grassland, burnley, native garden

4 similar colour photographs of John Delpratt (Staff) in the Nursery with Grassland plants. Report by John Delpratt and Iain Shears on the Burnley College Grassland Construction Project.john delpratt, staff, nursery, grassland plants, iain shears, burnley college, grassland construction project, grasslands

Detailed description of plants, one plant per page. Alphabetical listing according to botanical name, with common names provided.Maps, colour photographs, pronunciation guide, glossarygrassland, plants, south-eastern australia, botany, ecology

A coloured photograph of the grassland and scrub land which is situated north of Rupertswood.grassland, rupertswood estate, george evans collection

These photographs record visually Isabella Grassland Reserve in 2021.This collection of photographs preserves a visual record of Isabella Grassland Reserve in 2021.5578.01 - Isabella Williams Grassland Reserve 2021 Photo 01.JPG 5578.02 - Isabella Williams Grassland Reserve 2021 Photo 02.JPG 5578.03 - Isabella Williams Grassland Reserve 2021 Photo 03.JPG 5578.04 - Isabella Williams Memorial Reserve 2021 Photo 01.JPG 5578.05 - Isabella Williams Memorial Reserve 2021 Photo 02.JPG 5578.06 - Isabella Williams Memorial Reserve 2021 Photo 03.JPG 5578.07 - Isabella Williams Memorial Reserve 2021 Photo 04.JPG 5578.08 - Isabella Williams Memorial Reserve 2021 Photo 05.JPG 5578.09 - Isabella Williams Memorial Reserve 2021 Photo 06.JPG 5578.10 - Isabella Williams Memorial Reserve 2021 Photo 07.JPG 5578.11 - Isabella Williams Memorial Reserve 2021 Photo 08.JPG 5578.12 - Isabella Williams Memorial Reserve 2021 Photo 09.JPG isabella reserve, deer park, opie road

Local SceneDerrimut Grasslands - behind the Huntsman Chemical Complex - AR0015 and AR0035

South Beach DevelopementColoured photograph of Grasslands and cypress trees - South Beach Estatecypress, trees, south beach, development

South Beach Developement Coloured photograph of Houses at South Beach between grassland and seasouth beach, development, hill

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. John Fyfe - Friends of Edwards Point, the Bellarine Catchment Network and many more For over twenty years John Fyfe has been actively involved in all areas of restoring native vegetation on numerous locations throughout the Bellarine. John’s passion for caring for the environment and sharing his vast knowledge has earnt him wide respect from the community. John is not only approachable but a great communicator. His vast knowledge has made the go to person for help on support on all matters regarding revegetation. John introduced direct seeding to the Friends of Edwards Point team, which has been successful on numerous sites within Edwards Points Reserve. The approach has been adopted throughout the reserve. Reflecting on John’s impact to the local community, local residents widely refer to him as a “living legend,” while others simply say, “there should be more John Fyfe’s in the world.” Photo at Edwards Point Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man standing in grasslands with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, edwards point

Port Fairy looking west across the farmland to Lady Julia Percy island in backgroundColoured photograph of View across grassland with Lady Julia Island in backgroundport fairy, west, farmland, lady julia percy

This work is all about Country for Wadawurrung people, the lay of the land, food crops and the abundant recourses which sustains the Wadawurrung people. Again I have used traditional patterns and made reference to Wallaby Grass and Murnong staple foods for Wadawurrung people.Painting of river and grassland from above. Green, blue and brown used.On back left bottom corner - J.Murray.Jones 2019 'Corio'corio, wadawurrung, murnong

The stone wall constructed behind the outcrop of native grasses is the remaining evidence of terraces that were constructed above Goonawarra Winery and overlooking The Nook in Sunbury.The terraces are of local heritage interest as they were constructed across the hillside to enable the growing of a variety of crops. A coloured scanned photograph of a the remains of a stone wall behind native grassland.terraces, the nook, goonawarra vineyard, sunbury

These photographs provide a visual record of assorted buildings, street views, and notable locations throughout Derrimut in 2021.These photographs provide a visual chronicle of assorted buildings, street views, and notable locations throughout Derrimut in 2021.Parramount Grasslands Reserve Derrimut 2021 Photo 01.JPGderrimut, parramount grassland

Possibly taken by Peter Esdale; work commenced 1989.13 colour photographs of the Woodland and Robert Boyle Ponds and other views of Burnley. (1) View of the Robert Boyle Ponds and the Mud Hut, looking towards the car park at the back. (2) View of the Robert Boyle Ponds looking towards the car park at the back. (3) View of Grassland. (4) Close up of Grassland. (5) Close up of plants. (6) Close up of plants. (7) Grass trial beds in Field Station. (8) Administration Building. (9)Inside the Nursery. (10) Close up inside the Nursery. (11) Close up inside the Nursery. (12) Laboratory. (13) Award Cabinet inside the Administration Building. (The contents are now missing.)woodland, robert boyle ponds, burnley, mud hut, grassland, plants, field station, administration building, nursery, laboratory, award cabinet, administration building, grassland trials

