Book, hard cardboard, illustrated cover. Black text on white paper. Illustrated, 256 pages.Donated by Lester Youngbooks, military, history

The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin

The wooden pattern was possibly made for casting a part for Craftman Marine, makers of engines for boats and other machines. It is part of a set that is stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block with a corner cut diagonally. A five-sided shape has been carved into the centre, with one side curved inwards and slightly shallower than the other sides. The cut-out area is painted black. Three holes are drilled in the cut-out side to align the pattern with another piece of work. A wooden slat is fixed across the diagonal side. The back of the pattern has a handwritten inscription, possibly by two writers. The pattern is part of a set of foundry patterns from Briggs Brass Foundry and is connected to Craftman Marine.In black handwriting: "1 # H AL" Handwritten in a different hand: "CRAFTMAN MARINE" Written the the first hand: BRIGGS" (or "BRICK")flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, craftman marine, craftsman marine

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block made from laminated sections of wood painted black. A half-cylinder shape was carved into the long side, and a dowel shape was placed at the lower side. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; pair of U-shaped carved blocks, unpainted. The blocks have opposing metal pins and holes to hold them together. One block has a disc shape carved into the base. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; round wooden shape with a wide concave centre and a round flat handle in the middle, painted dark brown. The underside has a large wooden disc added to the centre. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

The wooden patterns are part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; a pair of blocks that form a rectangle with a carved centre hole and disc shape inside. The block is made from laminated pieces of wood with cut corners. Both sides have four drilled holes in a square configuration but in different positions. The cut faces and the space carved into them are painted red; one piece has two dowel pins that fit into two drilled holes on the other. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

From the collection of Terry KEENAN. Back row from left Frank TYRELL, Stan FARRELL, Leo (Doc) WOODS (Coach), George WILLOUBY, Peter BRIGGS. Second back row from left Brian RALPH, Ralph MEDINA, Bill ROSE, ? , Bill ANDERSON, Fred TURNER, Nic ?, ? Simpson. Third back row from left - ? , Bill HARVEY, Jim MAHONEY, Doug BASSETT, Keith BROWNIE, Ron WIILLIAMS, Perce WHITE, ? BROWNIE. Front row from left Tom WALKER, Ron McMILLAN (Mascot), Frank LOVELL, - BROWNIE, Keith CLAYTON, Terry KEENAN, ? BROWNIE.Black and white photocopy of photograph of Graham United Football Club Team 1947 Includes players, mascots and officials. Players names handwritten at bottom. and typed on note on reverse.sport - australian rules football, graham united football club, frank tyrell, stan farrell, george willouby, peter briggs, brian ralph, ralph medina, bill rose, bill anderson, fred turner, bill harvey, jim mahoney, doug bassett, keith brownie, ron williams, perce white, tom walker, ronmcmillan, frank lovell, keith clayton, terry keenan, leo (doc) woods, nic ?, ? simpson, ? brownie

Ringbound publication of 212 pagesnon-fictionBeverley Chatham ( daughter of Arthur Chatham) suggested that Commerlghip refers to Watering holes and underground springs found in the Little Woady Yallok and Mt Misery Creeks. Rokewood Junction was proclaimed a township in 1885, originally known as a gold-mining township called Paddy's Gully Diggings. rokewood, rokewood junction, chatham, kurus-a-ruc, henry pitman, elizabeth pitman, william henry pitman, rokewood junction state school, commeralghip, paddy's gully bridge, illabrook, conereyalk, woady yalloak creek, mt misery creek, paddy's gully diggings., dereel, pitfield, wadawurrung, william rutland, squatters, aborigines, aboriginal, charlotte walsh, maurice walsh, julie pitman, ben liston, sheep and wool, george hawkins, natthew wakeling, christopher moody, mt misery goldfield, john bower, mary bower, hyslop's hotel, cumberland store, jane hyslop, edward collyer, jospeh gladstone, lucas's bakery, henry batty, william young, ellen rigby, chinese, joseph anguey, eliza anguey, murder of thomas ulick burke, william achultze, william schiltze, nicholas grenfell, tomas bramley murder, emily malhoff, drowning, ah lin, eliza richards, luisa bupell, eleanor holmes, rachel holmes, joseph holloway, noah holloway, thomas faulkner, robert eli hearn, george todhunter briggs, john robinson fairweather, rokewood common, edward bussell, louisa bussell, irving rachinger, john chatham, doris chatham, peter chatham, jack chatham, imogen chatham, domenico rizzoli, mary rizzoli, rokewood junction railway line, illabrook football and netball club, cape clear, red cross, keith annear, fire brigade, rokewood junction post office, len aarons, dereel pre-emptive right, rokewood junction avenue of honour, arthur chatham

