Several boathouses were built in Kew and Fairfield in the late 19th and early 20th centuries. They included Chipperfield’s ‘Moorings’ and floating pontoon. The substantial two-storey house was named the Moorings, and incorporated an upper storey residence. The Moorings was almost washed away in the 1916 floods, and in 1934 almost totally submerged when the Yarra River rose 26 feet in 14 hours. Following the 1934 flood, the house was restored. The floating pontoon, sometimes referred to as a ‘kiosk’ or ‘canteen’, was used to store canoes. Both were removed in 1972 for the construction of the Eastern Freeway.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Chipperfield's Floating Canteen (also known as the pontoon) on the Yarra River. at North Kew The children wading in the river are believed to be the three sons of Dorothy Rogers."Chipperfield's Floating Canteen & house in background. At extreme right - observe channel where Connors Creek flows in."chipperfield's boat house, river yarra, dorothy rogers, floods 1916, 1934

Living with natural processes was frequently a challenge to early European settlers and later residents of what was in the 1850s administered by the Borondara Road Board. This was compounded by the area being bounded on three sides by rivers (Yarra River, Koonung Creek and Gardiner's Creek). In 1849, the historian James Bonwick recorded that "our district [Kew] suffered considerably. Mr Wade speaks of 80 acres, out of 100 acres of his cultivated paddock, covered by water." Newspapers continued to describe major flooding in Kew in 1863, 1869, 1878, 1880, 1889, 1891, 1916 and 1934. While the construction of the Upper Yarra dam in 1957 reduced the levels of flowing downstream, local and riverine floods continue. A number of boat houses operated on both sides of the River Yarra at Kew. Chipperfield's Boat House was located on the Yarra near the corner of Kilby and Willsmere Roads.The Kew Historical Society's pictures and map collections testify to the impact of flooding in the district. They have historical importance in documenting the extent of flooding in the district and its affects on homes, services and recreation. Numerous photographs record flooding throughout the Twentieth Century.Floating pontoon at Chipperfield's Boat House where the canoes were stored, taken in 1934, presumably before the 1934 Flood. This area of the Yarra was shallow with a number of mid river sandbanks and a popular swimming area for locals.yarra river, chipperfield's boathouse, pontoon

large rectangular heavy card b/w photograph in landscape format. Photo includes printed description as part of photo.Description printed beneath actual photo on front: "The floating church vessel of the Missions To Seamen, "John Ashley," has the river Thames as its Parish. In one year 17,000 men came aboard. To many seamen it was their first contact with the Church."reverend john ashley (1801-1886), floating church, mission to seamen, river thames, england

Hard cover book, The Blockade Runners and A Floating City. Author: Jules Verne Publisher: Sampson Low, Marston, & Company, London Date: 1894-1900. Light blue hardcover with the title on the spine having lettering to spine in black hand written text pen. fictionThe “A Floating City” part of the novel (1871) is about a transatlantic voyage aboard Brunel's “Great Eastern” steam ship. The unnamed French narrator joins his friend Captain Fabian Mac Elwin, who is heartbroken to see his former love Ellen on board with her abusive husband Harry Drake. Tensions build as the journey progresses, culminating in a dramatic confrontation at sea. The story is based on Verne's own 1867 voyage on the Great Eastern. “The Blockade Runners” (1865 ) was a novella , set during the American Civil War,the main character is a British merchant captain James Playfair who must break the Union blockade of Charleston, South Carolina, to trade his supplies for cotton. His commercial mission shifts when he falls in love with Jenny Halliburtt, who disguised herself as a boy to join his crew and rescue her father a Confederate prisoner an abolitionist and journalist. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, ralph eric pattison, jules verne, voyages extraordinaire series, l’école des robinson's

