Miss Flowers and Dorothy brown; facing Para Road with Main Road strip behind them. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, flowers family, dorothy brown

Pressed flowers from the Abbott family bible.ephemera, mementoes, pressed flowers

The photos taken to celebrate the wedding of Marina and Iaokeim (James) Megalogennis. A black and white studio photograph of a large wedding group of the bride and groom with three bridesmaids, two flower girls, groomsmen and family members. The family members cover three and possibly four generations. The group have been photographed against a scenic backdrop.

.1) Black & white photo, copy, Air Force, BILL WEST on back. .2) Black & white photo, original, cannon in park setting. .3) Black & white, photocopy, RALPH BELL (Spinner) on back. .4) Sepia photo, original, RALPH BELL & Jean .5) Sepia photo, original, RALPH BELL, Bendigo Milk Co on back, inside sprig of flowers, Greetings to McKenzie Family from Ralph Bell. .6) Xmas / New Year card, cover: Photo of Solomons Pools. .7) Sepia, photocopy, soldier in uniform, ERNIE DOWER. .8) Black & white photo, soldier in uniform, ERNIE DOWER..1) BILL WEST on back. .3) RALPH BELL (Spinner) on back. .5) RALPH BELL, Bendigo Milk Co on back, inside sprig of flowers, Greetings to McKenzie Family from Ralph Bell.photography-photographs, military history - air force - army

Ronald Horace Setford was born in April 1915 at 18 Church Street, Hawthorn, at his family’s home above their decorator shop. He was the second of three sons born to Horace Turner Setford (1880-1944) and Mabel Crofts (1887-1943). He attended Hawthorn West Primary School and then Swinburne before beginning work in his family’s business ‘Setford and Son’ in October 1930. This was formalised in April 1931 when he became a carpentry and joinery apprentice. In 1934 he graduated as a grade four carpenter. Ron worked in the family business until 1964 and then worked at J S Kidd and Co Pty Ltd as a storeman until his retirement in December 1973. Ron married Grace Muriel Agnes Perrey (1915-2001) in 1936 and they first lived in Kew around 1940, at 38 Marshall Avenue. Ron served in the Citizen Military Forces as a sapper with the 9 Australian Army Transport Company, Royal Australian Engineers, signing up a week after Darwin had been bombed. He spent time in Darwin, Wayville (South Australia), Herberton and Grovely (Queensland). Afterwards he refused to eat rice, never spoke of the war, nor took part in any ANZAC day proceedings. In 1941, Ron and Grace bought their block of land at 9 Tanner Avenue, East Kew, part of the Old Golf Links Estate, for £225. It was not until December 1945 that Ron started building their home and they moved in during May 1947. Ron and Grace remained there for thirty-seven years until the house was sold to their nephew in 1984. It has since been demolished. Ron’s great passion was photography and in the early 1960s he purchased his Minolta camera. Slide evenings at Tanner Avenue were a regular occurrence. Ron made his own title slides, interval slides and end slides. As well as many holiday photos (around Australia and their world trip in 1966), he enjoyed photographing local landmarks, flowers, insects and family. One of Ron’s photography projects was to record the progress of the building of the Eastern Freeway. This was near their home, and he’d walk down to the works on a regular basis, dressed smartly, with his camera in hand. The workers thought he was an official photographer, and he was allowed on site to take his photos. In 1984, Ron and Grace downsized and moved to Bayswater. Ron passed away on 31 October 1988 at the Maroondah Hospital in Ringwood East, at age 73. His ashes were spread on his beloved rose bushes at Tanner Avenue. Lauren Thomson, 2025ron setford, 9 tanner avenue -- kew east (vic, setford and son -- 18 church st (hawthorn), grace muriel agnes perrey, 9 australian army transport company, j s kidd and co pty ltd, eastern freeway, f19 freeway

