Showing 28 items
matching green fibre (?)
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Friends of Westgarthtown
Suitcase
... green fibre (?)...Fibre (?) suitcase, green, with green lining. Two clasps... melbourne Suitcase Fibre (?) suitcase, green, with green lining. Two ...Fibre (?) suitcase, green, with green lining. Two clasps with keyholes, and handle. Pockets on inside made of lining. Light-coloured stitching on outside.secure lever' marked on brass locks. On lid stays, 'A.E.L. Patent 8475'personal effects, travel goods, suitcase, travel, green fibre (?) -
National Vietnam Veterans Museum (NVVM)
Uniform - Uniform, Army, Sweat Rag
... Crocheted, green fibre. Can also be used for camoflage...., green fibre. Can also be used for camoflage. Sweat Rag. Uniform ...Crocheted, green fibre. Can also be used for camoflage.sweat scarf, green crocheted sweat rag -
National Vietnam Veterans Museum (NVVM)
Equipment - Toggle rope
... Green fibre rope assembly, single leg, polyester toggle... equipment rope Vietnam Green fibre rope assembly, single leg ...In the Vietnam conflict, Australian troops used these ropes at night and crossing rivers to assist in keeping soldiers together. They were also used with wooden poles when making stretchers in the field and to secure prisoners.Green fibre rope assembly, single leg, polyester toggle rope. Rope is coiled with a loop at both ends.toggle rope, vietnam war, military equipment, rope, vietnam -
Ambulance Victoria Museum
Resuscitator, Air Viva, The Commonwealth Industrial Gases Limited, Circa 1960
... pale green fibre board box with carry handle. Opens out... melbourne Resuscitator, Air Viva pale green fibre board box ...Issued to Ambulance stations during the 1990s and also used at public venues kike swimming polls as the item was easily used by personnel with limited training. Item was used taken in ambulances. Source Chas Martin (AHSV curator 29 Feb 2016).pale green fibre board box with carry handle. Opens out and contains a resuscitation kit. Contains instruction leaflets.THE CIG AIR VIVA RESUSCITATORresuscitation, air viva, cig -
Kiewa Valley Historical Society
Helmet Safety
... A pale green fibre glass oval shaped helmet with a small... Safety A pale green fibre glass oval shaped helmet with a small ...Safety helmets were worn during construction work on the Kiewa Hydro Electric Scheme and during its operation. Each group of workers had a different coloured helmet to identify their role.A pale green fibre glass oval shaped helmet with a small rim and with hard white plastic 'netting' inside - shaped with 6 pieces coming towards the outside from an oval in the centre. These are attached with screws. Around the circumference of the head is a plastic adjustable piece covered by soft plastic in the front. This has a wide cord attached that fits under the chin.On the outside front: a triangle colored in black with "operator" underneath. Inside rim at front: "Made in England"helmet. safety. kiewa hydro electric scheme. operator. -
Montmorency/Eltham RSL Sub Branch
Uniform - Helmet, Steel, British, MkIV, 1945
British Steel Helmet modified from the similarly shaped Mk III and introduced in 1945. It was Britain's last metal helmet and was replaced by the fibre Mk VI helmet in 1985. British MkIV Steel Helmet with Lift-the-Dot liner attachment. Painted khaki Green with stainless steel rim. Turtle sheel shape and elasticated web chinstrap. Most of liner is missing.Inside Stamped: RO&CO FT 4 1945 (1945 stamp below figure 4) -
Montmorency/Eltham RSL Sub Branch
Headwear - Helmet Liner, US M1, Vietnam era
Vietnam eraVietnam eraFibre helmet liner used with the US M1 steel helmet. The outside of the liner is a dark green colour and the inside brown. The liner contains a webbing suspension system that can be adjusted to fit the wearer's head. The suspension webbing has a three-strap olive green nylon webbing in an asterisk pattern stretching across the inside of the liner. A brown leather and nylon webbing sweatband is mounted around the inside of the liner with metal clips. The suspension system is mounted at six points with metal rivets and clips. Metal clips are riveted to either side of the liner and at the rear.Cat. No. 8415-50-753-5792. Written in black texta is MORCOM, 37019 an 1966-67.helmet, headgear -
Gippsland Vehicle Collection
Brabham tie, Theros, Middle 20th Century
This tie was given to Murray and Eva Noble of Boisdale by Jack Brabham in 1968. Their family donated it to The Maffra Shed for auction by Bill Welwood during a visit to the Vintage Drivers' Club to the Gippsland Vehicle Collection for a dinner at The Maffra Shed in 2005. Anne Phillips was the successful bidder and donated it to the Gippsland Vehicle CollectionDark green terylene man's tie with 4 Brabham white and red badges one concealed woven in it, made of polyester fibre.brabham jack, motor racing, racing car design -
Burrinja Cultural Centre
La Sisi Ceremonial Mask
Head mask with wood face and plant fibres surrounding the mask as a head and beard. Thin cane pieces extend out and are wrapped in green or red wool and hung with faded ribbons. -
Warrnambool and District Historical Society Inc.
