118 pages, illustratednon-fictionIt contains hundreds of silver marks making the process of identifying that special item you have found- quick and easy. A practical guide used by antique dealers world wide for yearsenglish silver, scottish silver, irish silver, hall-marks, makers marks

Kingsley MARKS (1929 - ) Kingsley Marks trained at the South Australian School of Art before teaching secondary schools. He became interested in pottery after attending a class one night a week at the John Martins building in Adelaide. He received grants to travel and study ceramics in Mexico the US and Canada, then taught for twenty years at the Torrens and South Australian Colleges of Advanced Education. Upon his retirement in 1985, he moved to Brentwood near Minlaton and established the Brentwood Pottery, specialising in sculptural work using a range of forming, decorative and firing techniques. (https://www.flickr.com/groups/1281707@N21/discuss/72157641492795284/) Kingsley Marks was a guest at Strezleckie Spotkanie in 1984. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Electric kiln-fired slipcast decorated earthenware. Kevin Marks uses the mark "K" on his work. Gift of the Artist, 1984ceramics, kingsley marks, artwork, gippsland campus, churchill, brentwood pottery, artist, jan feder memorial ceramics collection

Former St Marks Presbyterian Church opened 1874. Became scout hall in 1992. Corner of Alfred Street and Sharps Lane.stawell religion

Tom Marks (1857-1939) was a founding member of the Association for the Advancement of the Blind and president in 1900 and 1935-1937. For centenary celebrations of the Association, portraits were painted of past presidents and photographs gathered in preparation of this. This image was collected, however the donor is unidentified. He poses for this studio portrait with his adopted daughter Hilda (1888-1981).1 portrait photograph of Tom Marks with his adopted daughter Hilda5. Tom Marks - Daddy & Hildatom marks, hilda marks

Bush scene of local area, painted by Greensborough artist, the late Doug Hall.Oil painting of a bush scene, in timber frame.On back of painting "The Bush, Doug Hall"doug hall

Oldstead Farmhouse, painted by Greensborough artist, the late Doug Hall. Oldstead Farm was in the area around the present Oldstead Road Greensborough.Oil painting of a house, in timber frame.On back of painting "Oldstead Farm, Doug Hall"doug hall, oldstead farm, oldstead road greensborough

Bush scene of the Plenty River at South Morang showing young gum trees on the river bank, painted by Greensborough artist, the late Doug Hall.This painting has strong ties to the Greensborough area, being owned by Ivy Lines who gifted it to the donor's mother-in-law.Oil painting of a bush scene, in timber frame.On back of painting "Plenty River South Morang. Doug Hall"doug hall, plenty river, south morang, painters

Paperback; 129 p. : ill. ; 21 cm.nillumbik, artists, art

Timber drop case wall clock used at the Ballarat School of Mines.clocks, horology, ansonia, watchmaker, c. marks and co., ballarat school of mines

Henry J. Hall was an teacher Freehand Drawing and Model Drawing at the Ballarat School of Mines. In 1889 he reported to the Ballarat School of Mines Council that this class was never established for the cultivation of Art (as generally understood) or the making of pictures but with an idea of assisting artisans - of both sexes - and persons connected with mechanical industries, in acquiring lightness of hand, and facility in the use of a black-lead pencil so as to be able to place legibly and intelligibly upon a sheet. For many years Henry Hall advertised private tuition in Drawing, Painting and Perspective, at 'Ferndale', 25 Eyre Street. Handwritten letter on paper with the address 'Ferndale, 25 Eyre Street, Ballarat' printed at the top. The handwritten letter is from Henry J. Hall to Andrew Anderson, President of the Ballarat School of Mines. Handwritten in ink "March 19th 98 Andrew Anderson Esq President School of Mines Dear Sir I am informed by the registrar of the School of Miens that you are desirous of despensing [sic] with the services of Drawing Instructor at that Institution. The reason assigned being dis-satisfaction expressed by the inspector regarding "the quantity and quality of the freehand work done during the year. Before any definite action is taken, might I ask in justice to myself and the students whose work is thus maligned, that I be allowed a personal interview with Mr Monkhouse in order to ascertain the grounds of his complaint, and afford me an opportunity of vindicating my position. I have the honor to remain, respectfully yours Henry J. Hall." Written and circled in red ink "168" ballarat school of mines, henry j. hall, henry hall, andrew anderson, drawing, art

