The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This emerald green, satin evening dress, owned by Gwen Steele, was worn by her to a reception for Queen Elizabeth II in 1954 at Government House, Melbourne. [The personalised printed invitations are kept in the Subject File 'Gwen Steele'.]Emerald green, satin cocktail dress with shoe-string straps.royal visit (victoria) 1954,, gwen steele, women's clothing, australian fashion - 1950s, cocktail dresses

The collars can be dated to the 1920s, evidenced by a photograph of Gwen Steele (nee Kelly) wearing them on a trip in New Zealand in 1930. Items of fur clothing with provenance allowing a creation date of the 1920sTwo fur collars made of European marten fur. One collar is of Stone (Beech) Marten fur; the other of Baum (Pine) Marten.Handwritten Note on reverse of photo Photo taken in 1930 in NZ. Mrs Gwen Kelly, now Gwen Steele, wearing Stone Marten fur. Also Baum Marten fur about same date. (Weasel type animal with valuable fur - Oxford Dic.)fur collars, full body furs, stone marten fur collar, baum marten fur collar, furs - 1920s

School of Mines Ballarat was a predecessor of Federation University.Correspondence from SMB Girls' Ex students association including letters from the secretary, invitations to attend meetings, apologies and acceptances, minutes, inaugral dinner menus and members lists. All documents vary in size.school of mines and industry ballarat, girls' ex student association, b. dulfer, g. kingsley sutton, dorothy richards, phyllis mcgregor, s. shillington, mrs a.l. arkinstall, mrs s. francis, miss ouida worthington, mrs k hale, mrs jones, mrs m mckenzie, mary green, lorna yates, denise kidd, peg wells, eileen hayes, barbara paddle, lynette atkinson, francis dowler, janet wells, rita lewis, joy mills, bonnie cody, elizabeth kinnane, beverley jennings, fay cosgrove, miss m chamberlain, gwen williams, maureen mann, nonie robertson, margaret lyttle, kathleen button, marilyn jones, rosemary paddick, nancy rimmington, mrs mary osborne, mary nolan, r. anglin, janet steele, margaret maun, mrs clare attwood, mrs d. ditchfield, heather mccallum, evelyn ditchfield, joan shearer, glenis sleeth, mrs m. mctaggart, betty hearn, mrs k. campbell, d. clemence, m. clemence, beth dalton, florence shurs, claudia mason, gwen murdoch, june murdoch, m. bailey, j. baker, j. banes, i. barr, w. beckwith, j. bilston, f. blake, v. boddinar, a. bosher, b. brookman, j. cameron, h. chasey, d. coad, r. cockburn, b. coombs, e. coombs, p. coombs, m. connell, l. cooper, m. coulter, p. crosbie, e. curnow, h. darby, d.j. davis, n. dunstan, b. elliott, o. elliott, n. eltringham, h. everleigh, m. everleigh, e. fitzgerald, m. gallie, g. gough, e. greenwood, b. guy, d. hambly, p. halse, g. harrison, h. hearn, o. hellings, d. henderson, n. henderson, m. hewitt, g. hoffman, v. hoffman, c. king, h. knox, b. lancaster, b. law, d. lawrie, g. lawry, m. lochhead, p. maloney, m. malpass, m. martin, j. matthews, morgan, g. murdock, j. murdock, b. murfett, i. murfett, c. mcilvena, e. norris, m. norris, b. patterson, h. patterson, e. prowse, l. rollan, b. ross, f. saunders, f. sheers, e. stevens, g. stevens, l. strick, v. taylor, j. trescowthick, b. veitch, j. waller, j. wallis, ms, d. williams, s.e. williams, b. william, b. willian, k. windsor, s. wyres, t. yeoman, margaret steele, r.w. richards

Black and White Photograph (2copies) and list of staff names. Catalogue card reads, '1960. Council Staff when Ringwood was declared a city, March 1960'. One copy has stamp of "Peter Payens of Ringwood Studios". Second copy has stamp of Brian Pump. On separate typed sheet: Typed below photograph, "Ringwood City Council Staff - 1960". Typed sheet in sleeve lists the staff in photograph and reads, "Photograph of Town Hall staff taken on the occasion of Ringwood being proclaimed a CITY 1960. Standing (back row left to right) Robert Moore (Rates Office), James Allen (Health Inspt), Robert Glassford (Eng. Asst.), James Rouse (Rates), Howard Tyrell (Dept. City Engr.), Jozsef Benzinger (Supt. Parks & Gdns.), David Wilson (Eng.) and Jeffrey Porter (Eng.). Second Row down, Wally Ross (Traffic Insp), Murray Jones (Eng.), Jim Clerk (Bldg. Insp.), Ernie Dall (Bld. Dept.), Jim Johnson (Rates), Les Steeth (Dog Ranger), Billy Duff (Hall Kpr). Clarrie Burns (Works Supt.), Keith Gore (Ch. Hall Kpr).Second row up from bottom - Marg McAdam (Health Ctre), Gwen Collocott (Rates - Accts. Machinist), Mabs Cleverly (Sec. D.T.C.), June Eyres (Steno), Nancy Gibson (H. Help), Judy Hubbard (Steno), Hazel Lyons (Sec. C/Eng.), Wilhelmina van Wijngaarden, (rates), Sr. Hildebard Weinroider (Health Care), Maureen Charlwood (Telephonist).Bottom row - Sr. Edna Ahlslton (Health Care), Lindsay Ewart (Rate Colltr), Jean Matthews (Sec. T/C.), Vic Faravoni (D.T.C.), Dr. Wm. Hewitt (Med.O.Health), Fred Dwerryhouse (Town Clerk), Alan Robertson (City Eng.), Ray Forde (Con.Eng.), Kit Gurling (typist/engrs.), Des Steele (Bldg.Suryor), Sr. Linda Turnley (Health Centre-H'mont).

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Half-length studio portraits of an unidentified woman photographed using the daguerreotype process. The portrait is contained within a pinchbeck frame, bound in a brown-tooled leather cases, with red, cut-velvet binding. The portrait of the woman is notable for her centre-parted hairstyle with the fullness of the hair drawn into a single chignon at the base of the neck. This style set off the tilted-back angle of bonnets and hats. The seated woman wears a dark silk day dress with a voluminous skirt. The bodice is set-off by a large lace collar on its high neckline and at the cuffs. daguerreotype, portraits

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Three quarte-length studio portrait of an unidentified man photographed using the daguerreotype process. The portrait is contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding.daguerreotype, photograph, portrait