mr Maurice Miller|Mr RR De Little|Mr R De Courcy Talbot|Mr W Glasscock|Mr H Osborn|Mr Oswald Gibbons|Mr WF Landdon|Mr F Cooper Smith|Mr FB Eccles|Mr TE Lempriere|Mr C Glasscoke|Mr TH Payne|Mr Seton G Williams|Mr FH Bacon|Mr B Armitage|Mr Donald Munro|Mr R Hethold|Mr W Stawell|Mr K Hayes|Mr WAT Peell|Mr CE Prell|Mr H Brush|Mr JB Nutting|Mr A Chirnside|Mr R Grice|Mr P Hetholdmelbourne hunt club -
Sunshine and District Historical Society IncorporatedDocument - A Meet of the Melbourne Hunt Club Members on Horseback Notes, 1893
... A Meet of the Melbourne Hunt Club correspondence for the painting on North Wall|Key to A Meet on the Melbourne Hunt Club by Herbert Woodhouse|His Excellency The Governor The Earl of Hopetoun|The Countess of Hopetoun|Mr Geo Watson Master|Mr Godfrey Watson Deputy Master|Miss Chirnside|Miss Watson|Miss C Crooke|Miss Manifold|Mr Mars Buckley|Mrs F Lanyoon Pesso|Miss G Crooke|Lieutenent Cras Commiss|Ms J Madden|Ms TP Manifold|Late Mrs FD Haghety|Mr C Willan|Mr WN Williams|Mr Arhur Anderson|Mr Geo Russell|Mr Ned Watson|Mr W Snr J Robertson|Mr RF Yeomans|Mr Arthur Earl Lewis|Mr JH Gill|Mr Cecil MacMeehan|Mr Richard Gibbon|Mr RM Turner|Dr CL Lempsienne|Mr Maurice Miller|Mr RR De Little|Mr R De Courcy Talbot|Mr W Glasscock|Mr H Osborn|Mr Oswald Gibbons|Mr WF Landdon|Mr F Cooper Smith|Mr FB Eccles|Mr TE Lempriere|Mr C Glasscoke|Mr TH Payne|Mr Seton G Williams|Mr FH Bacon|Mr B Armitage|Mr Donald Munro|Mr R Hethold|Mr W Stawell|Mr K Hayes|Mr WAT Peell|Mr CE Prell|Mr H Brush|Mr JB Nutting|Mr A Chirnside|Mr R Grice|Mr P Hethold...With kind regards Jonathan Benyei (co-Executor for Dorothy Benyei) [email protected] Melbourne Hunt Club A Meet of the Melbourne Hunt Club correspondence for the painting on North Wall|Key to A Meet on the Melbourne Hunt Club by Herbert Woodhouse|His Excellency The Governor The Earl of Hopetoun|The Countess of Hopetoun|Mr Geo Watson Master|Mr Godfrey Watson Deputy Master|Miss Chirnside|Miss Watson|Miss C Crooke|Miss Manifold|Mr Mars Buckley|Mrs F Lanyoon Pesso|Miss G Crooke|Lieutenent Cras Commiss|Ms J Madden|Ms TP Manifold|Late Mrs FD Haghety|Mr C Willan|Mr WN Williams|Mr Arhur Anderson|Mr Geo Russell|Mr Ned Watson|Mr W Snr J Robertson|Mr RF Yeomans|Mr Arthur Earl Lewis|Mr JH Gill|Mr Cecil MacMeehan|Mr Richard Gibbon|Mr RM Turner|Dr CL Lempsienne|Mr Maurice Miller|Mr RR De Little|Mr R De Courcy Talbot|Mr W Glasscock|Mr H Osborn|Mr Oswald Gibbons|Mr WF Landdon|Mr F Cooper Smith|Mr FB Eccles|Mr TE Lempriere|Mr C Glasscoke|Mr TH Payne|Mr Seton G Williams|Mr FH Bacon|Mr B Armitage|Mr Donald Munro|Mr R Hethold|Mr W Stawell|Mr K Hayes|Mr WAT Peell|Mr CE Prell|Mr H Brush|Mr JB Nutting|Mr A Chirnside|Mr R Grice|Mr P Hethold Notes containing the names of who was featured in the engraving "A Meet of the Melbourne Hunt Club Members on Horseback" Document A Meet of the Melbourne Hunt Club Members on Horseback Notes ...The hand coloured 1893 original lithograph copy which you took receipt of today measures approximately 90x145cm. My mother (who went on to work in a bank during the second world war) learned numeracy from the picture (counting the number of white horses, tails of the dogs etc) and inherited the painting from her uncle and aunt (Douglas & Doris Milne from Colac). They were given the lithograph by the owners of one of the grand homesteads in the region who were close associates of the Milnes. My mother thought it might have been one of the Robertson homesteads ‘Corongamorah’, ‘Coraguluc’, ‘Cororooke’, ‘Glen Alvie’ or ‘The Hill’ (the attached picture legend #24 references a Mr W St J Robertson). As Executor for my mother (who died on 25 September and who was also the archivist for the Kew Historical Society for over 30 years), I can confirm that we are delighted that this much loved lithograph has returned to a place and with people who appreciate the history and provenance. The picture is yours to do with as you wish. With kind regards Jonathan Benyei (co-Executor for Dorothy Benyei) [email protected] Meet of the Melbourne Hunt Club correspondence for the painting on North Wall|Key to A Meet on the Melbourne Hunt Club by Herbert Woodhouse|His Excellency The Governor The Earl of Hopetoun|The Countess of Hopetoun|Mr Geo Watson Master|Mr Godfrey Watson Deputy Master|Miss Chirnside|Miss Watson|Miss C Crooke|Miss Manifold|Mr Mars Buckley|Mrs F Lanyoon Pesso|Miss G Crooke|Lieutenent Cras Commiss|Ms J Madden|Ms TP Manifold|Late Mrs FD Haghety|Mr C Willan|Mr WN Williams|Mr Arhur Anderson|Mr Geo Russell|Mr Ned Watson|Mr W Snr J Robertson|Mr RF Yeomans|Mr Arthur Earl Lewis|Mr JH Gill|Mr Cecil MacMeehan|Mr Richard Gibbon|Mr RM Turner|Dr CL Lempsienne|Mr Maurice Miller|Mr RR De Little|Mr R De Courcy Talbot|Mr W Glasscock|Mr H Osborn|Mr Oswald Gibbons|Mr WF Landdon|Mr F Cooper Smith|Mr FB Eccles|Mr TE Lempriere|Mr C Glasscoke|Mr TH Payne|Mr Seton G Williams|Mr FH Bacon|Mr B Armitage|Mr Donald Munro|Mr R Hethold|Mr W Stawell|Mr K Hayes|Mr WAT Peell|Mr CE Prell|Mr H Brush|Mr JB Nutting|Mr A Chirnside|Mr R Grice|Mr P Hetholdmelbourne hunt club -
