Catalogue card reads, 'Unveiling of plaque in memory of Edward George Honey'.

George Barraclough (1907-1981), a landholder from north of Licola, in the Victorian Great Divide, made a number of these spikes, as needed. As accounts were paid, receipts were pasted to the account, the account was impaled on the spike, and the spike was rehung on a nail on a wall stud. All transactions dealing with money were filed in this manner, as an orderly way of tracking items that were usually remotely ordered and delivered on the mail car. George Barraclough used No8 in a number of creative ways, and his durable and untilitarion toasting forks are still in family use today. After George died in 1981 the spikes with their accounts passed to his daughter Linda Barraclough, who archived the accounts and later made copies available for study. Those accounts form a record of the businesses of Heyfield for 1940s and 1950s.This bill hook is of historical significance as a survivor of bush ingenuity and bush filing systems. Commercially made bill spikes were in common use in offices, where they usually consisted of a heavy metal base with an upright pointed piece of wire. Number 8 fencing wire was an important and readily accessible repair commodity for rural dwellers, and achieved iconic status as the most generic method of repair for cars broken down (resort to nearest fence) and was even used to hold houses together. Referring to "No 8 fencing wire" became a type of Australian shorthand for bush ingenuity. It is no longer available, being replaced by 4mm high tensile wire. This item is important both as an example of inventive use of No8 wire, and also as an example of the bush filing methods in use in the 1940s and 1950s. No 8 fencing wire holds a similar position in New Zealand - see Wikipedia NZ at http://en.wikipedia.org/wiki/Number_8_wire A section of number 8 fencing wire twisted to form a bill spike. It has a rounded.base made from several twists of wire in a flat platform, with the remaining wire rising from the centre to form a stem that terminates in a hook with a sharpened point.wire, bush ingenuity, barraclough, licola north

This framed photograph is of the Victoria Challenge Shield which was presented in 1888 by the Warrnambool firm of Cramond and Dickson for competition among the Victoria Garrison Artillery members in Victoria. There were 8 garrison groups in Victoria at that time. The shield was 22 inches wide and two feet six inches high.The quality of the shield can be gauged by that fact that it was exhibited at the Glasgow International Exhibition of 1888 and was one of the items inspected by Queen Victoria. The stipulation by the donors was that the competition had to be held in Warrnambool. The Warrnambool artillery group won the trophy in 1898 and this is noted in one of the newspaper cuttings included with the photograph of the shield. The Cramond and Dickson general store in Warrnambool was founded in 1855 by John Cramond and James Dickson and was a prominent business in Warrnambool until it closed in 1973. This photograph is of considerable interest as it is a reminder of the Victoria Challenge Shield that was a competition prize for competing groups of the Victoria Garrison Artillery in the times when volunteer militia groups were strong in Victorian country towns ( from the 1860s to the beginning of the First World War). This is a framed oval photograph of the Victoria Challenge Shield. The photograph is of poor production and fading. The shield details include images of War and Peace, Coat of Arms, militia figures and guns and a rifle match (in the centre). There are two newspaper cuttings included in the frame and a handwritten date. The photograph has a beige background and is under glass in a wooden frameVictoria Challenge Shield inspected by Her Most Gracious Majesty the Queen at the Glasgow International Exhibition 24th August 1888 presented by Messrs Cramond & Dickson Warrnambool cramond & dickson warrnambool, victoria challenge shield, garrison artillery groups in victoria

Written on back of photograph, "Form 1A". List with photographs reads, "High School. Bedford Road, Ringwood. Photo pupils Form 1A (Names reading from Left to Right): Back Row boys: 1. David Newman, 2. ??, 3. George Cartwright, 4. Bruce Fletcher, 5. William Ader, 6. ??, 7. George Tew, 8. Edward Neff, 9. ??, 10. David Godfred, 11. James Day, 12. Geoffrey Asher. Boys sitting: 1. Colin Rowdie, 2. Graeme ?, 3. John Willis, 4. Max Bevis".

