Object. Small amber glass bottle rectangular in cross section. Label in green, white and red for moone's Emerald Oil. Antiseptic and deodorant by International Laboratories Inc. Rochester New York USA. For whom Riley-Williams Pty Ltd Melbourne are sole distributing Agents in Australia. Small stamped metal screw top cap. Directions label on back.Poison.. Not to be Taken internally.medicine, first aid, emerald oil

Joseph Bosisto was a Yorkshireman who had qualified as a Pharmacist in Leeds and London. He arrived in Adelaide in 1848 at the age of 21. In 1851 he moved to Victoria in search of gold, but instead opened a pharmacy in Richmond, where he built a laboratory to investigate the chemical and medicinal properties of Australian plants. As a result of the collaboration with von Meuller the essential oil industry of Australia began in 1852, when Bosisto commenced operations in a small, rudely constructed still at Dandenong Creek, Victoria, using the leaves of a form of E. radiata (then known as E. amygdalina) which grew profusely in the district. Bosisto soon built other distilleries at Emerald, Menzies Creek and Macclesfield. World War II soldiers packed it in their mess kits to keep foot fungus in the tropics at bay. Small clear glass Eucalyptus Oil bottle with metal screw lid and large label on front.Front Label - War Time Pack Back - This bottle remains property of J Bosisto &Co Pty Ltd Richmond Victoria Bottom-F1196bottle eucalyptus-oil bosisto-joseph

In 1852 Bosisto opened Australia’s first commercial eucalyptus oil distillery, at Dandenong Creek in Victoria, followed by others at Emerald, Menzies Creek and Macclesfield. and began selling the oil locally. Eucalyptus oil was used as a liniment. Bosisto's bottles were generally used for eucalyptus oil. the eucalyptus oil industry was a significant early Victorian industry. Bosisto's products were commoly used in households of the first half of the 20th century. A flat-sided, brown, glass bottle with a threaded top. It has rounded shoulders.in rectangle on back - THIS BOTTLE IS AND ALWAYS REMAINS THE PROPERTY OF J. BOSISTO & COMPANTY LTD on base - F1196 M and 239 vertically

The subject of this portrait, Gus Ryberg (1911 - 2000), was a tireless promoter of local history and was pivotal in the establishment of the Nobelius Heritage Park and of the Emerald Museum. He was a prominent member of other community organisations including the Emerald Fire Brigade, the Emerald Arts Society and the Macclesfield Cemetery Trust. He received an Order of Australia medal for services to the local community in 1996. The artist, John Dudley, who donated this portrait to the Museum, was the President of the Emerald Arts Society. The painting was completed in 1991 in honor of the occasion of Gus's 80th birthday.Large oil painting of head and shoulders image of Gus Ryberg looking towards the side. Gilt frame.On bottom right of portrait handwritten: 'Dudley / '91' On bottom part of the frame small plaque: 'PORTRAIT OF GUS RYBERG / DONATED TO / NOBELIUS HERITAGE NURSERY / AND EMERALD MUSEUM / BY THE ARTIST / 1991'gus ryberg, nobelius heritage park, emerald museum

This photograph is believed to have been taken at the Bosisto's distillery on Woori Yallock Creek at what is now Butterfield Reserve, Emerald. Chemist and later parliamentarian Joseph Bosisto (1824-98) established a number of distilleries in the area through the 1860s and 70s; the Butterfield Reserve still is believed to have been established in 1876. This photo may have been taken around 1916, when Australia was still the world's leading supplier of eucalyptus oil - by this time a globally popular product. By the 1920s, Joby Brady and his son were running the distillery business.Bosisto's eucalyptus distillery was an early Emerald industry with global significance; eucalyptus oil was believed to be the first distinctively Australian product exported overseas. This photograph is a very clear representation of the industry - to the extent that it is even used repeatedly in Euca's webpages discussing the history of the industry.Captured in black and white, a working eucalyptus distillery processes large quantities of eucalyptus leaves into eucalyptus oil. Two men stand holding tools, one under the tin roof of the distillery and another on a horsecart carrying a new pile of leaves. Another stands behind the distillery, carrying more leaves. The largest pile of leaves is in front of the still. The still is sheltered by a tin roofed structure with open walls, wooden support beams, and a chimney in the background. Further in the background, trees can be barely seen. This photograph is a scanned copy, glossy on the obverse and with normal paper texture and handwritten notes on the reverse.Reverse: "Distilling Eucalyptus / Bosistoes. Woori Yallock creek Emerald / or Clematis. 1916? / Joby Brady carried on Bosistoes during 1920s / with his son on Woori Yallock Creek"emerald, native plants, 1910s

