History of the crucifix ownership not known at this point. To be checked.Small moulded crucifix made of brass.religion, christianity

Whilst the crucifix appears to be the result of two separate items being fused together it is probable that this artefact was used in one of the Missions at Port Melbourne or possibly aboard a ship.The Mission to Seafarers began its life as an Anglican based charity and continues to be so today. However, throughout the years it has always offered an ecumenical approach to offering social, spiritual and physical comfort to seafarers. Wooden crucifix with ornate brass Jesus on the cross affixed to front. The brass cross is very ornate with floral motifs and scroll work. It appears that the wooden crucifix and brass crucifix were originally two separate items and several nails have been used to affix the brass ornament to the wooden one. Brass plaque on wooden crucifix: "INRI" Brass inscription on brass crucifix: "INRI"religion, wood, brass, anglican, jesus, crucifix, ecumenical-tradition, st peter chapel, mission to seafarers, flinders street, seamen's mission

Steel cross with pewter figure. Small ring for hangingcrucifix, pewter, steel, chatham-holmes collection

.1 The Key of Heaven: a Manual of Prayer for Catholics .2 Sunday Missal and Lectionary.1 Small black prayer book .2 Larger green book - missal and lectionary .3 Large silver crucifix .4 Large wooden cross with silver crucifix attachedmissal, crucifix, lectionary, catholic, chatham-holmes collection, holy cards

The item belonged to Sgt Jack Grinton No 1043, 38th Batt AIF. Part of the Grinton collection which included hundreds of negatives and developed photos that he took during the War. Refer Cat No 1280 for service details. Refer 1317P, 1320P.Small brass crucifix, has small length of chain and string attached to top.religion - christian, metalcraft-brassware

The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver tone, faux pearl crucifix necklace with purple glass bead, on long silver chain. "(c) SARAH COV/CANADA" on back of crucifix sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces

Souvenir from The Holy Land brought home by Eric L. BUGGE VX6316. Refer 181 for his service history.Wooden crucifix, brass figure of Christ glued on front. 4 pieces of laminated wood with decorative edging, decorative top layer of mother-of-pearl. Lower right-hand corner & edge missing. Hanger at top.Souvenir from the Holy Land. Brought home by Eric L. Bugge.Rear: "Jerusalem" 14 circles with strange hieroglyphics.religion-christian, souvenirs, handcrafts

Four pages from the magazine Décoration and Glass with 5 pictures of the Art Deco mission in Port Melbourne built in 1937.non-fictionArticle describing the 1937 Port Melbourne building.harry norris, port melbourne, king george v memorial building, art deco, 1937

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A timber and steel sculpture. art, artwork, horsham campus art collection, sculpture

Missal used at wedding of parents of Margaret Scully in 1956.Missal and prayer book with cellulose cover with cross on cover. Crucifix on inside cover. Contained in box.Rev John J. Brennanreligion, marriage

Cross/crucifix, wooden with circle around intersect. The vertical arm is elongated. The three tip point are rounded.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Produced for sale by Lake Tyers Scenic Boat TripsColour postcard of crucifix statue in grotto surrounded by scrub and timber Lake Tyers House Lake Tyers VictoriaStatue at Lake Tyers Housejetties, waterways

Item was in the collection that relates to James Patterson McCall “MM” No 6401 AIF, refer Cat No 2925 for his service history.Rimmed rifle cartridges soldered base to base, a bullet mounted, all in the form of a crucifix. The base is a small amount of beaten copper with a 6 leaf pattern. On the crucifix is a statue of crucified Jesus with a Rising Sun badge behind his head. The figurine looks like it is made from brass. military history - souvenirs, trench art

Accesssioned from Catholic church at Patchewollock in 2013 where it had been since the1950s before which it was used for Sunday Mass in the local hall. Tradition has it to have been a field altar used by Rev O' Sullivan Goidenach, MM at Gallipoli and on the Western Front 1915 - 1918. Associated correspondence in archive includes a letter of gratitude from General Birdwood to Monsignor Goidenach.A rare surviving example of a Roman Catholic Mass Travelling/ Field altar from the WWI era, used in Western Victorian venues before churches were built.Wooden cased travelling altar with altar stone, brass candle sconces, brass crucifix and storage for vestments, and Mass requirements. travelling altar, field altar, world war i, rev o'sullivan goidenach, patchewollock, birdwood.

