Showing 363 items
matching great fire
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Phillip Island and District Historical Society Inc.
Book, Walter George BELL, The great fire of London in 1666, 1920
... The great fire of London in 1666...the great fire of london in 1666...-island-and-the-bass-coast Book The great fire of London in 1666 ...Book belonged to Rudolf Himmer, programme controller for ABC Radio Victoria who had holiday home in Cowes on Phillip Island.Book belonged to Rudolf Himmer, Programme Controller for ABC Radio Victoria, who had a holiday home in Cowes on Phillip Island.387 p. : illus. 2d ed. Bibliography: p. 364-369. Stamped Cowes Library Labelled Himmer Bequestwalter george bell, the great fire of london in 1666, bodley head, john lane, rudolf himmer -
The Beechworth Burke Museum
Photograph, c1859
... great fire... Street. beechworth great fire post office newsagents ironmonger ...Taken in Beechworth 1859, this photograph depicts the Post office, Newsagents, Ironmonger and Empire hotel along Ford Street. Black and white rectangular photograph. Image is printed on matte photographic paper. Obverse: NO INSCRIPTION Reverse: 7776 / BEECHWORTH / Post office that was burnt down / beechworth, great fire, post office, newsagents, ironmonger -
Williamstown Historical Society Inc
Cruet set, "Early 19th Century"
... 'Great Fire' of Verdon Street, Williamstown 1909.... Survived 'Great Fire' of Verdon Street, Williamstown 1909 On Monday ...On Monday wash day at 23 Verdon Street, Williamstown a fire broke out from the wash room. On this hot and windy day the fire raged for two hours and 25 houses were destroyed One of the few items to survive the 1909 'Great Fire' at 23 Verdon Street, Williamstown Pewter Condiment set missing two glass containers.Floral design around the rim and base. Warped from fire damage. Survived 'Great Fire' of Verdon Street, Williamstown 1909verdon street fire wash day salt family water -
Bendigo Historical Society Inc.
Document - TALK AT BHS MARCH 2008: FACTORS THAT INFLUENCED CHANGES IN OUR STATE EDUCATION SYSTEM, 7th March 2008
... of writing a book about the school. Mention of: ''Great Fire.... Mention of: ''Great Fire'' at Flora Hill Primary School (one ...28 Paged talk at BHS March 2008 Details ????? Title/presenter Purpose of talk - 1. significant point in the history of Victoria and educational change; 2.Flora Hill as a microcosm of change and 3. the historiography of education via the process of writing a book about the school. Mention of: ''Great Fire'' at Flora Hill Primary School (one of the largest ever around Bendigo!);education, bendigo, state education system, flora hill state school. quarry hill. camp hill . long gully -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire iron stand
... Warrnambool great-ocean-road Fire iron stand Domestic object Fire iron ...Fire iron stand; black, all metal stand with a singular spine attached to rectangular base. below the handle on the spine is a horizontal 'U' shaped rack with a hook at each end and a hook at the centre back of the 'U' for hanging tools. Decorative metal handles on tools and rack. 4 parts; stand, brush, shovel, poker. Impressed into underside of stand "B1O2" and " ATWN"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fire iron stand, fire iron, fire tools, fireplace set, fire iron set, domestic ware, heating -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire screen
... Warrnambool great-ocean-road Fire screen Domestic object Fire screen ...Fire screen, gold plated meta,l fan shaped. Centre stem has sculptured head of loon (?)-type animal with wings. Main fan area has fold away leaves that fold to centre stem.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fire screen, fan shaped fire screen, fire guard, fireplace, fire place tool -
Flagstaff Hill Maritime Museum and Village
Functional object - Fire fender, Late 19th to early 20th century
... Warrnambool great-ocean-road Fire fender Functional object Fire fender ...A fender is part of the hardware used in open fireplaces to prevent the fire from spilling out of the fireplace. Wood fires were the main source of domestic heating in the 19th century.This fender is significant for its association with domestic heating in the 19th and early 20th century.Fire fender, cast iron, painted black, sides bolted onto front as is base plateflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, fire fender, fire guard, domestic heating, fender -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire Iron
... Warrnambool great-ocean-road Fire Iron Domestic object Fire poker ...Fire irons like this one were an essential piece of domestic equipment as hey were used for the open fires.This iron poke is a piece of equipment essential for the open fireplaces used for 19th and early 20th century domestic heating.Fire poker, iron, painted black, shaped from a cylindrical rodflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, fire poker, fire iron, domestic heating -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire Iron, Unknown
