Collar the Lot tells story of the round up of enemy aliens, sinking of Arandora Star and trip to Australia and life in camps in Australia.cream coloured cd in plastic case.BBC Radion Broadcast 27 April 2013 Collar the Lot Dunera and Italiansarandora star, enemy aliens

The orchestra consisted of German male civilians interned as "Enemy Aliens" during World War 2. Those interned in 1941 were former Australian residents and New Guinea missionaries.The program indicates the caring attitude of the Australian authorities in permitting the acquisition of musical instruments, and the encouragement offered to the internees in order to produce the concert. Original single page paper program with printed list of orchestral items to be performed by the camp orchestra,19th.and 20th. July 1941, in Internment Camp 1, Tatura. Also lists the names of the members of the orchestra and their instruments.german camp orchestra, new guinea missionaries, ww2 enemy aliens, camp 1 orchestra

Tells the stories of those immigrants who experienced detention during World War 2 as enemy aliens in these allied nations. Some Italian families whose husbands were arrested as "security risks" were sent to internment camps such as Loveday S.A hundreds of miles away leaving their wives and families to cope alone during W.W.2Cover has colours of the Italian flag, green, white and red. Across the centre of the flag is a photo of Italian internees arriving at a camp.For our surrogate mother, Lurline Knee. Thank you for bringing the Tatura story to us. beast wishes from Claudia (Marsella) Barker may 2018.world war two, italian internees

non-fictionIn 1940, during the early days of World War II, Britain panicked and deported thousands of "enemy aliens" including Jewish refugees and Italian shopkeepers, who were wrongly suspected of being enemy spies. A significant number of these deportees, many of whom were refugees fleeing Nazi persecution, perished when the ship they were being transported on, the Arandora Star, was torpedoed. arandora star, refugees, italian, dunera, brian lett

Ludwig HIRSCHFELD-MACK (1893-1965) Born 11 July 1893, Frankfurt am Main, Germany In 1940 Hirschfeld-Mack was deported to Australia from England as an enemy alien in the Dunera. He was interned at Hay and Orange, New South Wales, and at Tatura, Victoria. There he made a number of woodcuts that illustrated life under detention. Released in 1942 through the sponsorship of (Sir) James Darling, headmaster of Geelong Church of England Grammar School, Hirschfeld-Mack was appointed its art master. He promoted his pupils' self-knowledge, introduced them to avant-garde painting techniques, and encouraged wood-carving, weaving, musical instrument-making, leatherwork and other crafts. (http://adb.anu.edu.au/biography/hirschfeld-mack-ludwig-10510, accessed 29 June 2016) He died on 7 January 1965 at Allambie Heights, Sydney Framed abstract paintingSigned in pencil lower left hand side 'L.H.Mack 1959'art, artists, mack, hirschfeld-mack, ludwig hirschfeld-mack, ludwig hirshfeld-mack, printmaking, monoprint, bauhaus

At the end of August 1940 the Hired Military Transport Dunera, a boat carrying around 2,500 European male internees, the majority of which were Jewish, arrived on Australian shores after two arduous months at sea. Although many had made England their home, their German or Austrian background caused these men to be classified as ‘enemy aliens’ by the British Government and sent to Australia without their families. The ‘Dunera Boys’ were interned in camps at Tatura and Hay. Although some internees were released after two years because they possessed specific industry skills which would aid the nation, others were interned for the entire duration of the war. This collection brings together objects, personal effects and documents relating to the journey, internment and subsequent military service in the 8th regiment experienced by the ‘Dunera Boys’. Also included are artworks and poems created by the internees during their interment, which express the thoughts and feelings of the men and document the daily life in the camps. Velvet, silk, silk embroidery thread, cotton thread, silk cord, leather, cotton and wood

This pastel portrait by Robert Hofmann is of Friedrich Goldschmied. He was born in a Polish village on 28 May 1912, then part of the Austrian - Hungarian empire, but lived for the early part of his life in Vienna. By 1938/39 he and his stepfather, as Jews, fled across Europe and somehow ended up in England by 1940. His Mother, who refused to believe the danger, sadly ended up in one of the camps. In England he was interned as an enemy alien on the Isle of Man. Refusing to join the Pioneer Corps he was a passenger on the notorious Dunera. I am sure you know this nasty bit of history and remained in the camp in Tatura, as far as I know, until returning to England in 1947. As you see from the portrait it was drawn in 1941 by Robert Hofmann, also an internee in Tatura. He married in 11 February 1954 and died in 29 October 1978. His wife died last year (2014).This portrait was drawn by Robert Hofmann, in camp 2 at Tatura. Lurline Knee is responsible for writing the history of this artist and Friedrich Goldschmied.This is a pastel portrait of Friedrich Goldschmied by Robert Hofmann. Has a brown frame.friedrich goldschmied, robert hofmann, tatura internment camps