Hat & Neck Tie, Warrnambool Technical School, 1970s
These two hats and school tie were once part of the uniform for girls at Warrnambool Technical School. This school was established in 1913 in Timor Street, Warrnambool with the first Principal being John King. From this school evolved the Warrnambool Institute of Advanced Education which itself was subsumed into the present day Deakin University campus at Sherwood Park in Warrnambool. The Timor Street site is now the location of South West College of TAFE. The WarrnamboolTechnical School moved from Timor Street to its present-day site in Caramut Road Warrnambool in 1973 and was re-named Brauer College in 1990 after Alfred Brauer, a Warrnambool doctor and a prominent school patron. It is believed that the owners of the hats, Jeannie and Sandra Cole were sisters.These two hats and the tie are interesting reminders of the uniform of a local school some 40 or 50 years ago..1 This is a girl’s boater-shape straw hat. It has a ribbon band in grey, brown, yellow, red and green colours with a bow at the back with overhanging ends of the band. The hat has a cloth lining with a tag. The owner’s name is inside the hat. .2 This is a girl’s boater-shape straw hat. It has the same band as the one above but the crown on this hat is semi-detached. The owner’s name is on the inside of the hat. .3 This is a school tie. It is brown with gold, dark green and red diagonal stripes. .1 Jeannie Cole Made of straw fibre .2 Sandra Cole Made of straw fibre Created by Effie Jay showerproof with water repellent formula KO/3420 warrnambool technical school, history of warrnambool -
National Wool Museum
Textile - Quilt, Mrs Beryl Andersen, Chicken Feed Wagga, 1995-2001
Norma Dessent (the donor) was cleaning out her Mother-in-law Amy Dessent’s home, after she passed away in 1995. She came across a collection of gunny sacks for chicken feed, potatoes, and flour. Norma gave the bags to her good friend Beryl Andersen, thinking she might be able to make use of the material in her quilting. Many years later in 2001, Beryl gave Norma this quilt made in a wagga style out of the bags. This was both a great surprise and a great delight for Norma. Amy Dessent was a housewife. Her chickens were her friends, keeping her company as she worked in her renowned garden and while she cooked and maintained a beautiful home. Typically, Amy would have a dozen chickens clucking around at a time. In the style of the time, everything was kept for a possible repurposing later in life, such as these gunny sacks. The Chicken Feed Wagga was created in Ballarat by Mrs Beryl Andersen. Beryl was the inaugural president of the Hamilton Quilters Guild and is a well-known quilter. Perhaps her best-known work was the “Quilt for Hope”, a living memorial for victims of institutional church-related sexual abuse. More information about this quilt can be found on the following link. https://www.nationalquiltregister.org.au/quilts/quilt-of-hope/). The wool blanket used as a backing belonged to Beryl’s mother. Beryl’s mother married in 1930 and the blanket is thought to have been a present from this wedding, making the blanket close to a century old. Norma donated the quilt to the National Wool Museum in 2021 as a result of downsizing. She no longer had room for the quilt to hang on her wall. Before downsizing, the quilt had hung in the entryway to her home for the last two decades.Wagga style quilt made with a appliqué top layer of gunny sacks that once held chicken feed, flour, and potatoes. The insulating internal material is not known. The backing fabric is made from a cream woollen blanket. The edges are bound with a material of a red and white plaid. The gunny sacks are quilted together with a machine stitch of red thread. The sacks contain imagery pertaining to their previous use. Some sacks have an image of a chicken applied with blue, red, or green ink. Other sacks contain imagery of potatoes. While other sacks contain information “Minimum Crude Protein 14%, Minimum Crude Fat 3%, Maximum Crude Fibre 7%”. One of the sacks shows a handwritten price for a bag of chicken feed in a red ink.Numerous. See multimediaquilts, wagga, gunny sacks, upcycle -
National Wool Museum
Functional object - Yarn Spinner and Accessories, John Nesbitt, 19th Century
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design.Custom made wooden hinged box with a hook latch. Brass yarn spinner, attached to a mahogany wood plinth base, which spins fibre into cord/yarn/thread. It has dials to set the rate that it spins. Metal plaque with black inlaid enamel lettering. Small cork inlay. Brass rod with hinge and wingnut, and ball at end. Ball at end has an adjustment mechanism. Rod also has an adjustable circular collar. Pair of curved tweezers. Circular magnifying glass on long thin handle. Glass has two concave lenses. Weaving sample in shades of blue, green and brown. Twill weave. Alternate pattern samples separated by red thread.Brass plaque on base of spinner: 42 MARKET St / John Nesbitt / REGd TRADE MARK / LIMd / MANCHESTER Underside of wooden plinth: 4976apparatus, textile, testing, spinning, nino corda, magnifyer, tools, brass, mahogany, tweezers, yarn, spinner, design, john nesbitt, manchester, england, 19th century, engineering, manufacturing -