This little book is very old, presumably 19th century, but the wording on the front cover is indecipherable, no date is evident and the first and last pages are missing. The book was owned by Mary Jane Freckleton with the main inscription written in an adult hand – ‘Mary Jane Frickelton, Mailers Flat’. The spelling of Mailers Flat with an ‘e’ was not a mistake but this was the common spelling in the 19th century and the early 20th century. According to the Freckleton family history ‘Freckleton’ was sometimes spelled ‘Frickelton’ or ‘Frickleton’. Mailors Flat is nine kilometres from Warrnambool and the Mailors Flat School, number 1210, was opened in 1872 in Caramut Road and closed in 1994. The first Head Teacher was Julian Castles. There were Freckelton families in the 19th century in Port Fairy, Caramut, Woolsthorpe, Woodford and Mailors Flat. The Freckletons at Mailors Flat were engaged in farming. Mary Jane Freckleton was for a time a pupil teacher at Mailors Flat School. She was born at the Injemira property and married Henry Giles. This is an interesting book because of its age and because it belonged to Mary Jane Freckleton, a member of the Freckleton families, early settlers in the areas north of Warrnambool. She may have used the book when she was a pupil teacher at the Mailors Flat School. This is a hard cover book of 284 pages (some pages missing). The cloth cover is brown and much torn and stained. There are 86 chapters of prose and verse and a sprig of dried flowers is enclosed in the pages. There is the red stamp of the Warrnambool & District Historical Society on the first page and several snippets of writing in black ink on the front and back pages.‘Mary Jane Frickelton Mailers Flat’mary jane freckleton, mailors flat school, mailers flat, frickelton

This boudoir cap was worn by women wearing a negligee in the 19th century in their boudoir in the morning. In the early 20th century women wore these boudoir caps while sleeping to protect their hair styles. The name "Ogier"' inside the cap indicates that it has a connection to the Ogier family in Warrnambool.This is an interesting example of a woman's head-wear in the past.This lady's boudoir cap has white, discoloured, net with floral woven edging and leaves and dots in the body of the net. It is circular in construction drawn on thread to the centre of the head and decorated with a tassel folded over. There are two layers of lace, the bottom one is attached to a black, velvet covered wire and has bunched flowers with violet ribbon as decoration. The top layer also has the bunched flowers. The cap is lined with cream silk. The lace hangs down at the back. The brim is stiffened inside as is the crown. On the item inside is a small piece of red ribbon with a name written. OGIERvintage women's clothing, boudoir caps

These handkerchiefs come from the estate of Ena Heazlewood. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married a Warrnambool man, Jack Heazlewood, who was stoker on the H.M.A.S. Sydney at the time. They later lived in Sydney. These items are of interest as examples of the handkerchiefs found in a woman’s collection mid last century and as mementoes of a former Warrnambool resident, Ena Heazlewood. These are seven handkerchiefs. .1 A silk handkerchief with a white centre and a green dot pattern border .2 A white silk handkerchief with an embroidered spray of pink flowers and green stems in one corner .3 A white silk handkerchief with multi-coloured embroidery in one corner .4 & .5 Two white silk handkerchiefs with a multi-coloured embroidered letter ‘E’ in one corner and a fluted embroidered edge. .6 & .7 Two pink nylon handkerchiefs with a fluted edge and an overall impressed pattern of pink flowers and green stems .6 & .7 Nylon Made in Japanvintage women’s accessories, todd & heazlewood families, warrnambool, history of warrnambool