Federation University Historical CollectionCertificate, Ballarat School of Mines, William Corbould's Ballarat School of Mines Metallurgy Certificate, 11/07/1883
... In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. ...In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. ...William Corbould was the son of a Ballarat tailor. He attended Ballarat College, and obtained certificates in assaying and metallurgy at the Ballarat School of Mines (SMB) in 1883, studying under the revered Professor Mica Smith. Corbould was not a born student and remembered his first experience at SMB: 'From the Registrar's Office I was led to be introduced to the Professor of Chemistry, one Mica Smith. The initial encounter gave me little encouragement - his large laboratory was filled with hundreds of bottles bearing strange labels with queer symbols on them. My heart sank. At the first opportunity I grabbed my hat and made for the door, but the good professor called me back. I pointed out that I was never any good at school ... so it was no use pretending to be clever enough to understand all those weird symbols! The Professor told me not to worry about that and took me to one of the benches where he found a blowpipe and a charcoal block. Mixing together two powders from bottles on the shelf he transferred a sample to the charcoal and directed the bunsen flame onto it. Soon it began to melt and a white bead appeared in front of my eyes. He then took a test tube and added a little colourless liquid from each of two bottles. A beautiful dark blue colour appeared. My interest was won.' During Corbould's mining career he travelled to Europe twice, and visited most of Australia's main mining fields. Corbould started his career as an assayer at Pinnacle Silver Mine, Silverton, and was then a self-employed assayer at Broken Hill. Corbould became an assayer for the infant BHP mine, and later worked in Kalgoorlie and Coolgardie, including managing Hannan's Reward, the oldest gold mine on the Kalgoorlie gold field. He spent 13 years at the Mount Elliott copper fields as general manager. In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. He was the man who made it all possible. He is tremendously important in the Mount Isa story, because he was the first technical man, the first professional man on the scene. He was responsible as I said, for bringing finance to the place, but I think even more importantly he was the first man to recognise the need to put all the little claims in the Mount Isa discovery together. I think perhaps his major contribution to Mount Isa was this amalgamation on the various claims. He recognised that the ore bodies at Mount Isa were not as rich as Broken Hill and they would never have survived had it been fragmented, so he was terribly important.' After completing major financial negotiations for Mt Isa Mine from London in 1927 Corbould remained in Europe where he remained until his death. Corbould was awarded the Legion of Honour of the American Institute of Mining and Metallurigical Engineers for fifty years service. Corbould died at Monaco in 1949 at the age of 82. (http://guerin.ballarat.edu.au/curator/honour-roll/honourroll_Corbould,William.shtml)A white paper certificate with black printed and handwritten text, and a blue Ballarat School of Mines seal. The certificate is signed by Andrew Berry (Registrar) and James Oddie (Vice-President).Signed on the left 'W.H. Corbould'mining, ballarat school of mines, mining alumni, metallurgy, james oddie, andrew berry, william corbould, corbould, berry, oddie -
Federation University Historical CollectionPhotograph, Ballarat School of Mines Corbould Building
