Item made by an Italian POW held in Camp 13A profile of a monkey sitting with its knees bent and arms resting on the knees Hand painted in dark brown with light brown face, red lips, ears and fingernails, black eyes and nostrils. Inscriptions in White POW in front, 27-4-42 and RICORDO on sides.27-4-42, Ricordo, POWitalian pow's, camp 13 murchison, hand made objects

Item from an Italian POW held in Camp 13, 1942 to 1946A profile of a monkey sitting with its knees bent and arms resting on the knees Hand painted in brown with ochre face, red lips, ears and fingernails. Inscriptions in White 28-4-42 in front and PARINELLO N. on one side and PRISONER.OF.WAR on the other28-4-42, PARINELLO N., PRISONER OF WARitalian pow's, camp 13 murchison, hand made objects

Object. Hand made from a stiff canvas-type fabric ribbon, on a stiffened cotton canvas backing. Outer edge is maroon in colour 5 cm wide, inner section is a slate blue-ish grey colour, 1.5 cm wide and a maroon fabric button, 1.5 cm in diameter, is central to the rosette.organisation, masonic lodge, fabric rosettes

This is a vintage lighting mechanism probably dating from the 1920s. It would have been used in a household or business to provide lighting for a room. It is quite heavy so would have mostly rested on a table or ledge. It is a Petromax lantern, a brand name for a type of pressurised paraffin lamp that uses a mantle. The Petromax lantern was developed in 1910 by Max Graetz of the firm of Ehrich and Graetz of Berlin, Germany (petro= petroleum, max=Max Graetz).The Petromax lantern is still produced todayThis lantern is of antiquarian interest as an example of household lighting100 years ago.This is a lantern with a metal base, a wooden stem painted black, a metal body holding a piece of circular glass and a metal top with perforations acting as a chimney. The base has a hand pump and a removable screw cap to enable the base to be filled with paraffin. The main body has a screw holder to control the lighting and a pre-lighting mechanism and a mantle fitting inside the glass. The mantle is missing.PETROMAX No. 886 MADE IN GERMANYvintage lighting, petromax lanterns

This pusher was made in 1917 for twins named Ron and Oswald Warburton, from the Warrnambool area. From the design it appears that it could have been hand made or come from a wheelwright or coach factory.This item is of considerable significance as it has local provenance and it is a bespoke item which makes it one of the rare items in our collection.This is a pusher made for twins with a seat of padded leather and curved cane back and sides. It has a wooden hinged handle and a wooden foot plate. The metal base has two large metal wheels with spokes and two small wheels with galvanised rubber around the edges.vintage children's transport, warburton twins warrnambool, warrnambool, warrnambool history, cane pushchair

This needle case, probably dating from early in the 20th century, contained knitting needles of various sizes and those needles were probably used in sets of four to knit such items as socks. In the early to mid 20th century many items of clothing and furnishings were hand knitted with the yarn mostly favoured being wool. Today knitting is a hobby taken up by a few and clothes that were once knitted are now bought ready-made. This needle case is of antiquarian interest and is retained for display purposes. This is a cylindrical metal case with a gold-coloured marbled pattern around the case and closed metal ends. One metal end swivels around to reveal four compartments that once contained metal knitting needles. One of these needles remains. The case has printing on both metal ends and on the case body but much of this is now indecipherable. The Crescent Case Best English Knitting Instructions …. antiquarian household objects, history of warrnambool

This violin was made by Mr Edward Richter who lived in Warrnambool for 78 of his 85 years. he was born 10/03/1853 and was an expert model maker making models of ships. The Warrnambool Museum in 1937 held a model of the Cutty Sark which he had made from timber from the wreck of the Enterprise which was wrecked on Warrnambool beach. Violins were another of of his hobbies.This violin has a connection to Warrnambool through the maker who was a long time resident of the town. It belongs to an era when many people were interested in and turned their hand to making objects such as this.The body of the violin is stained brown in colour with black neck and bridge. The four strings are nylon. The pegs and scroll are timber of a finer grain than the front and back.The tailpiece and end button are black material. The bridge is missing. The stand is rectangular with violin shape cutout, painted in red with a ply backing. Small leather strap on one end. Six large and two small drilled holes around front section.Richter written in large letters on back of standwarrnambool, edward richter, handmade violin, richter warrnambool