This horseshoe was carried by Ena Todd when she married Jack Heazlewood in Warrnambool in 1942. A horseshoe ornament was often carried by brides in the 20th century (and also still are today) as horseshoes are traditionally a symbol of good luck. They were usually home-made by family members and other well-wishers. Mary Josephine (Ena) Todd was born in Warrnambool in 1920 and was a hairdresser at the Josephine’s Salon in Warrnambool. When she married Jack Heazlewood he was a stoker on the H.M.A.S. Sydney. They later lived on Sydney.This horseshoe is of interest, firstly as a sample of the type of good luck ornament often carried by brides in the 20th century, and secondly as a memento of the wedding day of Ena Todd, a resident of Warrnambool in the mid 20th century. This is a wooden horseshoe, painted silver and decorated with raised white flowers and green tracery. Attached to the horseshoe is a white ribbon tied with a bow at the end. The ribbon is creased and dirty.Good Lucktodd & heazlewood families, warrnambool, history of warrnambool

These are cards awarded as prizes in Flower Shows in Warrnambool in the 1940s to the Misses Ardlie. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) were the daughters of the Warrnambool law clerk Arthur Ardlie and his wife Ethel, the granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife, Mary and the great granddaughters of John and Mary Ardlie, early Warrnambool settlers. The cards were mostly awarded to Agnes Ardlie for prize flowers and pot plants and come from the Warrnambool Agricultural Society Annual Show, St. John’s Warrnambool Presbyterian Church Flower Show and St. Joseph’s Warrnambool Catholic Church Fete and Flower Show.These cards are of minor interest as mementoes of Agnes and Dorothy Ardlie, members of a prominent Warrnambool family in the 20th century. These are lightweight cardboard cards, rectangular in shape. They all have printing in various colours and handwriting in ink or pencil. Some cards have been annotated on the back and one card has a newspaper cutting and a photograph of the winning pot plant. ardlie family, history of warrnambool

This album contains photos done on photographic paper while others are on exposed metal. Some are named, among them a Thomas or Edward Wickham, Fred Giles, Mrs. F Giles, Mary Humphrey Wickham, Jack Giles, Eliza Hornsby. Some of the photographs have been taken by Warrnambool photographers including Daniel Clarke. This album shows two different methods of photography which existed in the mid to late 19th century. With a number of the photos named it would suggest that there is some family connection between them which provokes an interest from a genealogical point of view. Red leather cover with circular pattern with black edging which sits around rectangle on front and back. Brass metal clasp. Pages are edged in gold. First pages has photo of woman leaning on back of couch and last page has cut out coloured picture of three children with garlands of flowers.Stamp inside front cover, Hider, Charles Liebig St, Warrnambool.warrnambool, photo album warrnambool, giles family album, 19th century album, giles, wickham, hornsby, daniel clarke

This album is believed to have belonged to Jessie Bonnett ( 1897-1990) the daughter of Frederick and Charity (nee Phillips) Bonnett. Jessie spent her life on the family farm at Mepunga. She was a keen collector of newspaper cuttings recipes, postcards and collectable cards of the day. She won prizes at the local agricultural show for her flower collections. Most young girls early to mid 20th century had autograph albums Today the entries in these are a source of great social history. This album contains many local names of the time (Flett, Wiggs, Jenkinson Philips, Hortle etc.) and there are several interesting sketches and works of art. This album is of considerable significance as it was owned by Jessie Bonnett a member of a pioneer family in the Mepunga district. It is an important contribution to social history (1910 -12).This is an autograph album with a dark red leather cover. It has gold lettering on the front cover, pages with gilt edges, hand written entries, hand paintings and sketches. Autographs vintage autograph albums, jessie bonnett

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with gold coloured blanket stitch on scalloped edge. Hot pink flowers with green leaves and stems are embroidered in each corner.warrnambool, silk hankerchief, embroidered hankerchief, ww1 embroidered hankerchief, redman

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with soft pink edge in blanket stitch Embroidered with cluster of flowers and leaves in each corner with embroidered mauve butterfly. Smaller embroidered flowers above each butterfly. All done in colours of pink mauve, green and cream.warrnambool, embroidered hankerchief, ww1 embroidered hankerchief, redman hankerchief ww1

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home. Cream silk handkerchief with cream blanket stitched edge with three cream and one pink flower embroidered in each corner. Stems and leaves worked in green.redman, hankerchief, warrnambool, ww1 hankerchief, souvenir ww1