This painting by Beth McGregor - an Avonsleigh resident and founding member of the Emerald Museum and Emerald Art Society - is believed to depict a scene from Emerald.This item is a framed landscape oil painting. On its reverse are several pieces of handwritten annotation. It is accompanied by a small piece of card with further handwritten annotation. There is an artist's signature in the bottom-right. The painting depicts three trees and a cottage on flat ground, separated by a fence. The foreground shows red earth - possibly a road - with patches of grass, and trees with white trunks and leaves a blend of red and green. The cottage is white with a red roof. Behind the fence and the cottage, the field continued - with occasional dispersed trees - until the background rises to a hill or mountain.Separate Label, Obverse: "Painted and Donated / by / Mrs McGregor" Separate Label, Reverse: "Donated by / Mrs McGregor" Obverse, Artists Signature: "Beth McGregor / 1997" Reverse, Handwritten Attached Label: "LONELY COTTAGE / IN OILS / BY BETH MCGREGOR / [street address] / AVONSLEIGH" Reverse, Topmost Annotation: "Donated to Emerald Museum by Beth McGregor" Reverse, Middle-Top Annotation: "Beth McGregor & Husband Robert were founding members of / the Emerald Museum & Emerald Art Society" Reverse, Printed Sticker Label: "MENTONE ART CENTRE / Shop 21, Thrift Park / 16 Lower Dandenong Rd. / Mentone 3194 Ph. 9583 8835"emerald, 1990s, art

Before electricity was common in households throughout Victoria, kerosene lamps were used to illuminate our homes. The oil lamp manufacturer, Aladdin, arrived in Australia in 1916 after remaining primarily a United States-run company. Their lamps became incredibly popular in Australia following the company's official incoporation in 1924 where, even as the following decades saw a rapid increase in urbanisation and electricity, the demand for kerosene lamps remained high. A unique feature of the Australian-made models was that which allowed them to be transferred to different holders and stems. This meant that one lamp could function in multiple different ways, saving a family from needing to buy multiple lamps to sit in floor stems, on tables, or hang from ceiling brackets. From 1939, adapters could also be purchased to convert a kerosene lamp into an electric one. The lamp featured is likely a Model 16B, with an Australian-made bowl and American-made burner, as these were cheaper to import from the Chicago warehouse than to make locally. Significant wear around the underside of the lamp's lip may indicate that it was often used with a hanging frame.This lamp demonstrates the lasting necessity of kerosene and oil-powered lighting in more outlying regions like Emerald, even in an age where electricity was beginning to become nationally available.An oil lamp composed of two pieces: a metal base and a tall glass chimney. The base of the lamp is circular with a flat bottom and a small lip running around the highest outside edge. Underneath the base is a small hole. A circular cap rests on the top of the base, and protruding vertically from the base is a cylindrical metallic burner. The burner is perforated with many small ventilation holes, and an inscribed knob sticks out from its side. A glass chimney rests over the top of the burner.Glass chimney, printed: "Aladdin" Wick raiser knob, engraved: ".MANTLE LAMP CO. / NU-TYPE / Model B / Aladdin / PATENTS PENDING / MADE IN / U.S.A / CHICAGO, ILL."1940s, domestic life