Robin Boyd, a Fellow of RAIA since 1958, won the RAIA Gold medal in 1969 and then was elected Life Fellow the following year in 1970.Certificate from The Royal Australian Institute of Architects stating that Robin Boyd has been elected Life Fellow on 9th February 1970. It is signed by the President and Secretary. Certificate is registered No 5773. This is in a timber frame.The Royal Australian Institute of Architects. This is to certify that Robin Gerard Penleigh Boyd of Melbourne, Victoria has been elected a Life Fellow of the Royal Australian Institute of Architects, founded in the year of our Lord One Thousand Nine Hundred and Twenty Nine (1929) as The Australian Institute of Architects, and incorporated in the year of our Lord One Thousand Nine Hundred and Thirty as Royal Australian Institute of Architects for the Advancement, Protection, and Elevation of Architecture. In Witness whereof the Common Seal has been hereunto affixed as required under the Articles of Association 9th February, 1970. Signed by president and Secretary. Registered No. 5773. The reverse has Dean's framing sticker. Handwritten No 7436/D.royal australian institute of architects, fellow, raia fellow, robin boyd

In 1958 Robin Boyd was elected a Fellow of the The Royal Australian Institute of Architects.Certificate from The Royal Australian Institute of Architects, with common seal, stating that Robin Boyd has been elected Fellow on 27th June 1958. It is signed by the President, Wilfred Thomas Haslam, and Hon. Secretary, Allan E Stafford. Certificate is registered No 2008. There are pin marks at each of the corners.The Royal Australian Institute of Architects. This is to certify that Robin Gerard Penleigh Boyd of Melbourne, Victoria has been elected Fellow of the Royal Australian Institute of Architects, founded in the year of our Lord One Thousand Nine Hundred and Twenty Nine (1929) as The Australian Institute of Architects, and incorporated in the year of our Lord One Thousand Nine Hundred and Thirty as Royal Australian Institute of Architects for the Advancement, Protection, and Elevation of Architecture. In Witness whereof the Common Seal has been hereunto affixed as required under the Articles of Association this Twenty-seventh day of June, 1958. Signed by the President and Hon Secretary.royal australian institute of architects, fellow, raia fellow, robin boyd

Certificate electing as a Fellow for Outstanding Contribution - Ivo Atkyns Dean - to The Australian Institute of Agricultural Science in 1977. Probably donated by I. Dean. Signed by President Norman Halse and Secretary Peter Sloane.Certificate.The Australian Institute of Agricultural Science has elected IVO ATKYNS DEAN as a Fellow of the Institute for his Outstanding Contribution in the Field of Agricultural Scienceivo atkyns dean, 1977, australian institute of agricultural science, fellow

Presented with "Pictorial Comedy" Christmas 1905Print of lithograph depicting a lady seated on a chair and slumped over table, arms extended. For He's a Jolly Good Fellowlithograph, christmas 1905, f w read

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Black and white photograph of Robin Vanser with fellow artists, including Jay Justin, 1960sJay Justin | Guestperforming arts - australia - 1960s, robin vanser, jay justin

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Black and white photograph of the singer Robin Vanser with fellow performers in Sydney, c.1965.performing arts - australia - 1960s, robin vanser

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Black and white photograph of Robin Kelly as a guest performer with fellow artists including Irene Hewitt, 1966Guest | Irene Hewittperforming arts - australia - 1960s, robin vanser, irene hewitt

Certificate printed in Grey, with red official seal on cream coloured paperThis is to Certify that William Henry Greaves has been duly elected Fellow of the Institute of Municipal Administration wh greaves collection, greaves, city of st kilda, institute of municipal administration

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection.Black and white photograph of Robin Vanser with fellow performers in Sydney, 1965. The other performers are identified as Johnny Rae, Alan Turnbull, Dinah Lee, and Ray Gallagher."Johnny Rae, Alan Turnbull, Dinah Lee, Ray Gallagher (Band leader)performing arts - australia - 1960s, robin vanser, johnny rae, alan turnbull, dinah lee, ray gallagher

