Charcoal green soft cloth covered book with multiple designs throughout. Binding is sewn - paper drilled and coarse twine threaded through Ballarat Technical School of Art Library book platejapanese, designs, artwork, calligraphy, asian, japan

Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots. The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century. Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". It looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. Paragon knitting, crochet and tatting books have been distributed throughout Australia since the 1930's, originally by "Paragon Art Needlework Pty Ltd" of Sydney, N.S.W. From 1946 these books were designed and printed in Australia from patterns provided by British and Australian thread companies. Consequently these patterns may also appear in similar British and American publications. Paragon Book No. 104 is an instruction book designed for the "beginner" whilst Paragon book No. 105 is designed for the more experienced tatter. The layout of these books was typical of the 1940s period when paper was in short supply. Most of the pattern books were approximately 18 cms wide by 24 cms high and some were smaller at about 13cm by 21 cms. The type used was small (about four lines of text per centimetre) which was difficult to read. This item is an excellent example of a needle work pattern book available to women in the 1940's in Australia.A soft covered, 16 page instruction book titled "Tatting Designs". It has black and white photographs and detailed patterns for tatted doilies, a tray mat, a chairback and arm rests, a cheval set, a luncheon set, collars and edgings for an underskirt, gloves and handkerchief. It is published by Paragon Art Needlecraft of Sydney.Front cover - "Paragon's No 105" "PRICE 1/3" "Tatting Designs" "Household Linens * Personal Wear" Plus a stylized drawing of a deerflagstaff hill maritime museum and village, great ocean road, warrnambool, shipwreck coast, tatting book, tatting patterns, craft, handiwork, handcraft, needlework, shuttle

Mitchell Library Doors featuring Aboriginal designsaborigines, aboriginal, mitchell library doors

5 colour photographs of students drawing garden designs.students, drawing, garden design, students inside class

This is part of a collection that was donated by Private Daryl John Kerslake (3792440) who was a National Serviceman with the Australian Army with the Royal Australian Infantry Corps. He served in Vietnam with 1 Australian Reinforcement Unit from 22 Jun 68 to 30 Jun 68 and 1st Battalion, The Royal Australian Regiment from 1 Jul 68 to 28 Feb 69.Laminated paper with 3 designs of the Infantry Combat Badge Designinfantry, combat badge, pte daryl john kerslake, 3792440, australian national serviceman, royal australian infantry corps, 1st battalion, 1 australian reinforcement unit, the royal australian regiment

Photographs of packaging works by University of Ballarat, Bachelor of Graphic Design/ Multimedia students. Many of these works were likely created for the Packaging Design Awards. Several use the application of graphics created in-house at the University of Ballarat on the "Colourease" system. Digital scan contact sheets of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 41 unmounted 35mm slide transparencies of student packaging designs.university of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

Black and white photo of Australian Tesselated Tile Co's Tile Designs.australian tesselated tile co pty ltd

Paper chart showing various designs of different Australian National Flags

Report - Foolscap about red comb binder with card covers, 5 pages + 3 fold out plans - titled "Intersection Improvement designs" dated 1973 - 1974. Provides designs for intersections in Flemington Road and Elizabeth St to improve flow of trams, pedestrian safety and traffic flow. Drawing P14640 - Victoria and Elizabeth Sts P14684 - Flemington Road, Royal Parade and Elizabeth St (Haymarket Roundabout) P14600 - Royal Park Junction - Abbotsford St - Flemington RoadIn top right hand corner "D W Lees" in ink.trams, tramways, trackwork, royal park, abbotsford st, flemington road, elizabeth st, victoria st, junction, road works, traffic control, haymarket

Greeting Card printed on white card, folded featuring a Postcard - full colour of W7 1022 in the Esplanade St Kilda with the destination of Wattletree Road corner, route 15. Tram has external advertising for Qantas. The card has in ink on the bottom right hand corner "Rob Munro" - hold card at an angle. On the rear "Munro Designs" and the Postal address in Prahran.trams, tramways, the esplanade, st kilda, wattle tree rd, route 15, w7 class, tram 1022