This is a set of 11 photographs of a 4th Field Survey Squadron Officers, Warrant Officers and Sergeants Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. On this occasion WO1 Alex ‘Darby’ Munro and WO1 Geoff Briggs were farewelled. WO1 Munro retired from the Australian Regular Army after 30 years of service. WO1 Geoff Briggs continued his service and retired in 1991. It is apparent there were visiting personnel from the Army Survey Regiment and other unidentified units. See item 6501.35P for black & white photos taken at the dinner.This is a set of 11 photographs of a 4th Field Survey Squadron Officer, Warrant Officer and Sergeant’s Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1986. Facing camera L to R: unidentified, Stevo Hinic, unidentified (x3), Bob Mason - Army Svy Regt’s RSM, unidentified, John Harrison, Roger Rees, Mick Hogan. .2) - Photo, colour, 1986. Facing camera L to R: unidentified, Malcolm Hentschel, unidentified, Bob Mason - Army Svy Regt’s RSM, unidentified, John Harrison, Roger Rees, Mick Hogan. Facing away from camera L to R: unidentified (x2), George Timmins. .3) - Photo, colour, 1986. Head table facing camera L to R: Ian Rose, Jorge Gruszka (Army Svy Regt’s CO), Don Taylor - OC, Darby Munro - Tech WO, Bill Griggs - SSM, Geoff Briggs, George Ricketts, unidentified RSM Keswick Barracks. .4) - Photo, colour, 1986. Left side of table: unidentified officer. Right side of table L to R: behind candles – Phil Smalley, Bob Mills, unidentified, Bob Garritty, Ian Rose. .5) - Photo, colour, 1986. Left table facing away from camera: Russell ‘Rusty’ Williams, unidentified. Left table facing camera L to R: unidentified, Peter Imeson, Dave Stephenson, Alan Brown, Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones, Bob Dickkenberg. .6) - Photo, colour, 1986. Head table facing camera L to R: Jorge Gruszka - CO Army Svy Regt , Don Taylor - OC, Darby Munro - Tech WO, Bill Griggs - SSM, Geoff Briggs, George Ricketts, unidentified RSM Keswick Barracks. Wearing suit in foreground - Bob Dickkenberg. .7) - Photo, colour, 1986. Left table facing away from camera: unidentified (x3), Gary Warnest, Ross Jenkins, Bruce ‘Stretch’ Gordon, unidentified (x2). Left table facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson, Alan Brown, Bob Rogister, Wally Chilcott. .8) - Photo, colour, 1986. Left table facing camera L to R: Alan Brown, Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones, Bob Dickkenberg. .9) - Photo, colour, 1986. Facing away from camera: Dave Stephenson, unidentified (x2). Facing camera L to R: unidentified, Tony Gee, Brett ‘Dutchy’ Van Leeuwen, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified (x2), Ray Sargeant, Stu Symonds. .10) - Photo, colour, 1986. Facing away from camera: Mick Hogan, Roger Rees, unidentified. Facing camera L to R: unidentified stewards (x2), unidentified (x2), Allan Adsett, Terry Lord, unidentified, Simon Reynolds – steward, George Timmins. .11) - Photo, colour, 1986. Head table L to R: Geoff Briggs, George Ricketts, unidentified RSM Keswick Barracks. Facing away from camera: unidentified, Neil Jones, remainder unidentified. Facing camera L to R: Steve Cooper, Darcy Patrick, Russell ‘Rusty’ Williams, John Scharber, Tony Gee, Brett ‘Dutchy’ Van Leeuwen..1P to .11P – There are no personnel identified. ‘1986 Formal Dinner’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