This mug with the name inscribed on the side was perhaps a present for a child. No information has been found on Henry Reeves though there have been well-known families bearing that surname in Warrnambool’s history.This mug, at this point of time, has no known local significance, but it is an attractive item and will be useful for display. This is a white china mug or cup with coloured flowers and foliage painted on the sides. The handle has a blue decoration and the rims of the base and the top are blue. There is a crack on the side and some staining on the inside of the mug. The name ‘Henry Reeves’ is painted on the side of the mug. ‘Henry Reeves’ household items, history of warrnambool, henry reeves

A keepsake badge which relates to the tumultuous period of the English royal family with the death of George V when his son Edward V111 abdicated from the throne due to his involvement with divorcee Wallis Simpson. His brother Albert was crowned as King George VI on May 12 1937. This badge is of interest as the dates are a mere two weeks before the abdication. The Christ Church fetes and flower shows have been a part of Christ Church social and fundraising agenda since the 1890’s, with the ladies’ guild playing a large part in their organization and operation. This object has significance as it commemorates a long running and popular event on the social and religious calendar for the parishioners and people of Warrnambool. It also is linked to an event of world- wide interest.Small white badge with red writing and symbol of crown in the centre. Pin at the back.1936 Coronation Fair Christ Church Warrnambool Nov 25 & 26.christ church fete 1936, coronation fete warrnambool

Born in Castlemaine 1886. Maldwyn L. Williams (Leslie) was a prominent doctor in Bendigo, both at Bendigo Base Hospital and in private practice. He played several games in the Victorian Football League (VFL) whilst at university. Enlisted in Citizens Military Force in 1909 as Captain in Royal Australian Army Medical Corps. Promoted to Major in 1913. Sept 1915 - appointed Major in regular army, 8th Field Ambulance Unit. Nov 1915 - sailed for Egypt; June 1916 - sailed for Marseilles. Jan 1917 - promoted to Lt. Colonel and command of 1st Field Ambulance Unit. Wounded near Bapaume 2nd March 1917; died from wounds 3rd March 1917. Buried at Dernancourt Cemetery, France. The engraver of the plaque was C.G. Roeszler & Son of Melbourne. This business was founded in 1869 and is still family-owned and trading today. This company is responsible for many examples of engraving around Melbourne, including work on the 1928 Ringwood Memorial Clock and in St Paul's Cathedral in Flinders St, Melbourne. Rectangular metal plaque, possibly brass. 4cm border featuring botanical motif. A flower with eight round petals at each corner - each flower has a 0.7cm hole at its centre. Decoration and inscription engraved and filled with black material, possibly shellac or enamel paint which is degraded, cracking, and loose.Main inscription: "TO THE MEMORY OF/OUR FRIEND/MALDWYN LESLIE WILLIAMS. LT. COL, M.B,B.S./WHO DIED OF WOUNDS RECEIVED IN FRANCE/MARCH 3RD ['RD" is in smaller font and higher that other letters with a dot beneath] 1917.' Bottom right: "C.G. ROESZLER & SON MELB".plaque, memorial

Cards in relation to the death of "Mervyn Clive Townsend" on the sinking of HMAS SYDNEY by the HSK Kormoran on 15/11/1941. Refer Cat 2313P for Townsends service.White Sympathy cards. 1. Double folded card with message inside "With Deepest Sympathy" over a picture of curtain in silver. 2. Decorated white card with religious image on front and tied with white ribbon. 3. Folded white card with black edges with picture on front of flowers and "Sincere Condolences" over top. 4. Folded double sheet also tied with black ribbon. Small poem handwritten inside.1. From W & S. Condon & family, Bairnsdale. 2. From Valda Rees. 3. From Mr & Mrs D. W. Streader, Bendigo. 4. From Mr & Mrs Schilling.hmas sydney, hsk kormoran, ww2, mervyn clive townsend

