This set of homemade shelves are part of the crafted domestic decoration popular in the early-to-mid 20th century.This decorative homemade wall shelf is typical of early 20th century room decoration.Display shelves; three narrow shelves on a decorative wood plaque. Plaque is is painted black and has had lacquer applied. Gold doves and plants have been painted onto the plaque. warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shelves, wall shelves, decorative shelves

Part of Wandin Sebire's bedroom suite.Marble topped wooden wash stand with two drawers, one cupboard two shelves and decorative pink floral tiles. Mirror in centre.bedroom suites, washstands

This music stand set of shelves is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. Many of the items of furniture, linen and crockery in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) whose photos are in the parlour. They married in 1880. Henry, born at Tower Hill in 1858, was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. THE SHELVES During the years 1869-1935 there were well over 250 registered bamboo furniture producers in Britain. The earliest recorded firm was Hubert Bill of 14 Little Camden St, London N.W., who claimed to have been established in (1869 the first bamboo furniture maker), while Daniel Jacobs & Sons of Hackney Road, London, were still in business in 1915, after 45 years of production. Design, quality, price and methods of construction were fairly consistent throughout the whole period, but it was the imaginative and often eccentric choice of subject matter that marked the differentiation between the various firms. While most produced standard tables, stands and fire-screens, the more adventurous offered for sale items such as Corner shelve units, charcoal barbecue grills and musical tea tables. Shelves were often covered with embossed leather paper designs, at first imported from Japan and then later produced in England. Some firms incorporated the knobbly roots of the bamboo stems into their designs, generally to form feet. Occasionally handles to drawers and cupboards were made with these roots although they were more commonly carved as imitations. Handles were mostly of cheap metal or brass. The ends of the bamboo canes were capped with stamped metal or turned bone, ivory or wooden discs. Methods of construction fell into three categories. First and most common is that of pegging. Bamboo stems being hollow, thick dowels can easily be glued into the joints. Some firms farmed out this work of `plugging' the ends of the canes to part-time workers at home. The second method, that of pinning, was far less satisfactory as bamboo tends to split lengthwise and therefore the jointed pieces eventually disintegrated. The most efficient method was that patented in 1888 (patent No 2383) by the firm of W. F. Needham in Birmingham. It consisted of metal shoes and covers for all joints which were made by wrapping a metal strip around the stems and soldering the overlapping ends. Some joints were further strengthened by a small pin or screw. Needham was by far the largest and most successful manufacturer and their individual and superior method of construction undoubtedly gained them their reputation. A. Englander & Searle of 34 Gt Eastern St and 31 Mare St, Hackney, London, were a firm particularly concerned with methods of construction. Although they seem to have entered the bamboo furniture market at a comparatively late date, about 1898, they produced inexpensive bamboo, aimed particularly at the export trade. The company stated in their catalogue that bamboo furniture “can be exported in one piece or it can be exported in pieces and put together again. The fixing up is much facilitated by a system of marking and numbering. Further, no glue is required for putting together as the screw system only is applied”. This method of construction best fits the Etagere in the Flagstaff collection and it is believed to have been made by A Englander & Searle, exported in a knock down form to Australia, purchased in kit form from a dealer hear and put together by the owner. The Etagere is a significant item as it highlight furniture fashion of the late Victorian era. This item was highly sort after in its time and although mass produced, not many examples remain, so this example is a valuable addition to the Flagstaff collection. It is believed that the construction method used is by a notable and respected maker of bamboo furniture and that its production was aimed at the export market and probably came to Australia in kit form.Bamboo shelves: decorative free standing Etagere comprising three large shelves and one small shelf. Shelves are made of wood used to store either orange or bacon boxes (as there are no knots in the wood, imported from South America and cheap to recycle). Shelves are covered with embossed leather paper. Frame is made from tortoise shell bamboo (brown lacquer applied to simulate tortoise shell appearance). Ends of bamboo canes are covered with metal shoes and fixed with a pin. Other bamboo joints are fixed with round head steel screws. This item is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bamboo shelves, bamboo etagere, victorian furniture, furniture, bamboo furniture, embossed leather paper, simulated bamboo, tortise shell, a englander & searle, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture

This is an example of an amenity for lay people in St. Joseph's Catholic Parish, Warrnambool. It is not known when the library operated but the label dates from some time in the 20th Century.This library card is retained as an item of interest pertaining to the Catholic Library at St. Joseph's, Warrnambool. A pale green rectangular label adhered to a small piece of cardboard at the back. It has black text surrounded by a finely drawn decorative border. There is a cut in one corner and some brown spots on the paper.Warrnambool Catholic Lending Library ( ST. JOSEPH'S) The borrower of this Book is responsible in case of its Loss or Damage. It must not be lent outside the house of the Borrower. A charge of 3d per Fortnight for each book will be made. A fine of 3d per week will be charged for every week after 14 days. Kindly return the book to Librarian on duty. Do not place on Book Shelves. st. joseph's parish warrnambool

Home decoration involved pots / saucepans / plates etc in the kitchen to be on display / stored and/or indoor plants displayed in a corner on the verandah. It was common for the stand to be home-made and practical.Used by a resident of the Kiewa Valley as a domestic kitchen storage stand or possibly for indoor plants.Tall wooden pot stand with 9 triangular shelves spaced along it and with hooks on 2 of the 3 edges. It has 3 wooden poles holding the shelves. The stand has previously been painted blue. Nine equilateral triangle shelves decreasing in size with height towards the top. Top has decorative cap with steel fringe. Rusty. It may have been used as a kitchen pot / saucepan / plates stand or pot plant stand.pot plants, indoor plants, home decoration, pot stand, kitchen storage

This strong, heavy bank safe was made by W. Marr in London. It was formerly owned by the ANZ Bank in Portland, Victoria. Portland’s ANZ Bank was originally a branch of the Bank of Australasia, which first came to Australia in 1835, opening in Sydney. Portland’s Bank of Australasia began in a bluestone building built on the north corner of Julia and Bentinck Streets by stonemason William Robb in 1855, around the time of Australia’s Gold Rush. Eventually, in 1951, the Bank of Australasia merged with the Union Bank to become the Australia & New Zealand Bank, known as the ANZ. Portland’s branch of the Bank of Australasia then moved into the old Union Bank building at 44 Percy Streets; both bank buildings were built around the same. The maker of this safe, W. (William) Marr, obtained a patent in 1834 for what is believed to be the first fire-retarding patent, building this into the lining of strong boxes. Others made further design improvements such as hardening the metal plates used to make the boxes. In about 1840 Thomas Milner, a Sheffield tinsmith, made the earliest safes that could safely protect their contents from a surrounding fire. This was achieved by including tubes of a substance between the inner and outer walls of the safe that would react to the heat and the contents would put the fire out. In 1851 an Exhibition at London’s Crystal Palace included fire-proof safes from different vendors. William Marr was listed under Fireproof Box Makers in the 1842 London Trades Directory, at 33 Broad Street, and 52 Cheapside. William Marr & Son were appointed to supply Her Majesty’s National Debt Office and other departments in 1860, with the address 9 Walbrook, Vulcan Safe Works, Skin Yard, Bankside, Southwark, London. 1n 1870 the address for William Marr listed under Safe Makers and Agents in the London Trades Directory was 67 Cannon Street. The manufacturer, W Marr, is significant as an inventor of a way to make a strong box fireproof, then patented his secure safe. This invention indicates that security of money was of great importance in the mid-1800s as it continues to be today. The secure safe would have given much comfort to those with investments and savings, as well as to the bank itself, the custodian of other people's money. This safe was made in London and exported to colonial Australia, giving significance to the safe as an item that was high in the list of the needs of the early Australians and their businesses. The safe has local historical significance as it was used by the original Bank of Australasia in Portland, which was built in 1855 and went on to become the ANZ Bank, still in operation today. The bank was an integral part of the establishment and growth of commerce in Colonial Victoria.Safe; heavy metal bank safe, painted green. Double doors each have top and bottom external hinges, and two front panels; the top panels are arched. The thick doors have five sliding locks. Inside is a fixed metal compartment with a locked sliding metal drawer, and several fitted shelves plus some temporary removable shelving. Both doors have a decorative brass knob near the centre opening. Left door has an oval artificial keyhole and a space where another fitting has been attached. The right door has a second brass knob and an oval keyhole. The top panels of the left door has an oval plaque with an inscription; the right door has evidence that there was an oval attachment. Made by W. Marr, London.Text embossed on plaque: "W. MARR / PATENTEE & MANUFACTURER / 52 / /CHEAPSIDE / LONDON" flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, shipwreck artefact, safe, bank safe, vault, security, finances, anz bank, portland bank, w marr, william w marr, financial institution, savings, gold exchange, loans, investments, safety, safe maker, lock maker, iron box, strong-room

