Soft cover bogold, keilor

Gold mining in the Mafeking and Mount Willaim AreasWhite Paper cover with Printed title and other information. Staple in top left cornerArarat & District Historical Society Mafeking And Mount William Gold Rush Produced During Shire of Ararat Centenary Week March 1964 Price $1.50 Langi Morgala Museum Araratstawell mining

Photo of Will Rees Painting Gold Rush 1916?stawell

The Ballarat School of Mines had a model mine used by students, and to conduct assays for a fee. The Register of Gold Entry Book had to be kept by the Licensed Gold Buyer or Assayer under the Gold Buyers Act.Brown half leather bound register registering receipt of gold. Columns include date, nature of transaction (eg assaying/purchase), age, where employed, business (eg mining, fossicking, assayer, etc), Abode, Signature, Witness, Claim, Mining Division, District, Where Obtained, Character of Gold (eg alluvial, smelted, quartz, etc), Weight, Value, How Gold Treated, To whom delivered after assay or smelting, Date of Assayer's Certificate. ballarat school of mines, model mine, battery, assay, smelting, gold, robinson, frederick martell, r. callister, a. garrard, peter tong, lee sue, ah lung, chinese, f.w. calaby, ah kit, charlie ah lung, ah sung, ah chee, dep choon, charlie ah hing, frederick greaves, peter fong, george ah ki, ah hing, william mong, thomas bell and party, brown hill, dentist, amalgam, albert sydney sergeant, plumber, plumbing, george spence, plumber, commonwealth bank, j. hutton-jones, golden duke mining syndicate, blackwood, d.e.j. grant, eganstown, linton gold mining company, mining, d. bernard, g. peron, john page, david bernard, harry webb, ah fou, w.d. thompson, a.b. tolliday, m. webb

A story of the Mafeking Gold RushYellow with black print & picture of Gold Mine and PeopleAuthor Eric Bealemining

This book tells the story of the Victorian goldrush and the Eureka Stockade. 249 Pages with story and black and white photos with coloured jacketgold rush, victoria, eureka stockade

The painter, Barbara Rush (nee Ayers) painted this picture of the house of Rosa Young in Macclesfield in 1947. Barbara was a member of the Emerald Arts Society and painted many pictures in her lifetime.Gift of Deborah Mitchell nee RushFramed watercolor painting of a house in bush setting.On back, handwritten: 'Water colour by Barb Rush' On back, torn framer's label: '..... Burwood Road, Glenferrie' On front handwritten in bottom right corner: 'Barbara Ayers'macclesfield, barbara rush

digger, music, concert

473 p. : ill.(some col.); 25 cm. melbourne (vic.) - history - 1851-1901., melbourne (vic.) - social conditions - 1851-1901., melbourne (vic.) - economic conditions - 1851-1901., gold rush

Author Vanda Savillstawell gold mining

Murray Comrie Collection. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph. View of Commercial Road Tarnagulla looking south. A man at centre, walking toward camera. Right of this figure are two carts standing at the road's edge. Far right is Renshaw's Drapery and left of that the Golden Age Hotel. A man is walking along the footpath in front of Renshaw's. Typed caption on original is 'Commercial Road, Tarnagulla, looking south from Poverty Street'.tarnagulla, commerce, stores, shopping, shops, draper, hotels, golden age hotel, buildings, commercial road, main street

Workers standing in Stawell Gold Mine Underground Drives. One Drive showing rock backfillpanorama, gold, mining

Gold Fever illuminates Drury Lane walkway entrance to Bridge Street Mall. The multiple metal forms act like mobiles suspended from the wall line out into the centre of the walkway. The flexing motion of the rolled metal and traffic reflectors wrapped on the ends creates movement and reflections in the laneway. This movement follows a pricing graph for gold from 1851 to 2011. This zigzagging golden graph line tells the tale of the gold rush spreading like lightning across the world. The artwork is of historic and aesthetic significance to the people of Ballarat Gold coloured bended metal, painted metal formed wall fitting and stoppers reflectors installed on wallGOLD FEVER/ Artists: Sue Buchanan and Eli Gianninigold fever, gold rush ballarat