Black and white photograph with publication inscriptions for use on p126 of 'Pioneers & Painters' but another image of Crucifix by Matcham Skipper ultimately used insteadpioneers and painters

Part of the Reverend Chaplain Major Thomas Bruce Williams, No. 556101, Collection.Six gold coloured crucifix shaped collar badges. Each has two pins on the back to which are attached brass press clips foe fastening to a collar.army chaplain, collar badge, insignia, major thomas b. williams.

Jug (cruet) conical shaped solid copper with handle and spout, crucifix embossed at side, Made in England by J S and S. 2 imprinted on base centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jug, cruet

Boxed rosary presented to Bishop O'Collins for his Jubilee in 1972 with presentation card from Sr St Charles (Sr of Nazareth) enclosed. Crucifix and junction cast in sterling silver by Alex Mitchel & Co. Ltd, Dublin. Crucifix designed by Louis de Brocquy, RMA & junction designed by Anne Crawcour.rosary, mitchel, crawcour, crucifix, beads. o'collins.

This religious almanac with biblical imagery listed the Churches of Christ in Australasia and scripture readings for a calendar year of 1892. The almanac was produced and updated annually to reflect current information. The Churches of Christ in Australia is a Reformed Restorationist denomination. Congregations in South Australia, Victoria and New South Wales were established by individuals who travelled to these colonies to pursue employment opportunities, elsewhere in Australia Churches of Christ congregations were established as missionary initiatives. Churches of Christ in Victoria began with the arrival of the Ingram and Picton families from England who established regular meetings in Prahran and officially constituted a congregation in 1855. In Warrnambool plans were drawn up in 1883 for the erection of a Church of Christ at 12 Spence Street. The church was opened in 1885 with visiting pastors until a resident minister, A. J. Fisher, was appointed in 1915. This church was closed early in the 21st century when a new church, Gateway Church of Christ, was opened in Ragland Parade in Warrnambool. A rare survival of social and spiritual ephemera related to the Christian worship throughout Australia during the late nineteenth century. Portrait of a religious female figure wearing a simple dress with a crucifix around her neck. On the rear of the frame is an 1892 Australasian Church of Christ Almanac for suggested scripture readings. One of a pair.flagstaff hill, warrnambool, maritime museum, 1892, almanac, scripture readings, australiasian church of christ, church, religion, christianity

Diggers & Mining: The Diggers. First image is lady tied to wheel with the caption: 'Might is the supreme right, and the dispute as to what right is decided by the Arbitraitanent of war.' Berhardi. Second image is of Jesus on the crucifix. With the caption: 'Him who opposes me I shall crush to pieces'. Tue Kaiser. Calling citizens to join army. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 10. Used as a teaching aid.Visaireducation, tertiary, religion

H.V.Rooke. Refer Cat No 4906.2 for service details..1) Cloth folding wallet light brown colours, inside has small crucifix, badge and oval created edge piece sewn in, has central flower with black writing, other half has open piece with clear plastic sleeve for ID card. .2)Catholic Identification card black print 4 pages, front has space for owners details, written in blue ink..1) “Thy Kingdom Come”. .2) hand written, “VX47141 Pte H.V. Rooke 2/29th Battalion 31 creek St Bendigo, wife 31 Creek St Bendigo”accessory, id, identification, catholic

This box contains a collection of objects and documents pertaining to the memorial service held for Hugh Jeffrey on 6th February 2001. The objects include a folder entitled "Cherished Memories", which contains readings from the service, a list of participants and attendess, and a condolence book. There is also a cardboard folder featuring a crucifix on the cover, which has a preserved copy of newspaper death notices. The box also contains two audio cassettes containing recordings of the thanksgiving service and celebrations which followed.1 lidded box containing various documents and objectshugh jeffrey, memorial

