Note by E.B. Littlejohn, "Is the roadway the original Swan Street? Entrance gates to Gardens in the distance. Roadway leading to the Pavilion hidden behind the trees. No elms showing along the roadway," and by T.H. Kneen, "The roadway appears to terminate at the gates outside the Curator's Residence, sweeping past the Pavilion on the right. I have seen a plan which showed an attractive avenue of trees (pine) from the western end of the property (where the Stockman's Cottage was later sited.)" 2 copies sepia photograph. Copy of sepia photograph of the roadway to the Entrance Gates and Curator's Cottage seen in the distance, with the Pavilion on the right, in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116. Pinus radiata avenue on each side of the road.entrance gates, prize essays, alfred e. bennett, curator's residence, pavilion, stockman's cottage, pine tree avenue

Sketch of the entrance gates of Camp 13 Murchison.Black and white photograph of a sketch of the entrance gates to Camp 13 Murchison, with huts to the left, behind the wire, a large tree behind the huts, and two trees on the right inside the yard. On coreflue.camp 13, murchison, camp entrances

Deep Lead Cemetery Entrance Gatesstawell

New Stawell Hospital Entrance Gates and Approachstawell hospital

Grampians Gate Caravan Park. New entrance gates 1970/1971stawell

St Katherine's Church St Helena dates from 1858. The Church was built by Major Anthony Beale in memory of his wife Katherine Rose Beale. This photograph shows the Church through the entrance gates.Digital copy of colour photographst katherines church st helena, anthony beale

Entrance gates to “The Sycamores” Driveway. A show place on Concongella from mid 1860's. "The Sychmores" where William Osmand lived. Osmand's "Sycamores" was in a secluded block of the eastern side of the creek along which was planted pine and cypress trees. He built a comfortable house and line the carriage way with Sycamores. Osmand was on the of the men who made money in the Stawell reefs mines. "The Sycamores" has been owned by the West family since c 1920. Black & white photograph (2 copies) of an entrance gateway with an avenue of deciduous trees.concongella

The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Postcard in colour of main entrance gates, one of the cannons can be seen through the pedestrian gate on the right. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘Gates, Williamstown Gardens’. Reverse: Vertical on left side of card ‘O Rippon Se..es’ [name of the publisher is unclear]. Top centre of card: ‘POST [logo of card publisher] CARD’. Left side of card: ‘This space may be used for communication.’ Right side of card: ‘for Address only.’ Left bottom corner: ‘Printed in ……..’ [name unclear]. Top right hand corner: a red one penny Tasmanian stamp with a depiction of Mount Wellington. Bottom right corner in pencil ‘1908’ believed to be inserted by the vendor. The card is dated 15.5.10 by the sender. It is addressed to Miss E G Holford of Launceston, Tasmania and sent by Addie.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, 1910, 1908, tasmania, tasmanian-stamp

Shows the east side shops between Arthur Street and Dudley Street and former Eltham Shire Offices. View is from the entrance of the Baby Health Centre. The roadway outside the gates was not made and was used for parking. The shops and an early fire station (near to left gate post) show the area before the Woolworths rebuilding of the area to Eltham.In February 1968 an unknown person took a series of photos from the Eltham Hotel at Pitt Street heading north along Main Road through the shopping centre to just north of Elsa Court covering the length of the section of Main Road which was duplicated shortly thereafter. Shows the condition and environment of the streesscape of Main Road, Eltham immediately prior to the duplication between Pitt Street and Elsa Court through the shopping centre. Also shows a number of shops and businesses that operated at that time.Black and white photographduplication, eltham, main road, dudley street, shire of eltham war memorial, arthur street, shopping centre, eltham shire office

Note by T.H. Kneen 1 April 1992, "Sketch of signs - Left: School of Horticulture & Primary Agriculture. Middle: Department of Agriculture Burnley Gardens. Right: Plant Reasearch Laboratory (& other Branches). The sign was removed to allow access for builders of new School of Horticulture building c.1946. (b) This is an almost identical view to (a) except that it has been taken in summer." This photograph appears as an illustration in, "Green Grows Our Garden," A. P. Winzenried p 76.Black and white photographs. (a) Signs at Swan Street entrance to Burnley Gardens. (b) Similar to (a) but taken in Summer. Used by A. P. Winzenried for use in "Green Grows Our Garden."(a) On reverse, "Rec'd from E.B.L. 2/2/65."school of horticulture & primary agriculture., department of agriculture, burnley gardens, plant reasearch laboratory, school of horticulture, a. p. winzenried, green grows our garden, signs

raasay, ballarat, building

The Curator's Cottage was later extended and modernised to form the basis of the Principal's Residence.Copy of photograph in, "Prize Essays," A.E. Bennett. Shows the original Curator's Cottage, which dates from at least 1872, beside the Entrance Gates which are in line with the Sequoia sempervirens.Later extended and became the Principal's Residenceprize essays, a.e. bennett, curator's cottage, entrance gates, principal's residence, sequoia sempervirens