After an attempt of building a Seamen's Hospital in Williamstown, the ship Emily was transformed in a floating chapel to welcome seamen for service. Captain Charles Ferguson (1813-1868) was one of the members of the committee who founded the floating church. The ship Emily may have been a convict ship sailing from England to the Van Diemen's land in 1842 and 1844. Before 1856, it was used as a "water police hulk" then transformed in an accommodation for Reverend Kerr Johnson and his large family and fitted to receive 200 attendees in the chapel.The article is significant as it describes the ship and its location: "The hulk is moored midway between Sandridge and Williamstown, and is distinguished by a blue flag flying at the mainmast with "Bethel" inscribed on it; and in one corner of the flag is the star of Bethlehem, in another a dove with an olive branch."1 column article in the Argusship emily, floating church, reverend kerr johnston, 1812-1887, hobson's bay, sandridge, captain ferguson, captain charles ferguson (1813-1868), convict ships

Collection of newspaper clippings in scrap book dated 1960 - 1973First petroleum venture in Western Port Bay. Description of the floating station, Vincas and history from 1930's. Photo of Vincas. and the Nina Barthem transferring petrol to Vincas."This floating station started it all".local history, newspapers, western port installation, floating station, "vincas", jean jamieson

large rectangular b/w photograph in landscape format. Inscription typed on paper and stuck to back of photo: "The Rev. Fred Laight conducts a service on board the mission launch JOHN ASHLEY"john ashley, floating church, reverend laight, fred laight, reverend john ashley (1801-1886), mission to seamen, river thames, england

Authors Bob Leek and Peter Taylor. Reprint of the 2006 original. 152 pages, b/w illustrations, 7 colour photos.non-fictionAn untold part of Melbourne's and Victorias shipping history has never been covered as thoroughly as this volume. Untold stories of lighters, floating docks, lightships, bathing ships, bethel ships.williamstown, bathing ships, floating docks, bethel ships, lightships, bob leek, peter taylor, floating churches, point gellibrand

A greeb coloured cover with black inforation on it. Top of the page reads Crown Copyright Reserved. Near the right hand top reads WO Code No. 9456 (Chap. 17) There are two metal staples and two punch holes down the left hand side.british armed forces - service manuals, royal engineers, bridging, pocket book, light floating bridge

A bluish gray coloured cover with black inforation on it. Top of the page reads 7610-66-020-3260. Above the title of the boolet there is a stamp HQ 6 Const Op, Library. There are two metal staples and two punch holes down the left hand side.british armed forces - service manuals, royal engineers, hq 6 const op, bridging, pocket book, light floating bridge

Gift of Mack Jost, 1993oil on canvas

Ill, p.403.fictionThe novel follows the story of a group of men who are stranded on a lighthouse located on the Goodwin Sands, a treacherous group of sandbars located in the English Channel. The men must find a way to survive as they are constantly beset by storms and high seas. The novel is an example of naturalist fiction, which focuses on the natural world and its effects on humans.england - fiction, adventure fiction

Home is a collection of birdhouses on floating islands using the iconic form of the human house - a pitched roof, square walls, windows and doors. This minimal form is often drawn by children; a dolls house, a cubby house, a letter-box or a chook house. Home creates a safe refuge for birds with the plants acting as a water filtration system. The exposed roots draw out pollutants, such as nitrogen, phosphorous and toxic metals, which have entered the waterway through urban run-off. The result is a beautiful sculptural experience and a healthier water system for all to enjoy. The artwork was funded by The City of Ballarat and The Victorian State Government.The work is of aesthetic significance to the people of BallaratHome is a collection of birdhouses on floating islands home, chris mether, studio mether, public art, ballarat, delecombe, wetlands

New proprietor of Out of the Blue floating restaurant Bill Mair of Banjo Patterson MotelBlack and white photograph taken at Out of the Blue floating seafood restaurant formerly Sloop John D showing Lois Morgan Head Chef and Liz Dunn Chef Lakes Entrance Victoriabusinesses, restaurant

Certificated awarded to Phyllis Matthews for passing the test for juniors in swimming, diving, floating and method of resuscitation in 1915.Department of Education Victoria. Junior Swimming Certificate. "This is to certify that Phyllis Matthews has passed the test for juniors in swimming, diving, floating and method of resuscitation. Date: 30.4.1915. No. 11053. Signed by the Director of Education.swimming certificate, phyllis matthews, alice robinson

