Showing 124 items matching "first solo"
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Moorabbin Air MuseumBook - Flight briefings, Flight Briefing for Pilots Volume 1
... ...First solo...Flight briefings Fundamentals of flight Aircraft familiarization Flight preparation Air experience Effects of controls Taxying Straight & level flight Climbing Descending Turning Stalling Spinning Approach and landing First solo Advanced turning Operation at minimum level Forced landings with & without power Air Navigation Introduction to flying training, with air instruction, circa 1970 Flight Briefing for Pilots Volume 1 Book Flight briefings ...Introduction to flying training, with air instruction, circa 1970non-fictionIntroduction to flying training, with air instruction, circa 1970fundamentals of flight, aircraft familiarization, flight preparation, air experience, effects of controls, taxying, straight & level flight, climbing, descending, turning, stalling, spinning, approach and landing, first solo, advanced turning, operation at minimum level, forced landings with & without power, air navigation -
Moorabbin Air Museum
Book - Flight training - general aviation, The Flying Training Manual
... ...First solo...Flight training - general aviation Aircraft familiarization Flight preparation & communications Engine operations / taxiing & post flight actions Aircraft control Straight & level flight Climbing Descending Turning Low speed flight & stalling Spinning Approach and landing First solo Steep turns & unusual attitudes Forced landings & side slipping Advanced take off & landing Low level flying Navigation Precautionary search & landing Instrument flight Flight training overview , circa 2004 The Flying Training Manual Book Flight training - general aviation ...Flight training overview , circa 2004non-fictionFlight training overview , circa 2004aircraft familiarization, flight preparation & communications, engine operations / taxiing & post flight actions, aircraft control, straight & level flight, climbing, descending, turning, low speed flight & stalling, spinning, approach and landing, first solo, steep turns & unusual attitudes, forced landings & side slipping, advanced take off & landing, low level flying, navigation, precautionary search & landing, instrument flight -
Moorabbin Air Museum
Book - Aviation training, The Flight Instructor's Manual
... ...First solo...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Aviation training Fundamentals of flight instruction Presolo instruction First solo Advanced VFR instruction introduction to aerobatics Instrument instruction Reference for students working on flight instructor certificate, circa 1976 The Flight Instructor's Manual Book Aviation training ...Reference for students working on flight instructor certificate, circa 1976non-fictionReference for students working on flight instructor certificate, circa 1976fundamentals of flight instruction, presolo instruction, first solo, advanced vfr instruction, introduction to aerobatics, instrument instruction -
Moorabbin Air Museum
Book - Aviation training, The Complete Flying Course A Manual of Flying Tuition
... ...First solo...Moorabbin Air Museum Moorabbin Airport 12 First Street Moorabbin melbourne Aviation training Air experience Cockpit layout & effect of controls Taxiying Straight & level flight Climbing Gliding & stalling Turns Take off Power & gliding approach/landing Spinning First solo Handbook for instructors & pupils. ...Handbook for instructors & pupils. No publication date stated.non-fictionHandbook for instructors & pupils. No publication date stated.air experience, cockpit layout & effect of controls, taxiying, straight & level flight, climbing, gliding & stalling, turns, take off, power & gliding approach/landing, spinning, first solo -
Rutherglen Historical SocietyCertificate, Corowa Free Press, 1945 Corowa Eisteddfod, 1945
... solo...first prize...First Prize Awarded to Name: Mrs. W. Grail Item: Vocal Solo Ladies Points: (a) 97 (b) 97 Adjudicator: Harold Rodgers" ...Rutherglen Historical Society Murray Street Rutherglen high-country Mrs Grail was a well known social singer mrs grail corowa corowa eisteddfod vocal solo first prize First Prize Awarded to Name: Mrs. ...Mrs Grail was a well known social singerFirst prize certificate printed in black on medium blue background on light card, Awarded to Mrs William Grail at the Corowa Eisteddfod in 1945First Prize Awarded to Name: Mrs. W. Grail Item: Vocal Solo Ladies Points: (a) 97 (b) 97 Adjudicator: Harold Rodgers" mrs grail, corowa, corowa eisteddfod, vocal solo, first prize -
Rutherglen Historical SocietyCertificate, Corowa Free Press, 1945 Corowa Eisteddfod, 1945
... ...first prize...Sacred Solo..."First Prize Awarded to Name: Mrs. W. Grail Item: Sacred solo. Ladies Points: 95 Adjudicator: Harold Rodgers" ...Rutherglen Historical Society Murray Street Rutherglen high-country Mrs Grail was a well known social singer mrs grail corowa first prize Sacred Solo Ladies "First Prize Awarded to Name: Mrs. ...Mrs Grail was a well known social singerFirst prize certificate printed in black on medium blue background on light card, Awarded to Mrs William Grail at the Corowa Eisteddfod in 1945"First Prize Awarded to Name: Mrs. W. Grail Item: Sacred solo. Ladies Points: 95 Adjudicator: Harold Rodgers" mrs grail, corowa, first prize, sacred solo ladies -
Eltham District Historical Society Inc
Document - Folder, Powell, Margaret
... Margaret Powell taught and exhibited pottery, to hold her first solo exhibition at her studio home, Haldane Road, Eltham. ...Contents Newspaper article: "First solo show", No masthead, no date. Margaret Powell's career as a potter. ...Margaret Powell taught and exhibited pottery, to hold her first solo exhibition at her studio home, Haldane Road, Eltham. Contents Newspaper article: "First solo show", No masthead, no date. Margaret Powell's career as a potter.Newspaper clippings, A4 photocopies, etcmargaret powell, haldane road eltham, diamond valley arts society -