... Warrnambool great-ocean-road Fire Iron Domestic object Fire poker ...Fire irons or pokers are essential equipment for people with open fireplaces such as those used for domestic heating in the 19th and early 20th century.This fire iron is significant for representing the type of equipment used in the 19th and early 20th century for used with open heating.Fire poker, iron, painted black, shaped from a steel barflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, fire iron, fire poker, domestic heating, open fireplace -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire grate, William Stephens, 1900 to 1910
... Warrnambool great-ocean-road Fire grate Domestic object Fire grate ...W Stephens operated a foundry in south Melbourne around 1900 the company made many cast iron architectural and domestic items that were decorative in design and used in the building industry of the time. Stephens Excelsior Foundry specialised in making decorative cast iron balustrades and brackets with intricate lacework used on verandas in the late Victorian period found in Australian homes. The company also made many other items of cast iron including fire grates down to wheel barrow wheels as their 1901 and 1908 catalogues describe. A domestic item made by one of Melbourne's early foundries that specialised in making decorative architectural cast iron items of all types that can be seen in many building still in use today throughout Australia.Fire grate cast iron with four legs and back support. Embossed "W.STEPHENS REGISTERED" on the back.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, fire grate -
Stawell Historical Society Inc
Map, CFA, Map of Stawell / deep Lead Fire of 31/12/2005, 2006
... range, Then Easterly towards Great western. Fire Subduded... towards Great western. Fire Subduded by Rain Event on 2/1/2006 ...Fire Started from lightning strike near Deep Lead and Burned on New years Eve with nasty North Wind, Southerly to Black range, Then Easterly towards Great western. Fire Subduded by Rain Event on 2/1/2006.Laminated Coloured Map of Stawell / Deep Lead 4/1/2006 with Fire Perimeters.CFA GIS Services Community Services -
Federation University Historical Collection
Photograph (black & White), Major-General, Honorable Neville Gerald Lyttelton - South Africa
... Roberts referred to Lyttelton as an officer "with great coolness... "with great coolness under fire, and considerable tactical knowledge ...Lyttelton served in the Second Boer War as Commander of the 4th Brigade from 1899. He temporarily became General Officer Commanding the 2nd Division and the commanded the 4th Division. The Division was involved in the Battle of Spion Kop and the Battle of Vaal Krantz, leading to the Relief of Ladysmith 1900. Lord Roberts referred to Lyttelton as an officer "with great coolness under fire, and considerable tactical knowledge and resource........an excellent commander in the field." Following the end of the Boer War in 1902, Lyttelton became Commander-in-Chief of the whole of South Africa. He and his wife sought to repair relations with the Boer community. In the South Africa honours of 1902 Lyttelton was knighted as Knight Commander of the Order of the Bath. He retired in 1912 and under insistence by the King was appointed as Governor of the Royal Hospital Chelsea from that time until his death there in 1931. Other awards received were Knight Grand Cross of the Order of the Bath; Knight Grand Cross of the Royal Victorian Order; Order of Osmanieh (Ottoman Empire)Individual image taken from photographed poster of tobacco and cigarette cards.neville gerald lyttelton, second boer war, commander, 4th brigade, battle of spion kop, battle of vaal krantz, relief of ladysmith, lord roberts, commander-in-chief, south africa, knight commander of the order of the bath, royal hospital chelsea, order of osmanieh (ottoman empire), knight grand cross of the royal victorian order -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Household Equipment, Earthenware hot water bottle 'Hoffmann', c1900