An interesting document outlining the evolution of the tradition of pausing in silence for remembrance on 11 November each year. The account outlines how King George V decreed a two minute silence be held at the first anniversary of the Armistice - originally referred to as Peace Day. The events included a letter written by Edward George Honey, an Australian journalist, proposing the idea on 8 May 1919. In it part of it says: "Should not this be the spirit of at least a fragment of our Peace Day? Communion with the Glorious Dead who won us Peace, and from the communion new strength, hope and faith in the morrow, Church services, too, if you will, but in the street, the home, the theatre, anywhere, indeed, where Englishmen and their women chance to be, surely this five minutes of bitter-sweet silence there will be service enough. Before and afterwards, sing and make merry as we will. Of one thing, I am quite certain, and the tis that our songs will take a deeper, truer note after those five minutes of remembrance We will have gathered from them strength for the morrow. God knows we need it!" The document was produced by a committee that was proposing a memorial to Edward Honey to record his role. It was forwarded too H.G. Brain, presumably a Legatee who could bring this information to Legacy's attention. Items were in an envelope with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01212).A record of a committee approaching Legacy about a memorial to the man who suggested the adoption of silence as a form of remembrance in 1919. Also there was an effort to record historical events by the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01212)A thirteen page report typed on buff paper in a dark brown card cover, on a proposed memorial to Edward Honey. Also a letter dated 20 March 1964 from the Memorial Committee to Mr H G Brain that accompanied the report.Handwritten 'S13' in red pen on top left of of the letter which is signed Roy Gordon in blue ink. memorial, remembrance day

George Edward Doery (was one of 3 children of William Henry Doery and wife Theodora M Bartholomew who were married in 1914 and resided from this time until c1963 at 16 Tower Street, Surrey Hills. The Doery family were stalwarts of the Canterbury Baptist Church. George graduated MBBS from the University of Melbourne in 1949. He married Mary Elizabeth Weller (1922-2004) in 1950. He joined the Mont Albert medical Group and practised there until his retirement, The photo was taken to mark his retirement and appeared in a local newspaper. He died 21/9/2011. A black and white photograph of a man sitting at a desk. He is wearing a shirt and tie and a pair of glasses.george doery (dr), george edward doery (dr), medical practitioners, doctors, mont albert medical group, mary doery (mrs), mary elizabeth doery (mrs), mary weller (miss), mary elizabeth weller (miss), canterbury baptist church

Book was awarded to Stephen John Holgate in 1891 for first prize in bookkeeping. Stephen (D.O.B. 09/07/1877) entered the college on 27/01/1890. The original registry notes parent as Stephen Holgate from Miners Rest and Stephen's previously school is noted as 'Home Tuition'. Other family members noted as attending the college are Harold, George, Edward, Robert and Thomas. Archives also hold war memorabilia for Edward and George Holgate.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936. Connection to college war memorabilia and war heroes.Bound in soft red calf with gilt lettering and college crest embossed on front cover and gilt lettering on spine. Floral end papers, foxing on pages, black and white illustrations throughout. 595 p.Book plate inside front cover: College crest/ Bookkeeping/ V Form./ First Prize. Awarded to/ S. Holgate/ Christmas, 1891.stephen-john-holgate, 1891, book-prize, miners-rest, harold-holgate, george-holgate, edward-holgate, robert-holgate, thomas-holgate.

Surrey College was opened in early 1892 by Rev. Dr Frederick Darling who had been the first minister of the Presbyterian Church in Canterbury Road. He resigned this position to open the school which operated until 1908 with additional premises at 12 Vincent Street. The school had 40 boarders as well as day boys. Courses included algebra, euclid, history, typewriting, shorthand and drill. In the 1930s, Nethercourt Private Hospital took over the site. Later it became St Jude's Hospital. land in front of the building was subdivided off in the 1970s. The building is still extant as a private dwelling with York Street, Surrey Hills as the address. This is one of 3 photos donated by Susan Hobbs, whose grandfather Rev. George Edward Downton is thought to have been a student at the college. George E. Downton was born in Avoca in 1885. He was later a missionary in New Guinea and Secretary to the Australian Board of Missions in Adelaide. He died in 1926 or 1927. Sepia photo of 26 men and boys dressed in military uniform, many holding rifles. They are standing in front of a brick building with bay windows with blinds and curtains. There is a clump of foliage and grass in front of boys. "Surrey College - Surrey Hills / Principal: Rev Frdk. A. Darling, Melb. Univ./Cadet Corps, 1899." On the mount below the photo. Inscription on bottom right hand corner of photo: "Prepare for cavalry"schools, 1899, surrey hills, surrey college, rev frederick a darling, george edward downton, susan hobbs, union road, nethercourt hospital, st jude's hospital, 219-223 union road, cadet corps, 1890-1899