Model of the second wooden floating dock at willianstown. Length o/a 206 feet. Beam inside 35ft 6in. Operated 1895-1958. Constructed from the burnt Hull of the sailing ship Habitant which caught fire on the 7th June 1894. Model constructed by Cliff Gibson. Large wooden model of the second floating dock at Williamstown. Made from wood painted black with the work dock painted in white "DOCK"

Framed print, list of floating docks at Williamstown "Floating docks at Williamstown 1852-1979/ The first dock (wooden) 1852- 1979/ the second dock (wooden) 1895-1958/ the third dock (steel) 1958-1979/ Owners/ 1852-1860 Dove & Oswald/ 18611866 Dove, Oswald & Inglis/ 1867-1870 Kilgour, McLean & Turpie/ 1870-1879 Hobson's Bay Dock co. (Prop.) James Deane & Co. & Hugh R REID & Co/1879-1884 James Deane & Co, Capt James McIntyre, and Mr. John Clark, Master Shiparight./ 1884-1893 Melbourne Coal, Shipping & Engineering Co./ 1893-1895 Melbourne Shipping Co./ 1895-1925 Melbourne Shipping Co/ 1925- 1979 Hobson's Bay Dock & Engineering Co./ 1979 Kuala Belait Shipyard, Brunei/ Notes: Hobson's bay Dock & Engineering Co. was owned by Melbourne Steamship company/ Howard Smith Ltd took over Melbourne Steamship Co. in 1961/ The steel dock was built for the Royal Australian Navu by Evans Deakin Pty Ltd in Queensland in 1941 at a cost of 80,000 pounds/ it was sold by the commonwealth government Dept. of Supply to the Melbourne Harbor Trust in 1958, it was then leased to Hobson's bay Dock and Engineering Co on a 30 year lease/ The steel dock was sold to Kuala Belait Shipyard on 22 March 1979 for 80,000 On 28 March 1979 it was towed away from Williamstown by the Japanese tug Ginyo Maru enroute to the Tanjong Rasau River, Kula Belait , Brunei"

Ernest Gribble attended the Ballarat Technical Art School.Linocut of a floating yachtLino cut, by E. Gribblelinocut, printmaking, alumni, boats, yachts, e. gribble

Colour photograph of the P. S. Adelaide in the river, with half of the aft side and the back of the boat clearly visible. The bank behind is lined with spectators. Five men are on the back of the boat and to the right another person is visible on a platform that has a rope which appears to be attached to the front of the P. S. Adelaide. Part of the photo sequence of the event no.:P000041; P000045; P000046; P000047; P000048 of the P. S. Adelaide re-floating.The re-floating of the P. S. Adelaide was a Significant community social event evident by the number of spectators in the photograph. The community had invested a great deal of time and money into re-floating the paddlesteamer. The newspaper covered the event in detail with a number of action shots as the boat made its rear entry from the temporary slipway onto the river. Part of a photo sequence no.P000041; P000045; P000046; P000047; P000048 of P. S. Adelaide re-floating.Colour photograph of the back half of starboard and the rear of the P. S. Adelaide, possibly being towed, after its re-floating., with a line of spectators along the higher banks of the Murray river.p. s. adelaide, echuca,victoria, re-floating of the p. s. adelaide. riverine herald newspapers,

Photograph related to no.P000041, P000045 - P000048 of P. S. Adelaide re-floating. Copyright held by Riverine Herald newspaper. Original and negatives held by Riverine Herald.. Photograph taken from the river looking west towards the Echuca bank. Spectators line the higher banks and to the water line in the foreground. The back of the Adelaide and funnel is in clear view with the wheelhouse being partially obscured. The re-floating of the P. S. Adelaide was a Significant community social event evident by the number of spectators in the photograph. The community had invested a great deal of time and money into re-floating the paddlesteamer. The newspaper covered the event in detail with a number of action shots as the boat made its rear entry from the soil ramp to the water.Black and white photograph of the P. S. Adelaide on a ramp being prepared for re-floating. Spectators line the higher banks. Photograph possibly taken from the river looking west towards the Echuca bank.p. s. adelaide, echuca,victoria, re-floating of the p. s. adelaide. riverine herald newspapers,

This Floating Dairy Thermometer was used on the A’Vard farm between 1930 and 1964. It is designed to enable the easy measuring of the temperature of liquids. In particular it facilitates checking whether dairy is at the right temperature for cheesemaking, churning and freezing. It was made to remain at the surface of the liquid, allowing workers to accurately take temperature readings with relative ease. Similar models of floating thermometers were used to measure the temperature of bath water in hospitals; these functioned identically but had different markers for their different use case.This was a specialised tool used historically in the local dairy farming industry.A glass vial thermometer housed in a wooden case. The glass thermometer has temperature markings visible from 20 to 120 degrees Fahrenheit. There are long gaps with rounded ends on the front and rear of the wooden casing, allowing a user to see the temperature markings and labels. There is also a round hole in the front and rear of the wooden casing near the bottom, exposing the tip of the thermometer. At the top of the wooden casing is a handle, with string passed through a small hole allowing for the suspension of the thermometer from the string.Front side of glass vial, middle: "Made / in Germany" Front side of glass vial, upper: "FLOATING DAIRY THERMOMETER" Rear side of glass vial, 85 degrees: "85 Cheese" Rear side of glass vial, 62 degrees: "62 Churning" Rear side of glass vial, 32 degrees: "32 Freezing"a’vard family, farming, tools, 20th century, a’vard dairy farm, dairy

Colour photograph of the P. S. Adelaide in the river, with the port side of the boat clearly visible. The bank behind and the roof of the boat shed at Paddlewheel park are lined with spectators. Final part of the photo sequence of the event no.:P000041; P000045; P000046; P000047; P000048 of the P. S. Adelaide re-floating.The re-floating of the P. S. Adelaide was a Significant community social event evident by the number of spectators in the photograph. The community had invested a great deal of time and money into re-floating the paddlesteamer. The newspaper covered the event in detail with a number of action shots as the boat made its rear entry from the temporary slipway onto the river. Part of a photo sequence no.P000041; P000045; P000046; P000047; P000048 of P. S. Adelaide re-floating.Colour photograph of P. S. Adelaide on the Murray river at Echuca after her re-floating. The port side of the Adelaide is clearly visible. The banks of the river are lined with spectators. The pontoon boat shed at Paddlewheel Park is visible on the right, also has spectators on the roof platform.p. s. adelaide, re-floating p. s. adelaide, echuca

Prismatic Compass Brass case with floating faceMK IX No.6442 Made in Australia 1941