Large stoneware hot water bottle also called a foot warmer. The stoneware hot water bottle has a rubber cap, often the original stone cap would be replaced with a cork alternative to seal the hot water. Because they were mass produced and very robust many survived so the antique value is not great. Many stoneware hot water bottles are still in use today and will be for years to come. Stoneware is a certain clay fired at a particularly high temperature and glazed so that it resembles polished stone.The bottle was filled with hot water, close the stopper securely and stand them in a bed, upright, on their small flat ends so that the sheets and blankets formed a tent-like structure over them. The peak of the 'tent' was the special feature of the rounded knob opposite the flat end, which also served as a carrying handle. Used this way, the hot water bottle was supposed to heat more of the bed Josef Hoffmann (1870–1956) attended the Academy of Fine Arts in Vienna and studied architecture under Otto Wagner. As a designer, Hoffmann was creative and prolific. His design portfolio encompassed commissions for buildings and interiors but extended to things as diverse as textiles, umbrella knobs, walking stick handles, tea pots, caskets and book covers as well as glass and ceramics.In 1903, with Koloman Moser and financier Fritz Waerndorfer, Hoffmann founded the Wiener Werkstätte. The collaboration of artists, designer architects and artisans enabled the realisation of the ‘total artwork’. Hoffmann’s designs were based on simple and clear proportions and employed rich, high-quality materials. Everyday objects were conceived as part of a whole living environment and were considered works of art. A large earthenware hot water bottle.HOFFMANNearly settlers, moorabbin mckinnon, ormond, bentleigh, pottery, craftwork, earthenware, pioneers, hoffmann josef, waerndorfer fritz, moser kololan, weiner werkstatte, vienna, austria, brumpton frances -
The Beechworth Burke Museum
Geological specimen - Actionlite and Pyrite
Actinolite is usually found in metamorphic rocks, such as contact aureoles surrounding cooled intrusive igneous rocks. It also occurs as a product of the metamorphism of magnesium-rich limestones. Pyrite is usually found with other sulfides or oxides in quartz veins, sedimentary rock, and metamorphic rock, as well coal beds, and as a replacement mineral in fossils. Actinolite is an amphibole silicate mineral. It is named after the Greek word "aktinos" meaning “ray” in allusion to the mineral's fibrous nature. Fibrous actinolite is a type of asbestos and was once mined along Jones Creek at Gundagai, New South Wales. Pyrite or "Fool's Gold" is the most common sulfide mineral. It is named after the Greek "pyr" meaning "fire" because it can be used to create sparks needed for a fire if struck against metal or a hard surface. Due to its gold colour, pyrite can be mistaken for gold and often forms alongside it, causing small amounts of gold to be present in rocks containing pyrite. Most importantly, pyrite is an ore of gold. Pyrite is sometimes used as a gemstone but is not great for jewellery as it easily tarnishes. In some fossils of ammonites – shelled cephalopods that died ~66 million years ago – pyrite also replaces the shell. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A small-medium-sized solid specimen with the minerals actinolite (dark green fibrous) and pyrite (brassy) with shades of brown, black/grey, and white. Actinolite is an amphibole mineral in the tremolite-actinolite series of calcium, magnesium, and iron silicates. Pyrite is an iron disulfide mineral.geological specimen, geology, geology collection, burke museum, beechworth, indigo shire, geological, mineralogy, pyrite, actinolite, victoria, sewyln, alfred selwyn -
The Beechworth Burke Museum
Photograph, c. 1917
This photograph depicts the third battle of Ypres (Battle of Passchendaele). Depicted is a trench battlefield that has been turned to mud. Two army tank vehicles have been buried in the mud of the trenches. A single soldier stands in the background surveying the battlefield.After mid-1917, and following mutinies in the over-strained French Army, the British Forces had to assume an even greater role in the war on the Western Front. For Field Marshal Sir Douglas Haig, the British commander-in-chief, this provided an opportunity to launch an offensive that he had long wanted. Attacking from Ypres in Belgium, he planned to drive the Germans from the surrounding dominant ridges and even hoped to reach the Belgian coast. Following on the success at Messines in June, he unleashed his great attack on 31 July 1917. Fighting went on, often in appalling weather and despite crippling losses, until November. Finally, with the army stuck in muddy fields churned up by the artillery fire, the bloody offensive came to an untidy close. Many would afterwards call this offensive, actually a series of battles, after the name of the village that had become the last objective – 'Passchendaele'. In the Battle off Passchendaele, the 1st, 2nd and 3rd Australian Divisions captured Broodseinde Ridge on 4 October 1917. It was a vital victory. But, then it began to rain. Five days later the 2nd Australian Division suffered heavily in a further attack in the mud. Finally, on 12 October, another attack, involving the 3rd Division assisted by the 4th, was made against the village of Passchendaele atop the main ridge. In the face of heavy fire, the men fought in the mire while struggling to keep up with their artillery barrages. Ground was taken but it could not be held. In wretched conditions, with casualties mounting at an appalling rate, the Australians had to fall back. The troops were finally exhausted and could do no more; by 15 November they handed over to the Canadians.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6523/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)/military album, burke museum, beechworth, military vehicle, trenches, trench warfare, wwi, world war one, world war 1, ypres, belgium -