Kit McNaughton and fellow staff of the plastic Surgery division of the Queen Mary Hospital, Sidcup, Kent, England 1918 Also the cover picture of the paperback book, "Kitty's War" by Janet Butler 2013On Back of Photo - WWW.Kit .Mcnaughton Reminiscences from a bloody Imperial War NSW Nurses and Midwives Association Janet Butler - 'Kitty's War' Latrobe University Queen Mary Hospital Sidcup in Kent England Plastic Surgery Hospital 1918unknown

17 Fellows Street Kew was originally owned and occupied by the architect Henry Kemp. Kemp had arrived in Australia in 1886 and this was therefore one of the first of the many buildings he was to design in Melbourne. While late Victorian in date, the house is an interesting precursor of the Edwardian architecture produced by Kemp. Somewhat awkwardly composed with steep gables, a rectangular castellated tower and slated single storeyed verandahs projecting from the overall box-like form, the house contains features common to the 1880s such as the use of polychromy in the brickwork and slates cladding the roof. (Sanderson 1988). The historian Dorothy Rogers established that at one stage it was the home of Dr John Dale - Chief Medical Officer of the City of Melbourne. This photograph predates later renovations to the rear of the property.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society17 Fellows Street, Fellows Street frontage."17 Fellows St. Also residence of Dr. John Dale, Melbourne City Medical Officer"fellows street (kew), dorothy rogers, henry kemp, dr john dale

This portrait bust, along with that of Redmond Barry, was purchased in May 1884, The library still holds the receipt, but there is very little other information. It was probably a part of the program of outfitting the library interiors. Justice Fellows (1822-1878) was only a judge of the Supreme Court for six years (1872-1878), he had a long career in colonial politics. James Scurry (1826-1894) worked in architectural sculpture after migrating from England.The bust of Justice Fellows is of some interest as part of the original furnishings of the library. The bust is also of interest of as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Thomas Fellows. The bust itself is painted white in a neo-classical manner. The pedestal has been painted for a marble effect. Fellows' name appears in gold lettering. The bust is larger than life size. The head is finely detailed, with the chest swathed in classical drapery.Justice Thomas Fellows in gold lettering on pedestal.

Letter, from Robert Fellowes, to Colin Atkins and Rachel Faggetter, conveying Queen Elizabeth II and the Duke of Edinburgh's thanks for their visit to the National Wool Museum 28th April, 1988.Letter, from Robert Fellowes, to Colin Atkins and Rachel Faggetter, conveying Queen Elizabeth II and the Duke of Edinburgh's thanks for their visit to the National Wool Museum 28th April, 1988.Robert Fellowes THE FRAMEWORKS/167 VICTORIA AVE/ALBERT PARK/..

This book was published in 1981 when the Ski Industry and the Shire of Bright were proposing to expand the tourism industry.Of interest to Local Government and to those involved in the development of and activities carried out in Alpine country and ski resort areas. This research identifies the advantages and possibilities for the future.Hard light blue plain cover book with paper cover and bound spine. The paper cover has a snow photo (bluish) above and below the title. 113 pages with black and white photos and diagrams.Front page has "B.H.Goss / 37 Roper St., / Mt. Beauty 3699" stamped in top right corner.ski resort planning, ski resort development, falls creek's future, shire of bright

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.A circular issued to Lessees and Licensees in response to a circular issued by Haroldi Cuming which the Management Committee believed contained erroneous and misleading information. Although it was agreed that Mr Cuming was entitled to his opinion, the Management Committee held the opinion that his circular presented information which was diametrically opposite to the true situation.falls creek tourist area management committee, falls creek administration, harold cuming

Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Cream Cover, Size 21.5Hx13.5W, 12 pagesl. a. cleveland, f. w. spry, edgar h. peacock, w. f. rowe, dr w. j. craig, dr. a. j. fargie,e. norman armstrong, e. j. l. bremner, r. dow, g. fethers, f. e. frewin, m. j. hoath,s. g. hobson,, g. w. sweetland, a. sutherland, ernest j. d. abraham, e. empson, j. m. johnston, e. johnson, m. g. b. mortimer, e. noble, v. buttacavoli, n. webb o. quinton, c. monahan, maurice mark, blackburn, cricket, lacrosse, jolimont square, deaf dramatic club, alice c. graham

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Preliminary sketch of the two storey house on the corner of Fellows and Princess Street, Kew by the artist Joy Stewart. Inscription: "Cn Princess and Fellow St". Unsigned.joy stewart, princess street (kew), fellows street (kew)