Black and white photograph of a room at Fortuna Villa. This room is highly decorated with framed photographs, small figurines, tall ornate lamp with bulbous glass, glass fuel container, left is a small carved table with small figurine, tray and container, next is another table covered with a decorated cloth, in the corner is a taller cabinet style cupboard with glass panels in the door, and a number of small items with a framed photo at the rear, next is a short standard light with artistically decorated shade, to the right is very decorative shelving unit, with small figurines on the shelves, large decorated cylinder with lid, smaller jar with painted decoration and deep lid, foreground has a table made up of 4 triangular pieces and a glass vase and flowersindustries

8724.1 - Ornate wooden bookcase with six pigeon holes, a cabinet to store books, either side of the cabinet are four small rounded shelves, there are also cupboards below the pigeon holes and also two larger shelves either side of a metal decorative art piece. 8724.2 - Red leather bound book. 8724.3 - Green leather bound book. 8724.4 - Green leather bound book. 8724.5 - Green leather bound book. 8724.6 - Green leather bound book. 8724.7 - Encyclopaedia Britannica VOL XXXIII 8724.8 - Encyclopaedia Britannica VOL XXXII 8724.9 - Encyclopaedia Britannica VOL XXXIV MAPS 8724.10 - Encyclopaedia Britannica VOL XXXV INDEX 8724.11 - Encyclopaedia Britannica VOL I 8724.12 - Encyclopaedia Britannica VOL II 8724.13 - Encyclopaedia Britannica VOL III 8724.14 - Encyclopaedia Britannica VOL IV 8724.15 - Encyclopaedia Britannica VOL V 8725.16 - Encyclopaedia Britannica VOL VI 8725.17 - Encyclopaedia Britannica VOL VII 8724.18 - Encyclopaedia Britannica VOL VIII 8724.19 - Encyclopaedia Britannica VOL IX 8724.20 - Encyclopaedia Britannica VOL X 8724.21 - Encyclopaedia Britannica VOL XI 8724.22 - Encyclopaedia Britannica VOL XII 8724.23 - Encyclopaedia Britannica VOL XIII 8724.24 - Encyclopaedia Britannica VOL XIV 8724.25 - Encyclopaedia Britannica VOL XV 8724.26 - Encyclopaedia Britannica VOL XVI 8724.27 - Encyclopaedia Britannica VOL XVII 8724.28 - Encyclopaedia Britannica VOL XVIII 8724.29 - Encyclopaedia Britannica VOL XIX 8724.30 - Encyclopaedia Britannica VOL XX 8724.31 - Encyclopaedia Britannica VOL XXI 8724.32 - Encyclopaedia Britannica VOL XXII 8724.33 - Encyclopaedia Britannica VOL XXIII 8724.34 - Encyclopaedia Britannica VOL XXIV 8724.35 - Encyclopaedia Britannica VOL XXV 8724.36 - Encyclopaedia Britannica VOL XXVI 8724.37 - Encyclopaedia Britannica VOL XXVII 8724.38 - Encyclopaedia Britannica VOL XXVIII 8724.39 - Encyclopaedia Britannica VOL XXIX 