Showing 445 items matching female clothing
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Kew Historical Society Inc
Uniform - Kew Librarian's dress, Neat & Trim Career Wear, 1972
Female librarians at the Kew Municipal Library in the City of Kew (Vic) were in the past required to wear standard royal blue uniforms. This uniform, the earlier of two in the collection was manufactured by Neat & Trim Career Wear.Uniform that reflects the values of the period in the attempt to professionalize and homogenise the status of women workers.Royal blue Kew Library uniform, manufactured by Neat & Trim Career Wear. The fabric is 65% polyester and 45% viscose. It is buttoned at the front. uniforms - public libraries - kew (vic), women's clothing - uniforms, kew municipal library -
Kew Historical Society Inc
Uniform, Neat & Trim Career Wear, Blue Kew Library Uniform, 1980
Female librarians at the Kew Municipal Library in the City of Kew (Vic) were in the past required to wear standard royal blue uniforms. This uniform, the earlier of two in the collection was manufactured by Neat & Trim Career Wear.Uniform that reflects the values of the period in the attempt to professionalize and homogenise the status of women workers.Royal blue Kew Library uniform, manufactured by Neat & Trim Career Wear made of 65% polyester and 35% rayon. The uniform is closed by a zip. uniforms - public libraries - kew (vic), women's clothing - uniforms, kew municipal library -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Combinations, 1940's
Made by internees at Camp 3 Tatura and worn by ladies there as an undergarmentHandmade ladies combinations, cream cotton material with lace-like edging, opening at one leg seam. Buttoned at top, one shoulder strap.combinations, hoefer family, underwear, female underwear -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Blouse, 1940's
... Tatura the-murray Ladies Blouse Clothing Long sleeved lightweight ...Used by internees at Camp 3Long sleeved lightweight linen cream blouse. Fastened with 5 mother-of-pearl, shank buttonsblouse, hoefer family, female, ladies blouse, ladies clothing -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Night Gown, 1940's
Ladies nightgown made at Camp 3, Tatura from re-made men's pyjamas, with the addition of floral material and bows as a feminine toughPale blue and white striped cotton nightgown, long sleeves, bodice of red and blue patterned material with ties attached either sidenight gown, hoefer family, camp 3, ww2 camp 3, costume, female night attire -
Tatura Irrigation & Wartime Camps Museum
Clothing - Dress, 1940's
Made in Camp 3 for Luise WiedNavy blue fine woollen dress. 6 gore panels up to a yoke at the front. Back centre panel continues to form a fold over 2 side panels. Long sleeves finished with 2 press studs and gathered at the top. "V" neckline, belt attached at side front panels and fastened with a buckle at the backhelga anderson, woollen dress, internee handcrafts, female dresses, camp 3 internee handcrafts -
Tatura Irrigation & Wartime Camps Museum
Clothing - Suit - Ladies, Two Piece Woollen Suit
Made by InterneesGrey woollen ladies suit, fully lined jacket, collar has wide lapels, 2 pockets, 3 buttons, back has inverted pleat with 1/2 belt. Skirt has inverted pleat back & front, no waistband hem not finished.tatura, female, wool, handmade -
Tatura Irrigation & Wartime Camps Museum
Clothing - Cardigan, 1940's
Made by Internee at Camp 3Dark brown hand knitted cardigan. Small diamond pattern, long sleeves, two pockets, 8 brown buttons. Front edges crocheted. Made in Internment Campcardigan, beck h, camp 3, tatura, ww2, costumes, female -
Benalla Art Gallery
Pastel, Adelaide IRONSIDE, Louisa, c. 1855
Born: Sydney, New South Wales, Australia 1831; Lived and worked: Italy 1856-1867; Died: Rome, Italy 1867VictorianLedger Gift, 1985Oval brown background with profile portrait of figure depicting female with flowers in her hair and wearing white clothing. Stained timber frame.Recto: Signed and titled " Louisa" "A.G. Ironside" in grey pencil from l.l.c to l.r.c of composition; Not datedpastel, portrait, woman, flowers, wreath, shoulders -
National Wool Museum
Work on paper - Women's Village/Travel Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8118.1- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts with a yellow and green printed, striped shirt, cinched at the waist by a brown woven belt. At the bottom of the page is a detailed drawing of the weave of the belt with an Australia shaped belt buckle. A small drawing to the right of the main image also details a small bag/pouch that attaches to the belt. 8118.2- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts paired with a block colour shirt in green, red, white and yellow with a symbol in the shape of Australia on the right side of the shirt. There are small detail images of shorts and a skirt to the left of the main image and a detail drawing of a brown leather shoe to the right.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool Museum
Work on paper - Men's Village/Travel Uniform Design Drawing, Wendy Powitt, c. 1992
