Blue, counted cross stitch on white linencross stitch, craft, bole

Cross stitch belt with a leader finish

Mrs Ethel Webb embroidered this in the 1940's. One bedspread is in the Power House Museum in Sydney. The bedspread design was designed by Mrs Webb using motifs from various sources. She died before she completed the piece.This is the last of six bedspreads embroidered by the donor's mother, Mrs Ethel Webb in the 1930's and 1940's. One bedspread is in the Power House Museum in Sydney. The bedspread design is stitched in cross stitch on cream linen. It was designed by Mrs Webb using motifs from various sources. She died before she completed the piece.Mrs Webb's eldest daughter embroidered her name and date of death on the top, the whole piece looks like a large cross stitch sampler.embroidery, cross stitch

Cross stitch bag in Danish style with finger cord pull.embroidery, embroidery, cross stitch, danish, linen, bags

The mat was embroidered by the donor's aunt, Kathleen Blanche Hayes (nee Gawler). Biography in the Archives. Design appears ethnic and is said to be Russian.Cream linen mat with red and blue cross-stitch design of small stylized birds in the Russian style.embroidery, cross stitch, mats

The pennant designed and cross stitched by Margaret Thorpe to fill in lonely hours whilst Colin Arthur Thorpe was in Vietnam. She presented the pennant to the Currumbin RSL Queensland. In 2018 a small plaque was present to NVVM for the Garden of Remembrance. A cross stitch pennant with the Royal Corps of Australian Electrical and Mechanical Engineers emblem. A blue, yellow and red striped background with the emblem cross stitched in wool with hessian backing.R A E M Ecolin arthur thorpe, 15485, raeme, margaret thorpe

Small brown and white gingham mat worked in a technique called 'Australian cross stitch', surface stitchery in white thread.embroidery, australia, cross stitch, mats, 1980-2000, surface stitchery

Small sampler on natural linen. Cross stitch in grey thread. Design is a simple alphabet and numbers. Three sides are hemmed and one end is selvedge.E Smart 1809embroidery, sampler, cross stitch, alphabet

Mat was embroidered by the donor's aunt - Mrs Gretchen Fuiche from a design she obtained in Germany in 1939Cross stitch mat in red, blue and green design. Stranded cotton, the stylised tulip design appears to be a traditional German design (refer to 1151 which has an identical design)embroidery, cross stitch, mats, 1920-40, germany

Designed and embroidered to depict 'Georges' Collins Street Store at the turn of the 1900's. Guild Exhibitions were displayed for many years in the gallery of this store.Fine cross stitch on even weave linen, showing Georges facade around the turn of the century. Ladies are walking along Collins Street, and there is a horse and carriage on the road. Mounted in brown frame. Early Days D.K. Faudellembroidery, cross stitch, pictures, 1980-2000, australia

Worked by donor for a display in 1961Elizabethan alphabet letters A to M worked in cross stitch on natural even weave linen. A variety of coloured stranded cotton and metal or lurex threads. Two sizes of letters. The small one in black and red. Hem stitched edge.embroidery, cross stitch, sampler, australia, 1960-80

Worked by donor for a display in 1961Elizabethan alphabet - Letters N to Z, worked in cross stitch on natural even weave linen. A variety of coloured stranded cotton and metal/lurex threads. Two sizes of letters. Small letters in black and red only. Hem stitched edge.J.P. 1961 (on back hem)embroidery, sampler, australia, cross stitch, 1960-80

Bag made in South America, embroidered in cross stitch in a geometric design in yellow, bright pink, dark blue, cream, brown and dark red cotton, and lined with pink printed cotton, and a fringe of dark blue twisted cord with a white band on the end of each twist.embroidery, bag, south america, cross stitch

significant to the Pyrenees Shire and Lexton communityframed cross stitch

Owned by Charles Mc Gregor in 1866, Pyramid Rock Road. Donated by G W GliddonNeedlework. Cross stitch bookmark on perforated board. Black stitches-possibly human hair- with red border. Enclosed in carboard and plasticForget me not "words on the bookmark are made with human hair according to Jessie's story, which is doubtless correct. The writer remembers similar things being done with hair inthe 1890s" JWG [ J W Gliddon] 1970charles mcgregor, needlework, j w gliddon

Trish hand stitched this cross for her husband - ex veteran. It was a birthday present as his birthday was on Remembrance Day.Textile - Cross stitch hand made 'Remembrance Day' picture in colour with 100% cotton and Aida fabric. Light grey, grey and black lettering. Illustration - in colour, poppies with background silhouette of soldier and 4 crosses. Framed - clear varnish on timber, MDF book, glass front.textile, remembrance day

Unknown, possible early 1800'sCross stitch sampler of alphabets and numbers, worked on linen, mounted on linen in a wooden frame.Ellen Gibson Aged 8 years "Just like an early rose I've seen an infant bloom but death perhaps before it blows may lay it in the tomb"alphabet, sampler