This cross or crucifix is part of the original furnishings of St Nicholas Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. the cross was presented to the church in 1942 by Mrs R J Ewart, M.N., to commemorate the lives of those lost at sea. The cross was donated to Flagstaff Hill Maritime Village by the Missions to Seamen Victoria on 29th May 1979 along with many other items. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village. Hence, the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This brass cross is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The item is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this item to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Polished brass altar cross on a round base with top and side branch ends shaped like three-leafed clovers. The Centre of the cross is a circular shape. An inscription is engraved in script on the base. Mrs R.J. Ewart presented the cross to the church in 1942 to commemorate those lost at sea. This is now part of the St Nicholas Seamen's Church Collection. "Presented by / Mrs. R.J. Ewart, / M.N. / In Memory of those lost at sea. / 1942"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, church furnishings, mission to seamen victoria, cross, crucifix, r j ewart, st nicholas church williamstown, religious symbol, church furnishing

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Australian Army khaki wool jacket with green polyester lining. Gold coloured plastic buttons with Army Christian Chaplain's insignia. Each lapel has a plain gold coloured metal crucifix attached. Captain's pips on each epaulette. There are two button down breast pockets and two button down side pockets on the jacket. Inside pocket on the left hand side. A white calico manufacturer's label is sewn onto this pocket.Printed on the manufacturer's label: 'A.G.C.F., VICTORIA, 1987 (upwards arrow) ARMY NO, NAME'. Handwritten in black ink on manufacturer's label: '556101, CHAPLAIN, T.B. WILLIAMS'.uniform, service dress, army chaplain, major thomas bruce williams

This book includes the classic poem ‘Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, the lines of which are set out in twelve pages of double columns. Each section of the poem is titled, such as 'Part the Sixth'. The twenty lithographed line drawings by J. Noel Paton RSA illustrate major events of the story and repeat the applicable verse below them. Most of the drawings have the initials of the artist and the lithographer on the bottom corners, below which are printed their names. The margins of the poem contain printed author's notes. Interestingly, the printer's name is added as a footnote on page 12, at the end of the poem. The book is included in the Rare Books collection of Flagstaff Hill. Its description closely matches one of two copies of the book held by the British Museum. There have been other publications of Coleridge’s poem over the years, based on various editions of his poem and illustrated by other artists. When this book was first published, Paton’s illustrations were available individually for the public to purchase. The author, Samuel Taylor Coleridge (1772-1834), was a notable late 18th to early 19th century English poet. He was the youngest of fourteen children. His father was a vicar as well as the master of a grammar school, with Samuel attended. Coleridge's longest poem, 'Rime of the Ancient Mariner', was written about 1797-1798 and tells of the experiences and adventures of a sailor. It was included in a collection of poetry titled 'Lyrical Ballads', jointly written with his friend William Wordsworth. The volume is considered the beginning of the Romantic era of British poetry. Coleridge acknowledges William Wordsworth in this poem, in ‘Part the Forth’ with the footnote “For the two left lines of this stanza, I am indebted to Mr Wordsworth. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the autumn of 1797, that this poem was planned, and in part composed”. Sir Joseph Noel Paton RSA (1821-1901) is a well-known Scottish-born artist and painter of historical artwork, created the line illustrations in 1863, highlighting the main points of the poem. In the same year he also illustrated Charles Kingsley's 'Water Babies'. He was appointed Queen’s Limner for Scotland from 1866. The book was published in 1863 by the Art Union of London, an organisation whose members paid an annual subscription, and who received an annual prize of a work of art. The organisation was established in 1837 and membership quickly grew until the 1870's. Membership then slowly dropped off until the organisation was would up in 1912. Lithographer William Husband McFarlane, of Edinburgh, Scotland, created the black and white lithograph outlines from Paton’s drawings, illustrating many of the lines of the poem. The book of poetry and Illustrations was then printed by Neill & Company, Edinburgh, in 1763. The company was formed by Patrick Neill in 176. The company was known for inventing one of the early mechanical typesetting machines, which was used for the Company's publications as well as sold to other companies even into the early 1900s. The firm continued in business until 1973. This copy of the book was presented to Emily Taylor Smith by her father on September 16, 1867, four years after it was published. There is no further information available about Emily at this point in time.This Victorian era book of poetry with illustrated prints, the 'Rime of the Ancient Mariner' by Samuel Taylor Coleridge, is considered to be a rare book. The British Museum holds two copies, one of which is very similar in description. The book is significant for containing a poem written by the renowned British poet Samuel Coleridge, who acknowledges the contribution of a couple of the lines to his friend William Wordsworth. The book's significance is increased for being included in a collection of poetical works jointly written by Coleridge and his friend William Wordsworth, entitled 'Lyrical Ballads' and published in 1797. The printer of the book, Neill & Company, was known for pioneering an early mechanical typesetting machine. It’s significance also includes the collection of Victorian artwork within. Coleridge's poem is significant for being included in 'Lyrical Ballads', which is considered to signify the beginning of the Romantic era of British poetry. Book: large, burgundy linen covered, hard cover, with gold embossed title and images, landscape orientation. Title: Coleridge's Rime of the Ancient Mariner. Author: Samuel Taylor Coleridge Illustrator: J. Noel Paton, R.S.A. Publisher: Art-Union of London in 1863. Lithographer: W.H. McFarlane in Edinburgh, Scotland, 1863. Printer: Neill & Company, Edinburgh, Scotland Contents include the lines of a poem, with lithograph illustrations above applicable short verse. The cover and fly page have the same emblems. A personal inscription is hand written in nib pen inside the book.Printed: "COLERIDGE'S RIME OF THE ANCIENT MARINER" "ILLUSTRATED BY J. NOEL PATON, R.S.A." "ART-UNION OF LONDON, 1863" " W.H. McFARLANE, LITHOGr, EDINBURGH" "Printed by Neill & Company, Edingurgh" Emblems embossed on cover, and a repeat printed on fly page, include stars encircling a crucifix and a snake entwined around a cross bow with a branch in its mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coleridge's rime of the ancient mariner, rime of the ancient mariner, ancient mariner, samuel coleridge, j. noel paton, art-union of london, 1863, rare book, samuel taylor coleridge, art union of london, w.h. mcfarlane, william husband macfarlane, sir joseph noel paton, poem, emily taylor smith, 1867, romantic period, william wordsworth, lithograph, poetry, lyrical ballads, british romantic movement, literary work, neill & company edinburgh, j. noel paton rsa, mechanical typesetting, alexander neill fraser, mechanical typesetting machine