A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic men's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts, a green and yellow striped shirt with the Australian emblem on the right breast of the shirt and a brown leather woven belt. The top of the page shows a detailed drawing of the belt weave with a symbol of Australia as the belt buckle. To the right of the main image is a detailed drawing of the shorts as well as a drawing of a leather pouch that is attached to the belt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Cardigan, Cardigan, 1940.s
Believed to have been knitted and worn by a female internee at TaturaHistoricLadies hand knitted woollen cardigan, long sleeves, 2 side pockets, pointed collar. Pale tan colour. fastens at the front with 11 brown wooden buttons. Knitted in a self check pattern. Cotton tape lines where the buttons are sewn on -
Tatura Irrigation & Wartime Camps Museum
Clothing - Child's Dress
Child's dress made by one of the female internees for her child. Internee unknowncchilds dress with round neck, short sleeves, gathered at waist.camp internees, camp children, camp dressmaking -
Tatura Irrigation & Wartime Camps Museum
Clothing - Greatcoat
Navy coloured woollen greatcoat, 3 big navy buttons down each side, 1 flap each side on pocket, sleeves are turned up. Inside top has a black quilted lining. Back has a kick pleat. Inside top has a pocket each side and inside left front under pocket is a triangle piece from same fabric as coat held onto front by two small navy buttons. Has a large and small navy button under each lapel. Can be worn either for male or female.label: Ladage & Velkegreatcoat -
Tatura Irrigation & Wartime Camps Museum
Photograph, Jan Hammond, Mosaic 2002
Jan Hammond 2002, owner of Mosaic Clothing Shop, north side of Hogan Street, opposite Newsagency.tatura, shops, hammond, costume, female -
Port Fairy Historical Society Museum and Archives
Clothing - corset, 1970-1980
long abdominal corset - peach colour, embroidered lingerie satin, lycra, hooks, lacing eyes, synthetic boning, elastic panelsModel 3987/10 type g. size 37local history, costume, female -
Port Fairy Historical Society Museum and Archives
Clothing - Night dress, c. 1900
not recordedA lovely example of a fine cotton nightdressFull length Scooped neckline short sleeves front bodice made in fine lace nightdresscostume, female, nightdress -
Port Fairy Historical Society Museum and Archives
Clothing - Cape, c.1920
not recordedA beautiful example of feminine apparel from the art deco periodGold velvet evening cape with ruched collar and pleated basque handpainted dragon, flora outlined in gold thread with silk liningcostume, female, art deco -
Port Fairy Historical Society Museum and Archives
Clothing - Dress, 1930s
Hilary Reardon Collection;Garment made by Mrs. Margaret RobinsonEvening dress of cream self-spotted silk with beaded neck and hem with piped waistline. Full length- Hand finishedlocal history, costume female, dress, robinson, margaret, reardon, hilary, fashion -
University of Melbourne, Burnley Campus Archives
Clothing - Lady's Jodphurs, Rankine & Dobbie, c. 1930
... Boulevard Richmond melbourne Lady's Jodphurs Clothing Jodphurs worn ...Jodphurs worn by female students. Given to Archives by Alice Tucker who graduated in 1933. jodphurs, pants, trousers, female students, alice tucker (née glascodine), 1933 -
Brighton Historical Society
Clothing - Dress, c. 1974
This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism -
Hume City Civic Collection
Clothing - Dress - Inmates
Garment was worn by female patients at the Sunbury Asylum.Inmate's dress in off-white canvas (?) with red stripe (blue stripe on left arm only). Round neck with front reinforcement and added panel and binding in cream cotton. Bodice and skirt pleated into waistband. Back opening to thigh level with three pairs of button-stitched eyelets.costume, sunbury asylum, george evans collection -
Hume City Civic Collection
Lady's pink straw hat, 1960's
... . The hat was purchased to wear at a family wedding. clothing ...The hat belonged to Edna Vlassopoulos who with her husband Andrew, had a poultry farm and market garden in the old Westmeadows township and later at Bulla. The hat was purchased to wear at a family wedding.A pink straw hat with a pink silk folded band wrapped above a narrow brim. There is a full-blown pink silk rose which is a trim on the RHS of the crown. There is a band of petersham ribbon inside the crown with black hat elastic fastened on either side.clothing and dress, headwear, female, george evans collection -
Hume City Civic Collection
Photograph, c 1916
Infantry corp. c1917A sepia postcard of an unidentified soldier with a small female highlander saluting him.Printed on back: POST CARD MT SWISS STUDIOS, BOURKE ST MELBOURNEworld war 1, postcards, mt. swiss studios, photographers, soldiers, uniforms, clothing and dress, armed forces, george evans collection -
Surrey Hills Historical Society Collection
Photograph, Mont Albert Central School Grade 1, 1921
