Photographs of many members of the Franklin Family in the 1940s, with early photographs of Franklin family home and Greensborough Railway Station.13 black and white photographs, one col. post card, signed by Jean Franklin. Photographs are captioned with family names.franklin family, greensborough railway station

Photograph of the Franklin family in the 1950s.Digital copy of black and white photograph.franklin family

Photograph of the Franklin family home.Digital copy of black and white photograph.franklin family

Photographs of Don Franklin, Ken Franklin and Roy Franklin and a family tree of Franklin family members who played with the Greensborough Football Club. Digital copy of photographs and family tree greensborough football club, gfc hall of fame, franklin family, don franklin, ken franklin, roy franklin

Collection of Franklin family photographs 1940s-1960s. Includes: Don Franklin, Roy Franklin, Jean Franklin and Belle Franklin and the family homeDigital copy of black and white photographs. Printed on A4 paper.Photographs identifies on back.

Photograph of Roy and Jean Franklin waiting for boat, late 1940s. The Franklin family lived in Flintoff Street. Mr Arthur Franklin was the manager for Mr.J. C.Jessop Real Estate Pty Ltd.Digital copy of black and white photograph.franklin family, jean franklin, roy franklin

This plate belonged to the Franklin-Hunter family of Grimshaw Street Greensborough. Mr W. J. Franklin took over the news agency from Mr Leggo in 1924. Plates of similar type were advertised in 1903 and 1904. Refer to The Ballarat Star Friday 19 June 1903, page 6 and The Age Saturday 9 April 1904, page 1.Plate from early 20th century.Octagonal china plate with fluted edge and illustration of mill. Cream glaze with worn gilt around edge, illustration in brown tones.franklin family, hunter family, plates.

Photograph of Belle Franklin (wife of Ken) and Trice Franklin, taken in 1961.Digital copy of black and white photograph.franklin family, belle franklin, trice franklin

Photograph of Don Franklin taken in 1965.Digital copy of black and white photograph.franklin family, don franklin

Photograph of Greensborough Railway Station from the Franklin home.Digital copy of black and white photograph. franklin family, greensborough station

Photograph of Jean Franklin junior as a child.Digital copy of black and white photograph.franklin family, jean franklin

Photograph of Ken Franklin taken at Gulpa in the Riverina district of NSW. Ken is at the river with his 'catch'.Digital copy of black and white photograph.franklin family, ken franklin

Bilson and Co. operated a general store in Murray Street, Colac with its history dating from 1884 to 1955. Originally founded by the Tulloh family it became known as Bilsons after 1889 when Franklin Bilson came from Allansford where he had operated a general store. Bilsons store became one of the largest stores in country Victoria. In 1952 Bilsons merged with Foy and Gibsons. and in 1955 the Foy Bilson business was sold. This label is of interest firstly because it is a memento of Bilson's stores an important 20th century business in country Victoria and secondly because Franklin Bilson and his wife, Fanny, both have their place in Warrnambool's history.Rectangular white label with dark blue text and some scroll decoration. It is adhered to a piece of pink card .DIRECT IMPORTERS OF DRAPERY DRESSMAKERS & MILLINERS TAILORS & OUTFITTERS GROCERS & GENERAL STOREKEEPERS WINE & SPIRIT MERCHANTS From Bilson & Co. MURRAY STREET, COLACcolac, drapers, tailors, dressmakers, milliners, grocers, wine and spirit merchants, general store, bilsons, foy bilson, fanny bilson captain of the allansford womens cricket team, franklin bilson

Family History of the Cooper and Boehringer families commencing with John Franklin Cooper 1892-1982 and Gertrude Beatrice Wallace Robinson 1901 - 1991Social history of life in the Kiewa Valley during the 20th Century.Coloured cardboard cover with a photo of the halves of two people. The title is white on green across the bottom third.192 pages cooper family, boehringer family, farming in the kiewa valley