Ballarat Fire Brigade
Certificate, just prior to December 10th, 1867
Certificate is of the pledge that the brigade made to His Royal Highness the Duke of Edinburugh at a dinner that the Duke attended at the Ballarat Fire Station on 10th December 1867 during a royal visit to the district. White timber framed pledge from the Ballarat Fire Brigade to His Royal Highness the Duke of Edinburugh during his royal visit in December 1867. Pledge is on white paper with a coat of arms near the centre at the top of the page. Lettering is mainly in black ink with some red coloured letters being used. Certificate has a light brown coloured border around it with a hand drawn scrolled decorative edge made in gold colour. To His Royal Higness / The Duke of Edinburugh / May It Please Your Royal Highness / We Othe fficers and Members of the Ballaarat Fire Brigade, an institution based upon pure philanthropic / principles, our motto being "We Strive to Save" bear to approach your Royal / Highness with feelings of devotion and attachment, and deep felt gratitude to the Almighty, for this / opportunity of envicingour loyalty to Her Most Gracious Majesty Queen Victoria, your Royal / Mother: and, of tendering a hearty Firemans welcome to Your Royal Highness, in the land of our / adoption, and the good town of Ballaarat East, our residence. / We are deeply impressed with the great honor and importance of your Royal Higness's visit to the / Australian Colonies, and beg to express our fervent wishes for your Royal Highness's safe return / to our mother country. / We have the privilege and honor, to subscribe ourselves your Royal Higness's most obedient and humble / servants. / On behalf of the Brigade / Charles Dunn, Captain Carl Franz, Lieutenant / R. Geilhofer, Hon. Secretary / Ballaarat, December, 1867ballarat fire brigade, queen victoria, his royal higness, the duke of edinburugh, december 1867, 1867, captain charles dunn, captain dunn, lieutenant carl franz, lieutenant franz, honourary secretary r geilhofer, his royal highness the duke of edinburugh -
Koroit & District Historical Society
photocopy, Fire at Koroit Co-Op
... Street Koroit great-ocean-road photocopy Fire at Koroit Co-Op ... -
Koroit & District Historical Society
photocopy, Fire at Koroit Co-Op
... Street Koroit great-ocean-road photocopy Fire at Koroit Co-Op ... -
Federation University Historical Collection
Photograph (black & White), Modder River - South Africa
When war broke out in 1899, and early target for the Boers was the diamond-mining centre of Kimberley. This was located near the point where the Transvaal, Orange Free State and Cape Colony met. General Sir Redvers Buller detached the 1st Division under Lieutenant General Lord Methuen to relieve the Siege of Kimberley. This decision was made partly for reasons of prestige. To capture Kimberley (which contained the famous imperialist and former Prime Minister of Cape Colony, Cecil Rhodes) would be a major propaganda victory for the British. Methuen's force advanced north and won two engagements against the Boers of the Orange Free State. Reinforcements from Transvaal under General Koos de la Rey arrived and he convinced the Boers to follow his plans for attacking the British. Instead of relying on the hills for protection and missing their targets, de la Rey proposed they make use of the flat veld and introduced them to the Mauser rifle with its flat trajectory. Trenches were built in the banks of the Modder River from which they could sweep the veld for a great distance. The trenches were built on the south side of the river and on the smaller Riet River where they meet at Modder River Station. Methuen's force began advancing towards the Modder planning to cross the river. The Boers opened fire and the British troops were unable to find cover on the veld. They had to lay flat so as not to be seen or hit. The British guns pounded the buildings near Modder River Station and the north bank of the river, missing the trenches on the south bank. The battle became a stalemate. The British found an opening on the Boer's right flank at Rosmead ford downstream and drove the Boers out of Rosmead. De la Rey drove them back into a small insecure bridgehead. The Boers feared they were vulnerable and withdrew during the night. Methuen reported that the battle had been "one of the hardest and most trying fights in the annals of the British army". Individual image from photographed poster of tobacco and cigarette cards.boers, diamind-mining, kimberley, transvaal, orange free state, cape colony, sir rdvers buller, lieutenant general lord methuen, siege of kimberley, cecil rhodes, general koos dde la rey, mauser rifle, veld, modder river, modder river station, trenches, riet river, rosmead -