A property illustration by Margaret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 5 Fellows St., Mitcham. This property has be listed as having sold for $370,500 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 5 Fellows St., Mitcham depicting a black and white line drawing of a weatherboard Californian bungalow with gable roof, set back from a picket fence and front garden. With a path in the center leading to the front door.5 Fellows St., Mitcham Picken © 2002 Fletcherswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5 Fellows Street, Kew by Margaret Picken.5 FELLOWS ST., KEW / MARG. PICKEN '87 / WOODARDS - KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5 fellows street - kew (vic)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 60 Fellows Street, Kew by Margaret Picken.60 FELLOWS ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 60 fellows street - kew (vic).

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of a single-storey Victorian tuck-pointed polychrome villa (formerly known as 'Roylands', 'Myrambeek') on the corner of Redmond and Fellows Streets, Kew. Research by Lovell Chen established that the house was built in 1892-3 and that owners have included Charles Bennett, Zilpah Bennett, Catherine Bucknall, Frederick Umber, George Darby etc. The 2014 report recommended that the house be included in the Schedule to the Heritage Overlay of the Boroondara Planning Scheme as an individually Significant place."Cnr Redmond and Fellows Streets"historic houses -- kew (vic.), victorian villas -- kew (vic.), 16 redmond street -- kew (vic.), roylands, myrambeek

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded. 99 Princes sStreet (1 Fellows Street) was built by the architects Oakden, Addison and Kemp. The Kew Conservation Study (1988) noted that: Erected By Bennie And Olivers, these Two Attached Houses Attracted An Initial Construction N.A.V. of £260. The houses were originally owned and occupied by the architect Henry Kemp, however Kemp appears not to have lived there long because, while he retained ownership for at least a decade, by 1891 George Martin, merchant and bank manager, was recorded as the tenant of No.1 Fellows Street. At that date the N.A.V. for this individual building was £83 and Kemp remained the owner of both properties until at least 1910. Kemp had arrived in Australia in 1886 and this was therefore one of the first of the many buildings he was to design in Melbourne. While late Victorian in date, the houses are of a unified design that is an interesting precursor of the Edwardian architecture produced by Kemp. Somewhat awkwardly composed with steep gables, a rectangular castellated tower and slated single storeyed verandahs projecting from the overall boxlike form, the house contains features common to the 1880s such as the use of polychromy in the brickwork and slates cladding the roof. The building departs from the norm of the time with the use of terracotta tile ridge cappings, and strapwork to the corbelled chimneys.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of the pair of residences on the corner of Princess Street and Fellows Street in Kew. The point of view is the Fellows Street frontage.comaques, historic houses -- kew (vic.), glenferrie road -- kew (vic.)

Ella Macknight was an Australian obstetrician and gynaecologist, who worked at the Queen Victoria Hospital, Melbourne. She was appointed as a Dame Commander of the Order of the British Empire on 1 January 1969 for services to medicine. (Wikipedia) Her name has been misspelled on the engraving on this medal.Silver coloured medal with gold coloured decoration on a blue ribbon. The medal is a physical representation of the AOFOG (Asia and Oceania Federation of Obstetrics and Gynaecology) logo, consisting of a translucent central blue circle (possibly made of glass) surrounded by eight abstract torso figures in alternating gold and silver colours. The base of the torso sits adjacent to the central blue circle, and depicts a figure with its arms raised straight up. The torso neighbour each other around the circumference of the central blue circle to form a circular pattern. The figure at the top of the medal has a silver torso and gold head, and these colours interchange from figure to figure (eg. the figure on either side has a gold torso and silver head). The medal is engraved with the text 'Dame Ella McKnight/FELLOW/OF/AOFOG/1993'. The ribbon has two velcro fastenings. The medal is in a protective case, the outside of which is lined with red velvet. Included in the case is a runsheet printed on paper for the ceremony in which Ella MacKnight was presented with this medal. The ceremony was held at PICC Plenary Hall on 14 November, 1993. The velvet case in stored inside a while, rectangular cardboard box, consisting of two parts - lid and base. Sticker attached to top of the cardboard box reads ' DAME ELLA MCKNIGHT/FELLOW/1993'. Dame Ella McKnight/FELLOW/OF/AOFOG/1993'obstetrics, gynaecology, awards