Showing 126 items matching film productions
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Moorabbin Air Museum
Letter (Item) - Documents relating to a number of film productions
... Documents relating to a number of film productions....Documents relating to a number of film productions....Documents relating to a number of film productions. Letter ... -
Greensborough Historical Society
Slide - Slide Set, S.V.E. Film Productions, Views of Melbourne, No.26 Victoria, 1970s
... S.V.E. Film Productions.... Film Productions ...Travel slides were often purchased as a memento of a city visited. This set of slides is of Melbourne circa 1970s.8 colour slides in cardboard folderslide sets, travel slides, melbourne -
Ringwood and District Historical Society
Memorabilia - Stationery, Stationery from 4 x Ron Mason Ringwood Businesses (undated), c 1940
... in Maroondah Highway Ringwood, Academy film Productions, Compass Video... film Productions -flyers and stationery 2 Compass Video market... from 4 businesses owned by Ron Mason 1 Academy film Productions ...Four businesses owned by Ron Mason all situated in Maroondah Highway Ringwood, Academy film Productions, Compass Video Market Craft, Maroondah Garden Supplies and Ringwood Self Service Grocery Pty. Ltd.in the 1940s.stationery from 4 businesses owned by Ron Mason 1 Academy film Productions -flyers and stationery 2 Compass Video market Craft - stationery 3 Maroondah Garden Supplies -Business cards and blank invoice sheets 4 Ringwood Self Service Grocery Pty. Ltd. blank writing sheets -
Whitehorse Historical Society Inc.
Document, In the frame, 2010
... Film productions... productions Armstrong Gillian Story of Gillian Armstrong, film ...Story of Gillian Armstrong, film director, who grew up in Mitcham.Story of Gillian Armstrong, film director, who grew up in Mitcham.Story of Gillian Armstrong, film director, who grew up in Mitcham.mitcham, film productions, armstrong, gillian -
Phillip Island and District Historical Society Inc.
Article, "There's a little bit of Ireland '- The Hands of Cormac Joyce, April 1972
... . The film was made by Crawford Productions for the NBC network ...The Hands of Cormac Joyce is from a novel by Leonard Wibberley about the families in the Aran islands of Galway, Ireland. The film was made by Crawford Productions for the NBC network.HistoricalLarge magazine article with coloured photos from The Australian Women's Weekly April 26, 1972. Pages 4-5There's a little bit of Ireland ...in Westernport Bay, Vic."the hands of cormac joyce" film, crawford productions, film making -
Clunes Museum
Memorabilia - DVD, VARIOUS
... FILM PRODUCTIONS FILMED IN AND AROUND CLUNES VICTORIA... IN CLUNES NIL FILM PRODUCTIONS FILMED IN AND AROUND CLUNES VICTORIA ...FILM PRODUCTIONS FILMED IN AND AROUND CLUNES VICTORIADVD: .1 DVD TOMORROW WHEN THE WAR BEGAN, SERIES, PARTLY FILMED IN CLUNES 2016 .2 DVD MAD MAX, MOVIE, PARTLY FILMED IN CLUNES IN 1979 .3 DVD THE LEFTOVERS, THIRD AND FINAL SEASON, PARTLY FILMED IN CLUNES 2017 .4 DVD NED KELLY, MOVIE, FILMED IN CLUNES NILfilms, ned kelly, mad max, the leftovers, tomorrow when the war began -
Mission to Seafarers Victoria
Document, The Screen Guide, Cruel Youth, 1989
... Document listing the film production details: CREW... the film production details: CREW: Director:Tony Ayres Writers ...Document listing the film production details: CREW: Director:Tony Ayres Writers: Tony Ayres Producer: Salli Engelander Dir. of Photography: Michael Williams Editor: Jill Holt CAST Guy Hudson ( Roger ) Caitlin Jones Karina Loscher Fiona Ruttelle Cruel Youth was a short film by director, Tony Ayres, filmed in the Mission to Seafarers in 1988.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals. And with its heritage feature is also a sought after filming location.Movie production details printed in black ink on a A4 paper (double sided).cultural events, filming location, cruel youth, tony ayres, big and little films, screen guide, salli engelander, michael williams, jill holt, guy hudson, caitlin jones, karina loscher, fiona rutelle -
Warrnambool and District Historical Society Inc.