Cards sent to parents of "Mervyn Clive Townsend" KIA on 15/11/41 on the sinking of HMAS SYDNEY by the German Raider HSK Kormoran. Refer Cat 2313P for Townsends service.Sympathy cards of various sizes and configurations. 1. Folded white card in form of envelope with "Kindest Sympathy" on front. 2. Folded white card "With Deepest Sympathy" on front and was from. 3. Folded green card in form of an envelope with Sympathy on front and message inside. 4. Double folded white card with picture of flowers on front.1. From Walter Rollev. 2. From Mrs Commons & Family. 3. From Mr. & Mrs F. Williams and Glen Wright family. 4. From Mr. & Mrs. John McLeod, Castlemaine.hmas sydney, ww2, melvyn clive townsend, hsk kormoran

Mt Beauty township was created in the late 1940s when the SECV built houses, roads, amenities etc. for their workers working on the Kiewa Hydro Electric Scheme. The town was built on a paddock so gardening was popular amongst the population.The residents of Mt Beauty created gardens for their new homes and were encouraged to enter competitions for the best flowers etc.. This was an enjoyable social occasion for them. 5 blue cardboard cards won for First Prize in 'Flower Show and Fete' presented by the Mt Beauty and District Progress Association Auxilary and the Mt Beauty Mothers Club.Name of winner written on each - won by members of the McCullough familygardening, flower show, mccullough family, mt beauty progress association

The Bogong High Plains have many Alpine wild flowers unique to the area.The SECV appointed artists to draw the wild flowers in the Victorian Alps where they were constructing the Kiewa Hydro Electric Scheme.32 illustrated wild flowers each mounted on blue/grey particle board with Botanical and Family name and common name printed underneathalpine wildflowers, alison m. ashby, flora illustrations

Wedding dress and veil worn by Margaret Vyner at her wedding to Ian McKendrick on 11th January 1958The McKendrick family came to Mt Beauty very early in the Kiewa Hydro Electric Scheme (KHES) days. Their son, Ian, worked in the Mt Beauty Post Office for 40+ years. The Vyner family were long time employees of the SECV working on the KHES and were residents of Mt Beauty. Margaret was a nurse at the Tawonga District Hospital at the Tawonga site and at the Mt Beauty site.Long soft white taffeta under-skirt. The outer is cut on the cross, made of nylon and with a train and has appliqued lace of a flower and is beaded. The sleeves are long and shear. The taffeta bodice is fitted with a featured V waistline. The sleeves are pointed (to cover over the hand) with a flower applique. There are 5 pearl buttons down the back and are fastened with loops. The side zip is metal and on the right hand side and at the top there is a hook and eye. The bridal veil - A large tulle circle edged with lace and formed into a 2 tiered veil held together with a green covered wire circlet decorated with wax flowers.vyner family, mckendrick family, wedding dress with veil

Long flowery gown -pink flowers with black background. Long bright pink 'sash'. Long sleeves. Kimono style. Long princess line, pink, black and white floral dress with V neckline. A fine cotton material with a bright pink chiffon sash.Tag: "Snazzi" "Follow the Dot with Dash" "Sydney"ball gown, reid family

Singer began to market its machines internationally in 1855. They began mass-producing domestic electric machines in 1910. Treadle machines were powered mechanically by a foot pedal that is pushed back and forth by the operator's foot. There were also machines belt powered, hand powered and eventually electric powered. Treadle machines were made into the 1950s but they were most common during the late Victorian years (up to 1901). This machine is c1894.This machine was owned and used by a resident of the Kiewa Valley. It was used for domestic sewing such as for making clothes for the family, making toys for eg. a fete and making useful items eg. a bag for school readersSinger Fiddle Base treadle sewing machine with decoration of flowers. Straight stitch. No stand. A little rusty.Top: 'the Singer Manufacturing'. Front: 'Singer' and the Metal Plaque 'The Singer MFC Cony'singer manufacturing co., clothes, sewing, domestic