Surrey College was opened in early 1892 by Reverend Dr Frederick Darling who had been the first minister of the Presbyterian Church in Canterbury Road. He resigned this position to open the school which operated until 1905 with additional premises at 12 Vincent Street. The main building fronted 219-233 Union Road. The school had 40 boarders as well as day boys. Courses included algebra, euclid, history, typewriting, shorthand and drill. In the 1930s, Nethercourt Private Hospital took over the site. Later it became St Jude's Hospital. Land in front of the building was sub-divided off in the 1970s. The building is still extant as a private dwelling with York Street, Surrey Hills as the address. This is one of 3 photos donated by Susan Hobbs, whose grandfather Rev. George Edward Downton is thought to have been a student at the college. George E. Downton was born in Avoca in 1885. He was later a missionary in New Guinea and Secretary to the Australian Board of Missions in Adelaide. He died in 1926 or 1927. This photo is one of two that were originally in the Box Hill Historical Society collection. They were transferred to us in 2024. The third photo could not be located. There was also a rough family tree and notes for the Downton family with correspondence regarding the donation but this was not found.Sepia photograph on grey mount board of 15 men and boys. Eleven of the boys are dressed in whites, 5 wearing ties and 1 a bow tie, one with a boater and one with a cap. The boy seated on the right is holding a cricket bat and the boy seated on left is wearing cricket pads on his legs. There are stumps and bails in the middle of front row. Three young men are in suits and boaters with one in the back row holding items in his hands. On the right hand side of the back row is Reverend Frederick Darling, Principal of the College, who wears a top hat and tails. There is a brick building behind with windows and blinds, and some foliage and plants behind and in front of boys. "Surrey College - Surrey Hills/Principal: Rev Fredk. A Darling, Melb. Unib./Cricket Team, 1899"schools, sport, cricket, 1899, surrey hills, surrey college, rev frederick a darling, george edward downton, susan hobbs, union road, nethercourt hospital, st jude's hospital, 219-223 union road, york street, 1890-1899

xxxii, 336 p. ; Frontispiece illustration. Embossed, decorative brown cover, gold embossing on spine.fictionfiction, james dodds, original collection

The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin

Edward George Longstaff No 3381, enlisted 31.10.1916 age 44years 2 months, embarked for England 6.12.916, posted to 2nd Pioneer Bn, embark for France 22.5.1917, classified with Rhuematism 10.11.1917 and returned to England, Returned to Aust 11.1.918 and then discharged Medically unfit “Senility” 22.4.1918..1) Certificate of Discharge Register No 374 in the name of Regt 3381 Private Edward George LONGSTAFF, 2nd Pioneer Battalion. Cream heavy paper with black writing. .2) Maroon coloured cloth covered Pay Book in the name of 3381 Private Edward George LONGSTAFF.certificate, administrative, paybook