Book, Captain James Cook, 1987
... in the A.B.C. film production. The back cover has a summary of the life... Cook in the A.B.C. film production. The back cover has ...This book, written by John Hooker, contains the story of Captain Cook based on the screenplay by Peter Yeldham for the A.B.C. television production of the life of Captain James Cook. The voyages of Captain Cook are of prime importance in Australia’s history as his discoveries and positive reports of the east coast of Australia led eventually to Britain’s decision to establish a penal colony in New South Wales.This book is of significance because it was written by John Hooker, important in Warrnambool’s late 20th century history as a regular feature writer and columnist for the Warrnambool Standard newspaper. His articles, which raised moral, social and political issues from a local point of view, were widely read and admired by the residents of Warrnambool and district. Born in New Zealand, John Hooker came to Australia in 1963 and resided for a time at Killarney near Port Fairy. He was a publisher and later a full-time writer, publishing both newspaper articles and novels. This is a soft cover book of 258 pages. The cover is mainly red and blue and features on the front cover a colour photograph of Keith Michell, the actor portraying Captain Cook in the A.B.C. film production. The back cover has a summary of the life of Captain Cook and a small colour photograph of a film scene of Captain Cook with some Pacific Islanders. The book has a Prologue, three chapters and an Epiloguejohn hooker, captain james cook, history of australia, warrnambool history -
Mission to Seafarers Victoria
Album (Item) - Photographic album, Reverend John Reginald Weller, 1925-1927
... Richard Herschell founded a film Production studio of the same... Richard Herschell founded a film Production studio of the same ...This album was compiled by Mr or Mrs Weller from photographs made by Mr and Mrs Weller during their years at the Mission. The couple arrived in January 1925, replacing Mr and Mrs Gurney Goldsmith and stayed until January 1929. The photographs bear the stamp "Herschell's Prints - Pathe Agents". Charles Richard Herschell founded a film Production studio of the same name operating at 31 Agnes Street, Jolimont from 1925. weller album, 1925-1927, tennis court, s.s. osterley, skaregrøm, mitchell, archbishop lees, new year's day, christmas, sherbrooke, chaplaincy, garden, cadets, officers -
Tatura Irrigation & Wartime Camps Museum
Video Tape, Abbreviated documentary for German TV on the adventures of Oskar Speck
... Documentary filmed by Czweink's production partly in Camp 1... TV on the adventures of Oskar Speck Documentary filmed ...Documentary filmed by Czweink's production partly in Camp 1 and the Tatura Museum. The abreviated form used to sell the full documentary, which was shown on German TV. -
Tatura Irrigation & Wartime Camps Museum
Painting, Paintings from inside Camps by Guidolaldi, 1940-1945
... the war made models for Film and TV Productions in England. Images... the war made models for Film and TV Productions in England. Images ...Images forwarded by email by the son of Guidobaldi. Thirteen images of artwork performed by Guidobaldi while in Loveday and later in Camp 1 Tatura. Guidobaldi was a model maker and after the war made models for Film and TV Productions in England. Images were sent to Museum via email and show the reverse sides of the paintings, which were drawn on the sides of cardboard containers.camp 1, loveday camp -
Plutarch Project
Printed handkerchief
... , of the most prominent film production company FINOS-FILM presented..., of the most prominent film production company FINOS-FILM presented ...This handkerchief was used as a marketing material to promote the film titled "The Heavens are ours" in Greek by "New World Film Entertainment" shown at Melbourne Town Hall. There were 2000 of these printed by the company for the premiera showing. The film was later screened by the same company at Premier Theatre in November 1958 by popular demand. The handkerchief gesture had the desired effect of attracting large crowds to the show.This handkerchief's primary significance is derived from the innovative story behind its use. A white printed paper towel inscribed, in black ink, with a message in Greek to those it was handed to by "Cosmopolitan Motion Pictures"The inscription in Greek says: "ΦΕΡΤΕ ΤΟ ΜΑΖΥ ΣΑΣ. Θα σας χρησιμεύσει να σφουγγίσετε τα δάκρυά σας παρακολουθώντας το συγκινητικώτερο, το δραματικώτερο δράμα όλων των εποχών που θα κάνει και τις άψυχες πέτρες να ραγίσουν 'ΟΙ ΟΥΡΑΝΟΙ ΕΙΝΑΙ ΔΙΚΟΙ ΜΑΣ'...." In English translation it says: "BRING IT WITH YOU. You will need to wipe your tears watching the most dramatic and emotional film ever, that will have stones with no soul crack... titled "THE HEAVENS ARE OURS" with the unforgettable Golfo Antigoni Valakou, of the most prominent film production company FINOS-FILM presented by NEW WORLD ENTERTAINMENT. The touching story of a girl who has been lost by her parents she still lives with them, in sadness and in laughter.... THE MOVIE THAT NEEDS TO BE WATCHED BY EVERY FATHER , EVERY MOTHER, EVERY YOUNG MAN AND WOMAN. In Melbourne On Saturday, 19th April 1958 MELBOURNE TOWN HALLhandkerchief, film, greek, language, entertainment, cinema, theatre, μαντηλάκι, γιαννούδης, yiannoudes -
Surrey Hills Historical Society Collection
Literary work - Book, Messenger Publishing & Consulting Pty Ltd, Camberwell High School 1941-1991, A Jubilee Retrospective, 1991
... featured in a number of films and television productions including... featured in a number of films and television productions including ...A history of Camberwell High School from its beginnings in fighting for a school to be built and finally opening for business in 1941. It includes a list of students from 1941-1991. Also a list of female staff and male staff, as well as House Captains, Women's Auxiliary Presidents, Head Prefects, Student Representative Council - Presidents. It also details the School Uniform Policy. It details the growth in the early years, building on the foundations and the modern times, including some troubled years.Height 25 cm, 160 pages, soft cover A soft cover book of 160 pages with black and white photos, newspaper clippings and other illustrations. It includes lists of principals, presidents of school council, house captains, SRC presidents, parents & friends association presidents, women's auxiliary presidents, male and female staff members, and all students who attended the school between 1941 and 1991. There is an extensive list of sources and acknowledgements.non-fictionA history of Camberwell High School from its beginnings in fighting for a school to be built and finally opening for business in 1941. It includes a list of students from 1941-1991. Also a list of female staff and male staff, as well as House Captains, Women's Auxiliary Presidents, Head Prefects, Student Representative Council - Presidents. It also details the School Uniform Policy. It details the growth in the early years, building on the foundations and the modern times, including some troubled years.education and research, secondary schools, school plays, school committees, robert d ewins, camberwell high school, education, camberwell high ex-students society, kylie monogue, elida brereton, robert manne, dannii monogie, brian naylor -
Eltham District Historical Society Inc
Film - Video (Digital), Charles Tait, The Story of the Kelly Gang (1906), 1906 / 2006
... a more complete sense of the original production. The film... a more complete sense of the original production. The film ...In 1906, Australia produced The Story of the Kelly Gang, claimed to be the world’s first commercial feature-length fiction film. Shot on location outside Melbourne, the film traces the life of the legendary Australian bushranger, Ned Kelly. The 1906 film is believed to have been about one hour in length. Only fragments, approximately 15 minutes survive, the majority of the cellulose nitrate film stock degrading. In 2006 with meticulous restoration work by the National Film & Sound Archive, nearly a quarter of the film was pieced together and digitally restored by Haghefilm preservation laboratories in Amsterdam. The film's narrative has been reconstructed based on the original footage and intertitles. Additional titles (based on text from original program booklet) and associated material has been inserted to provide a more complete sense of the original production. The film is of particular interest to the Society as it is alleged that some scenes were filmed in and around the Eltham district though not yet identified or confirmed.Digital file only MP4 00:31:52; 233MB (Reference only - not for public access)the story of the kelly gang, ned kelly, national fim & sound archive, charles tait, eltham -
Melbourne Legacy
Film, Legacy