The dress was probably worn at a christening in one of the Kiewa Valley churches (denomination unknown). The importance of the event to family and friends is shown by the quality of the garment. These style Christening dresses were often worn buy several children of the one family , both boys and girls. Other items such as hand made bonnet may have been part of this out fit. "KVHS 0123" The quality of the garment and the fashion style it represents is both historical, not only the time of its manufacture but also of the fashion in that era. It has christian religious implications and values of the time frame of regional life in the early1900s. Girl's white dress (christening event), fine cotton with lace border "broderie anglaise" with a row of lace flowers mid skirt "battenberg".This lace is also inserted in centre front panel and sleeves. Scolloped cotton is also on sleeves, neck and front. Pin tucked skirt. Opening back with drawstring fastening at neck and waist. Short sleeves and machine stitched children clothing, lace-battenberg and broderie anglaise, female clothing, dress, cotton, christening, dressmaking

Belonged to the Gleghorn family. May Gleghorn married George Walter A'Vard. May's sister married Robert ColemanVEMU1695.1 Tapestry of coloured chain of flowers on a beige background. Top and bottom brass supports, with the bottom one holding a suspended brass bell. VEMU1695.2 Display board of 11 lace doilies, made of crochet and linen. VEMU1695.2 Display board of 7 lace doilies, made of crochet and linen.

This embroidery was sent home to Irena Mede Baulch who was the younger sister of William John Baulch. William (born Nerranda Vic, enlisted Melbourne) No 2566 on 2.8.1915 age 36 years 2 months in the 6th Reinforcements 23rd Bn AIF, embarked for Eygpt 27.10.1915, transferred to the 58th Bn 23.2 1916, embarked for France 17.6.1916, Reported KIA 30.11.1916 then listed as wounded and admitted to the 1st Anzac Main Dressing Station GSW to the head on 1.12.1916, DOW's 1.12.1916. The embroidery has "1918" in the centre. The item was handed down through the family to Irena’s Grandson Noel Ridge. It is unclear how the item came to Irena as there is no other Military connection in the family.CENTRAL white silk square surrounding a small panel of embroidery featuring flags of various nations in the shape of 1918. Cotton lace inserts between 4 silk panels embroidered with pale pink & white flowers & trailing green foliage. Pale pink ribbon bows at each corner < the whole silk panel edged with wide, scalloped edge lace with mitered corners."1918 Souvenir de France"military history-souvenirs, flags - national, manchester - fabric

This trophy was presented by the Country Women's Association (C.W.A) Kiewa Valley Branch circa 1950's. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The CWA was an organisation that catered exclusively to women's needs. The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."The Kiewa Valley Group of the C.W.A. was a focal point for women in this still relatively isolated rural region to have a place of refuge from the heavy domestic demands that family and business exerted, and the need of a time and space to gain all the mental relaxation and group bonding necessary to balance the sometimes harsh environment that rural life presented.Silver plated chalice trophy has two "block ear" type handles fastened at the top lip and going 40mm vertically down to reconnect with the bowl. The bowl is connected to the dark brown plastic base by a brass (silver plating has worn off) stem (flower vase shaped).the chalice stem is attached to a circular tapered dome 30mm high which is also silver plated. The plastic base has a 35mm high extension rising from the broader circular bottom section and is rectangular in shape except for the quarter circular indent at each corner. The final circular base provides the chalice with the stability to stand on a flat surface. The whole of the base is hollow allowing the stem fastening nut to be viewed. The inscription on the chalice has been carefully and professionally scribed into the metal. "*C W A* KIEWA VALLEY GROUP H & H.I. EXHIBITION-PRIZE FOR MEMBERS. 40 & OVER" mementos, acknowledgement, cwa awards, trophies, rural women's club