A digital copy of an early black and white photograph of the entrance gate to "The Hermitage" at Narbethong in Victoria.A digital copy of an early black and white photograph of the entrance gate to "The Hermitage" at Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city. Visitors to the Hermitage alighted from horse-drawn vehicles and later motor coaches to enter the estate through the lich-gate in the background.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt

A colour photograph of the main building and entrance gate to Arbor Green Galleries in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the main building and entrance gate to Arbor Green Galleries in Marysville.Arbor Green Galleries./ 1 Falls Rd M'sville./ Side approach.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires

Two colour photo of Cato Park ornamental entrance gate that replaced the old entrance gates in c 1930's. The new entrance gates were donated by Mr. Frederick Cato and the park renamed from Victoria Park to Cato Park. The coat of Arms over the entrance gate was donated to Stawell Borough Council in 1926 by Mr. P. Whelan a native of Stawell. Mr. Whelan or better known as "Whelan the wrecker" demolished more than a quarter of central Melbourne buildings so new buildings could be erected on the old sites. The coat of arms came from "Burke & Wills Building" that once stood on the corner of Russell & Collins Street Melbourne. Two colour photographs of Cato Park ornamental entrance gate. Both photos are of similar views with the lake in the background and rotunda behind the gate. The main difference between the two photos is the colour of the rotunda roof, one red the other green. Judging by the increase in tree growth and pathway under the entrance gate the photo with the green rotunda roof must be the more recent photograph. stawell

Note by T.H. Kneen and E.B. Littlejohn, " 'Long border' along the fence line - an herbaceous border which extended to the left and right of the orchard entrance gates."Copy of sepia photograph in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116. 4 male students gathered by entrance to the Orchard, 1 with a wooden wheelbarrow containing fruit, 1 with a watering can, 1 standing inside the arched entrance gates. Orchard Border along the fence line - an herbaceous border which extended to the left and right of the Orchard entrance gates.prize essays, alfred e. bennett, orchard border, long border, students working outside, wheelbarrow, orchard gates

Gates donated by Cr. and Mrs Ernie J. Andrew. A check of the 1949 census shows Ernest James Andrew and Ellen Andrew living at Arthur Street. In 1937 they were both recorded in Main Road, Eltham, Ernie's occupation as newsagent. By 1943 they were recorded in Arthur Street and Ernie was retired. A search of our records shows that Ellen died 13 July 1946 and Ernie on 29 March 1950. Both are buried at Eltham Cemetery.Roll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5ellen andrew, eltham war memorial, ernie andrew

Note by T.H. Kneen 13 May 1992, "Suggest this is a common entry to Egg-Laying Competition and School of Horticulture & Primary Agriculture grounds. The latter were closed off by a cyclone type gate and fence located at the present rockery (near exit to present staff car parks) (also near Cork Oak). The gates are certainly not on the Swan Street frontage."Black and white photograph. Entrance to Egglaying Competition and School near what became the Bull Paddock Staff Car ParkOne of a group of photographs inscribed, "Xmas break-up December 1941."bull paddock, 1941, egg laying competition, school of horticulture and primary agriculture, staff car park, entrance gates

Four different colour views of St. Patrick’s Catholic Church entrance. Two photos show the entrance gate from the pathway. One the top of the entrance gate from the pathway. The last photo is of the steps and handrail entrance to the Church.Four colour photographs of the steps and entrance ways to St Patrick's Catholic Church. Three photos show the gate entrance from the pathway and road. The one other photo is of the steps to the Church.stawell

Coloured photograph of Ziebell's Cottage from the entrance gate.westgarthtown, ziebell's cottage

Colour photo of sign adjacent to Tan Son Nhut airport entrance gateThe noble sacrifice of allied soldiers will never be forgottenairport entrance, tan son nhut

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Black and white photo of the entrance gates to the cemetery with the bell tower and surrounding buildings at the left. "New Approach to Cemetery Boroondara"boroondara general (kew) cemetery, cemetery design -- victoria

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of the entrance gates to the Springthorpe Memorial in the Borondara General (Kew) Cemetery. "Springthorpe. Gates of Memorial / Memorial Gate / Jim's / 12"springthorpe memorial -- boroondara general (kew) cemetery, mausoleums - kew cemetery