Mont Albert State School was officially opened on 23rd April 1917. The school became Mont Albert Central School in 1918, taking in Forms 1 and 2. The school remained a Central School until 1964, when the secondary years formed the basis of a new High School, the Box Hill North High School, later to be named Koonung Secondary College. This is part of a large collection of material related to the Deakin, Mair and Young families, all with connections to Surrey Hills and Mont Albert. Ernest Lance Young was the son of Ernest Augustus Young (1891-1985) and Ruby Nichell Whitby (1892-1984). Lance was born 24 March 1915 in Surrey Hills. The family lived at 5 York Street, Surrey Hills. Electoral roll for 1937 gives the house name as 'Whitby Lodge'. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls list him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. He is buried in Box Hill Cemetery (M-*-0867) along with his father. He served in WW2 (Service Number - VX104733 enlisting at St Kilda) and after returning took over his father's business. Young's Motor Products have manufactured products for the automotive and other related industries, including chemical trades, since 1920. Business history: Young's commenced trading in 1917 when Mr Ernest Augustus Young started selling paint brushes. At this time the company was known as E.A.Young & Co. with business premises in Queen Street Melbourne. Ernest soon expanded into paints and other products for the rapidly growing automotive trade and by 1920 was well recognised as a leading supplier. At this time canvas hoods were the norm and Ernest produced a "Canvas Hood Dressing" which gained acceptance as 'the one to buy'. This product was exported throughout the world. By 1930 Young's range had expanded and the product range included items like distilled water, gasket cement, vulcanising heat patches, rust prevention and many more diverse products. Young's name then, was so well known in Australia and the world, that a letter could be addressed just "Young's Melbourne" and it would reach the company. Young's survived the great depression, but in 1939 the Australian government commandeered the factory with all plant and equipment, thus closing Young's for the duration of the WW2. Ernest continued to make products at home for the war effort. When his son, Lance, returned home from overseas war service in Singapore, the Young's factory was re-established at 405 Canterbury Road, Canterbury near Chatham Station and worked to regain markets lost in the 1940s. By 1980 Lance Young wished to retire, his immediate family didn't want to continue the business and Lance believed Australia would lose a great asset if he just closed the company. He sought to find someone within the motor trade who would uphold the Young's principles of product and service and in 1981 Allan Kennedy & Sons bought the business.Lance Young was retained as an active consultant until his death in October 1999, aged 84. Products: Superseal for radiators, tyre dressing (tyre black), car shampoo, hood dressing, leather and vinyl cleaner. The factory was later elased to B&D Rollerdoors. REF: Personal communication (Laurie Newton, nee Young) and http://youngsmp.com.au/comprof.htm Black and white class photo taken outside the school building. The class of 18 girls and 22 boys is flanked by a male teacher of the LHS of the photo and a female teacher on the RHS. Children are wearing a variety of clothing indicating the absence of an official school uniform.REAR: Possibly 4 different hands as follows: 1. In black ink faded to brown: "January 1921 / Mont Albert State School" 2. "ERNEST" in black biro; looks to be a later insert to "Lance Young" in blue biro or ink. 3. "2nd on left / FRONT ROW legs crossed" in blue biro. -
Whitehorse Historical Society Inc.
Clothing - Skirt, c1910
c 1910 Cotton pique tennis skirt - white. 10 hooks and eyes. Curved yoke front and back 6 buttons on each side.c 1910 Cotton pique tennis skirt - white. 10 hooks and eyes. Curved yoke front and back 6 buttons on each side.costume, female -
Dutch Australian Heritage Centre Victoria
Commemorative Tile, 1962
Princess Juliana and Prince Bernard married in 1937 prior to the Princess becoming Queen in 1948.The fact that this item was brought to Australia with a migrant family indicates the affection in which the Royal Family was held by many Dutch people.Rectangular tile depicting a leafy tree loaded with oranges. Under it are four young people - two male and two female. The main colours are green on a greyish background. Orange accents appear throughout the clothing. An orange banner reads 1937-1962. Below the illustration is the motto: "Doen kunnen we alles maar dan ook alleen allen samen." (We can do everything but only together). On the back are various imprints relating to the maker Mosa Holland. -
Clunes Museum
Functional object - APRON
... WITH ONE POCKET, COVERED BUTTONS. PROTECTIVE CLOTHING local history ...PROTECTIVE CLOTHINGPART OF WHITE COTTON WORK APRON. THREE GORED SKIRT WITH ONE POCKET, COVERED BUTTONS.local history, costume, female, working., trembath, perry -
Clunes Museum
Domestic object - APRON
PROTECTIVE CLOTHING WORN BY MEMBERS OF TREMBATH FAMILY.HAND EMBROIDERED CREAM COLOURED CALICO APRON . FINCHES ON NATIVE GRASS, WORN BY BRENDA TREMBATH, DAUGHTER OF MRS. TOM TREMBATH NEE .PERRYlocal history, costume, female working, trembath, perry -
Clunes Museum
Clothing - CORSET
STAYS - CORSET - UNDERGARMENT. WORN BY LADIES TO CONTROL THE WAIST.A PAIR OF STAYS - CORSET WITH STEEL BONING, METAL EYELETS AND TAPES."NAUTILUS" CORSET NO.326 RUSTPROOF THROUGHOUT.local history, costume, female underwear,