... In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. ...In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. ...Corbould Hall was named after Ballarat School of Mines alumni WIlliam Corbould. William Corbould was the son of a Ballarat tailor. He attended Ballarat College, and obtained certificates in assaying and metallurgy at the Ballarat School of Mines (SMB) in 1883, studying under the revered Professor Mica Smith. Corbould was not a born student and remembered his first experience at SMB: 'From the Registrar's Office I was led to be introduced to the Professor of Chemistry, one Mica Smith. The initial encounter gave me little encouragement - his large laboratory was filled with hundreds of bottles bearing strange labels with queer symbols on them. My heart sank. At the first opportunity I grabbed my hat and made for the door, but the good professor called me back. I pointed out that I was never any good at school ... so it was no use pretending to be clever enough to understand all those weird symbols! The Professor told me not to worry about that and took me to one of the benches where he found a blowpipe and a charcoal block. Mixing together two powders from bottles on the shelf he transferred a sample to the charcoal and directed the bunsen flame onto it. Soon it began to melt and a white bead appeared in front of my eyes. He then took a test tube and added a little colourless liquid from each of two bottles. A beautiful dark blue colour appeared. My interest was won.' During Corbould's mining career he travelled to Europe twice, and visited most of Australia's main mining fields. Corbould started his career as an assayer at Pinnacle Silver Mine, Silverton, and was then a self-employed assayer at Broken Hill. Corbould became an assayer for the infant BHP mine, and later worked in Kalgoorlie and Coolgardie, including managing Hannan's Reward, the oldest gold mine on the Kalgoorlie gold field. He spent 13 years at the Mount Elliott copper fields as general manager. In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. He was the man who made it all possible. He is tremendously important in the Mount Isa story, because he was the first technical man, the first professional man on the scene. He was responsible as I said, for bringing finance to the place, but I think even more importantly he was the first man to recognise the need to put all the little claims in the Mount Isa discovery together. I think perhaps his major contribution to Mount Isa was this amalgamation on the various claims. He recognised that the ore bodies at Mount Isa were not as rich as Broken Hill and they would never have survived had it been fragmented, so he was terribly important.' After completing major financial negotiations for Mt Isa Mine from London in 1927 Corbould remained in Europe where he remained until his death. Corbould was awarded the Legion of Honour of the American Institute of Mining and Metallurigical Engineers for fifty years service. Corbould died at Monaco in 1949 at the age of 82. He bequested 6000 pounds to the Ballarat School of Mines, his will stating 'for the purpose of founding a scholarship to commemorate the memory of the late Alfred Mica Smith'. The accumulated income from this sum provides the Mica Smith travelling scholarship, enabling successful students in mining, metallurgy or chemistry to undertake a year's travelling abroad. The first award was made in 1957. In the same year a general purpose hall at SMB was named the Corbould Hall as a tribute to a distinguished former student and generous benefactor.ballarat school of mines corbould building, corbould hall, corbould building -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth I, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Yackandandah I, 1983
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth III, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth – Old Court House, 1972
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Courthouse - Beechworth, 1974
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth Carriage Museum III, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth Carriage Museum II, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth Carriage Museum I, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BEECHWORTH CARRIAGE MUSEUM / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW-08 / B 9 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth II, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: (illegible) / BEECHWORTH Reverse: BEECHWORTH / MARCUSE BEECHWORTH NOSTALGIA BW-06 / B10 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Yackandandah XI, c1972-1976
... During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: YACKANDANDAH / ERNEST MARCUSE Reverse: Y 1 / 012 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