... for their debutante presentation and the film segues to the actual... Production. This film has been digitised to preserve its content ...30 min colour and sound 16mm film, severely faded, beginning with an interview with a Vietnam widow and going on to explain the help Sydney Legacy gave to bereaved families including outings, health, etc. Lionel Long, who was a Legacy ward, is interviewed and sings one of the ballads he was famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia at the Swiss Bank Centenary, Switzerland, with a boy from NSW, going on to stay with a Legacy family in London for a week. The functions of Legatees are explained as a Legatee is shown with one of his families. Also interviewed is a practising solicitor who attributes his qualification to the help he got from Legacy. Girls are shown rehearsing for their debutante presentation and the film segues to the actual presentation with the Governor Sir Roden Cutler, Governor of NSW, and his wife. Legatees are shown cutting, trucking and delivering firewood to widows. Photography by Frederick Richardson; sound by Peter Willesee; Executive Producer Michael Willesee; produced and edited by Bob Lawson. A Trans Media Production. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of Sydney Legacy in the 1960s giving an overview of the work they did.A film in a blue plastic canister produced about the activities of Sydney Legacy in the 1960s.Label of 'Colour Film Pty Ltd, client Trans Media Colour print' handwritten 'Copy No 3'activities, widows club, junior legatee, operation firewood, sydney legacy -
Federation University Historical Collection
Poster - Theatre Poster, The Prince of Tempters, 1926
Prince of Tempters is a 1926 American silent romance film directed by Lothar Mendes and starring Lois Moran, Ben Lyon, and Lya De Putti. It is based on the 1924 novel The Ex-Duke by the British writer E. Phillips Oppenheim.Large coloured movie poster with image of man and women with devil in between A First National Picture. Robert Kane presents "The Prince of Tempters" with Lois Moran, Ben Lyon, Lya De Putti, Mary Brian, Ian Keith, Sam Hardy, Olive Tell Adapted from "the Ex-Duke" by E. Phillips Oppenheim A Lothar Mendez Production First National Pictures1I-SH-A "Country of origin" USA R-919lya de putti, mary bria, ian keith, sam hardy, olive tell, "the ex-duke", e. phillips oppenheim, lothar mendez production, first national pictures, usa, a first national picture, robert kane, the prince of tempters, lois moran, ben lyon, theatre, movies, kiss -
Federation University Historical Collection
Equipment - projector, Kodoscope Film Projector, 1937-1946
... including the ceassation of camera film production in 2013. vintage ...Early pre world war II, home movie projector. Several series followed made by the same company and were very popularKodak brand and film was internationally recognised brand which dominated projection, camera and film until a shift towards digital media resulting in subsequent decline including the ceassation of camera film production in 2013.Vintage Eastman Kodak Kodascope Model EE series II . 16mm film projector The lens is a 2-Inch by Eastman Kodak.The plaque on the front of the projector reads: “Kodascope, Model EE, made in the U.S.A. By Eastman Kodak Co, Rochestor, N.Y., Trade Mark Reg. U.S. Pat. off., 100-125 volts, 850 watts, for use with slow burning film only, patents in U.S.A. 1,461,794, 1,507,357.”vintage projectors, film projection, kodak, home technology, eastman kodak co, model ee series ii -
Federation University Historical Collection
Booklets, Melbourne Movie Club
Mirrabooka means Southern Cross. The Melbourne Movie Club was established for those interested in Moving Pictures and all its branches. 'A place to go to spend a few leisure hours, a select dance, parties, picnics, amusements, to learn the art of picture acting and make up, to take part in the Company's productions, dramatic art, to have a jolly good time, etc.' The Melbourne Movie Club has a spacious premises at 184 Exhibition Street, Melbourne, with a floor space of 10,000 square feet, where scenes and sets were erected for the use of Club Members. The Club had full moving picture producing equipment such as big light plant, stage effects, scenery, and cameras. The Melbourne Movie Club saw themselves ad the nursery and basis for a National Film Industry. .1) The secretary was Burnard W. Morey (AICA), the director was L. Morton, and the Managing director of Mirrabooka Films was James Weston. .2) The Managing Director was Louis Morton, the director was Ivan Morton, the Manager Robert Spencer and the organiser and Producer was W. Winford.Two booklets relating to the Melbourne Movie Club. .1) Eight page white booklet of the Melbourne Movie Club - The Mirrabooka Films Pty Ltd. The booklet discusses the place of film in Australia. .2) Eight page pink booklet of the Melbourne Movie Club.melbourne movie club, movie, theatre, james weston, mirrabooka, mirrabooka films, burnard morey -