Federation University Historical Collection
Book - Scrapbooks, William RObertson, Newsclips written by William Robertson, c1930-c1948
Small brown covered scrapbook with newsclipping written by William Robertson, and his handwritten corrections to the articles. Newsclips include poetry and articles on: Piggoreet, Captain Moonlight, Devil's Kitchen, Ballarat East Australian Natives' Association, A Total Eclipse, Ballarat Leads, Joe Mack Cricket, Trade Unionism, Jack Hewitt of Piggoreet, Astronomy, Golden Lake, Scientific Shearers, Eureka, Piggoreet Geological, Piggoreet Mining, Happy Valley, Exchequer Flat, Fairy's Fright, H.V. Mailboy, Shearers, Creswick, Geology of Smythesdale, Shearing in the 1890s, Piggoreet reunion, Scarsdale and Smythesdale, Scarsdale to Golden Lake, Derwent Jacks, Shanties Devil's Kitchen, Berringa Bushmen, Perseus, Kruger at Pitfield, Fires and Pitfield, Football Memories, Cambrian Hill, Theo Gribble, Jack Jones Pitfield, Risks at Pitfield, Superstition, Scarsdale, death notice for William Robertson's mother.On cover: "Wm Robertson 10 Young Street Ballarat East"andrew christie, mrs nimon, william christie, alec christie, grand trunk, cape clear, donald mclean's, alchemist co, john lynch, golden belt lead, paddy webb, annie rooney, kruger hanging, pitfield, boer war, napoleons, cambran hill, hiscocks, john winter, john jenkins, bonshaw, john bird, nintingbool, moppianum station, w.h. bird, david clarke, william hamilton, john clarke, benjamin j. scott, julius kleberger, m.a. weatherston, j.h. vaughan, a. reid, alfred william crow, p. young, george clarkson, a.w. crowe, william henderson, claud pender, a. garside, mount erip, alec crothers, communism, basalt, italian gully, john roberts, john browne, john crossthwaite, patrick mcgrath, newtown, john boyd, john bruce, william irwin, george hatfield, d. croswaite, grand trunk mine, golden horn, jubilee lode, woady yallock, springdallah, fairy glen lead, linton lead, south berry, banshee, wil-o-the wisps, forest creek, chewton, mount alexander, jim crow ranges, trawalla, j.g. roberts, carngham, german lead, scarsdale railway, great western, beaumont mine, north grenville, shearing, piggoreet reunion, scarsdale and smythesdale, scarsdale to golden lake, derwent jacks, shanties, devil's kitchen, berringa bushmen, perseus, kruger at pitfield, fires and pitfield, football memories, cambrian hill, theo gribble, jack jones pitfield, risks at pitfield, superstition, scarsdale, golden point lead outlet, frenchman's lead, trooper o'brogue, peroni, morelli, lucky woman's gully, william robertson, piggoreet, captain moonlight, devil's kitchen, ballarat east australian natives' association, total eclipse, ballarat leads, joe mack cricket, trade unionism, jack hewitt of piggoreet, astronomy, golden lake, scientific shearers, eureka, piggoreet geological, piggoreet mining, happy valley, exchequer flat, fairy's fright, h.v. mailboy, shearers, creswick, geology of smythesdale -
Lara RSL Sub Branch
18 Pounder shell ashtray, Souvenir, 1927
Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow, -
Lara RSL Sub Branch
Book, Australian War Photographs, 1919
The graphic pen-pictures of the war correspondents we have learned much of the conditions under which our soldiers lived and fought, but no matter how vivid the presentation, words alone cannot fully convey to the civilian an accurate impression of the battle area. Many of these photographs were taken under heavy fire showing the actual scenery amid which some of the most thrilling acts in the great drama of WWI were displayed. A pictorial record of places and events of our heroic soldiers who served in WWI. Each photograph of the sectors on which they fought will stimulate old memories - some sad, some pleasant, but all unspeakably dear. Australian War Photographs - Printed 1919. A pictorial record from November, 1917 to the end of WWI. Soft cardboard cover front back and spine. The back cover has the badge of the Australian Commonwealth Military Forces badge. The front cover has the title and silhouette illustration of WWI soldiers in the trenches and/or 'no man's land'.wwi, war correspondents, pen pictures, condition under which our soldiers served., official photographers -
Lara RSL Sub Branch
Book, Australian War Photographs, 1919