Federation University Art CollectionCeramic, 'Covered Jar' by Reg Preston, 1983, c1983
... Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. ...Federation University Art Collection Artworks are displayed at Federation University Australia campuses at Ballarat, Gippsland (Churchill), Stawell and Horsham. goldfields Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. ...Reg PRESTON (1917-2000) Born Bellevue Hill, Sydney, New South Wales Reg Preston studied sculpture at Westminster School of Art, London but was a self-taught ceramicist. His first solo exhibition was in Melbourne in 1958. He founded the Potters' Cottage, Warrandyte, Victoria in 1958, where he has taught part-time. During the 1960s Preston and his wife produced a line of pottery under the name “Ceres". He switched to stoneware in the mid 1960s and continued working well into the 1980s. Multiple glazed stoneware over tenmoku glaze. Maker's stamp covered by glaze. Preston painted in glaze.ceramics, reg preston, jan feder memorial ceramics collection, gippsland campus, functional ware -
Federation University Art CollectionMixed media, 'Line of Sight' by Debbie Lloyd, 2007
... During her time at the University Debbie exhibited in many group exhibitions and her work was selected for the National Graduates Show at PICA in Western Australia. Debbie’s first solo exhibition was held at Space22 in Ballarat, towards the end of 2010. ...During her time at the University Debbie exhibited in many group exhibitions and her work was selected for the National Graduates Show at PICA in Western Australia. Debbie’s first solo exhibition was held at Space22 in Ballarat, towards the end of 2010. ...Debbie LLOYD Debbie Lloyd returned to study in 2005 completing a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (now Federation University) in 2007, with honours the following year. She returned to the university as Artist in Residence in 2009. During her time at the University Debbie exhibited in many group exhibitions and her work was selected for the National Graduates Show at PICA in Western Australia. Debbie’s first solo exhibition was held at Space22 in Ballarat, towards the end of 2010. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks featuring a third dimension created with folded paper. Artist's Statement: "My artwork explores the visual experience that can be achieved using black and white, lineal patterns or by creating illusion and surface movement through the simple manipulation and repetition of forms. In these works I have used everyday objects, and shapes, repeated, reconfigured and recontextualised to provide the viewer with visual challenges that slow down and complicate the reading of the work. In the words of a former lecturer of mine, who kindly delivered the opening speech at one of my exhibitions – There is in Debbie’s work a belief in the transcendental power of repetition, a tribute in many respects to the fact that human kind is defined by nothing more noble and uplifting than its ability and obligation to persist." (http://100thgallery.com/gallery/debbie-lloyd/, accessed 08 May 2018) art, artwork, debbie lloyd, available, recycling, envelopes -
Federation University Art CollectionOil & acrylic on linen, 'Guitar 2003' by Robert Jacks, 2006
... Robert JACKS (1943-2014) Jacks studied sculpture at Prahran Technical College from 1958–1960 and painting at RMIT in 1961–62. His first solo exhibition was held to great acclaim in 1966 and in 1968 his work was included in the landmark exhibition, The Field, at the National Gallery of Victoria. ...Federation University Art Collection Artworks are displayed at Federation University Australia campuses at Ballarat, Gippsland (Churchill), Stawell and Horsham. goldfields Robert JACKS (1943-2014) Jacks studied sculpture at Prahran Technical College from 1958–1960 and painting at RMIT in 1961–62. His first solo exhibition was held to great acclaim in 1966 and in 1968 his work was included in the landmark exhibition, The Field, at the National Gallery of Victoria. ...Robert JACKS (1943-2014) Jacks studied sculpture at Prahran Technical College from 1958–1960 and painting at RMIT in 1961–62. His first solo exhibition was held to great acclaim in 1966 and in 1968 his work was included in the landmark exhibition, The Field, at the National Gallery of Victoria. Beginning in 1968, Jacks spent ten years living and working in Canada and the United States. It was during this period that his unique visual language matured, incorporating influences from the major exponents of contemporary abstraction, minimalism and conceptual practice. In 2001 the Bendigo Art Gallery established the Robert Jacks Drawing Prize. In 2006, he was named an Officer of the Order of Australia (AO) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, robert jacks, the field, abstraction, contemporary art -
Flagstaff Hill Maritime Museum and VillageLiterary work - Book, Macmillan & Co, The Works of Alfred Lord Tennyson, 1892
... He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. ...He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. ...This book of poetry was a Prize Awarded for Botany and Physiology an unidentifiable recipient who was Dux of Form V, it was presented by James Scott B.A., Warrnambool College. Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was a British poet. He was the Poet Laureate during much of Queen Victoria's reign and remains one of the most popular British poets. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.This book was awarded to a student of Warrnambool College as an end of year prize is an example of how it was the custom to award prizes as scholastic encouragement to students for exemplary work during the school year in the late 19th to early 20th centuries.Book “The Works of Alfred Lord Tennyson” poet laureate. Spine of book says “Tennyson’s Works”. Published 1892 in London and New York, by Macmillan and Co. Cover is read with gold border. Prize label book presented by James Scott BA "Form V/Dux/Botany Physiology to Master … / James Scott B.A. / Dec 18th 1893"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, alfred lord tennyson, poetical works, james scott b.a., warrnambool college form v prize 1893 -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1935, 1935