Dining room of st Kilda Town Hall circa 1940-49glossy black and white photograph good condition unmountedTown Hall Ballroom1940-49 Neg 47

The Gown of the Year Program was a gala event in Melbourne's cultural calendar. Australia's supermodels of the day, such as Diane Masters (pictured), Bambi Shmith, and Betty Jackson modelled clothes by Melbourne's leading designers, Hall Ludlow, Le Louvre, and others. Diane Masters has played a seminal role in contributing to the Design Archives through her personal and professional fashion archive, her role in the Hall Ludlow collection and archive, the Laurie Carew collection, and her generosity in gifting items from the Frederick Romberg archive to the RMIT Design Archives. She has been and remains a key figure in Melbourne and Australian fashion. Suzanne Davies, 2017Black and white photograph features fashion designer Hall Ludlow (right), holding his trophies for winning the 1959 Gown of the Year at the Menzies Hotel, Melbourne. Model Diane Masters (right) is wearing the winning gown: a pale full length gown with short sleeves, scoop neck, and ruffled skirt. The matching coat also features small ruffled down its length.Verso: Stamped in black ink, bottom right: 'Photographed by/ ATHOL SHMITH/ F.R.P.S . . F.R.S.A/ 125 COLLINS STREET, MELBOURNE/ TELEPHONE MF 5[illegible]4australian fashion, fashion design, mid-century modern

C Marks & Co were retailers and manufacturing Jewellers situated at the corner of Sturt and Lydiard Streets, Ballarat.Pocket watch by C. Marks and Co,horology, pocket watch, c. marks & co.

Original photograph of the Kew Centenary Ball in the new Kew Civic Hall in 1960. The photograph formed part of the collection of WHS Dickinson and was presented to the Kew Historical Society by his daughter in 2018. Original black and white photograph of the presentation of a debutante and her partner at the Kew Centenary Dinner Dance at the Kew Civic [Town] Hall in 1960. Standing behind the debutantes are Cr WHS Dickinson, Mayor of Kew, and the Mayoress, Mrs Doris Dickinson.centenary of kew (vic) - 1860-1960, cr whs dickinson - mayor of kew 1946-1947, civic events - kew (vic)

Harcourt branch of the Australian Natives Association was formed in 1908, meeting in a chaff shed behind the local grocer shop. In 1911 the branch contracted with Mr Sutherland of Barkers Creek to build a hall of boxed concrete construction. Sutherland was a pioneer in the use of concrete for structural purposes.He subsequently had a career as City Engineer at Camberwell. The ANA branch conducted many social occasions in the hall and gave community leadership for upwards of fifty years in addition to its friendly society/health insurance activities.. This was the only community hall in the Harcourt community until it was superseded by the Harcourt Leisure Centre in 1991 It is now the home of Harcourt Heritage Centre.A community hall of pioneering construction method, provided to the community by a friendly society.black and white postcard depicting a community hallA N A Hall, Harcourt

Carlisle Cathedral The Priory near the cathedral was founded in 1122 by King Henry I. There were earlier buildings on the site. Ten years later the priory church became the Cathedral and the Kind created the diocese of Carlisle. The building is constructed of red sandstone. Celebrated architect Ivo de Raughton who lived a few miles south of Carlisle designed the intricate masonry. Many interesting features are recorded about Carlisle Cathedral in tourist brochures and its homepage, however they do not mention the many mason’s marks clearly visible on the stone columns inside the Cathedral. There have been hundreds of marks recorded, some being similar to those on the Yarrowee Channel in Ballarat. A pentagram (sometimes known as a pentalpha, pentangle or star pentagon) is the shape of a five-pointed star. They were known as apotropaic or witch's marks and were thought to ward off evil spirits. Digital photographApotropaic mark carved into columncarlisle, cathedral, stonemasons, mason's marks, apotropaic mark, witch's mark

Stawell Town Hall Stawell Town HallTHE ROSE SERIES P.2417 TOWN HALL STAWELL VIC stawell