Local SceneWest of Fairbain Road facing east towards city with grasslands and box thorns. - AR0039

The photograph is of one of the Sunbury Cultural Rings sites. There are three Aboriginal earthen rings. The one in the foreground which is clear of weeds has been formed as a round dip in the earth and it is thought it was used as an Aboriginal gathering place. They are owned and managed by the Wurundjeri Tribe Land Council.The rings bear evidence of Aboriginal settlement and land use in the area. A coloured landscape photograph of open grassland and hills across the valley with a few native trees growing . aboriginal cultural rings, sunbury, jacksons creek, wurundjeri people

The stone wall is part of the terraces that were built into the hillside at the winery at Goonawarra. They were constructed in the early days when the vineyard was established to terrace the hillside for growing vines. The winery was originally established by Joh Goodall Francis, a former member of the Victorian Legislative Assembly. He acquired a parcel of crown land and proceeded to develop it as a vineyard. The terraces were built by vignerons, who were employed to work on the property. Goonawarra Winery was one of a number of vineyards that were established in the Sunbury area in the 1800s. The volcanic soil and temperate climate were ideal for grape growing.A coloured photograph of a stone wall with a notice to the left of the wall and long dried grassland in the front. A barbed wire fence is in the foreground.terraces, vineyards, goonawarra, james goodall francis

Colour photographs. (1) "Entrance to Rainforest Garden from Rose Garden." (2) "The Native Garden." "Please return to Stuart Miller." The Robert Boyle Ponds. (3) View of Kath Deary Garden to James Hitchmough Grasslands. (4) Cultivating site with tractor in (5-12) Trialling native grasses in the Field Station. (13) Kath Deary Garden. (14-15, 17-19) James Hitchmough Grasslands, Native grasses. Planting of flowering herbs commenced 1992. (16) "Native Area 2005." James Hitchmough Grasslands native grasses. rainforest garden, native garden, stuart miller, robert boyle pond, kath deary garden, james hitchmough grasslands, tractor, field station, native grasses, grass trials, entrance from rose garden

Collection of negatives with instructions for developing. Probably belonged to Stuart Miller (Staff). Some scanned. 1-4,17,18,22,31 Student outside class, 5-8 Oak Lawn, 9-11. Students working in the Orchard, 13,19,20 Students in the Nursery, 14-16 James Hitchmough Grasslands, 21,24,25 Students inside class, 23. Garden view, 26. John Delpratt and his Grassland Project, 27-30. Administration Building, Order list attached dated 08.04.99stuart miller, staff, john delpratt, grassland project, students inside class, laboratory, landscape design, nursery, potting in nursery, trees in suburbs, students outside class, herb garden, administration building, plants

Postcard, WW1, B&W image of the Bois L'Abbe facing Villers Bretonneux. Defoliated trees in background, a tank at the right of the trees and part of a tank shown at the left. Grassland in foreground. Copy G 12postcard, postcard, ww1, bois l'abbe, villers bretonneux, tank

History of Thomas Paice Born 1823 - 1890Clear Plastic cover over Paper with green vertical strip on right side, and blue horizontal strip with title, below which is colour photo of grasslands with mountains in the distance. Black Plastic ring binding.The Thomas Paice Story 1823 - 1890 Robert Paice 2013stawell

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted "some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago." How wrong he was. In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

Painting depicts a typical patrol by Australian soldiers, this time in open grasslands.Item is a realistically accurate picture of Australian Soldiers in the field.Original painting, in two pieces depicting Australian soldiers on patrol; also give an insight as to vegetation common within patrol areas at this particular place and time.Signature of painter.vietnam, vietnam war, diamond valley vietnam veterans sub branch

The Maribyrnong Valley Preservation Coalition was a resident's group that opposed the 1000 home development on the former Duke Street quarry site.1676.01 - Maribyrnong Valley Preservation Coalition Video Of Baldwin Ave Grassland September 2000 April 2001 With 3CR Radio Interview 1676.02 - Maribyrnong Valley Preservation Coalition Newslettermaribyrnong valley, maribyrnong river, baldwin avenue, sunshine north, maribyrnong valley preservation coalition, duke street

This book has been compiled by the East Gippsland Community Leadership Program 2021 on behalf of East Gippsland Communities. It contains many individual stories of personal experiences from people and workers who lived through the huge conflagrations during late 2019 and early 2020. These fires were enormous, with huge impact for much of Victoria and nearly all of East Gippsland. Survival, recovery and hope are amongst the many themes. It is a book with many authors who contributed their stories and recollections. This book is significant because it records many personal memories of those who lived through the destructive 2019/20 Black Summer Fires in East Gippsland.A large format book titled Heartbreak to Hope. The front cover has a all-over coloured photograph of a sky, grassland paddock, and fence in the foreground. The back cover has an all-over photograph of green leaves overlaid with printing. Heartbreak to Hope Community reflections from the drought and 19/20 Black Summer Fires of East Gippsland.bushfire, drought, east gippsland, 2019/20 black summer fires