... . * Swell - By Valma Jensen * In his element - By E.Shaw * Our jazz band - By Valma Jensen * Spaghetti - By E.Shaw * The Peter Pan statue in Kensington Gardens - By Gilda Gude * Hunted - By Valma Jensen * Bridget & Vic - By Valma Jensen * Lady pointing a statue - By Gilda Gude * Hi first solo flight - By Dorothy Woolcock * Dear Me - a millionth of a milligram out ! .... * Swell - By Valma Jensen * In his element - By E.Shaw * Our jazz band - By Valma Jensen * Spaghetti - By E.Shaw * The Peter Pan statue in Kensington Gardens - By Gilda Gude * Hunted - By Valma Jensen * Bridget & Vic - By Valma Jensen * Lady pointing a statue - By Gilda Gude * Hi first solo flight - By Dorothy Woolcock * Dear Me - a millionth of a milligram out ! ...List of Full Course Students' 1935, Editorial, Obituary - J. B. Robinson, Personal Column, Personal Column, Editor's Notes, Old Boys: Personal, The "Head" - An Appreciation, The Late Dean - W. F. Tucker, A Tribute - J. M. Bickett, An Attitude to War, Some Impressions by a New Comer to New Guinea, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior TecsYellow soft covered magazine of 70 pages, including advertisements. Artworks * Blocks and Inks supplied by F.T. Wimble and Co. Ltd Sydney - Printed by students of printing class School of Mines Ballarat * Mr G - By Valma Jenson * Miss G - By E.Shaw * Joker of the pack by Gilda Gude * Oh Mother - By Valma Jensen * Man Praying - By A.P. * Swell - By Valma Jensen * In his element - By E.Shaw * Our jazz band - By Valma Jensen * Spaghetti - By E.Shaw * The Peter Pan statue in Kensington Gardens - By Gilda Gude * Hunted - By Valma Jensen * Bridget & Vic - By Valma Jensen * Lady pointing a statue - By Gilda Gude * Hi first solo flight - By Dorothy Woolcock * Dear Me - a millionth of a milligram out ! - By E.Shaw * Marley & Paul - By Valma Jensen * Green Plan Print - By Hunt * Yes, but it doesn't read, it doesn't read - By E.Shaw * The Big Noise - By Valma Jensen * Bashful Barney - By Valma Jensen * Willowy Verna - By E.Shaw * Margaret - By Valma Jensen * Don - By Valma Jensen * Cyril - By Gilda Gude * Jack - By Gilda Gude * Nancy - By Valma Jensen * Off to English - By Valma Jensen * "A mag article today please or six tomorrow" By E. Shaw * "Oh you boys are awful" - By E. Shaw * Maureen - By Valma Jensen * Geggy - By Valma Jensen * Aw crikey - By Valma Jensen * The wheelbarrow crate reaches Africa - By J.W * Lady Dean - By Valma Jensen * Margery - By Valma Jensen * Bubba - By Lorna Bailey * Chook - By Marjorie John * Bunny - By Valma Jensen * Sixa - By Valma Jensen * Fish Print - By Hunt * Betty - By Lorna Bailey * Bessie - By Lorna Bailey * Janette - By Lorna Bailey * Butcher - By Valma Jensen * Minnow - By F.J.Hballarat school of mines, magazine, f. t. wimble & co. ltd., sydney, j. woolcock, a. nye, d. shore, d. taylor, j. elliott, b. saunders, w. williams, a. moodie, v. hunt, j. shelton, r. warnock, dr. j. r. pound, g. procter, g. merlin, j. b. robinson, james pound, peter wilson, mr alexander, mr creelman, mr crouch, h. steane, j. sutherland, a. bell., a. max wilson, g. f. eric rumpff, r. mcconnell, t. byrne, c. r. king, p. marshman, a. f. heseltine, w. f. tucker, j. m. bickett, a. m. wilson, f. whitworth, w. tierney, r. leigh, g. berriman, a. sneddon, a. collins, h. maddern, d. flynn, n. bayly, m. rickey, w. calaghan, d. wright, e. wallace, b. lamb, s. wise, r. quick, i. leviston, b. chaplin, j. coates, n. dunstan, d. mcarthy, d. henderson, j. mathes, g. leviston, e. mcdonald, k. blackie, j. mouton, n. jelbart, r. brown, k. mathes, a. pickering, j. mcghie, r. white, w. dawson, j. forrest, m. hamill, w. martin, m. jeffs, k. waller, d. nolan, l. baxter, r. knight, l. moy, m. hunt, j. henry, a. goldby, j. menhennet, mr king, w. nice, k. pattie, f. capuano, l. g. r. crouch, gilda gude, valma jensen, e. shaw, lorna bailey, marjorie john, dorothy woolcock -
Nillumbik Shire CouncilPainting: Brian ARMSTRONG, Brian E. Armstrong, Duet, 1978
... Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. ...Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. ...Brian was born in Melbourne in 1949. Early life was spent in the stimulating bush environment in Montrose. Ramon Horsefield saw a spark and Brian began to paint in oils at the age of thirteen. He contunued tuition with Graham Moore, in class and at night classes. An Art Diploma at Swinburne was not completed. This did not crush his creative spirit and he resumed tuition with Graham Moore. Within a few years he was winning prizes. Many and varied jobs allowed him to survive whilst aspiring to become a full time painter and bring up his growing family. In 1977 Brian resigned from his last employment as a picture framer. He leased a shop in Main St, Mornington and set up classes. Brian taught painting and had his own studio behind the school. Later he was to move and build his "bushland gothic" home in North Warrandyte. Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. He has won many prizes, was a finalist in the 1992 Moran Portrait prize. The Alice Bale Scholarship which he won, entailed a year traveling and studying in Europe. Brian returned home in 1996. Sharing his skills with many students over the years, he taught privately and at various art societies. His oils, pastels and charcoals capture the light of landscape, portrails and nudes. In 2012 it will be thirty-five years since Brian has had a "real job". At times this has been really difficult. He is now semi retired after suffering from Rheumatoid Arthritis for a decade. Now he paints what he loves to. His portraits capture the very essence of the sitter. In 2009 he remarried and moved back into the bushland of North Warrandyte. 'Duet' by Brian E. Armstrong was donated by the Artist to the Eltham Copper Butterfly Appeal Auction.Oil on canvas painting depicting a 'Duet' scene with two children. One is shown playing the flute whilst the other is playing the piano. The painting is fashioned in sombre colours and muted tones, with alternating tones of violet prominent.Signed- Brian E. Armstrong '87 On label - artist's name: Brian E. Armstrong Address: 844.2925 Title of Painting: Duet Medium: Oil on canvas On Frame: 82 enclosed in circle. 31 1/2. C Enclosed in circlebrian e. armstrong -