This historical family photograph spans three generations of the Cooper Family, a pioneer family, still residing in the Kiewa Valley. The large axe held by Pat was a handy tool for pioneer families to chop down trees for land clearing, building sheds and fences, outhouses and fire wood. This photograph was taken during a time where both male and females did some heavy lifting and processing. The rural sector at this point in time was physically a hard location for both sexes. The segregation of the sexes into specific job categories was some times non existent although household "chores" was in the main a woman's domain. The rural sector was in this point of time one which women were highly respected and the unwritten law of providing "assistance" and "reverence" by men in such actions as, socially opening doors, tipping the cap, offering a sturdy arm for support and refraining from doing or saying anything "uncouth" in a woman's presence. It was in a time when women's liberation was just starting to grow strength. Rural areas, on the hole, took longer to interfuse "city" hatched norms of behaviour. This photograph of a pioneer family still residing in the Kiewa Valley demonstrates not only the close protective environment that the valley has on all its inhabitants but also the close bonding that neighbors have towards each other. The term "God's gifted country" fits warmly with all the settlements in the valley. The relatively isolated (physically, visually and communications wise) has since post World War II been whittled away by faster and vastly improved communications with "the outside" world. The strength of commitment to the rural life can be seen in the faces of the family members in this photograph. The proud heritage is displayed without any external pressure. This large black and white family photograph is a reproduction on Fujicolor Crystal Archive Paper manufactured by Fujifilm. It is 200gsm matt finished paper with no borders. On the reverse side, written in pencil "Ted Cooper sitting aged 24-25, Pat Amery (Ted's youngest sister) holding Ted's eldest son Doug and Ted's father John Franklin Cooper(22-8-1892)"john cooper, ted cooper, pat amery, doug cooper, pioneer family kiewa valley

Gippsland Heritage Journal is a journal, produced about every nine - twelve months, for those interested in regional, local and family history in Gippsland, Victoria, Australia. It is compiled by Meredith Fletcher, Debbie Squires and Linda Barraclough and includes a diverse range of articles, both academic and non-academic. Since No.24 it has been a partially refereed journal. This copy was used in the library of Orbost Secondary College. This item is a useful reference tool for the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal No 15 (December 1993). The front cover is yellow with a b/w photograph of a fishing fleet in Port Franklin circa 1918. The magazine contains photographs, articles on the history of Gippsland,

Ill, p.88.The involvement of Victorian and New South Wales Aboriginal people in war; World War One; World War Two; Korea; Vietnam; James Lovett; Hannah Lovett; Reg Rawlings; Henry Thorpe; John Firebrace; Dan Cooper; Jackson Stewart; Reg Saunders; Harry Saunders; George Birkett; Bill Egan; Jack Kennedy; Linda (Lester) Nihill; Marge Tucker; Alice Lovett; Connie Alberts; Stewart Murray; Norman Herbert Franklin; Bill Edwards; Lester Marks Harradine; Clarke family; Merv Bundle; Leo Maxwell Muir; Glen James; Graham Atkinson; Pat Owen; Cummeragunga; Lake Tyers; Framlingham; list of Aboriginal servicemen and women; different treatment of Aboriginal people during the war and after; introduction by Terry Garwood annotated separately.australia - military forces - aboriginal members, australia - aboriginals - personal histories - military

Family History - ''William Cook of Kilsyth and Eaglehawk'', 16 pp with fold-out family history charting. Author - E M Finlay, South Hobart. Twins, William Cook and Alexander Cook came to Australia ca. 1852 - Alexander went to Bendigo (teacher) and William went to Mount Alexander, then Bendigo (Eaglehawk). Mention of latter's role in local government, mention of ''Kilsyth'' property in Eaglehawk and mention of Franklin Hotel.person, individual, william cook, eaglehawk, franklin hotel sailor's gully

Ansonia Clocks were made by a clock manufacturing business which started in Ansonia, Connecticut, in 1851 and which moved to Brooklyn, New York, in 1878. An enormously successful business, it turned out thousands of clocks in a large number of styles.This Ansonia clock was owned by the pioneer family in Moorabbin Shire c1900This Ansonia clock was owned by the pioneer family in Moorabbin Shire c1900A large ANSONIA clock. c1900 with a winding key and pendulum and a hinged front glass door with clip lock ANSONIAansonia clock company, connecticut, america, phelps anson, terry theodore, andrews franklin, brighton, moorabbin, furniture, pioneers, clocks, market gardeners, early settlers