Warrnambool Art Gallery
Zulu necklace, 19th century
It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool -
National Wool Museum
Textile - Rug, Returned Soldiers and Sailors Mill, 1963
The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs. The mill first began to run into financial troubles with the ‘Credit Squeeze’ or the ‘Holt Jolt’ of the early 1960s. This saw import restrictions lifted which triggered the start of a minor recession and a rise in unemployment. Included in these troubles was the RS&S Mill which saw the number of employees gradually decrease and business declining with cheaper imports beginning to grab an expanding part of the market share. The mill was eventually purchased by Godfrey Hirst in 1973 who tried to continue operations without success and in June 1975 textile production at the site ceased. Outside of financial considerations contributing to the closure of Woollen Mills in this period was the declining need for heavier fabrics as in-home heating and insulation improved. This need had been replaced for a demand for ever softer, finer and lighter worsted fabrics for more casual clothing. Modern day textile production requires fewer steps in the processing of materials for this use. This meant large factory complexes such as early woollen mills like the RS&S mills were no longer required. Compared to modern textile production which can spin a fine yarn out of synthetic fibre or imported cotton easily, spinning fine yarn from medium quality wool at a textile factory was cumbersome and no longer financially viable to suit new consumer demands. This rug provides context to this statement. It was gifted to Shirley and Gordon Green as a wedding present in November 1963 by one of Gordon's colleagues in the wool industry. Living in areas such as Neutral Bay, the Hornsby area and later in life retiring to the Central Coast, the blanket was too heavy for use in these weather conditions and hence it stayed in its original box for nearly 60 years. Top and bottom of rug has frilled edges. Pattern is titled the 'Clan Cameron' and is repeated in a 7x7 grid. Front of rug has a red background with 4 vertical and horizontal lines. All is surrounded by a yellow boarder. Label is stitched into the bottom right corner. Reverse of rug also has a repeating 7x7 grid. Blue background with thick green horizontal stripe. Yellow and red boarder to the grid with 4 red vertical and horizontal lines making up the interior. Rug measure 1550 x 2040mm, approximately the same size as a queen size mattress.Wording, Bottom right corner. THE GEELONG R.S&S. WOOLEN MILLS/ PURE/ WOOL/ AUSTRALIA/ The John Monash Rug (cursive)/ The Clan Cameron (cursive)rs&s mills, textile manufacture, rug, clan cameron, sydney greasy wool exchange -
National Wool Museum
Tool - Drum Carder, Kacoonda, c.1980
This drum carder was purchase by Gill Stange at the Whittlesea Show in the late 1980s. The carder allowed Gill to spin fleece from her own Merino sheep. Merino is a difficult wool to spin when compared to other popular varieties, such as Corriedale or crossbred wool. The carder helped her to tease out the fleece, slightly separating the fibres before spinning. It also allowed for easier removal of foreign matters, such as seeds and mud. Little is known about the Kacoonda brand who produced the carder. They were Australian based and appear to have only operated throughout the 1980s.The carder has one large central roller with two smaller rollers on either side. The larger roller rotates in the inverse direction of the two smaller rollers. The carding cloth is a mint green in which closely spaced wire pins are embedded. The shape, length, diameter, and spacing of these wire pins is that of a standard carder. On one side of the carder a handle is found that is used to spin the three rollers. Additionally on this side is a sticker which reads “The Kacoonda Carder. Subject to Patent Action”. A Silver grip for the easy movement of the carder can also be found high on this side. On the opposite side of the carder, many nuts and plates can be found which hold the rollers in place. This is opposed to the other side of the carder, which has a brown plastic cover plate attached underneath the handle. The walls providing a path for the carded wool to follow when being carded, are made of wood. The carder comes complete with a teasing tool. This tool has the same mint green carding cloth as the carder’s rollers. It is attached to a simple wood handle for ease of use.Wording, green, printed. Sticker on side of carder. “The Kacoonda Carder / SUBJECT TO PATENT ACTION”whittlesea show, drum carder, textile production, carding wool, kacoonda -