This electroplated teaspoon made by Walker & Hall of Sheffield. It was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. Walker & Hall’s Marks on this teaspoon, the SHIELD and the FLAG, date the spoon between 1910 and before 1920. The letters, possibly N S, within a shield may stand for Nickel Silver. The first Sheffield licence to make electroplated pieces of work was granted to John Harrison in 1843. One of his employees, George Walker, had been sent to learn electroplating skills at Elkington’s in Birmingham, who had patented the process discovered by Dr John Wright. Walker left Harrison in 1845 and started up his own company with Samuel Coulson and William Robson, to become George Walker & Co., electro-platers and gilders, taking out a licence with Elkington’s. In 1848 Robson retired and Henry Hall joined the partnership, operating at Electro Works at 11 Howard Street Sheffield, with a showroom in at 45 Holborn Viaduct, London. The firm had changes in the partnership and by 1853 it was called Walker & Hall. Over the years the company grew, with branches in the UK and overseas in Australia and South Africa. Then John Bingham, and later his brother Charles Bingham, became involved in the business, increasing profits. In 1861 the firm registered its first Trademark, a stamped ‘Flag’ with a banner with letters ‘W & H’. In 1884 Walker & Hall were one of the largest manufacturers and the second to introduce a voluntary system of using dating marks for silver plate, based on the alphabet and styles of shields or figures. The firm grew and prospered. It was described as ‘comprehensive … touching almost every department of Social life’, selling all manner of silverware and other goods. In 1920 the firm became Walker & Hall Limited and continued to expand in the goods produced and the member employed. Then the effects of war brought economic depression and fewer people able to afford the quality luxury goods. Eventually, in 1963, the company amalgamated with Mappin & Webb and Elkington & Co., becoming British Silverware Ltd. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery, perhaps part of a passenger’s luggage or imported for use in Victoria in the early 20th century. This spoon is significant for its association with makers Walker & Hall, famous for silverware and silver plate in the mid-19th to early-20th century. It is the only example in Flagstaff Hill’s shipwreck artefact collection. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon, teaspoon, electroplated, silver-bronze colour with dark flecks. Old English design. Maker’s Marks on back of spoon. Made by Walker & Hall, Sheffield.Embossed individual stamps “W”, “&”, “H”, “S” Embossed shape [SHIELD] with letters within, possibly “N S” Embossed shape of [FLAG] with letters with “W & H” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, antique flatware, old english flatware pattern, spoon, teaspoon, silver flatware, dining, silver plated, epnns, 20th century silverware, walker & hall, george walker, henry hall, john wright, elkington

White Wooden Cross with red knitted poppy with green and black centre. The name Marks-Chapman, Peter Robert 38801 is stenciled on in black. An Australian flag has been fixed on the back of the Cross. Rank - Lieutenant, 6 Battalion, Royal Australian Regiment. He died from wounds in South Vietnam on the 19th December 1969 - Age 25Marks-Chapman, Peter robert 38801cross, 6th battalion, marks-chapman, peter robert

Recounts June Hall's trip to Wales and her search for family connections.2 pages of text.june hall, june evans

Carlisle Cathedral The Priory near the cathedral was founded in 1122 by King Henry I. There were earlier buildings on the site. Ten years later the priory church became the Cathedral and the Kind created the diocese of Carlisle. The building is constructed of red sandstone. Celebrated architect Ivo de Raughton who lived a few miles south of Carlisle designed the intricate masonry. Many interesting features are recorded about Carlisle Cathedral in tourist brochures and its homepage, however they do not mention the many mason’s marks clearly visible on the stone columns inside the Cathedral. There have been hundreds of marks recorded, some being similar to those on the Yarrowee Channel in Ballarat. Digital photographTwo "X" marks joined by a vertical linecarlisle, cathedral, stonemasons, mason's marks

Eric Barclay is interviewed by June Hall about his memories of growing up in Greensborough1 audio cassette in plastic caseSide 1: "Eric"; Side 2 "Blank".eric barclay, june hall, oral history

The story of Greensborough local Richard (Dick) Tooth as told to June Hall by the Tooth family.3 p., typescriptdick tooth, richard tooth

Norm Hyde is interviewed by June Hall. They discuss memories of growing up in Greensborough and the Hyde family.1 audio cassette in plastic caseSide 1: "Norm"; Side 2 "Blank".june hall, oral history, norm hyde, hyde family

Jack Waites is interviewed by June Hall. They discuss memories of growing up in Greensborough and the Waites family.1 audio cassette in plastic caseSide 1: "Jack"; Side 2 "Blank".june hall, oral history, jack waites, waites family

Reminiscences of post-war life in Beattie Street Montmorency, by Dot Jewell as told to June Hall.2p., typescriptmontmorency, dot jewell