Ballarat Heritage ServicesDrawing - Artwork - Painting, Portrait by Jean Appletom
... With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. ...With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. ...Jean APPLETON (1911-2003) Jean Appleton was a painter and craftworker who studied at East Sydney Technical College and at the Westminster School, London. After seeing French sculptor Maillol's work 'The Cyclist' she was inspired to try sculpture and consequently studied under Eric Schilsky in London. With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. Resident in England from 1969 to 1981, she continued to teach intermittently into the late 1970s. After a difficult first marriage to artist Eric Wilson, who died, she married painter Tom Green and they settled in Moss Vale. Though her work is now represented in major state and regional collections, Appleton was like many women artists of her generation in that recognition of her work came late in life: she was in her eighties when a public gallery first presented a retrospective exhibition of her art. (https://www.portrait.gov.au/portraits/2013.92/self-portrait, accessed 15 September 2019) Jean Appleton won the inaugural Portia Geach Memorial Award in 1965 with this work. She dies in 2003.A sketched portrait of a man's head by Jean Apppleton. It may be Jean Appleton's first husband, Eric Wilson. drawing, portrait, jean appleton -
Brighton Historical SocietyCape, Opera cape, circa late 1920s
... Amy Johnson achieved worldwide fame in 1930 when she became the first woman to fly solo from England to Australia. ...Amy Johnson achieved worldwide fame in 1930 when she became the first woman to fly solo from England to Australia. ...This velvet opera cape was worn by Agnes Emmeline "Dot" McCowan (nee Iredell, 1887-1969) to a reception for English aviatrix Amy Johnson in her North Road home in the early 1930s. Amy Johnson achieved worldwide fame in 1930 when she became the first woman to fly solo from England to Australia. Dot was the fourth child, and only surviving daughter, of Dr Charles Lesingham Maynard Iredell and Frances Keziah Iredell (née Hill), both formerly of Regents Park, London. Her parents had arrived in Australia in 1885 after Charles, a medical specialist, lost his money and house in the financial crash of 1880. In Melbourne, Charles established a reputation as an ear, nose and throat specialist and counted Dame Nellie Melba among his patients. Dot was schooled at Fairlight College in St Kilda. After falling from a tree at the age of twelve, she developed curvature of the spine. While recuperating, she took a correspondence course in theory and harmony of music with the Royal College of Music, London. She continued to pursue music after her recovery, ultimately winning an international scholarship to study piano and singing in Leipzig, Germany, but did not take up the offer due to her father's objections. She instead remained in Melbourne, where she put her skills to use as a music teacher. After her first fiancé disappeared at sea, Dot found happiness again with George Drummond. George owned a substantial property in Manjimup, Western Australia, and the couple planned to settle there after the wedding. It was not to be. Like many Australian men, George was killed in action on the Western Front during the First World War. It had become customary in George's wealthy family to give each son's bride a gift of one thousand pounds. Though Dot and George were never able to marry, the family nevertheless honoured the custom, and between their generous financial gift and her own teaching income, Dot was able to buy a well-appointed home at 9 North Road, Brighton for herself and her parents. The house remained in the family for many decades. In 1923, at the age of thirty-six, Dot met and fell in love with Alexander James McCowan. They were married on 28 February 1924; the reception was held in the North Road house.Salmon pink velvet opera cape with a padded collar and long fringe. Fastens at collar with a pair of circular metal clasps engraved with floral designs and accentuated with purple enamel. Silk lining.agnes emmeline iredell, agnes emmeline mccowan, opera cape, 1920s, 1930s, amy johnson -
Warrnambool and District Historical Society Inc.Document, Soldier's Xmas comforts, 1016
... solos and the local Warrnambool orchestra of Miss Gertrude Rooney. The Rooneys were early settlers in the Dennington area and had the property, ‘White Rock’ in Dennington and a produce store in Warrnambool. Miss Gertrude Rooney was an accomplished musician and was prominent in musical circles in Warrnambool during the first...solos and the local Warrnambool orchestra of Miss Gertrude Rooney. The Rooneys were early settlers in the Dennington area and had the property, ‘White Rock’ in Dennington and a produce store in Warrnambool. Miss Gertrude Rooney was an accomplished musician and was prominent in musical circles in Warrnambool during the first ...This is a program of a concert organized by the Soldiers’ Christmas Comforts Group and the Red Cross in Warrnambool to raise funds for the soldiers on active service in World War One. The concert was held in the Warrnambool Town Hall in September 1916 and featured a Melbourne artist, Horace Wood, who gave several violin solos and the local Warrnambool orchestra of Miss Gertrude Rooney. The Rooneys were early settlers in the Dennington area and had the property, ‘White Rock’ in Dennington and a produce store in Warrnambool. Miss