The graphic pen-pictures of the war correspondents we have learned much of the conditions under which our soldiers lived and fought, but no matter how vivid the presentation, words alone cannot fully convey to the civilian an accurate impression of the battle area. Many of these photographs were taken under heavy fire showing the actual scenery amid which some of the most thrilling acts in the great drama of WWI were displayed. A pictorial record of places and events of our heroic soldiers who served in WWI. Each photograph of the sectors on which they fought will stimulate old memories - some sad, some pleasant, but all unspeakably dear. Australian War Photographs - Printed 1919. A pictorial record from November, 1917 to the end of WWI. Soft cardboard cover front back and spine. The back cover has the badge of the Australian Commonwealth Military Forces badge. The front cover has the title and silhouette illustration of WWI soldiers in the trenches and/or 'no man's land'.wwi, war correspondents, pen pictures, condition under which our soldiers served., official photographers -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Container, 1900 to 1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base. Handholds moulded on each side glazed finish, cracks in base.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware -
Flagstaff Hill Maritime Museum and Village
Domestic object - Cooking pot and lid, T & C Clark, 1880-1910
T & C Clark & Company Limited, based at Shakespeare Foundry, was founded in 1795 by Thomas and Charles Clark and grew to be one of the largest iron foundries in Wolverhampton. The firm was the pioneers of Enamelled Cast ironware and the founder Charles Clerk went on to became mayor of Wolverhampton in 1860 after also serving as a Councilor, Alderman, and later Chief Magistrate. The company exhibited many products at the International Exhibition of 1862 at South Kensington, alongside the gardens of the Royal Horticultural Society. The company was also awarded the silver medal for its products at the International Paris Exhibition in 1878. The company's product range included thousands of items, both domestic and industrial. T & C Clark pioneered the use of enamelled cast ironware, after taking out a patent in 1839 guaranteed to be free of lead or arsenic. In the late 1940s and 1950s the company produced acid-resisting enamelled cast iron boiling pans; steam-jacketed pans; stills; square and rectangular tanks; open and closed mixing vessels; flanged pipes; bends and tees; laboratory equipment; small scale plant; evaporating bowls; beakers; sulphonates; and glass-lined mild steel tanks for beer, mineral water, and food. The company is listed as enamelled chemical plant manufacturers in Kelly's 1962 Wolverhampton Directory, but within a few years, the company had ceased trading.The item is significant as it was used as a domestic kitchen or camp fire item used to cook food safely without the concern that the metal may contain lead or arsenic as earlier cooking utensils had. T C Clark innervates the first manufacturing process of cast iron cook ware to have enamel lining in his products to alleviate the possibility of lead or arsenic contamination of food.Oval cast iron boiler or cooking pot, with lid, pot is oval shaped lid is dented and handle buckled.Inscription on base "Clark & Co Patent", "Best Quality", "9 Gallons" and a Trade Mark of a "C" inside two triangles to side of potflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, cooking pot, stew pot, food, kitchen utensil, shakespeare foundry, tc clark -
Flagstaff Hill Maritime Museum and Village
Container - Tin Tea Container, Wilson Bros, 1900-1940
The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fork
A toasting fork is a three pronged fork designed to be used to toast things over an open fireplace. Classically, a toasting fork could be stuck into a piece of bread and used to hold the bread in the fire, with a periodic rotation for even browning. For advanced players, it's possible to use a toasting fork to make toasted cheese sandwiches and other hot sandwiches. A typical toasting fork is made of wire, and many modern ones are telescopic, allowing people to fold the fork up or slide the handle in when not in use. This makes toasting forks easier to store and transport, while allowing people to keep their hands well clear of the fire when the fork is in use. The three slender prongs can be of varying length, depending on the design; prongs which are too long will mangle the bread, while short prongs will allow the bread to slide off, so most designers try to strike a happy medium. Before the arrival of gas and electric cook stoves, households relied on heavy duty wood and coal fired cookers, or simply open fireplaces. Such stoves required a great deal of energy and maintenance to run, so when someone wanted a quick snack, toasting something over an open fire could be much more appealing than wrestling with the cooker. Some people also undoubtedly found the experience of toasting something over an open fire to be enjoyable. https://www.delightedcooking.com/what-is-a-toasting-fork.htmIn the old days, there were no electric toasters, so the toasting fork used near an open flame proved extremely effective.Fork with three prongs with hook design on the two outside prongs. Neck features decorative twisted design and there is more decorative work in the metal near the bone handle.None. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Domestic object - Brush