This is a set of 35 photographs of a 4th Field Survey Squadron Officers, Warrant Officers and Sergeants Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. On this occasion WO1 Alex ‘Darby’ Munro and WO1 Geoff Briggs were farewelled. WO1 Munro retired from the Australian Regular Army after 30 years of service. WO1 Geoff Briggs continued his service and retired in 1991. It is apparent there were visiting personnel from the Army Survey Regiment and other unidentified units. See item 6500.11P for colour photos taken at the dinner.This is a set of 35 photographs of a 4th Field Survey Squadron Officer, Warrant Officer and Sergeant’s Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. Closest to camera on left: Stevo Hinic, unidentified, Malcolm Hentschel, remainder unidentified. On right L to R: Bob Norwood, Phil Smalley, Bob Mills, unidentified, Bob Garritty, Ian Rose. .2) - Photo, black & white, 1986. On left L to R: unidentified (x2), Tony Gee, Brett ‘Dutchy’ Van Leeuwen, Gary Warnest, remainder unidentified. On right L to R: Barry Lutwyche OAM, Neil Jones, Bob Dikkenberg. .3) - Photo, black & white, 1986. Stewards relax at the bar after dinner. Simon Reynolds 2nd from right, remainder unidentified. .4) - Photo, black & white, 1986. At rear L to R: unidentified, Ian Rose. Left foreground L to R: Neil Jones, Bob Dikkenberg. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, Bill Griggs - SSM, Geoff Briggs, George Ricketts, unidentified RSM Keswick Barracks, On right L to R: unidentified, (x2), Steve Cooper. .5) - Photo, black & white, 1986. Closest to camera L to R: Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones. .6) - Photo, black & white, 1986. Facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson, unidentified, Alan Brown. .7) - Photo, black & white, 1986. Facing camera L to R: unidentified (x2), John Harrison, Roger Rees, Mick Hogan. Back table L to R: Tony Gee, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified, Ray Sargeant, Bill Tewson, Stu Symonds, unidentified. .8) - Photo, black & white, 1986. Head table L to R: Don Taylor - OC (standing), Darby Munro - Tech WO Bill Griggs – SSM, Geoff Briggs. .9) & .10) - Photo, black & white, 1986. Head table L to R: Bill Griggs – SSM, Geoff Briggs. .11) - Photo, black & white, 1986. Facing camera L to R: Malcolm Hentschel, unidentified, Bob Mason - Army Svy Regt’s RSM, unidentified (x2), John Harrison. .12) - Photo, black & white, 1986. Facing camera L to R: unidentified, Stevo Hinic, unidentified, Malcolm Hentschel. .13) - Photo, black & white, 1986. Geoff Briggs delivering his speech. .14) - Photo, black & white, 1986. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, Geoff Briggs delivering his speech, George Ricketts. .15) - Photo, black & white, 1986. Geoff Briggs delivering his speech. .16) - Photo, black & white, 1986. Facing camera L to R: Peter Imeson, Dave Stephenson, unidentified, Alan Brown, Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones, Bob Dikkenberg. .17) - Photo, black & white, 1986. A standing ovation at the conclusion of Geoff Briggs’ lengthy speech. Bill Griggs checks his watch. .18) - Photo, black & white, 1986. Guests standing for formal toasts. Closest to camera on left: unidentified, Stevo Hinic. At back Mr Vice – Mick Hogan. On right L to R: Allan Adsett, Terry Lord, Bob Norwood, Phil ‘Fred’ Smalley, Don Maskew, unidentified, Bob Garritty. .19) - Photo, black & white, 1986. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, WO Bill Griggs – SSM, Geoff Briggs, George Ricketts. .20) - Photo, black & white, 1986. Facing camera L to R: Brett ‘Dutchy’ Van Leeuwen, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified (x2), Ray Sargeant, Stu Symonds, unidentified. .21) - Photo, black & white, 1986. Head table departs. On left: Stu Symonds. On right L to R: WO Bill Griggs – SSM, unidentified, Darby Munro - Tech WO, Geoff Briggs, unidentified RSM Keswick Barracks, George Ricketts. .22) - Photo, black & white, 1986. Mick Hogan - Mr Vice, takes charge. .23) - Photo, black & white, 1986. L to R: Mick Hogan - Mr Vice, Brett ‘Dutchy’ Van Leeuwen. .24) - Photo, black & white, 1986. L to R: Wally Chilcott, Mick Hogan - Mr Vice. .25) - Photo, black & white, 1986. L to R: Tony Gee, Bruce ‘Stretch’ Gordon, Ross Jenkins. .26) & .27)- Photo, black & white, 1986. L to R: unidentified RSM Keswick, Ian Rose, George Ricketts, Geoff Briggs, Bill Griggs – SSM, Darby Munro - Tech WO, Steve Cooper, Jorge Gruszka - CO Army Svy Regt, Don Taylor – OC. .28) - Photo, black & white, 1986. Facing camera L to R: Stevo Hinic, unidentified, Malcolm Hentschel. .29) - Photo, black & white, 1986. Facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson. .30) - Photo, black & white, 1986. L to R: Darby Munro, Stu Symonds. .31) - Photo, black & white, 1986. Foreground L to R: unidentified (x2), John Harrison, Roger Rees. Background L to R: unidentified, Dave Stephenson, Stu Symonds, Peter Imeson, Bill Tewson. .32) - Photo, black & white, 1986. L to R: Wally Chilcott Mick Hogan - Mr Vice, unidentified, Brett ‘Dutchy’ Van Leeuwen, Darby Munro - Tech WO delivers a toast, unidentified, Bob Dikkenberg, unidentified, Neil Jones. .33) - Photo, black & white, 1986. L to R: John Harrison, Darby Munro - Tech WO, remainder unidentified. .34) - Photo, black & white, 1986. Guests relax at the bar after dinner. .35) - Photo, black & white, 1986. Guests relax at the bar after dinner. L to R: Steve Cooper, unidentified, Stevo Hinic, Allan Adsett, John Harrison, George Ricketts, unidentified, Darby Munro - Tech WO, unidentified (x3), Geoff Briggs, unidentified, Don Taylor – OC, Bill Griggs – SSM..1P to .35P – There are no personnel identified. ‘Farewells to:- WO1 BRIGGS & WO1 MUNRO 1986’ royal australian survey corps, rasvy, 4 fd svy sqn