8724.40 - Encyclopaedia Britannica VOL XXX 8724.41 - Encyclopaedia Britannica VOL XXXI8724.7 - Encyclopaedia Britannica VOL XXXIII 8724.8 - Encyclopaedia Britannica VOL XXXII 8724.9 - Encyclopaedia Britannica VOL XXXIV MAPS 8724.10 - Encyclopaedia Britannica VOL XXXV INDEX 8724.11 - Encyclopaedia Britannica VOL I 8724.12 - Encyclopaedia Britannica VOL II 8724.13 - Encyclopaedia Britannica VOL III 8724.14 - Encyclopaedia Britannica VOL IV 8724.15 - Encyclopaedia Britannica VOL V 8724.16 - Encyclopaedia Britannica VOL VI 8724.17 - Encyclopaedia Britannica VOL VII 8724.18 - Encyclopaedia Britannica VOL VIII 8724.19 - Encyclopaedia Britannica VOL IX 8724.20 - Encyclopaedia Britannica VOL X 8724.21 - Encyclopaedia Britannica VOL XI 8724.22 - Encyclopaedia Britannica VOL XII 8724.23 - Encyclopaedia Britannica VOL XIII 8724.24 - Encyclopaedia Britannica VOL XIV 8724.25 - Encyclopaedia Britannica VOL XV 8724.26 - Encyclopaedia Britannica VOL XVI 8724.27 - Encyclopaedia Britannica VOL XVII 8724.28 - Encyclopaedia Britannica VOL XVIII 8724.29 - Encyclopaedia Britannica VOL XIX 8724.30 - Encyclopaedia Britannica VOL XX 8724.31 - Encyclopaedia Britannica VOL XXI 8724.32 - Encyclopaedia Britannica VOL XXII 8724.33 - Encyclopaedia Britannica VOL XXIII 8724.34 - Encyclopaedia Britannica VOL XXIV 8724.35 - Encyclopaedia Britannica VOL XXV 8724.36 - Encyclopaedia Britannica VOL XXVI 8724.37 - Encyclopaedia Britannica VOL XXVII 8724.38 - Encyclopaedia Britannica VOL XXVIII 8724.39 - Encyclopaedia Britannica VOL XXIX 8724.40 - Encyclopaedia Britannica VOL XXX 8724.41 - Encyclopaedia Britannica VOL XXXI

This guards van is part of a set of matching carriages. The 1CW refers to it being a class leader or the first of that type ever built.Guards Van 1CW, steel sides painted red with a white clerestory roof, contains two compartments with a controllers section at each end of the carriage. Each compartment is made up of 3 hinged shelves, a desk with a set of shelves and pigeon holes above the desk. The ceiling is decorative pressed metal with hooks attached in rows.1CW painted on the front

Wooden tea trolley (auto trolley) with two shelves and a decorative handle at one end.tea trolley, auto trolley

Wooden upright cabinet in 2 parts. Top has 4 shelves with 2 doors, glass panelled. Bottom has 2 wooden doors.Decorative woodwork on the bottom, door panelscabinets

See picture of family historyWooden wardrobe with three doors with brass handles (centre door with a mirror). Inside, four long drawers, 4 pull-out shelves and hanging space, Inlaid decorative design on the wood. Part of a 4 piece bedroom suite.bedroom suites, wardrobes