The "Gold Krone" ("Gold Crown") cut-throat razor was a brand name used by German manufacturer EKS (a common marking found on these razors), produced in the famous blade-making city of Solingen, Germany. The name "Gold Krone" (German for "Gold Crown") served as a brand name or a specific model designation. Another related and commonly seen brand is "Krone & Schwert Solingen" ("Crown & Sword Solingen"). These razors are recognized as vintage items, often dating back to the early-to-mid 20th century. As with many vintage razors, their value often lies in their craftsmanship and historical significance. Traditional straight razors need regular maintenance, including stropping before each use and occasional honing to keep the edge sharp. Shaving with a cut-throat razor requires practice and a specific technique to achieve a close shave without irritation. A vintage Gold steel Krone 1400 Bonsa Cut Throat Shaving Razor with a tortoiseshell type plastic handle with a diamond shape symbol in gold lettering with EKS in the middle and a crown on the top. On the blade in a gold diamond shape is engraved Gold Krone EKS. Trade Mark Solingen Germany and leaves are engraved at the edges of the blade. It also has engraved 1400 Bonsa Solingen on the section near the handle.The blade folds back into the handle to protect it. On the back of the blade is engraved Gold Krone EKS with a crown above the diamond. There is no storage case. On the tortoiseshell plastic handle is a 'diamond shape symbol in gold lettering with EKS in the middle and a crown on the top'. On the blade in a 'gold diamond shape is engraved Gold Krone EKS. Trade Mark Solingen Germany with leaves'. '1400 Bonsa Solingen'. On the back of the blade is, 'Gold Krone EKS with a crown above the diamond. cut throat razors, shaving equipment, shavers, barbers

Photograph shows a rear view of X1 class tram No. 467 southbound turning from Irving St into Nicholson St, operating a service to the Williamstown Rd and Somerville Rd terminus.The destination blind shows 'Williamstown Rd' and many passengers are aboard. A number of shops and motor cars can be seen either side of the double tracks. This photograph was taken about six weeks before all three Footscray lines were closed on 10 March 1962.Yields information about X1 class 467 and the final weeks of the Footscray lines/Black and white print with note on rear.In pencil: "G Rush photo. 30 Jan 1962. Nicholson & Irving Street [sic] Footscray."destination blind, x1 class, williamstown rd, nicholson st, somerville rd, irving st, 467

Purple sash with gold writing used in the 1991 Buninyong Gold King Festival. The festival was an annual celebration that included a procession through the centre of the town. Possibly used as a prize. Long strip of purple satin-like fabric with gold printing on it. Gold coloured fringes on each end. Buninyong Gold King Festival 1991festivals, celebrations, prizes

This work emerged from a fascination with the invisible forces that shape life beneath the ocean’s surface known as the Bonney Upwelling. Found off the coast of Portland, Victoria, and part of the Great South Australian Coastal Upwelling System, this annual cyclic event draws cold, nutrient-rich water up from the depths and transforms the region into one of Australia’s most productive marine ecosystems. The composition layers flowing, interwoven currents with the presence of the animals they sustain—blue whales, fur seals, little penguins, and vast swarms of krill—suggesting that life here is inseparable from motion, temperature, and chemistry. The work attempts to render this ocean as a living system—restless, cyclical, and interconnected. From microscopic plankton to the largest animals on Earth, all are interdependent and bound together by the shifting flows. Visually, the work balances illustration and abstraction. Scientific data, oceanographic maps, and current models inform the directional lines and gradients while the animal life surges through teeming water. This approach invites the viewer to consider not just what is seen, but what is usually unseen: the forces that sustain this abundance. Ultimately, this artwork draws on the data that explains this oceanographic anomaly in rational scientific terms to elicit something more vital and ephemeral. In translating measured patterns into movement, colour, and form, the work seeks to evoke the lived energy of the system: a fleeting, dynamic convergence that exceeds its own description and invites a deeper sense of wonder. Marine life set in front of a blue and white patchy background. Seawater swirling. Each animal is outlined in black. In front are two whales, one with mouth open and the other with mouth closed. There are four seals and several crustaceans and other plant life. There are swirling black lines and in the bottom lefthand corner there is an 8 pronged spoke and above it a semi circle with five arrows pointing in different directions. The image has the feel of a scientific diagram. some of the smaller images of marine life anmd plants are in red.Bottom left: Rush Hour: Bonney Upwelling Portland Vic 14/20 Bottom right: Beth Croce '17bonney upwelling, portland, blue whales, marine life, scientific, diagram, print, female artist

Colour 35mm slide in white cardboard mount of Bendigo 6, with the destination of Golden Square inbound in Nolan St with the White Hills Bendigo works in the background. Photo from the collection of Lilian Butler.in ink on rear "No. 6 Bendigo fleet was No. 25 Ballarat" and "Jim Rush took this slide in Nolan Street, Bendigo North"tramways, trams, bendigo, north bendigo, nolan st, tram 6

Salters Rush Road, Smiths Gully Bridge over Salters Rush Creek following bush fires 15-16 Jan. 1962Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.H941 stamped on reverse (film processing #)infrastructure, shire of eltham, bridge construction, road construction, 1962-08, bushfires, salters rush road, smiths gully, victorian bushfires - 1962

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Fools Rush In by Kenneth Horne. The performances took place in the Kew Recreation Hall in June 1957. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.fools rush in, kenneth horne, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

Photocopy of image of house and farm of William and Jessie Cant, Salters Rush, Queenstown. The orchard grew cherries, apples, plums, pears, quinces and berries - raspberry, blackberry, gooseberry, red currants and black currants. Also vegetables and flowers. All cultivation done by hand. (Chancellor photograph)houses, farming, orchards, salters rush, queenstown, smiths gully, william cant, jessie cant