The Publications Committee were Ken McDougall, Kath Hayes, Brian Haig, Sue Tucker, heather Bell, Dawn Brown, Ian george, elizabeth Lemmon, Janette Leviston, Leah Harwood, Tony scanlon. Mal Wordsworth. Ian Walshe. The Year Book Committee were Carmel Keys, Judy Krahe, Jill Mayo, and Mr Ryan was the staff representative. The Students' representative council for 1959 were J. O'Neill, I. Ferguson, I. Jenkins, E.Davies, B. Matthews, M. Robinson, R. Cummings, B. Vandenberg, N. Wright, D. McKimmie, K. McDougall, D. Eldridge, N. Beacham, K. Ryrie, J. Rae and D. Wise. The social committee comprised R. Power, G. Briggs, D. Ryan, G. Wallace, V. Delbridge, S. Dawe, Miss Lloyd, Mr Bourke, R. Kelly, M. Grey, J. Cadzow, E. Davies, Monica Miller, G. Commons and F. Mason. A black and white soft covered magazine of the Ballarat Teachers' College. The cover design was by Doug Sheen. Articles include: education in North Borneo, Webster St Hostel, Gillies Street Girls Hostel, Victoria Street Hostel, Camp Street Hostel, Gillies Street Boys Hostel, Ex-Students' association, The Joys of caravaning, How to Spend One's Leisure, Ideas from the Design Club, Faces Behind the Wheel, Life's Bitterness, Characterization, Such is Life. ballarat teachers' college, margaret brown, ken mcdougall, kath hayes, brian haig, tom turner, k. mcdougall, noel beacham, norma mchenry, heather speedie, ted doney, north borneo, webster street hostel, victoria street hostel, students residences, . o'neill, i. ferguson, i. jenkins, e.davies, b. matthews, m. robinson, r. cummings, b. vandenberg, n. wright, d. mckimmie, d. eldridge, n. beacham, k. ryrie, j. rae, d. wise, r. power, g. briggs, d. ryan, g. wallace, v. delbridge, s. dawe, miss lloyd, mr bourke, r. kelly, m. grey, j. cadzow, e. davies, monica miller, g. commons, f. mason, camp street hostel, gillies street hostel