(From back cover): "The Weintraubs Syncopators, international musical celebrities of the 1930s, embarked on a four-year journey across Europe, Russia and the Far East in exile from the antisemitic ideologies of the German Third Reich. This band of mainly Jewish musicians arrived in Sydney, Australia, in 1937. The decision of some of them to stay brought them into conflict with the aggressively protectionist Musicians’ Union of Australia. They gained employment at a high-end Sydney nightclub but when war came, were forced to come to terms with a change in their status – from celebrities to enemy aliens. Denounced for alleged espionage activities in Russia, three were interned and the band broke up. In this major recounting of the experience of the Weintraubs Syncopators, Kay Dreyfus pieces together the complex personal, social and political forces at work in this story of migration at a time of insecurity, fear and dramatic conflict." The Tatura group of camps were built after the beginning of World War 2, and held prisoners of war (enemy military) and civilian internees (enemy nationals, regardless of political affiliation, either living in Australia or in Allied territories overseas). The Weintraubs Syncopators' members were just some of the civilians caught up in the conflict. Paperback book. Glossy black front cover, black & white photo of group of musicians. Blue & white text. Back cover glossy white, black & white photo group of men standing over bass drum labelled "Weintraubs Syncopators". 305 pages. Dewey no. 781.65092weintraub, camp 1, tatura, internment camps, civilian internees, jazz, jewish community, world war ii, musicians, stefan weintraub, horst graff

This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. Merry-Go-Rounds or Carousels were a popular entertainment accompanying many celebrations and events in Albury and Wodonga from as early as the mid 1870s. They featured at events such as Empire Day and Arbor Day celebrations as well as the Wodonga Racing Club meetings, Wodonga Agricultural Shows and Victory Day celebrations at the end of World War 11. They were operated by a variety of travelling showmen and entrepreneurs. Early merry-go-rounds were steam powered. The merry-go-round in this negative was owned by Anton Weniger of Melbourne. From 1909, Mr Weniger operated a shooting gallery and Steam Riding Gallery on the Lower Esplanade, St. Kilda on land he had leased in 1909 from the St. Kilda Foreshore Trust. Weniger also took his carousels by train to many rural areas, including several visits to Albury, Yarrawonga and Benalla. His largest carousel was designed and built in Melbourne by Herbert Thomson in 1915. It has now been restored and has been on show as the Civic Carousel in Canberra, ACT since 1974. Anton Weniger’s steam merry-go-round was definitely in the Albury- Wodonga area in September 1912. As reported in the Border Morning Mail on Saturday 2 November 1912, Mr. Weniger was the victim of a robbery which included some money and his gold watch and chain, stolen from a railway truck in the Wodonga railway yards. The riding gallery and other belongings had been placed on the truck in Albury after the Albury show and sent on to Wodonga in transit to Wangaratta. Whilst in the Wodonga yards the truck was broken into and the goods stolen. Two of Weniger’s former employees, Herbert Backhouse and Edmund Pressard were subsequently charged with the robbery and sentenced to respective sentences of 3 and 9 months imprisonment, both with hard labour. In January 1916, Weniger’s Steam Riding Gallery was attacked by a group of rioting soldiers as a result of rising anti-German sentiment with the onset of World War 1. As a result, Anton Weniger terminated his interest and lease of the Steam Riding Gallery to his partner, William George Kelly. Although he had lived in Victoria for over 25 years and had been a naturalised Australian for 20 years, Anton Weniger was interned for the duration of World War 1 as an enemy alien. Anton Johannes Matthias Weniger died on 14 August 1923 and is buried in the Brighton General Cemetery, Melbourne, Victoria.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A large group of people standing around a Merry-Go-Round.At top left of Merry-Go-Round "A.WENIGER./MELBOURNE"wodonga pioneers, haeusler family, glass negatives, dry plate photography, carousel, anton weniger

This item was used on P.C. Toby Nixon and Grace Nixon's farm, "Rolling Downs" at Bete Bolong. During WW11 the farm grew carrots, red beet, cabbages, beans and maize. Because of labour shortages the government built a Prisoner of War Camp on Russell's Hill. The manager, Dick Northrope, used three Italian prisoners to frill ring small trees and shrubs between crop harvesting. The introduction of ‘frill ringing’ and poisoning with arsenical tree killers in the 1940's and 1950's helped reduce the amount of labour required and trees on more country were treated. This enabled the hill country at Bete Bolong to become more productive. The dead trees and shrubs were later cleared by Erle Broome's D7 caterpillar bulldozer. This was the first big area of 230 acres to be cleared in the Orbost district. Soon after entering World War 11 Australia was asked by Britain to accept and guard large numbers of 'enemy aliens' and prisoners of war. The British government felt that it could not afford to feed large numbers of prisoners and it was believed that once in Australia the internees would have no chance of escape. Eager to show solidarity with Britain's cause, Australia readily agreed and decided to place the prisoners in a number of different camps scattered around the country and guard them with reservists and soldiers too unfit to serve overseas. There was an internment camp at Bete Bolong, Orbost. This item is an example of an item used by the Italian P.O.W.'s residing there. It is also an example of an agricultural tool not commonly used today.A galvanized iron watering can which has been used to hold poison for ring barking trees (possibly arsenic). It has a narrow spout. There is a handle at the back and a folding handle on the top. The top is conical with an opening for a cork. agriculture prisoner-of-war-camp tree-removal land-clearing