Gertrude Rooney was an accomplished musician and was prominent in musical circles in Warrnambool during the first half of the 20th century. This program is of interest as an example of the fund raising activities in Warrnambool during World War One and of the type of entertainment offered at concerts at that time. There are many well-known names listed among the orchestra members at the back of the program. This is a sheet of buff-coloured paper folded in two to make four pages. The front page has an ornate red edging and there is dark blue printing on the front and back pages. The front page has a large Red Cross emblem The inside two pages have the printed program of concert items in black print. There are also advertisements for local Warrnambool businesses. The edges of the program are torn and ragged. world war one, warrnambool in world war one, gertrude rooney, musical entertainments in early 20th century, warrnambool -
Warrnambool and District Historical Society Inc.Leisure object - Sheet music, First love, 1850s
... Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. ...The music is also important in social history as an example of the music that was played in mid-Victorian drawing rooms. stephen henty mrs smalpaige warrnambool first love sheet music History of Warrnambool henry farmer Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. ...This piece of music, ‘First Love’, dates from the 1850s and was composed by Henry Farmer (1819-1891). Born in Nottingham, Farmer was an organist and composer and conductor of the Nottingham Harmonic Society from 1866 to 1880. He dedicated this music to Miss Hal Chaworth Musters. It is not known who ‘Miss Hal’ was but the Chaworth name was an ancient one in Nottingham and marriage with a member of the Musters family brought into being the name ‘Chaworth Musters’ and the estates included Annesley, Edwalton and Wiverton. The signatures on the front cover indicate that this music is connected to two early families in the district. Stephen Henty owned Cadnook (Kadnook), near Harrow, in the 1850s and sold it to Mordaunt Smalpage (or Smalpaige) in July 1859. Stephen Henty, who came to Victoria in 1836, was the brother-in-law of Captain Helpman, the Warrnambool Harbour Master from 1861 to 1869. They were co-owners of the ‘Champion’ which plied between Portland and Melbourne until it was wrecked off Cape Otway in 1857 when it collided with the ‘Lady Bird’.This is a most significant item because of the signatures on the front cover. Stephen Henty was important, not only in the history of Victoria, but also in the history of Warrnambool because of his connection with coastal shipping and his relationship with Captain Helpman. As far as we know the Hentys never lived in Warrnambool but it is possible that this music was played on the ‘Henty’ piano that was donated to the old Warrnambool Museum in 1889 and is now in the Warrnambool Art Gallery. The Hentys brought six pianos to Victoria in 1837. The music is also important in social history as an example of the music that was played in mid-Victorian drawing rooms. This is a piece of music of seven pages printed back to back (cover and 11 pages of musical notation) The pages have black printing on white with a multi-coloured front cover. The cover has a stylized portrait of a man and woman in period costume. The woman is holding an urn of flowers. Some of the pages are loose and the page folds and corners are tattered and torn. The name ‘Smalpaige ‘is written in ink and the name ‘Henty’ is written in pencil. Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. Sta. Hall.’ stephen henty, mrs smalpaige, warrnambool, first love sheet music, history of warrnambool, henry farmer -
Warrnambool and District Historical Society Inc.Certificate - Certificate, 1897, Warrnambool Industrial & Art Exhibition Order of Merit, pre December 1896
... Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary ...solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. gertrude lewin wj hickford e lyle rossiter the great warrnambool exhibitiion warrnambool pianoforte Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First ...The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte -
Kiewa Valley Historical SocietyBook - Religious Education, Sacred Songs & Solos - Compiled & Sung by Ira D. Sankey
... first page in pencil 'King" Small faded bluish book with linen cover. Print has black background within a decorative ribbon like shape. Border outside a black line within which is a thinner black line with a swirl at each corner. Sacred Songs & Solos ...At Sunday school sacred songs were taught to/ sung by students. Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015Historical: Religious Education: This book was used by students who attended the Sunday School classes at the Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.Small faded bluish book with linen cover. Print has black background within a decorative ribbon like shape. Border outside a black line within which is a thinner black line with a swirl at each corner.On the first page in pencil 'King"religion, hymns, songs, christian, kergunyah, ewen wallace, sunday school -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: MALDON AND MUSIC COMPETITION PRIZE CE, 1901
... Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Baritone Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. ...Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Baritone Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. ...Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Baritone Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition -
Mission to Seafarers VictoriaLetter - Correspondence, Letter to Lillie from Ted, 4 March 1929