Federation University Historical Collection
Film, Night Mail, 1936
A 1936 documentary film about a London Midland / Scottish Railways mail train. Night Mail (1936) was one of the most critically acclaimed films to be produced within the British documentary film movement. It was also among the most commercially successful, and remains the film most commonly identified with the movement. The film was the product of collaborative, rather than individual authorship. Although it was primarily directed by Harry Watt, Basil Wright developed the script, and had overall production responsibility for the project. The resulting film was edited by Wright and Alberto Cavalcanti; John Grierson and Stuart Legg were also involved in its production. The music score was arranged by Benjamin Britten and Cavalcanti, and the rhyming verse used in the film - spoken by Pat Jackson - was written by W.H. Auden, who also acted as assistant director.A 16mm wide film with sprokets on one edge only, contained in a blue plastic spool box. Post Office Marketing Department Publicity Diviision Postal Headquarters St Martins-le-Grand London EC1A 1HQ Films section Title Night Mail 35/16mm safety film stamped Waxedfilm, night mail, postal services -
Australian National Surfing Museum
Poster, First Love, 01/03/2010
First Love is a feature film length surf film that tells the story of three young female surfers. The film follows the lives of Jess, Nikki and India as they follow their passion for surfing growing up together and competing against one another. Surfing brings the girls together but they are all different in their own way. The film culminates in a surf trip to Hawaii where they meet a number of professional female surfers. The film also features surfers Stephanie Gilmore (world champion), Alana Blanchard and Bethany Hamilton. First Love was produced by an all female creative team and officially launched at the Surf World Museum Torquay on 4th April 2010. The film had its festival debut at the DUNGOG FILM FESTIVAL in May 2010 and its international debut at the HAWAIIAN INTERNATIONAL FILM FESTIVAL in October 2010. First Love is the first surf feature film shot in Australia with an all female cast/crew. The film had a national theatrical release across Australia on February 14th, 2011.Full colour film poster for the surf film FIRST LOVE. The poster features a long shot of the main surfers in the film, Jess Laing, Nikki Van Dijk, and India Payne walking along a country road towards the camera carrying their surfboards and wetsuits.Film title, sponsors logos, film makers credits and touring dates for the Autumn 2010 tour of the film.phillip island, surf film, first love, jess laing, nikki van dijk, india payne, stephanie gilmore, bethany hamilton, liquid pictures production, fran derham, clare plueckhahn, claire gormon, rip curl pro -
Australian National Surfing Museum
DVD Movie, First Love
FIRST LOVE tells the story of three passionate young girls from Phillip Island who aspire to make a career out of surfing. The film stars Jess Laing, Nikki Van Dijk, India Payne. Also appearing Stephanie Gilmore, Coco Ho and Alana Blanchard.The first feature length Australian surf film which tells the story of a group of young female surfers. The film has screened at a number of major film festivals and won two major awards at the X-Dance Film Festival in 2011.DVD cover features a colour photograph of the three stars of the film, Jess Laing, Nikki Van Dijk and India Payne.Rip Curl Logo, film festival logosfirst love, jess laing, nikki van dijk, india payne, stephanie gilmore, fran derham, clare plueckhahn, georgia fish, cahill bell-warren, coco ho, alana blanchard, claire gorman -
Ringwood and District Historical Society
Film - DVD, Eastern Secondary College Promotional Video c1990-92, c1990-1992
DVD Copy of original VHS Tape, produced by Burcon Video Production. This DVD was copied for the Ringwood Tenchnical School / ESC Reunion in 2010. An .MP4 file taken from the DVD is available at the RDHS Archives. The Original VHS Tape was disposed once DVD copy was confirmed to be faithful copy. rts, ringwood tech -
Ringwood and District Historical Society
Film - DVD, Ringwood Technical School Stage Production - West Side Story 1985 - Copy 2 of 2 (1st Generation Copy), 1985
DVD Copy of original VHS Tape, of the 1985 School production of West Side Story. (Poor quality video). This copy labelled "1st Generation Copy". This DVD was copied for the Ringwood Tenchnical School / ESC Reunion in 2010. An .MP4 file taken from the DVD is available at the RDHS Archives. The Original VHS Tape was disposed once DVD copy was confirmed to be faithful copy. rts, ringwood tech -