Posters on hard paper of individual student designs for the NMIT Centenary Celebrations competition and exhibition by students in the Visual Arts department. A total of 60 entries were received. 57 posters held including a few duplicates.nmit, visual arts department, posters

Pale blue cover with red lettering, b/w photograph of houses on a hill non-fictionThe early life of 4 grand historical homes in Port Fairy/Belfast. seaview, talara, cooinda, loongana, teresa murphy, powling, suter, powell, margaret emily brown, dilmond john howes, ian wood, lloyd rutledge

Furniture Table with Australian Animal Designs by R.L. Hendersonstawell

Set of two pamphlets involved the concept of the "Route 96 Project - Have your say: Nicholson Street Early Designs". Notes the introduction of the E class tram. .1 - DL full colour booklet, 24 pages with a questionnaire response form, outlining the Route 96 project to speed up trams providing route segregation for most of the distance. Issued 2013. Provides concept designs, Blyth St terminus, easy access stops, tram lanes. Gives dates for meetings. .2 - fold out full colour map, 8 folds, printed both sides providing details of the planning for the various stops and segregation between Victoria Parade and Blyth St.. The loss of car parking and issues with the Fitzroy St St Kilda stop met a lot of opposition. The Blyth St terminus was rebuilt June 1015. Two copies held., both were originally contained within a plastic wrapper. One wrapped version obtained when collected. Produced by Public Transport Victoria. See also Reg Item 24?? for a 2009 version.trams, tramways, yarra trams, route 96, east brunswick, e class, superstops

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Designs for Duetscher machinery. 27114.2 are Safety Instructions for a large lawn mower (ride-on). 27114.1 decals are for sections of the mower such the cutter section - height drive and park brake, Transmission and Choke/Throttle.Ten sheets of transparencies for Deutscher machineszilles printers, duetscher, decals, lawn mower, ride-on, cutter, cutter height, cutter drive, park brake, transmission, throttle, off/on

Three articles under the title 'Bennelong Designs" (1) Drawing a dream by Mungo MacCallum (2) Dream into sculpture", (3) Consultant's role by Ove Arup. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper booklet of 24 pages, Nation No 192. pp. 12-15sydney opera house, utzon, sydney opera house project, walsh st library

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This tobacco tin is one of the many objects in the Haeusler Collection that provides insight into life in early to mid-twentieth century Wodonga, and Australia more broadly. Smoking in the first half of the twentieth century was incredibly common in Australia and other western countries. In 1945, more than three out of every four men and one in every four women were regular smokers. While rates of smoking decreased over the next two decades due to observations and research regarding the links between smoking and illness, an increase in tobacco use was documented after the advent of television as people were bombarded with advertisements for cigarettes. These advertisements, much like the image on the Haeusler Collection 'Miranda's Dream Cigarettes' Tobacco Tin, depicted smoking as sophisticated and glamorous, distracting consumers from the serious health risks associated with smoking. Orientalist depictions of Middle East were common in tobacco advertising in the West in the first half of the twentieth century, an attempt to associate cigarettes with the supposed sensuality and mystery of the Orient. There have been significant changes in both legislation and popular perceptions of smoking in Australian society since the manufacture and consumption of 'Miranda's Dream Cigarettes'. In 1992 the Tobacco Advertising Prohibition Act was introduced, making it illegal in Australia to publish or broadcast messages that encourage people to start or continue smoking. In 2011 the Australian government also introduced plain packaging laws to reduce the appeal and promotion of tobacco products, and make health warnings more effective. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A tobacco tin with a coloured illustration of a woman in stylish 1920s-1930s dress sitting in an armchair smoking a cigarette, while watching an Orientalist scene featuring a belly dancer and a snake charmer wearing a turban. Branding on the lid of tin: "Miranda's Dream Cigarettes"cigarettes, tobacco, smoking, cigarette tin, haeusler, haeusler collection, wodonga