From the collection of Terry KEENAN. Back row from left - Harold BROWN, Norm ?, Denis MADIGAN, Theo KURLE, Bill ANDERSON, Doc WOOD (Coach), ? , Brian RALPH, Frank BROOKS, Arthur RALPH, Frank TYRELL. Centre row from left - Brain MCBROOM, NIck ? , ? , Keith CLAYTON, Frank LOVELL, Keith BROWNIE, Peter BRIGGS, Perce WHITE, George WILLOUGHEY, - BROWNE. Front row from left - Bill GATES, Jim MAHONEY, Ralph MEDINA, Alby FRANCIS, Bill HARVEY, Terry KEENAN, Keith HARVEY, - BROWNIE. Black and white photograph of Graham United Football Club, 1948 team. Handwritten note attached to back with names of players & officials - incomplete.sport - australian rules football, graham united football club, harold brown, norm -, denis madigan, theo kurle, bill anderson, doc wood, brian ralph, frank brookes, arthur ralph, frank tyrell, brian mcbroom, keith clayton, frank lovell, keith brownie, peter briggs, perce white, george willoughey, - brownie, bill gates, jim mahoney, ralph medina, alby francis, bill harvey, terry keenan, keith harvey, nick ?

Purchased in memory of Sue Slonek, Secretary of Surrey Hills Historical Society, volunteer with the Surrey Hills Neighborhood Centre Heritage Collection (Surrey Hills historical Society Collection). A history of Canterbury Primary School written to celebrate the school's 100 year anniversary - 1908-2008A history of Canterbury Primary School written to celebrate the school's 100 year anniversary - 1908-2008canterbury primary school, primary schools, (ms) judy stewart, (mr) ian phillips, (miss) gabriela aloisio, (mrs) marjorie pitt, (miss) joan eltham, (mr) - shannon, (mr) - besant, (mrs) anne bialecki, (ms) diane western, (ms) margaret mason, (miss) hilary barr, (mrs) hilary praetz, (ms) vicki eddison, (miss) margaret kidd, (mr) don kerr, (miss) sarah pitman, (miss) linda summers, (mr) jack tanner, (miss) kate dale, (mr) strapper tanner, (ms) neva rossi, (miss) margot harris, (miss) lauren eddison, (mr) eric alway, (miss) jean alway, (miss) betty alway, (mr) thomas rule, (miss) diane fuller, (ms) barbara chapman, (ms) judy bridges, (ms) julie vango, (ms) judy pitman, (ms) joan le grand, (ms) anne lamborn, (mr) warren walsh, (ms) margaret lee, (ms) barbara gunn, (ms) christine hallman, (mr) murray haby, chris roth, (ms) sue de araugo, (ms) leslie brewer, (ms) judy jordan, sam paterson, (ms) debbie-jane andrews, (mrs) hazel young, (ms) ilse murrihy, (ms) linda summers, (mrs) georgia karatzas, (mrs) sylvia clarke, (mr) eddie clarke, (mrs) - willoughby, (mr) - hopkins, (mrs) - hopkins, (mr) graham salter, (ms) andrea thompson, (miss) - stent, (miss) - mcdonald, (mr) neville daynes, (mr) bruce margetts, (miss) doris thomas, (miss) hazel macdonald, (miss) annette mccoy, (mrs) - feldt, (miss) arwen summers, (miss) grace cameron-muller, manon merakis, terry poulton, (mr) david tolstrup, (ms) sue broadbent, (miss) florence rayment, (miss) yvonne wray, (miss) hazel jarvis, (mr) graham scott, (miss) june smith, (mrs) margaret anderson, (miss) margaret ginn, (miss) kelly jane, (mrs) patricia wion, (miss) patricia lewis, (miss) - edgoose, (mr) john merton, (ms) pauline flynn, (ms) lynne timms, (ms) marilyn taylor, (mrs) anne tonkin, (mrs) flo wilkinson, (miss) flo davies, (mr) jack hardy, (mr) john a bayford, (miss) marion greenwood-smith, (miss) - mcevitt, (miss) - ballantyne, (miss) - riseborough, (ms) (dr) kim dray, (miss) dorothy ambrose, (mrs) - lethbridge, (mrs) - le couteur, (mrs) margaret senior, (miss) margaret macgibbon, (mrs) - briggs, (mr) (major) - moloney, (mr) - poulton, (mr) adrian penniston-bird, prospect hill road, surrey hills, canterbury, canterbury road, molesworth street, highfield road, leeds street, salisbury street, (mr) patrick moloney, (mr) thomas rule, (mr) richard armitage, (mr) frank l oswell, (mr) walter g w webb, (mr) edward bright, (mr) george a allison, (mr) albert r coppin, (mr) william a lucas, (mr) alan g legg, (mr) ralph holden, (mr) dorothy ambrose, (mr) robert storey, (mr) tom neal-williams, (mr) effie miniati, (mr) geoffrey swift, (mr) - baddeley, (mrs) helen mcmillan, (miss) helen mcgibbon, (mr) don walker, (mr) howard hallo, (miss) jean cowen, (miss) felicity coleman, (miss) amanda colahan, (miss) caitlin sum, (miss) brooke webster, (miss) bridget hall, (miss) alison thompson, (mr) andrew lovitt, (mrs) barbara mihan, (miss) barbara prest, (mr) john webster, (mrs) lorna whalley, (mr) stuart margetts, (miss) elaine robinson, (mrs) nonie holman, (miss) nonie lovitt, (mr) brian webster, (mrs) alison cutter, (miss) alison horwell, (mrs) jaqueline lublin, (miss) jacqueline levy, (mrs) gilliam bell, (miss) gillian craig, pinus radiata, the secret garden, lych gate, (mr) geoff swan, talbet oaks, bedford oaks, significant trees, burgundy ash, allepo pine, golden ash, southey oaks, poulton oaks, (mr) (sgt) keith mcdowell, wattle park, (ms) caroline habgood, (mr) henry rotherham, j b cohen, (mr) (major) patrick moloney, (miss) dorothy ambrose, architects, wurundjeri william territory, (mr) - sachse, d kinnaird, builders, danks foundation, (dr) desmond gibbs, 1908, sue slonek, catherine cato, catherine charles, june smith, jenny flynn