Ansonia Clocks were made by a clock manufacturing business which started in Ansonia, Connecticut, in 1851 and which moved to Brooklyn, New York, in 1878. An enormously successful business, it turned out thousands of clocks in a large number of styles.This Ansonia clock was owned by the pioneer family of John Thomas McNamara, who lived in Hampton.This Ansonia clock was owned by the pioneer family of Mr John Thomas McNamara in Moorabbin Shire c 1887A small ANSONIA clock. c1887 with a winding key and pendulum and a hinged front glass door This Ansonia clock was restored by Mr Frank M. Gowan.c 1960damaged label on back : AWARD PARIS..... / SMALL SHAR..... / ANSONIA CLOCK / none genuine without ' ( symbol) ' / factories at ANSONIA Conn. Brook / Salesroom .....19 Cliff Street ....../ansonia clock company, connecticut, america, phelps anson, terry theodore, andrews franklin, brighton, moorabbin, furniture, pioneers, clocks, market gardeners, early settlers, gowan frank, j. t. mcnamara

These prints include large sailing ships that were also referred to as Clippers and Tall Ships. These ships were used to transport cargo and passengers across the world in the 19th century. They were powered purely by harnessing the wind. It could take three to four months to sail in this manner from England to Australia. On many occasions the ships were wrecked, often close to their destination, through errors of navigation. The method of production of the original images is over a century old. The Melbourne publisher of this portfolio book, Newcraft Publicity, describes the contents as follows-' Magnificent Clipper Ships: Clipper ships in the line of sail make the most romantic and spectacular pictorial chapter of marine history. This collection depicting early clippers and other types of sailing ships were originally fine engravings on wooden printing blocks used in newspapers a century ago. They were taken directly from the original newspaper prints, and reproduced in enamel inks to provide a choice of fine line prints suitable for framing. LIST OF PRINTS- The New Australian Clipper "BLUE JACKET" The Clipper Ship “CHRYSOLIER” The “GAUNTLET” Clipper Ship The New American Clipper “GREAT REPUBLIC” The Clipper Ship “GUIDING STAR” New Emigrant Ship “HESPERIDES” for the South Australian Line Capt. Beatson’s Expedition in search of Sir John Franklin – the “ISABEL” The Black Ball Line Clipper Ship “JAMES BAINES” The “MERCHANT PRINCE” – Australian Clipper The White Star Line Clipper Ship “MORNING LIGHT” The Aberdeen Clipper Built Barque “PHOENICIAN” New Australian Clipper Ship the “ROYAL FAMILY” The “SOVEREIGN OF THE SEAS” American Clipper The New Iron Clipper Built Ship “TAYLEUR” for Australia H.M. New Frigate “THETIS” The American Clipper Ship “WITCH OF THE WAVE” ABOUT THE PUBLISHER- The Newcraft Publicity was a Melbourne business that operated in the 1960s at 243 Collins Street, Melbourne.This portfolio book of clipper ship prints is historically significant as it shows an important part of Australia's history, It includes some of the shipping lines famous in the 19th century for transporting passengers and goods to Australia. The prints are also significant for their origin in the carved wooden blocks used a century ago for creating images for the newspapers of the time. Book is also significant from being one of a limited edition of books produced. There are copes in both the Victorian State Library and the National Library of Australia.The Line of Sail is a portfolio of sixteen fine line, black and white prints on paper. The subject is clipper ships. The covers are paper-covered card, coloured a strong blue with white line images and text. The image side of the pages has a sheen, the back is matt. Each print has a caption. The top of the book is stapled and bound with grey tape. Produced by Newcraft Publicity, Melbourne. Limited Edition - Copy Number 086. Stamped on front cover "086"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithographs, newscraft publicity, book, the line of sail, dlipper ships, tall shipos, sailing ships, wood block print, newspaper drawings, newcraft productions, newcraft melbourne, portfolio of clipper ships, limited edition, wooden engravings, magnificent clipper ships