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Black woollen trousers with a purple stripe down the outside of each leg. Zipper fly. Calico manufacturer's label sewn onto the inside of the waist band. .2) White elastic braces with leather attachments for securing to trousers. .3) Black woollen waistcoat with four gold coloured buttons, each bearing a Christian Chaplain's insignia. .4) Black woollen mess jacket with purple lapels, cuffs and epaulettes. Black nylon fabric lining. Gold crucifix on each lapel. Major's insignia on each epaulette. Gold coloured buttons each bearing a Christian Chaplain's insignia. .5) Black fabric bow tie with clear plastic clips for fastening to a collar.Handwritten on trousers' manufacturer's label in black ink: '556101'army chaplain, uniform, mess dress, major thomas b. williams

Frame 5. Photo 1. Lonely graves on a battlefield. This has been identified as "Vaire Wood cemetery" just south of the Somme at Vaire-sous-Corbie. Some 28 diggers from Vaire Wood were later reburied at Crucifix Corner Cemetery at Villers Bretonneux. Photo 2 and 3. Two photos, troop train luxury travel. This is possibly 45th quota men 'en route' from Gamaches to Havre in early 1919. From Havre they sailed for England on the "Prince George". Photo 4. Bert Grinton receiving his "DCM" from Lady Denman for actions around Clery on 31/8/1918. His CITATION reads: For conspicuous gallantry and devotion to duty near Clery on 31st August 1918. he became detached from his Company and joined another party in the advance. mainly through his assistance with a Lews Gun, they cleared an enemy trench, killing about 30 and capturing several machine guns. he got on top of the trench and under heavy fire silenced a field gun which was firing over open sights. This is from the official records in his service documents. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs top to bottom. 1. Graves on a battlefield. 2 x 2. Troops in front of a rail wagon. View of rail wagons and troops. 3. Soldier receiving an award. Frame - timber with black colour paint, glass front, mount black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten, blue felt tip pen "5."framed photographs, grinton collection, ww1, 38th