History of Saint Margaret's Church Eltham beginnings to 1888. Throughout this foundation period the community grew in numbers and influence within the developing district of Eltham. The minister's and lay readers appointed to Saint Margaret's are indentified and their contribution discussed. The significant events of the establishment of a temporary chuch and then a permanent church, the opening and closing of a denominational school, the construction of a parsonage, libraries and Sunday school are all examined. The key to the success of this faith community during its foundation years was the initiative and resourcefulness of its laypersons. - back cover. The early beginnings of the church included congregations at St Helena, Greensborough and Diamond Creek. People described in the book are listed as subjects in this description. The author Geoff Sandy mentions the following in the acknolwedgements on page iii: "Harry Gilham and Russell Yeoman of the Eltham District Historical Society willingly assisted me with locating records and images relevant to the scopeof this book".The first in a three volume set capturing a comprehensive rich history of the church and importantly its community for the first time.This volume discusses the pioneers of the Etham district who contributed not only to the foundation of the church but its wider thriving community and adds to the records of what we know about the early history.367 pages : colour illustrations ; 25 cm.[written inside front cover] Donated to the Eltham and District Historical Society on the occasion of the launch of "A History of Saint Margaret's Church Eltham" - 23 February 2014, Geoffrey A Sandysaint margaret's anglican church eltham, eltham, st helena church, dixon bertram, robert mackie, josiah hollis, andrew brown, arthur joseph pickering, john boyle gason, thomas cooper searle, henry dendy, william bravery andrew, charles symons wingrove, patrick alfred armstrong, patrick armstrong, john pearson, thomas hunniford, john gardner, thomas batt, isaac hill, william austin page, richard warren, john lindsay beale, henry stooke, john beale, charles hamilton, edwin willis maygar, william frederick ford, isaac briggs, david george clark, richard lowman, walter wippell, george knapman, benjamin oliver wallis, benjamin o. wallis, benjamin wallis, andrew logan, james rossiter, james thomas foster gilding, charles mash maplestone, george bird, george bird (1845-1921), charles hobart, e m bill, j c cole, william morris, francis flintoff, church of england, st margaret's anglican church, st margaret's anglican church eltham, st margaret's church, st margaret's church eltham, st margaret's church of england eltham, st margarets, st margarets anglican church, george stebbing, george stebbing builder