School Council, Members of Staff, Magazine Committee, List of Full Course Students 1938, Full Course Commercial Students, Editorial, Personal Column, Obituary - Roy S. Hall - F. J. Martell, S.M.B Old Boys' Association, The Literary Society, Centenary Jottings, Fumes from the Lab, Broken Hill, News from Papua, Sidelights on the B.H.P. Cadet Training Scheme, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs, Junior Technical SportingBlack soft covered magazine with yellow font, green and white images. 64 pages including advertisements. Artworks * Lino cut - By Maureen McRae * Lino Cut - By B. Delima * Lino Cut - By Bessie Martin * The dog you's like to kick - By Gordon Yorke * Harry - By Ernest Gribble * Digger - By Ernest Gribble * Lino cut - By Gordon Yorke * Our little girl - By Dorothy Woolcock * Miss W - By Ernest Gribble * Joan - By Ernest Gribble * Roma - By Gladys Bilney * Doing art for t'arts sake - By Gilda Gude * Una - By Dorothy Woolcock * My Bill - By Dorothy Woolcock * The Sec. - By Ernest Gribble * Hassell - By Dorothy Woolcock * Chief Engineer - By Dorothy Woolcock * Rusty - By Ernest Gribble * Lino Cut - By Jeff Wilkinson * Dick - By Dorothy Woolcock * Goosey - By Ernest Gribble * Pen Drawing - By Dorothy Woolcock * Parking 1 - By Max Coward * Miss King - By Dorothy Woolcock * Goal Umpire - By Ernest Gribble * To Prep Girls - Joe - By Ernest Gribble * Dreamy Dolan - By Ernest Gribble * Lino Cut - By Max Coward * Norma - By Dorothy Woolcock * Lino Cut - By A. Janetski * Dorothy - By Patsy Walsh * Jean - By Dorothy Woolcock * Lino Cut - By Joy Martin * Lino Cut - By Max Coward and A.2., * Ben - By Bob McHutchison * Polly - By Ernest Gribble * Dobber - By Ernest Gribble * Francies - By Ernest Gribble * Ad a line not a bite - By Dorothy Woolcock * Dulcie - By Dorothy Woolcock * Joan - By Ernest Gribble * Kitty - By Bob McHutchison * Stumpy - By Elva Brimacombe * Pegleg - By Dorothy Woolcock * Fat - By Gladys Bilney * Dawn - By Dorothy Woolcock * Joy - By Ernest Gribble * Nipper - By Ernest Gribble * Mac - By Ernest Gribble * Puss - By Bob McHutchison * Tinted Lino Cut - By W. Edward * Lino Cut by G.Day ballarat school of mines, magazine, maureen mcrae, b. delima, j. woolcock, herbert j. trevenan, n. palmer, olwyn williams, gordon yorke, bob mchutchinson, w. edward, keith heriot, sylvia wyres, jeff wilkinson, peter richards, d. gordon, f. morris, mr proctor, ernest gribble, dr. j. r. pound, muriel boyd, george downing, roy s. hall, f. j. martell, d. v. shore, ken wilkie, eoin macdonald, g. berriman, dorothy woolcock, russell h. s. ewins, v. e. greenhalgh, max coward, shelia moss, frank t. jelbart, neil crouch, graham white, mr cornell, francis hollioke, k. vaughan, david j. jelbart, arthur g. veale, bill walters, richard menhennett, james redford, w. monteith, mr hillman, john t. graham, james w. thomas, keith. walter, james m. martin, lyle s. dimsey, jean birch, margaret turner, lesley stapleton, marjorie day, una kersey, jean lonie, coral robertson, norma rowe, jean bridges, jean cox, a. janetski, d. ditchfield, j. harrison, gladys james, j. brimacombe, sheila moss, r. mathews, joy martin, joan ellsworth, e. salter, a. spence, m. may, f. coulson, i. clow, h. tonkin, l. taylor, s. harris, k. gingell, g. jones, william t. paterson, f. harland, w. harrison, j. pike, a. mcmillan, m. lee, e. mccann, j. harris, a. clack, f. osborne, e. stephens, s. nicol, d. eltringham, j. hosie, v. burt, w. rowe, wm. c. edward, j. donald, m. cox, n. dalton, gladys bilney, gilda gude, patsy walsh, elva brimacombe, g. day, francis hollyoake, centenary, betty brown, alan nye, victor greenhalgh, alan gilpin, george edward, e.h. schache, john dulfer, max bayley, eric rumpff, henry kum yuen, fred j. martell, old boys' association, literary society, j.a. wilkie, cyril callister, g. yorke, broken hill, papua, e. macdonald, j. wilkinson, bhp cadet training scheme, g.r. crouch, salt lake city, utah, photography, photographic class, r.h.e. ewins, f. jelbart, n. crouch, g. white, f. hollioake, p. richards, d. jelbart, a. veale, w. walters, e. gribble, r. mchutchison, r. menhennett, i. redford, k. heriot, j. graham, j. thomas, r. ewins, k. waller, j. martin, j. king, bena lamb, j. birch, m. turner, l. stapleton, m. day, u. kersey, j. lonie, c. robertson, n. rowe, j. bridges, m. mcrae, o. williams, j. cox, g. james, s. moss, b. martin, junior technical school old boys' association, des marks, cornell's little liver pills, ballarat wattle tea rooms, the modern dairy

Abbott, Joseph Henry - 5 column article' An enterprising founding father' in Bendigo Advertiser (no date) written by David Horsfall. With photograph of J H Abbott in mayoral regalia; also photos of tokens used in Abbot's stores. Summary of the man's life.Bendigo Advertiser. David Horsfall.person, individual, joseph henry abbott, joseph henry abbort, bendigo mayor, abbotts hotel, george lansell, judge casey, petterson government, billy hefffernan, abbotts suply company, george edward thompson, rev ebenezer syme, australasian hotel

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; rectangular wooden block made from laminated sections of wood painted black. A half-cylinder shape was carved into the long side, and a dowel shape was placed at the lower side. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912