National Wool Museum
Quilt, Green Ladder
Winner of Expressions 2008: The Wool Quilt Prize Artist Statement: 'My friend Vriginia named this quilt for me and I thought "of course". A ladder is a means of rising or climbing and I began this work woth a sense of freedom. In this case freedom from entrapment of thought, feeling and creativity.'W7184 'Green Ladder' Catalogue for 'The New Quilt 2003: an exhibition of contemporary quilt textiles' Jo Steele's entry in 'The New Quilt 2003' catalogue Jo Steele's Curriculum Vitae Photocopy from Quilters Guild Magazine, 1998. Jo Steele's 'Eggshells & Iron Bars' Photocopy from catalogue '2002: One step further marvellous minatures', including Jo Steele's entry. Photocopy from '2007 Australian Cotton Fibre Expo'. Jo Steele entry 704. Includes first prize certificate for Section 7: Contemporary Quilting and Patchwork. Certificate awarded to Jo Steele for 'Chill Out!' 2004. Winner 'Fashion Extravaganza' Category. Photocopy from catalogue for 'Territory Craft 30th Alice Craft Acquisition'. Jo Steele entry 133. Photocopy from catalogue for 'The 29th Alice Craft Acquisition'. Jo Steele entries 143 and 144.Jo Steel 34 Neale Street Katoomba 2780 NSW 0413 074 604 'Green Ladder'quilting textile art, steele, ms jo, quilting, textile art -
Orbost & District Historical Society
seed bag, mid 20th century
The bag is unused. These bags would have been used by the Snowy River Co-Op in Orbost in the late 1960's-1980's. It would have been used for packing popping corn for sale. Snowy River Seeds started life as a farmers' co-operative (Snowy River Co-op) in 1967.This item is significant because it was specially made for the seed bean industry which has been a major industry in the Orbost district for over a century.A white woven synthetic fibre bag used to store popping corn prior to selling.On front of bag - Inside green circle is "Man From Snowy River" in orange and green writing. 25kg net Variety is Micropop Produce of..... Snowy River Co-Op Ltd Orbost - Victoriacorn seed-bag snowy-river-co-op -
Orbost & District Historical Society
seed bag
This unused bag would have been used by Snowy River Co-Op Ltd to pack sweet corn in the late 1960's -1980's Snowy River Seeds started life as a farmers' co-operative (Snowy River Co-op) in 1967 specialising in horticulture. Snowy River Co-op were the original creators of Snowy Seeds.This item is significant because it was specially made for the seed bean industry which is a major industry in the Orbost district.A white synthetic woven fibre bag used to pack sweet corn prior to sale. It has red, green, yellow print.On front of bag - Logo of Man From Snowy River in outline map of Australia with a hand holding corn cob in the centre, Produce of Snowy River Co-Op Ltd Orbost- Victoria V73 25kg NETsweet-corn seed-bags snowy-river-co-op -
Bendigo Military Museum
Equipment - LINER, PONCHO, Gibraltar Fabrics Inc, c1962 - 1972
These were issued to US Troops in South Vietnam. They are designed to be fitted under their poncho. These were much sought after items by Australian soldiers obtained by swapping, purchasing etc.This is a nylon type lightweight blanket for a soldier in jungle warfare. It is camouflaged with curved patterns of black, brown and two ton green. The outer material is of a "Ripstop" material. It is hemmed with with an olive nylon material. On the corners and centre border are the straps 200 mm long x width 6 mm. It has internal insulating material similar to hollow Dacron fibres.vietnam war, us army kit. -
Charlton Golden Grains Museum Inc
Photograph, Paterson's Fibre Glass factory c. 1987
... Colour photograph showing Paterson's Fibre Glass factory... melbourne Photograph Photograph Paterson's Fibre Glass factory c ...Paterson's Fibreglass Factory on the site of former garage and Golden Fleece Hotel (1874 - 1914). Two storey building built for Peter Johnson as the Bridge Store in 1872. Photo is part of a series taken for the Charlton Shire.Colour photograph showing Paterson's Fibre Glass factory. Green two storeu building with verandah over the footpath and part of Eddie Harris Mensland to the right. Red car parked in front of two storey building.paterson, fibreglass factory, golden fleece hotel, peter johnson, the bridge store -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy blue necktie with yellow and brown diagonal stripe and single HGC logo.Manufacturer's tag on back of tie: "Holly Green, Made in Australia", "Man-made fibre"heidelberg golf club, memorabilia, vic mcgavin, neckties, club ties -