While covered book with black writing. Front: book title, photograph of a camp hut and authors names at bottom; Spine: title and authors; back cover: Photograph of several of the Dunera Boys.non-fictionVolume 2 of Dunera Lives follows the paths of a selection of Dunera Boys from their early lives before and during the Nazi years, through their arrival in Britain or the Straits Settlements in search of a safe haven, to their arrest as enemy aliens and subsequent deportation and incarceration in camps in Australia. Then, as free men, they start new lives in many parts of the world.dunera boys, ken inglis, bill gammage, seumas spark, jay winter, carol bunyan, hmt dunera, queen mary

Diary kept during Prof. Rainer Radok's internment in Australia, following his arrival by ship on the HMT Dunera.At the end of August 1940 the Hired Military Transport Dunera, a boat carrying around 2,500 European male internees, the majority of which were Jewish, arrived on Australian shores after two arduous months at sea. Although many had made England their home, their German or Austrian background caused these men to be classified as ‘enemy aliens’ by the British Government and sent to Australia without their families. The ‘Dunera Boys’ were interned in camps at Tatura and Hay. Although some internees were released after two years because they possessed specific industry skills which would aid the nation, others were interned for the entire duration of the war. This collection brings together objects, personal effects and documents relating to the journey, internment and subsequent military service in the 8th regiment experienced by the ‘Dunera Boys’. Also included are artworks and poems created by the internees during their interment, which express the thoughts and feelings of the men and document the daily life in the camps.This is an A5 size notebook of 90 pages, all handwritten in German. Pages are numbered on the upper corners and each entry is dated. Back cover is titled: "Arithmetical Tables" and "Multiplication Table". The blue cover is attached with yellow adhesive tape and is very loose from the inner pages. There are a few drawings throughout.Handwritten in ink on the front cover is the inscription "Radok 1940-1941." Written below in pencil is the address "16 Grove St. Passaie N.J."

German National, Walter Kiessling snr. an employee of a German firm was interned in Camp 1, Tatura. His wife remained in Melbourne where there son Walter was born. The father was immediately taken to Melbourne under escort to see his wife and baby son. Subsequently his wife would travel to Murchison by train and ride her bicycle, with the baby in a basket, out to the camp to visit her husband. Later visits were with a friend in their DKW car. Young Walter was christened by a Lutheran Pastor in the camp, under the supervision of Major Schrader, the Garrison Commandant. The photos tell the story. 4 photographs: Rosa riding her bicycle; Walter holding baby Walter at his christening x 2; Rosa holding baby Walter with a girl behind holding flowers, standing next to Camp 1 Commandant Colonel Schrader and internee friend standing in front of a camp hut; Group of internees and Colonel Schrader in front of a hut at the Christening; the DRW car that Rosa and friend came up in for visits; The humane treatment given to enemy aliens by the Australian Army during World War 2.Plastic sleeves containing photos internment camp 1 tatura,, walter kiessling, rosa kieslling, camp 1 commandant, colonel schrader, drw car

The Certificate of Registration of an alien was issued to a non-British subject who was not an enemy but was residing on a permanent basis in Australia. This document was issued to Nicholas Alexander Black who was born on the Greek island of Ithaca in 1885 and had emigrated to Australia and settled in Geraldton, Western Australia in 1916. He was the proprietor of the Federal Coffee Palace, in Geraldton at the time the certificate was issued. The certificates were issued by the Commonwealth of Australia under the Department of Defence as a result of the War Precautions (Aliens Registration) Regulation 1916. The recipient of the certificate was obliged to carry it with him at all times. The Certificate of Registration of an Alien is an example of the regulations in place during the first half of the twentieth century as part of Australia's immigration policy which placed restrictions on non-British European immigration as a means of ensuring that Australia's population remained essentially British. At the time non-British Europeans immigrants to Australia were unassisted. Family members already settled in Australia were required to guarantee the new-comer's support. A certificate of registration of an alien issued by the Commonwealth Department of Defence. aliens, certificate of registration, black, non-british