The trough pictured was erected outside of Tim Kennedy's La Belle guest house in Emerald, from at least the 1930s. It allowed travellers at the guest house to water their horses, with water pumped from underground with a hand pump. It was likely installed by Charles A'Vard. The photograph itself was produced in the 21st century.Water troughs like the one pictured were once available everywhere; the memory of this one is a memory of the time when much transport still occurred under horsepower.This item is a colour photograph of a concrete water trough, standing on dry flat ground with a fence and then a paved road in the background. The trough stands on six concrete legs, with a metal pipe emerging from the ground to follow the leftmost background leg to a semicircular upper concrete section at the leftmost end of the trough. Some elements of the trough have chipped away but it is mostly intact. The reverse of the printed photograph features regular FujiFilm logos and extensive annotation, handwritten in blue pen.Handwritten, reverse: "Original trough from outside "La Belle" guest / house owned by Tim Kennedy. He was a carrier / he had horses and lorry. / This trough was used by travellers to water their horses. There was also one at / Hermon's Corner Menzies Creek. (Main Rd & / Grantulla Rd.) / Charlie A'Vard worked on installing these for / Ard [?] Franklin who had a plumbers business in / Belgrave. / The trough legs were buried well into the ground. / Water was pumped from underground by a hand / pump. / © 1930."kennedy family, la belle guest house, transport, emerald, 1930s

Paperback book with a light olive cover and an image of a poppy field under the title and the author's name.fictionIn 1915 sisters Naomi and Sally Durance answer a call for nurses to join the war effort. They are escaping the family dairy farm in the Macleay Valley, and they carry a secret with them. Soon they are in Egypt, where they are put to work on the Red Cross hospital ship Archimedes as it patrols the Dardanelles. On Archimedes they witness Mars in all his ferocity, as he pummels soldiers in the massive, brutal metal brawl that is Gallipoli. Yet the sisters and their newfound nursing friends, with whom they will witness undreamt-of carnage and take care of unspeakably blighted men, find themselves courageous in the face of the horror. Naomi, Sally and their gang are then sent to northern Europe, where Naomi nurses in the visionary Australian Voluntary Hospital run by the committed and eccentric Lady Tarlton, and Sally in a casualty clearing station next to the Western Front. Here, again, they must face the inhumanity of war in its many terrible guises - where trench warfare and gas abound. But it is here, too, that the sisters meet the remarkable men with whom they wish to spend the rest of their lives. Inspired by journals of Australian nursing sisters who gave their all to the Great War effort and the men they nursed, The Daughters Of Mars is vast in scope yet extraordinarily intimate. This is Keneally at the height of his storytelling powers; a stunning tour de force to join the best of First World War literature, and one that casts a fresh light on the challenges faced by the Australian men and women who voluntarily risked their lives for peace. Naomi and Sally Durance are daughters of a dairy farmer from the Macleay Valley. Bound together in complicity by what they consider a crime, when the Great War begins in 1914 they hope to submerge their guilt by leaving for Europe to nurse the tides of young wounded. They head for the Dardanelles on the hospital ship Archimedes. Their education in medicine, valour and human degradation continues on the Greek island of Lemnos, then on the Western Front. Everywhere they are confronted by new outrages - gas, shellshock and broken men. Naomi encounters the wonderful, eccentric Lady Tarlton, who is founding a voluntary hospital near Boulogne; Sally serves in a casualty clearing station close to the front. They meet the men with whom they would wish to spend the rest of their lives. An extraordinary portrait of two ordinary young women[From Trove]wwi, ww1, world war one, world war 1, nurses, miles franklin award nominations, military nursing -- fiction, 1914-1918 -- australia -- fiction, historical fiction

Widows are conducting a sale of craft items in a shopping arcade. It is possible the items sold were those made for the annual Art and Craft Exhibitions. Widows would hold a stall in Badge Week, often outside Legacy House to sell items. The Legacy signs say "Legacy caring for Australia's biggest family". The trading tables are outside a Boyles Sweets shop and a Franklins No Frills supermarket. Boyles Sweets closed down by July 1993 so it was before then. Names unknown.A record of the type of activities Legacy provided as a social outlet for widows and fundraising for Legacy. Colour photo of a craft stall run by Legacy widows.This paper manufactured by Kodak. (the same as 00678 and 00679 so they could be the same year).widows, fundraising, badge week

Widows are conducting a sale of craft items in a shopping arcade. It is possible the items sold were those made for the annual Art and Craft Exhibitions. The Legacy signs say "Legacy caring for Australia's biggest family". The trading tables are outside a Boyles Sweets shop and a Franklins No Frills supermarket in an unknown shopping centre. Boyles Sweets closed down by July 1993 so it was before then. Names unknown. Photos were in a scrapbook of photos spanning 1983 to 1991.A record of the type of activities Legacy provided as a social outlet for widows and fundraising for Legacy. Colour photo x 4 of a craft stall run by Legacy widows.This paper manufactured by Kodak.widows, fundraising