Kiewa Valley Historical Society
Tin Bushells, after 1937
... . The American film productions, however, screened in Australia post 1950 ...Bushells tea and coffee producers started in Brisbane(1883) and expanded to Sydney, Melbourne(1899), Fremantle and finally to Auckland(1937). Like other Pacific Island sourced condiments Tea and coffee were a lot easier to import than British or European goods. Local Australian industries were starting to develop and grow to overcome the long transportation times and the high costs of goods from traditional suppliers. Bushells Pty Ltd is a prime example.This "Bushells" Coffee tin is a good example of Australian "grown" condiment suppliers serving the "whole" of the Australian marketplace. Rural areas were not neglected and the purchase price for goods were a reasonable levels. Kiewa Valley experienced a population growth from the late 1940's and due to the migrant works in the Kiewa Hydro Scheme the greater use of coffee was initiated. Rural areas, on the whole, where the population was more connected to some degree with a British heritage lineage were predominately tea drinkers. The American film productions, however, screened in Australia post 1950's showing a greater degree of coffee drinking "stars" had a long term effect upon the drinking habits of the rural populous. This round tin of coffee with lid is made from pressed steel lid framed top and bottom. Sturdy cylindrical body is made of cardboard. Paper information label is pasted onto the container with promotional and logo information.In large print and on opposite sides are two manufacturers labels.The topprint and on a diagonal slant in gold letters on a dark blue background is "BUSHELLS" underneath this "PURE" and below this on a red background "COFFEE". On one side in smaller print "EASY TO MAKE" and below this "Use one dessert-spoonful for each cup of coffee desired. Place in the pot and pour over it fresh water briskly boiling. Let stand for five minutes, then strain". Below this "1 IB. net" and underneath is a signature "BUSHELLS" below this in small print "Pty. Ltd." Below this, in a vertical row are"SYDNEY MELBOURNE fREMANTLE AUCKLAND"coffee and tea processors and distributors, hot drink suppliers -
Kiewa Valley Historical Society
Camera Box Brownie Folding, Six 20 Folding Brownie KodetteII, Circa 1948 to late 1970s
This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets. -
Bendigo Military Museum
photograph - Aerotriangulation Production – Army Survey Regiment, Fortuna, Bendigo, c1980
This collection of five photos was most likely taken in 1980. Wild PUG4 point transfer devices were used by technicians in Air Survey Squadron to stereoscopically view the photography containing the survey control points and the mapping aerial photography. The Control points were transferred from the control photography to the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion. The Zeiss (Jena) Stecometer analytic stereocomparator for air photography was introduced at Air Survey Squadron in 1963. Aerotriangulation production was expedited using computers for analytical photogrammetric processes. The technician accurately measured between pass, tie, and survey control points on aerial photographs.Air Survey Squadron Aerotriangulation Section - Army Survey Regiment, Bendigo. c1980. This is a set of five photographs of Air Survey Squadron personnel operating aerotriangulation equipment at the Army Survey Regiment at Fortuna, Bendigo, c1980. Photographs .1P to .4P are on 35mm negative film and were scanned at 96 dpi. Black and white photo .5P is on photographic paper and was scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Wild PUG4 point transfer device, unidentified technician. .2) - Photo, black & white, c1980, Wild PUG4 point transfer device, unidentified technician. .3) - Photo, black & white, c1980, Wild PUG4 point transfer device, unidentified technician. .4) - Photo, black & white, c1980, Zeiss (Jena) Stecometer, unidentified technician. .5) - Photo, black & white, c1980, Zeiss (Jena) Stecometer..1P to .5P No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, aerotrig -
Bendigo Military Museum
photograph - AUTOMAP 1 Production – Army Survey Regiment, Fortuna, Bendigo, c1980