Heidelberg Golf Club
Clothing - Necktie, Heidelberg Golf Club tie, Unknown
Heidelberg Golf Club members' tie with logo.One of a collection of various HGC members' ties.Navy necktie with multiple yellow and red diagonal stripes and single HGC logo.Manufacturer's tag on back of tie: "Holly Green. Made in Australia. Man made fibre"heidelberg golf club, memorabilia, neckties, club ties -
Flagstaff Hill Maritime Museum and Village
Domestic object - Brush, 20th Century
A broom is a cleaning tool. It consists of stiff fibres attached to, and roughly parallel to, a cylindrical handle, the broomstick. In the context of witchcraft, "broomstick" is likely to refer to the broom as a whole. A smaller whisk broom or brush is sometimes called a duster. History of broom design Brooms have changed very much in their construction, since they developed from ad-hoc use of branches and bundles of several natural fibres. Originally, all brooms were round, a shape that is easy to construct but inefficient for actually sweeping. Brooms could be attached to a handle, either short for a whisk broom, or long for a broom used to sweep the floor or fireplace. The word for the tool was originally besom, broom simply being the material of which it was normally made. The fibres used in modern brooms are from broom corn. They are long, straight, durable, and bound together in the plant. The newest major change is the flat broom, invented by the Shakers in the 1800s, which has far more width for pushing dirt and nearly all brooms produced today are flat brooms. https://simple.wikipedia.org/wiki/BroomThis object is an example of how a simple material can be turned into a useful item.Brush of plaited green & orange coloured rope like material. Brush section is like taffeta, blonde.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brush, broom, rope -
Sir Reginald Ansett Transport Museum
Hat, circa 1970's
Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Orange cotton flat-topped crown. Orange cotton exterior band supported by rigid internal leather band. Interior lining of green cotton under plastic. Perforated leather sweat band. Rigid black visor made of natural fibre. Black cloth strap above visor is secured by orange buttons.Insignia features a five-pointed silver star above a golden bird in flight, on red background, surrounded by a wreath of golden feathers.Label inside reads "Emerco Melbourne 36 1218 Made in Australia". -
Sir Reginald Ansett Transport Museum
Hat, circa 1970's
Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Orange cotton flat-topped crown. Orange cotton exterior band supported by rigid internal leather band. Interior lining of green cotton under plastic. Perforated leather sweat band. Rigid black visor made of natural fibre. Black cloth strap above visor is secured by 2 orange fabric buttons on either side.Label inside reads "Emerco Melbourne 36 1218 Made in Australia". -
Stawell Historical Society Inc
Booklet - Laboratory Reference Book, The Chemistry of Wool and Related Fibres, by J.B. Speakman
Lecture Notes Reprinted from The Journal of the Textile Institute, Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDELight Green soft cover booklet with Dark Blue title on covermanufacturing -
National Wool Museum
Machine - Gill Box, Deutscher Spinnereimaschinenbau Ingolstadt, 1963
This machine uses a series of combs attached to bars that move with increasing speed away from a starting point. This draws-out and aligns the wool fibres to produce a gilled top. The gilling process is also used in other positions along the worsted production line. A gill box draws and combs the fibres prior to spinning. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box.Gill box. Green painted steel.Deutscher / Spinnereimaschinenbau / Ingolstadt / 1963deutscher spinnereimaschinenbau ingolstadt, gilling, gill box, textile industry, wool processing, factory, machine, mills, spinning, fibre, comb -
Melbourne Tram Museum
Functional object - Model tram, Preston Workshops, B1, number 2002, c1984
Model tram - B or B1, number 2002 made by The Met for their model tram at the Royal Show Melbourne c1985. Consists of: 1 - 2 x Fibreglass sections - one with a pantograph, painted in The Met colours with number 2002 with destination of "Special". Pantograph made from wire. 2 - small articulated section made from fibre glass and black vinyl, painted yellow and green. 3 - two sets of heavy duty electric motor, geared to two sets of four wheel bogies and one unmotorised bogie with a centre pins, washer and split pin that secured the articulated section of the tram. Each set number on side "MTA No. 7A and 9B" Made from brass, steel, plastic - purpose made. Placed with two sections of O gauge track - each 340mm long.trams, tramways, models, b class, the met, royal show