... The first is reads: ALICANTE/4 MAR 29/indecipherable, and the second postmark is identical. Stamp horizontally through the circular postmark, is a third which reads: ESPANA/SOLO EXPORTA/ACEITE PURO/DE OLIVA. ...The first is reads: ALICANTE/4 MAR 29/indecipherable, and the second postmark is identical. Stamp horizontally through the circular postmark, is a third which reads: ESPANA/SOLO EXPORTA/ACEITE PURO/DE OLIVA. ...This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seasHandwritten letter in three parts consisting of a white envelope with two white pages of handwritten text in black ink, using only the face of the page. \there is a blue coloured postage stamp in the top right cornerTwo circular postmarks at the top of the envelope, one to the left and the other to the right. The first is reads: ALICANTE/4 MAR 29/indecipherable, and the second postmark is identical. Stamp horizontally through the circular postmark, is a third which reads: ESPANA/SOLO EXPORTA/ACEITE PURO/DE OLIVA. On the reverse side of the envelope is printed with: ANCHOR-BROCKLEBANK LINE/OF CALCUTTA STEAMERSted, lillie duncan, lhlg, alicante, ss mandasor -
Australian Gliding MuseumMachine - Glider – Sailplane, 2015
... As such it revisits the pioneering era of the 1930s and 1940s in Australia when wood, wire and fabric were the rule and the nacelle primary glider was generally the first step up for pilots who had mastered the basics in an open primary. australian gliding sailplane glider salamandra czerwinshi poland ash None Nacelled solo training glider of traditional wood and fabric construction. ...The Salamandra is a Polish glider designed by Waclaw Czerwinski at the Military Glider Workshops in Krakow in 1936. This glider, designated “W.W.S.1”, was produced in substantial numbers prior to the second world war and used in Poland and some other eastern European countries for training pilots. Only one example survived the war, hidden away in the village of Goleszow in Silesia. In addition, no technical drawings could be found, so when the glider was discovered, the Gliding Institute being keen to re-establish gliding in Poland, used the glider to draw up new plans for construction. Five were built for the Institute in 1947 before production was resumed of the “Salamandra 48” at the SZD Jezow Workshops. Improvement were made by adding airbrakes and structural changes for the “Salamandra 49” and a windscreen and larger tailplane were changes adopted for the “Salamandra 53”. An export version designated “53A” was sold to and built under licence in China. Production of the Salamandra ceased in the early 1960s. Total production may have been in excess of 500. The glider was well regarded as a light weight trainer capable of soaring performance. The Museum’s replica was built by Ray Ash and may be may be classified as a “Salamandra 53”. However, he has added something of his own to the design by replacing the cable runs in the wings with control rods. The glider is substantially complete. The wings and tail / rudder surfaces have been covered with poly-fibre fabric. The fuselage woodwork is sealed with varnish. In addition to the finishing work (including painting) and rigging of the main components, the linkages for Ray’s control rod modification may need further engineering to make them operational. The Ray Ash Salamandra is the first of the type to appear in Australia. The Salamandra did not play any role in the development of gliding in Australia in the early years. However, it is an important exhibit in that it shows in tangible form a nacelle fuselage training glider in configuration and construction detail. As such it revisits the pioneering era of the 1930s and 1940s in Australia when wood, wire and fabric were the rule and the nacelle primary glider was generally the first step up for pilots who had mastered the basics in an open primary.Nacelled solo training glider of traditional wood and fabric construction. Construction incomplete.Noneaustralian gliding, sailplane, glider, salamandra, czerwinshi, poland, ash -
Australian Gliding MuseumMachine - Glider / Sailplane
... first registered as VH-GDH on 3 May 1957. The ES57 Kingfisher is a small to medium size single seat glider that was designed to have similar control responses to the successful two seat trainer, the ES 52 Kookaburra, thus providing for a smooth transition for solo rated pilots to advance to a single seat machine. ...first registered as VH-GDH on 3 May 1957. The ES57 Kingfisher is a small to medium size single seat glider that was designed to have similar control responses to the successful two seat trainer, the ES 52 Kookaburra, thus providing for a smooth transition for solo rated pilots to advance to a single seat machine. ...The exhibit is the prototype Kingfisher Mark 1 (serial number 23) built by Edmund Schneider Ltd and first flown on 8 July 1956. It was first registered as VH-GDH on 3 May 1957. The ES57 Kingfisher is a small to medium size single seat glider that was designed to have similar control responses to the successful two seat trainer, the ES 52 Kookaburra, thus providing for a smooth transition for solo rated pilots to advance to a single seat machine. Edmund Schneider Ltd built nine Kingfishers and supplied kits for two more for construction by others. Harold Bradley (South Australia) built a modified Kingfisher with shoulder mounted wings. Kingfisher serial number 23 was originally owned by the Waikerie Gliding Club (South Australia) (1956 – 1959). From 1959, it had a nomadic existence in the hands of a string of owners in New South Wales, Queensland, Northern Territory and finally Queensland, again. In the early 1990s the glider was deregistered and flown as an ultralight sailplane. After a change in ownership, the glider was moved to Hervey Bay, Qld and re-registered as VH-GKN. After very limited use, the glider was sold again and placed in storage at Hervey Bay. In January 2004, the owner, who by then had moved overseas, entrusted the glider to Ian Patching and Geoff Hearn who moved it to Melbourne. Ian Patching returned the glider to flying condition in February 2004. Since then, it has been stripped and recovered with new aircraft fabric and requires finishing work. The logged hours flown for the Kingfisher total approximately 190 hours from 549 flights. The glider was donated to the Australian Gliding Museum on 3 June 2014.The Exhibit is one of the Edmund Schneider Ltd gliders that was designed and built in Australia in the late 1950s. It is one of the four Kingfishers that are known to survive – the Bradley Kingfisher and two of the standard Kingfishers are known to have been destroyed – the fates of five are unknown. Single seat high wing wooden sailplane with plywood and fabric covering, in a partly restored condition. Serial number 23australian gliding, glider, sailplane, es 57, kingfisher, patching, schneider -