Dr. Dai Davies presented this Goblet as a gift to the Faculty as the first appointed Burnell-Jose visiting Professor, Postgraduate Committee in Medicine, S.A. May - June 1976. At the time, Dr Davies was the Consultant Anaesthetist St George's Hospital, London and during this event was elected to Honorary Fellowship of the Faculty of Anaesthestists, Royal Australasian College of Surgeons. The Burnell-Jose Visiting Professorship commenced in Adelaide in 1975 in honor of Mary Burnell, the first woman Dean of the Faculty from 1966 to 1967 and the first woman President of the Australian Society of Anaesthetists in 1955. Very few women had assumed major anesthesia roles in the world during this period. The Goblet's provenance is supported by an original booklet, which certifies its origin from Chichester Cathedral (1075), Sussex, England. In 1975, a limited edition of 600 goblets were commissioned by the Dean and Chapter of Chichester Cathedral, Reverend Walter Hussey, to commemorate the ninth century of the Foundation. This Goblet is number 46 of the edition and the booklet is signed by Walter Hussey. The Goblet is historically associated with Chichester Cathedral and Walter Hussey, who was a great patron of the arts during the 1970's.Solid silver, with pure gold overlaying the modeled stem and interior of the cup. Trefoil shaped goblet cup with tapering profile. The stem is supported by a sheaf of wheat and bird design. The goblet came in its own case with a booklet of authenticity. [central base] NUMBER / 46 / OF A LIMITED EDITION / OF 600 MADE BY ORDER OF / THE DEAN AND CHAPTER / TO COMMEMORATE / THE NINTH CENTENARY OF / THE FOUNDATION OF / CHICHESTER CATHEDRAL / IN 1075 / AURUM / DCM [and hallmarks of the Worshipful Company of Goldsmiths] •[around base] D.M. DAVIES / ADELAIDE 1976dr davies, dai, burnell, mary, chichester cathedral, burnell-jose visiting professor, murphy, desmond-clen, hussey, walter, ninth century of the foundation of chichester cathedral

This booklet written by Tim Gatehouse and published by the Anglican Diocese of Melbourne gives details on the Arts and Crafts movement background and history in Australia, a short biography of Walter Richmond Butler, architect of the Mission to Seafarers and architect to the diocese of Melbourne from 1895. In 1902 he designed the extensions to Bishopscourt, East Melbourne, now called the Butler Wing.Walter Richmond Butler was an influential British architect bringing his knowledge in the Arts and Crafts movement to Australia. He was commissioned the design of the first mission in central Melbourne, the Central Institute on Siddeley Street, then the second Mission on Flinders Street. He remained a friend of the Mission and especially the Godfrey sisters who lived for some time in an apartment in Tintern Avenue.Colour booklet containing colour and black and white photographswalter richmond butler (1864–1949), bishopscourt, diocese, anglican, arts and crafts, james blackburn, architecture, 120 clarendon street, east melbourne

Scans of 3 colour photocopied A3 pages from the Australian Women's Weekly Dec 11 1968 with colour photos and floor plan of Ian Napier's house (designed by him). (See also VC 11345, and 11347 - 11349 for other items donated with this article).

Three black and white photos mounted on thick grey card .1) oil refinery tower being hoisted .2) refinery .3) design officeengineering, oil refinery, biddington

Hand Drawn depiction of a Design For Puddling Machines and Sluicesmining, sluice, puddling machine

Hand Drawn and coloured design for puddling machines and Sluices. puddling machine, sluicing machine

Large brown hardcovered book with leather spine.Stamped " Ballarat School of Art Library: Bookplate of the Ballarat Technical School Library R/5art, pattern book, designs, textiles, embroideries, wall papers, inlay, bookplate