The cabinet is currently used to display vintage postcards, greeting cards and photo albums.A tall wooden English Oak vintage display cabinet with an ornately carved top with four filials on each corner and decorative shaped legs. It has six glass shelves and a side door opening on the right. It has a lock on the side door, but the key is missing.display cabinets, storage and display furniture

These mantel clocks were popular in Victorian and Edwardian homes, often placed on fireplaces or shelves. They likely use a mechanical movement, requiring winding with a key. The black wooden case suggests they may have been mourning clocks, which became common in the Victorian era.A pair of antique mantel clocks, likely dating from the late 19th or early 20th century. Both clocks have a rectangular wooden case with an ornate black finish, possibly ebonized or painted. The design includes four decorative columns flanking the clock face, reminiscent of classical architecture. Each clock is supported by ornate metal feet, which show signs of aging and oxidation. Both clocks have round clock faces with gold-toned borders, but differ in numeral styles: Left clock: Features Arabic numerals in an elaborate scrollwork design. Right clock: Features Roman numerals with a gold centre.clock, time, household item

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It is from the home of Mr and Mrs Parker. It belonged to Mr Parker senior.A very ornately carved dark timber mantel pendulum clock with a white face and a brass clock face surround. It has black roman numerals and black metal hands. The Ansonia Clock Co. Manufacturers USA Trademark A is printed on the face. It has an ornate brass pendulum and the internal workings are visible. The very ornately embossed in gold decorated glass front door opens. There are two spirit plumb levels inside, one is aluminium metal and is attached to the wall, the other is brass with Wm Hunt Level Co with a triangle on top stamped on it. There is a brass key No.7 with two holes on the top of the winder handle. The Ansonia Clock Co. Manufacturers USA Trademark A. printed on the dial. Wm Hunt Level Co. stamped on the level.mantel clocks, clocks, timepieces, shelf clocks

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was used by Henry and Martha Sebire at Mont De Lancey. It was part of the original furnishings of the dining room. Marie Colling (Sebire) is the great granddaughter of Henry and Martha Sebire.A dark brown wooden carved cased pendulum mantel clock with a highly decorated floral and column transfer design on the hinged glass front and black roman numerals and hands on the white face. It chimes on the hour.Marked inside "Ansonia Clock Co"clocks, mantel clocks, shelf clocks

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was used by Harold and Jean Parker.An antique wooden mantel clock made in USA with an Australian made Duff brand oak case with a plain angled top with round shaped pillar styled sides. It has a white ceramic dial face with black digits and black metal hands. The dial is covered by a glass and gold trimmed covering that may be opened on the right side. Inside the case is a Waterbury Clock Co of USA key and the internal workings are visible. It is not in working order.'Duff' brand brass plaque on back of cover. The key has 'Waterbury Clock Co USA' stamped on it.clocks, timepieces, clock components, clock keys, mantel clocks

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces.A small vintage decoratively carved dark timber steeple mantel pendulum clock with a white cardboard face, black roman numerals and black metal hands. There is a brass trim around the face. The turned wooden frame at the front has has It is in working order. The very ornately white painted pattern on the glass door has a leaf and floral pattern. The door opens with a small decorative brass catch to reveal the inner workings. It has an ornate hanging brass pendulum and the internal workings are visible.There are two spirit plumb levels inside, one is aluminium metal and is attached to the wall. There is a brass key which does not wind the mechanism. clock keys, clock components, timepieces, clocks, mantel clocks

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was owned by Lance Sebire.A black wooden cased mantel clock with Roman classical design on the front and sides. It has a hinged brass and glass face cover. The face has a blue floral decoration.mantel clocks, clocks, timepieces

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It was used by the Manders family. Peter Mander.A wooden steeple cased mantel clock with a hinged highly decorative glass front, black roman numerals and metal hands on the enclosed white face. It has a decorative brass pendulum with an eight sided star with a woman's face design on the star. Brass trimmings are seen throughout the mechanism.mantel clocks, clocks, timepieces, shelf clocks