This stove brush is shaped to fit into grooves and crevices on a cast iron stove range and fenders. A brush like this would be used in the 19th and early 290th centuries to apply a blackening agent to the metal to clean and preserve it would be polished to make it look more attractive.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Stove brush, wooden with wooden raised handle and black bristles. The bristles at the ends of the brush are longer than in the centre, and flare outwards. The brush' is rounded at one end and pointed at the other.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cast iron stove, oven range, stove brush, blackening brush, cooking, kitchen equipment, wood fired stove -
Flagstaff Hill Maritime Museum and Village
Domestic object - Fire poker
... Warrnambool great-ocean-road Fire poker Domestic object Fire poker ...This fire poker is a basic design that has been used throughout the centuries to attend to a fire for cooking, heating, firing a boiler and similar domestic activities.This object is significant as an example of an item in common use in the 19th and early 20th centuries and is still in use today.Fire poker; a flat metal bar shaped with ring at one end and a right angle bend at the base. It is painted black.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, poker, fire poker, fire iron, heating, cooking, laundry, tending a fire -
Flagstaff Hill Maritime Museum and Village
Domestic object - Knife
From the early days of our race, the knife represented one of the first and most important tools that enabled rise of our technology, military, culture, science and all other things that brought us to this point of modern civilisation. As a vital tool for survival, combat, construction and food preparation, the knife quickly became the most basic tool from which all others were born. In those ancient times, 500,000 years ago, sharpened stones started slowly evolving, becoming more and more like their modern counterpart. Before the time when fire enabled the melting of the various metals, and forging them into modern knives, their stone counterparts received several visual upgrades. Double bladed knives were most popular, and their wooden or stone hilts were decorated with animal skins and feathers. Those knives represented a great deal of pride for the warriors and elders who owned them, and that tradition continued to be practised with the arrival of the Bronze Age. The appearance of metallurgy brought the ability to create knives from softer types of metal. Even though knives from bronze did not provide durability over longer periods of time [easily dulled, and susceptible to corrosion), their sharpness and slim designed proved to be superior to any stone knife tool. As the centuries went on, iron and then steel became commonplace across the entire world. Knives created from those materials were much more durable and easier to maintain their sharpness after prolonged use. During medieval times in Europe, steel metallurgy managed to evolve knives from small single or double-bladed edges to larger sizes - swords, spears and axes. Even with all those advancements, the use of knives as an eating utensil continued to be used in some small circles. Even as early as the 15th century, wealthy circles of people started carrying personal knives, intended for double use - both eating and defending against threats. During those times the host were not obliged to provide their guest with any kind of eating utensil in addition to plates, so wealthy males used their eating knives for cutting their own meals, and the meals of nearby female guests. Slim double-bladed knives were good for cutting and piercing foods. As the use of forks became widespread in the whole of Europe by the late 17th century, most people used this kind of small knife on a regular basis (a combination of two knives, one for stabilising and other for cutting the meal). http://www.eatingutensils.net/history-of-cutlery/knife-history/The knife is one of the most important items that has enabled the development of civilisation over thousands of years.Carving knife with wooden handle and rusted slender metal blade.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, knife, kitchen equipment, dining