Women's Art RegisterBook - Monograph, Alison Carroll, Barbara Hanrahan. Printmaker, 1986
... first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo ...Traces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.non-fictionTraces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.printmaking, lithography, etching, linocut, screenprinting, wood engraving, writing, sexuality, family, identity, drypoint, popular culture, body, motherhood, ageing, gender -
Bendigo Historical Society Inc.Document - Let Me Go to Bendigo (No. 181 Allan's Popular Sixpenny Edition), 1908
... Hall was known as a solo pianist and the first conductor of the Station Orchestra at 3LO (ABC Radio Station). ...Hall was known as a solo pianist and the first conductor of the Station Orchestra at 3LO (ABC Radio Station). ...Frederick "Fred" Fifield Hall was born in Carlton, Victoria in 1878. Son of Frederick Hall and Jessie Wallace Hall (nee Lloyd), Fred would marry Elsa May Daegner in 1899 with whom he had a son named Anthony. Hall died on 27th September 1956 in Mont Albert, Victoria and was buried at the Box Hill Cemetery. Hall was known as a solo pianist and the first conductor of the Station Orchestra at 3LO (ABC Radio Station). He was also a notable music editor at Allan & Co. Earning early recognition at 16 years of age when he conducted the Sydney Orchestra, Hall was a versatile composer having written in a variety of styles including solos for the piano, violin and cello, operas, foxtrots and orchestral suites. Publications indicate that between 300 and 400 of his compositions were published. The most famous of which was "Goodbye Melbourne Town" which he wrote with Lyricist Leonard Nelson. "Let Me Go to Bendigo" was another of their joint compositions. Leonard Nelson Snell, professionally known as Leonard Nelson, was born c. 1874 in Melbourne and grew up in Kew (he was 76 in 1950). Nelson married Lily Maud Haight in Victoria in 1897 and had six children named Roy, Dorothy, Leonard, Lionel, Austin and Marie. Nelson died on the 13 August 1962 in Blackheath, NSW and was buried at the local cemetery. Nelson had a varied resume including Cattle station work, song writing and public speaking. Nelson was known for his enjoyment of Australian poetry having known many of the greats personally and could recite works from memory. In his later life, Nelson worked as an entertainer for hire at banquets and other social gatherings. No. 181 Allan's popular sixpenny edition "Sung with great success by Leonard Nelson" Allan & Co. Pty Ltd. Melbourne, Bendigo & Geelong 1 score A B4 size document containing sheet music titled "Let Me Go to Bendigo". The document has a black and white cover with bold lettering and a cartoon of a man boarding the Bendigo Train. The music was written by Fred Hall and the lyrics were written and sung by Leonard Nelson who is pictured on the cover. The music covers 3 pages (1 double sided page and 1 single side) making up this 3-page document including the cover.The front cover contains a handwritten name in the top right-hand corner "Mrs Sinclair"sheet music, leonard nelson, fred hall, allan's popular sixpenny edition, bendigo, piano, songs and music, frederick fifield hall -
Bendigo Historical Society Inc.Mixed media - The Golden City Record and Songs, 1981
... An accomplished singer in his own right, Ray undertook a solo career in 1974 and his very first recording, ''Touch Me'', became a huge Australian hit. ...An accomplished singer in his own right, Ray undertook a solo career in 1974 and his very first recording, ''Touch Me'', became a huge Australian hit. history bendigo ray burgess rachel's song the golden city song Jane Bretherton Collection: The Golden City Record and Songs - 45 inch record and jacket. ...Australian musician and television presenter, Ray Burgess, shot to the top of Australia’s fledgling pop-rock scene following a successful appearance on television’s talent show, New Faces (the 20th century equivalent of Australian Idol). It was 1970 and Ray soon became a founding member of popular show band, Red Time, touring Australia for several years before the band was signed up as backing band to then-King of Pop, Johnny Farnham. An accomplished singer in his own right, Ray undertook a solo career in 1974 and his very first recording, ''Touch Me'', became a huge Australian hit. Jane Bretherton Collection: The Golden City Record and Songs - 45 inch record and jacket. On the Front "The Golden City by Ray Burgess" On the Rear " The Golden City and Words to the lyrics, Lyrics reproduced by kind permission of Leeds Music. Words and Music: Don Mudie, Vocal: Ray Burgess, Production: Don Mudie, Copyright: Leeds Music." There are two tracks on the record: "The Golden City" and "Rachel's Song".history, bendigo, ray burgess, rachel's song, the golden city song -
Bendigo Historical Society Inc.Book - Sacred Songs & Solos
... first page in pencil Agnes Pethard 1900. On back page a list of hymns numbers Brown softcover book. Sacred songs and solos with standard hymns combined. 750 pieces compiled and sung by Ira D. ...Brown softcover book. Sacred songs and solos with standard hymns combined. 750 pieces compiled and sung by Ira D. Sankey. Printed in London by Morgan and Scott. Aileen and John Ellison Collection.On first page in pencil Agnes Pethard 1900. On back page a list of hymns numberssacred music, hymns -
Bendigo Historical Society Inc.Document - FIVE MUSICIANS, c1970?