Donor worked as a missionary in the Sudan. 'I worked in the Nuba Mountains but for holiday's (travel difficult) sometimes spent a short period in other missions. One of these stays was with the Presbyterian mission. They worked north of Khartoum. The pieces were done by women trained by the American missionary and the designs were probably influenced by them.A) Cream mat with cross stitch on one end in various colours. 42x29cms B) Square yellow mat with a design round 4 sides in diagonal cross stitch. 25x25cms C) Cream mat with diagonal cross stitch and cross stitch design of leaves and berries inprint of green down one side 41x27cms D) Book mark in cream linen with decorative geometric design in cross stitch and diagonal cross stitch. E) Book mark in cream linen with multi coloured trail of leaves in cross stitch and diagonal cross stitch 12.5x4.5cmsembroidery, cross stitch

Wangaratta Art Gallery CollectionA black and white cross stitched portrait of a woman on a laptop screen.clare mccracken, cross stitch, portrait, textile

The piece was worked by a school child and sold to the Donor by the proud grandmother.A square of Black fabric with white cross stitch pattern. Cross worked disregarding fabric threads.embroidery, cross stitch, furnishings, 1980-2000, china

Braces said to belong to donor's grandfather.The braces appear to have been embroidered for a child and could be European in origin. The straps are decorated with sprays of flowers in beading, half cross stitch and cross stitch. The straps are finished with white kid tabs.embroidery, embroidery, braces, beading, cross stitch

Purchased in Greece 1961. From the Save the Children Fund in Budapest, worked by a child.Traditional design, in bright deep blue cross stitch on handwoven linen.Label on reverse - Hungarian old design, made in Budapest, work rooms by Save the Children Fund children.embroidery, towel, cross stitch, 1940-60, mid european, lions, flowers, heraldic

The Old School in Funtington (near Chichester, West Sussex) operated from 1839 until it closed as a primary school in 1967. The former schoolhouse and adjoining teacher's residence have since been beautifully restored into private properties and bed and breakfast accommodations. Established in 1839, the small village school provided elementary education for local children, including surrounding hamlets like East and West Ashling. The substantive part of the Westhampnett village school was built in 1839, paid for through the patronage of the fifth Duke of RIchmond and the Goodwood Estate. Its foundation was connected with a concern for social improvement at the time. The school provided for the basic educational requirements of local working families who were mainly in the employ of the Goodwood Estate, and orphans from the nearby Westhampnett Workhouse. Beige linen with cross stitched alphabets and borders in brown, blue and black. A virtuous woman seeketh wool, and flax, and worketh willingly with her hands. Prov XXX1 13. Eliza Ann Girdler. Huntington National School. 1839embroidery, sampler, cross stitch, early 19th century, england

From the collection of the late Dr. Georgina Sweet, who was the first woman veterinarian in Victoria and who travelled extensively in Middle Europe in the Early 20th century.Natural linen ground, cross stitched traditional patterns in red and black thread.embroidery, cross stitch, middle european, yugoslavia, table cloths

Fine cream cotton material with traditional embroidery of flowers in bright colours of red, blue, green and brown worked in cross stitch. Both sides are the same. Sides are joined by an interesting cross stitch. Removable lining is quilted.embroidery, cross stitch, tea cosy, czechoslovakia

Originally framed by William Hayward, carver - gilder and picture frame manufacturer 54 Upper Richmond Road, Putney, EnglandFramed needlework sampler - five lines of alphabet and numbers worked in red cross stitch on a light brown material, followed by a verse, then a house, birds, boat, windmill, animals worked below. Cross stitch sampler. (See 'Other Information' for verse).Signed in cross stitch by the embroiderer, Sarah Moats, aged 10, 1836.handcrafts, embroidery

Given to the donor by the daughter of the Rajah of Punal, when she was 9 years old.Small drawstring bag in large cross stitch in bright colours (Card and two photos inside bag).embroidery, bag, cross stitch

Cross stitch in dull colours on coarse dark beige linen. Alphabets and numbers. Framed with green mount.Janet Fairley, aged 7 years 1825embroidery, cross stitch, sampler

Remembering the White Building, 2017 Clare McCracken As Cambodia rapidly urbanises, it is the urban poor that are forcibly removed from their homes to make way for shiny new apartment towers they cannot afford. In 2014 during a residency at the White Building, a medium-density slum in central Phnom Penh, Clare stitched pocket-sized cross-stitches of the ornate bricks of the building over the top of cross-stitch patterns of Angkor Wat. She gifted these tiny works to the residents she met - something they could take with them as a reminder of their community when it was demolished. In 2017, as the Cambodian government demolished the building, Clare created another series of the works: in memory of a community that had now been destroyed.Wangaratta Art Gallery CollectionA textile artwork that is made up of 4 cross stitch squares with each square a different colour and design.clare mccracken, cross stitch, textile