The text reads: "This Print Represents The Chapel for Seamen... Port of London Society... Instituted March 18th 1818... Chapel for Seamen is moored off Wapping Stairs in the River Thames. View of the Interior (inset)"Excerpt from the autobiography of Robert Humphrey Marten (1763-1839) which he wrote at the request of his children on his 60th birthday. (As far as the donor's knowledge it only circulates within the family, so some of these details may not be recorded elsewhere about how the Mission to the Seafarers began. --------- Robert Humphrey Marten (1763-1839) left school at the age of about 14 to be employed in a “Counting House” in the City of London. Unfortunately, before the five years of his apprenticeship expired, the merchant ceased trading as he had lost a lot of money gambling. Marten made his way however and took opportunities which offered and eventually set up his own business with two of his sons, Robert and Charles. He was a Dissenter (non-conformist), active in his church and in many charitable works, as overseer of the poor for his parish, raising money for families in Germany impoverished by the Napoleonic wars, was a member of the Royal Humane Society and so it is not altogether surprising to find him in 1817 taking up the cause of sailors discharged from warships living on the streets: --- The Autobiography of R H Marten Esq of Plaistow Essex (1763-1839) “The deplorable condition of sailors discharged from the ships of war and now wanted for commerce – (trade being most woefully dull) attracted towards the close of the Year the notice and began to press upon the feelings of the Public. To relieve their urgent and personal distress I proposed a Public meeting – This was agreed to and Mr. Wilberforce was voted into the chair – A committee was formed and a noble subscription was most voluntarily supplied – Navy Captains and others gave most efficient assistance and Govt. lent some large ships to which the sailors were sent from the streets – were clothed and fed and the sick attended to and on the Sabbath Public Worship was performed on board. I was on this Committee which fully accomplish’d its humane purpose – and out of the Surplus fund sprang the present seaman’s floating Hospital where a sick or diseased seaman is received only on his presenting himself alongside and without any ticket or recommendation. For the greater benefit of seamen was sketched the present excellent establishment of the Merchant Seaman’s Auxiliary Bible Society of which Admiral Lord Viscount Exmouth is President. This was more formally instituted on the ---[space left to add date later]. I drew the outline of the address to the Public which was afterwards much improved by the Revd. Mr. Draltry and I had the honour to chalk out the plan which has been so well executed by the pious Lieut. Cox at Gravesend – to whose zealous and judicious activity the success of the institution is much indebted, and in December I published my ideas on the necessity and advantage of making some permanent accommodation for preaching the Gospel to the numerous sailors always to be found in the Port of London. This led ultimately to a public meeting on the 5 Feb. 1818 and to the formation of the Port of London Society for promoting Religion among seaman [sic]. As the Founder of the Society I became its Chairman and Treasurer and on its formal Institution on the 18 March 1818 the public appeared much gratified with the attempt about to be made to raise the moral character of a class of men who had been unaccountably and far too long in this respect overlooked. The large ship fitted by the Society most commodiously as a Chapel was in May following moored nearly on the spot where in October 1803 I was run down by a Gravesend Hoy and narrowly escaped with life – Churchmen and Dissenters contributed cheerfully to the cost – Officers of the Navy became subscribers, Noblemen visited this strange and converted ship – the Admiral Lord Gambier became the avowed President and the Chairman of the public Meetings, and what is of far more importance – sailors came to it on the Sabbath by hundreds willingly to worship their maker, and listen to instruction – until the Language in common use on the Thames was divested of its Blasphemy – and the voice of Prayer was heard from the mouths of Seamen; and the outposts and many Foreign ports imitated and thus honored the example of the Port of London in her society for promoting Religion among Seamen. The Floating Chapel was solemnly dedicated for divine worship on the 4 May 1818 when the morning sermon was preached by the Revd. Rowland Hill to a very crowded auditory. “[see illustration in separate email] Autobiography of R H Marten esq pp 33-34 (privately published monograph) Note: The incident (c 1803) he refers to in which he “was run down by a Gravesend Hoy…” is graphically described earlier in his memoir. The donor's family has a connection with R.H. Marten. through his sister Mary, who married Cornelius Berry on 9 February 1793. The donor's father, Hugh William Berry (1905-?) reprinted the autobiography of R.H. Marten. And, she has herself a connection with the Mission as she used to collect money for the Mission at school. Large print depicting a floating church in Londonfloating church, seamen, sailors, religion, london, r.h. marten esq, wapping stairs, river thames, port, robert humphrey marten (1763-1839), cate lewis, seamen's hospital, welfare, napoleonic wars, royal navy, merchant navy

VG Swanson 25OT Floating Crane model in display case

Boiler of S.S. Genister being hauled from Channel near Rhyll Jetty 1966S.S.Genista's ship's Boiler with line attached floating - Jetty in background. 1966local history, photographs, transport, shipping, maritime technology, ferries, phillip island shipping, black & white photograph, phillip island, westernport bay, ferry - genista

Postcard: sepia coloured card, biplane floating on water, man in cockpit.A. Rapp, marine photographeraviation, civilian, biplane, basil watson, biplane, aeroplane.

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Drawing of the Metabolist Floating City project, JapanMade in Australia / 35 / APR 68M7 / Encircled 20 (Handwritten)slide, robin boyd

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement Castlemaine blankets "Warm as a summer breeze"Warm as a Summer Breeze/Light as a Floating Cloud/Castlemaine Blankets/Castlemaine-the Aristocrat of Blanketswool, blanket, blanket fever, advertisement, castlemaine, australian women's weekly