... Maureen Jones first concert Sydney at the age of Six: she played the Beethovan Piano Barry Tuckwell born Melbourne studied Sydney Conservatorium. appointed Melbourne Symphony Orchestra age 15.Brenton Langbein studied Adelaide Conservatorium 1947 invited Eugene Goossens join Sydney Symphony orchestra Europe furthered studies Ottavio Corti born Zurich... Italian origin. studied violin Zurich Conservatorium famed violinist Stefi Geyer. Raffaele Altwegg concert diploma cello Conservatoire di Santa Cecilia. solo...Maureen Jones first concert Sydney at the age of Six: she played the Beethovan Piano Barry Tuckwell born Melbourne studied Sydney Conservatorium. appointed Melbourne Symphony Orchestra age 15.Brenton Langbein studied Adelaide Conservatorium 1947 invited Eugene Goossens join Sydney Symphony orchestra Europe furthered studies Ottavio Corti born Zurich Italian origin. studied violin Zurich Conservatorium famed violinist Stefi Geyer. Raffaele Altwegg concert diploma cello Conservatoire di Santa Cecilia. solo ...Five Musicians. Raffaele Altwegg: cello, Maureen Jones: piano, Brenton Langbein: violin, Ottavio Corti: viola, Barry Tuckwell: french horn. Music Advancement Society Bendigo. Presented throughout Australia by Musica Viva. Program. Five Musicians as an ensemble first sprang to life when some of the Musica Viva Executive took Maureen Jones to supper after her last Sydney Concert. That was in 1970 when she played for us with the Robert Pikler Chamber Orchestra at the Sydney Conservatorium. Development of the idea was not difficult for it only involved a variation pf the we;-tried partnership pf the Tuckwell-Jones-Langbein Trio. . . . Maureen Jones gave her first public concert in Sydney at the age of Six: she played the Beethovan Piano . . . Barry Tuckwell was born in Melbourne and studied at the Sydney Conservatorium. He was appointed t the Melbourne Symphony Orchestra at the age of 15. . . Brenton Langbein studied at the Adelaide Conservatorium and in 1947 was invited to Eugene Goossens to join the Sydney Symphony orchestra where he remained for three years; he then went to Europe where he furthered his studies with. . . . Ottavio Corti although born in Zurich, is of Italian origin. He studied the violin at the Zurich Conservatorium and later under the famed violinist Stefi Geyer. . . . Raffaele Altwegg gained his concert diploma in the cello at the age of 14 at the Conservatoire di Santa Cecilia in Rome. He is solo-cellist of the Collegium Musicum Zurich and . . . Post 1970. Music Advancement Society Stamp on front.program, music, music advancement society bendigo, five musicians. raffaele altwegg: cello, maureen jones: piano, brenton langbein: violin, ottavio corti: viola, barry tuckwell: french horn. music advancement society bendigo. presented throughout australia by musica viva. program. sydney concert. 1970 played for robert pikler chamber orchestra at the sydney conservatorium. -jones-langbein trio. maureen jones first concert sydney at the age of six: she played the beethovan piano barry tuckwell born melbourne studied sydney conservatorium. appointed melbourne symphony orchestra age 15.brenton langbein studied adelaide conservatorium 1947 invited eugene goossens join sydney symphony orchestra europe furthered studies ottavio corti born zurich, italian origin. studied violin zurich conservatorium famed violinist stefi geyer. raffaele altwegg concert diploma cello conservatoire di santa cecilia. solo-cellist collegium musicum zurich -
Bendigo Historical Society Inc.
Document - THE BENDIGO CHOIR, FIRST CONCERT, 1917
... First Concert. Tuesday, April 24th, 1917. Lyric Theatre, Bendigo. Musical Director- Mr E Allen Bindley, Accompanist - Miss A Douglas, Leader of Orchestra - Mr O Flight. Hon. Secs. E H Collett & E A Miller. Other participants Lyric Orchestra, Mr Tom Pritchard, Miss Muriel Hyett, Mr A Sayer, Mr E Thomas, Miss L Bain, Miss M Hyett, Miss Irene Dorrity and Mr E Thomas. Programme includes songs and musical solo...First Concert. Tuesday, April 24th, 1917. Lyric Theatre, Bendigo. Musical Director- Mr E Allen Bindley, Accompanist - Miss A Douglas, Leader of Orchestra - Mr O Flight. Hon. Secs. E H Collett & E A Miller. Other participants Lyric Orchestra, Mr Tom Pritchard, Miss Muriel Hyett, Mr A Sayer, Mr E Thomas, Miss L Bain, Miss M Hyett, Miss Irene Dorrity and Mr E Thomas. Programme includes songs and musical solo ...The Bendigo Choir, First Concert. Tuesday, April 24th, 1917. Lyric Theatre, Bendigo. Musical Director- Mr E Allen Bindley, Accompanist - Miss A Douglas, Leader of Orchestra - Mr O Flight. Hon. Secs. E H Collett & E A Miller. Other participants Lyric Orchestra, Mr Tom Pritchard, Miss Muriel Hyett, Mr A Sayer, Mr E Thomas, Miss L Bain, Miss M Hyett, Miss Irene Dorrity and Mr E Thomas. Programme includes songs and musical solo, and Duett. Listed on back are the 'Musical Evenings for 1917'program, theatre, the bendigo choir -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: AUSTRALIAN TOUR OF MARIE HALL, June 10th, 1907
... First Australian Tour of Marie Hall. Direction J & N Tait. Pianist Lonie Basche. Marie Hall's Recital. Programme:Violin Solo...First Australian Tour of Marie Hall. Direction J & N Tait. Pianist Lonie Basche. Marie Hall's Recital. Programme:Violin Solo ...The Royal Princess Theatre, Bendigo. Monday June 10th, 1907. First Australian Tour of Marie Hall. Direction J & N Tait. Pianist Lonie Basche. Marie Hall's Recital. Programme:Violin Solo-Concert in E Major. Piano Solos- Etude in E Major, Black Key Study, Valse in A Flat. Violin Solos-Humoreske, Fantasia 'Old England. Piano Solos-Liebestraume, Marche Militaire. Vioin Solos-Ave Maria, The Bee, Zephyr, Hejre Kati. Messrs. J & N Tait have great pleasure in announcing their intention of arranging for the appeaance in Bendigo of 'The Royal Besses O' Th' Barn Band' towards the end of July, and 'Madame Clara Butt, and Mr Kennerley Rumford, together with a Hall Concert Party, about the middle of September. The 'London Daily Telegraph' calls Clara Butt 'The Custodiam of the voice of a century.' Advertising on rear cover.Atlas Press, Melb.program, theatre, the royal princess theatre, bendigo
