Williams Cycle Shop was in Walsh Street Tatura.Black and white photo of Williams Cycle Shop, Walshe Street, Tatura. Horse rail in front. Two large and one small bikes leaning on front windows. Verandah has iron decoration. In black plastic glassed frame with L1067williams cycle shop, tatura bicycle shop, walsh street tatura, joyce bell

non-fictioncycle, electrical and sporting goods

Obituary for George Ernest Robinson, cyclist and cycle manufacturer of BlackburnObituary for George Ernest Robinson, cyclist and cycle manufacturer of Blackburn.blackburn cycling club, robinson, george, rob's cycle and sports

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu

Whitehorse people. [George Robinson, proprietor of Rob's Cycle and Sports, Blackburn]robinson, george, rob's cycle and sports, bicycle shops

Mr Robinson, 85 of Robs Special Cycles, closing his shop in Blackburn after 56 years of business. Winner of Kew Amateur Cycle Club's championship 1933 and Melbourne to Woodend race in 1932.robinson, george, robinson, francis, shone, noel, rob's cycle and sports, bicycle shops

Hartwell Motor Cycle Club. The East Burwood section of its run comprised Holland road, Burwood Road and Ely Road. It was very steep and muddy. Description of a walk along Burwood Road to Middleborough Road in 1929 - 30. History of Royton Street, East Burwood and its neighbourhood from the 1930's to the present.Hartwell Motor Cycle Club. motor cycles, hartwell motor cycle club, holland road, burwood east, eley road, burwood east, burwood east state school no 454, royton street, burwood east, walford family, orchards, cooinda court, burwood east, market gardens, east burwood methodist church, french, joseph a, black, roy, rescheck family, french, harry w, crow, ernie, mclean, leckie, newbigin family, royton street, burwood east, no 30, hele family, french family, carrol family, tally ho post office, walford family

Blue soft covered book, with maps, plans and photographs relating to Buninyong, Victoria. buninyong, de soza park, buninyong tannery, buninyong railway station, eagle hotel, old buninyong library, hastie's hill, buninyong town hall, hastie's spring, crown hotel, buninyong post office, bowen tree, aborigines, buninyong primary school, buninyong cemetery, gold monument, mount buninyong, lal lal falls

Inscribed: W.A.C. (Dick) Goddard, 39 Hackney Rd., St Peters. Stamped: Phillip Island & District Historical Society.

Dept. Of Supply ARL Aerodynamic Note 266