This collection of 18 photos was most likely taken in 1980. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a set of 18 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1980. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Gerber plotter. .2) - Photo, black & white, c1980, Gerber plotter, LT Rob John .3) - Photo, black & white, c1980, Gradicon edit table, SPR Jamie McRae .4) - Photo, black & white, c1980, Gradicon edit table, SPR Steve Linane .5) - Photo, black & white, c1980, 1130 System administration, CPL John Jones? .6) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .7) - Photo, black & white, c1980, Wild B8 stereo plotter, SPR Van Dalen? .8) - Photo, black & white, c1980, Gerber Optical Line Follower (OLF). .9) - Photo, black & white, c1980, Gerber OLF. .10) - Photo, black & white, c1980, Gerber OLF. .11) - Photo, black & white, c1980, Gerber OLF. .12) - Photo, black & white, c1980, Gerber OLF. .13) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .14) - Photo, black & white, c1980, Data management, CPL Greg Gilbert. .15) - Photo, black & white, c1980, 1130 Operating System administration, SGT Denis Marshall. .16) - Photo, black & white, c1980, Programming System, L to R: unidentified, SGT Alan Toogood. .17) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean. .18) - Photo, black & white, c1980, Programming System, L to R: Robert Cox, WO1 Bob Mason, John Dean..1P to .18P No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, air survey, automap -
Bendigo Military Museum
photograph - Cartographic Squadron Production – Army Survey Regiment, Fortuna, c1980
This collection of 12 photos was most likely taken in 1980. The photos were most likely taken in Cartographic Squadron’s Ante Room, the Attic and small offices on the top floor of Fortuna Villa. The computer based Editwriter typesetting system was introduced in 1975 as a replacement to the aging Fotosetter machine. It was operated by a specialised technician, who generated a large variety of map type styles and sizes quickly and reliably, as well as text panels. CPL Richards performed this task for several years and in photo .1P and .2P is reading off a type order next to the computer monitor. Output on Copy proof adhesive backed stripping type film replaced messy wax and spray adhesives in 1978. The Editwriter capability supported all RASvy units and contractor type setting requirements. Scribing was the cartographic process of drafting features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a contour to a specified line width on the map sheet, using a tool affixed with a sapphire tipped cutter. The quality control edit (Proving) stage of map production was the first opportunity to inspect a proof of the map independently and systematically. Proving tasks were carried out by technicians conversant of the map product specification and task requirement, however, was not involved in its production. Corrections were identified, marked up and sent to back to the correcting section or contractors. Terrain Embossing was a manual map production technique to produce hill shading on medium to small scale graphics and air charts. SPR John Martin is seen in photos .8P to.10P using a fine embossing metal stylus to push down on the drainage impression on a thin malleable opaque plastic material (AK Poligraphy). Ridge lines were then pushed down using the contour impression as a guide, on the opposing side of the AK Poligraphy to create a 3D plastic model terrain effect. The map impression was sprayed with white paint and photographed to create a contone tone hill shade. SPR Gina (Coore) Neilson is seen in photo .11P washing a contone positive of a land mass in a solution. The contone components were registered to the map sheet, as shown in photo .12P and masked using an air brush and a halftone negative was then created. The terrain embossing method of producing hill shading was more efficient to produce than previous specialised artistic methods such pencil/eraser and air brush. Furthermore, a more consistent enhancement of terrain on charts was achieved between technicians.This is a set of 12 photographs of Cartographic Squadron performing four map production tasks at the Army Survey Regiment, Fortuna, Bendigo c1980. The first ten photographs were on 35mm negative film and were scanned at 96 dpi. Photos .11P and .12P were on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .2) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .3) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .4) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .5) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .6) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .7) - Photo, black & white, c1980, Formal quality control edit (Proving), CPL Ian Belmont. .8) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .9) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .10) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .11) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR Gina (Coore) Neilson. .12) - Photo, black & white, c1980, Hill Shade Terrain Embossing, unidentified..1P to .10P No personnel are identified. .11P and .12P annotated ‘Terrain Embossing’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto -
Bendigo Military Museum
Administrative record - American - Australian Officer Exchange - Mid Tour Report ASR 1981, Major D Bowen US Army Corps of Engineers, Major David Bowen US Army Corps of Engineers, 07.1981
American - Australian Officer Exchange - Mid Tour Report ASR 1981, Major D Bowen US Army Corps of Engineers. A two-year exchange program existed between the Australian Survey Corps and the US Army Corps of Engineers. This is a report by the US Exchange Officer in 1981 half way through the exchange tour.Clear film plastic covers front and back, Light Purple cardboard covers. Contains Cover Letter to American Embassy, Canberra ACT. Page 2 is Information page with references. Table of Contents page. Actual Report is pages numbered 1-19. Booklet "Lansells Fortuna (green cover edition) pages 1-16, only some pages are numbered. Army Survey Regiment Organisation Chart, "Map Production Story"- 8 pages, Bowen to Gram No1- WestPoint to Australia 2 pages, Enclosure 9 - Use Addresses (USA). Armed Forces of Australia - Badges of Rank, Enclosure 5 - Recommended Changes 2 pages, Enclosure 6 - Technical Services R&D Tasks, Married Quarter Floor Plan.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Bendigo Military Museum
Photograph - Photogrammetric Equipment – Army Survey Regiment, Bendigo and School of Military Survey Bonegilla, c1960s to c1980s
This is a set of 14 photographs of RA Svy technicians operating photogrammetric equipment in Air Survey Squadron, Army Survey Regiment, Fortuna, Bendigo; and the School of Military Survey Bonegilla c1960s to c1980s. The Wild B9 stereo plotter were introduced in 1962 and the Wild B8 stereo plotter was introduced in 1966. The Wild B9 and B8 stereo plotters were used for plotting topographic detail and contours. These analogue machines were manually controlled by adjusting the control knobs for the orientation of the 3D image. The B9s used a four and a half square, and the B8s used a nine-inch square photo image on a film or glass diapositive which allowed highly accurate extraction of map features. At first, plotting with B8 and B9 stereo plotters was undertaken at the aerial photography scale of 1:80,000 in pencil onto a controlled plotting sheet. Sheets were then inked up and reduced photographically to the 1: 100,000 publication scale for scribe impression production. In the early days topographic detail and contours were plotted with a pencil or ink pen mounted at the far end of the pantograph arm. The plotting procedure was upgraded to direct plotting in ink with photographic reduction to publication scale. In 1975 four B8s were upgraded with tri-axis locaters as part of the Input Sub-system to enable digital extraction to AUTOMAP 1’s topographic database. When AUTOMAP 2 was introduced in 1982 these B8s were upgraded, and additional machines added to expand the Army Survey Regiment’s digital capture capability. There are several more photos catalogued in the Victorian Collections database of RA Svy personnel operating Wild B9 and B8 stereo plotters.Photogrammetric Equipment – Army Survey Regiment, Fortuna, Bendigo c.1981. . .7) – Unidentified technician operating Wild B8 stereo plotter in AUTOMAP 1 at ASR. .8) - Wild B8 stereo plotter in AUTOMAP 1 at ASR. Photogrammetric Equipment – Army Survey Regiment, Fortuna, Bendigo. c1981. .9) – ASR’s CPL Dave Cook in AUTOMAP 1 operating a Wild B8 stereo plotter. This is a set of 14 photographs of RA Svy technicians operating photogrammetric equipment at the Army Survey Regiment (ASR), Bendigo and the School of Military Survey (SMS) Bonegilla. c1960s to c1980s. The photographs are on 35mm colour slides and were scanned at 96 dpi. .1) - Photo, colour, c1964. Unidentified ASR technicians operating analogue Wild B9 stereo plotters. .2) - Photo, colour, c1974. ASR’s SPR Mick Minchin operating an analogue Wild B8 stereo plotter. .3) to .6) - Photo, colour, c1980. Photogrammetry Instructor SGT Neil ‘Ned’ Kelly at the SMS operating an analogue Wild B8 stereo plotter. .7) - Photo, colour, c1981. Unidentified technician operating Wild B8 stereo plotter in AUTOMAP 1 at ASR. .8) - Photo, colour, c1981. Wild B8 stereo plotter in AUTOMAP 1 at ASR. .9) to .14) - Photo, colour, c1981. ASR’s CPL Dave Cook in AUTOMAP 1 operating a Wild B8 stereo plotter..1P to .14P - Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, photogrammetry