This clock was over the door of the shop of Sambell’s pharmacy at 90 Fairy Street. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous experience in Great Britain and Victoria. His shop had been conducted by Edward Griffiths in the 1880s. By 1919 John Sambell’s son, Herbert, had joined the business, trading as Sambell and Son, though John Sambell had died in 1906. This shop was located at 151 Fairy Street. The Sambells then built new shops on the north eastern corner of Koroit and Fairy Streets and occupied the corner position. In the late 1930s the Sambell business moved to 90 Fairy Street and the business was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. This Sambell clock had previously been at the shops of Brocks and Mainlands, both jewellers. This clock is of considerable importance as it was connected to the pharmacy business of the Sambell family, a business that was prominent in Warrnambool for many years. It is an example of the 19th and early 20th centuries practice of placing a large clock outside a business. This is a large oval clock with a gilded wooden frame and a metal face. The hour and second hands and the Roman figures are made of metal. The clock is designed to be placed on a wall or frame of some sort and to be used outside on a shop or other commercial building. The outside frame is somewhat dented.sambell pharmacy, warrnambool

This printers block was made for the Warrnambool and District Historical Society and used to print letterheads, envelopes and cards. The impression on the block is of the sketch map drawn by Thomas Price of Port Fairy of the Warrnambool Harbour site when he wrote to Superintendent Charles LaTrobe in 1844 regarding the suitability of the site for a new town. The letter is regarded as an important impetus for La Trobe to consider establishing the town of Warrnambool and so the sketch was used by the Historical Society as its logo on letterheads etc for many years. It was also used as the heading for the Society newsletters from the late 1980s to late 2007.This block of the Thomas Price sketch was used by the Historical Society for many years for its printed material and the sketch was used as its logo for about 20 years so it is an important part of the Society’s history and the block is kept as a reminder of this.This is a printing block with an impression made of metal and attached to a wooden block. The wood is in layers of dark and light coloured wood and has a piece cut out at the top left hand corner. The impression is a representation of the sketch map of Warrnambool Harbour made by Thomas Price in 1844.Sketch map of Warrnambool Harbour 1844warrnambool & district historical society, thomas price sketch

These cello strings belonged to Edith Jacobs (nee Larwill) who was prominent in music circles in Queensland before her marriage to Henry Jacobs, a Warrnanbool Estate Agent and Auctioneer during the 1940s and 50s. Edith Jacobs featured in many concerts and musical entertainments in Warrnambool during the middle years of the 20th century. Her son, Frank Jacobs was a prominent businessman in Warrnambool in the 70s, 80s and 90s and the wallet was either made by him or for him. These items are of some significance as they belonged to Edith Jacobs, a musician who was prominent in the Warrnambool musical scene in Warrnambool in the 1940s and 50s.This is a light brown leather wallet, hand made with two fringed areas, one on the top covering. There is some machine stitching and some hand stitching (repairs)The wallet is lined with cream-coloured silk and the back of the wallet has an etching of an emu. The opening has two press studs for closing the cover. There are also three paper packets containing cello strings. Two of the strings are loose in the packets. Label stitched on – ‘Frank H. Jacobs’ Etching of emu Strings – ‘Calizi Tru-tested Strings, Cello, G or 3rd, Wound on selected gut, Made in England, J. E D. & S Ltd.’ ‘Conservatoire, Cello, A gut, Reliable and Durable, No. 1620, J.E.D.& S. Ltd’ edith jacobs (larwill), cello, cello strings, warrnambool

These nails were found in the floorboards at 5A Liebig Street, the residence of Lee Harris at the time. The nails, being of the 19th century variety, pre-date the present building and must have come from a previous dwelling or perhaps a building associated with the old Shire Offices. The Shire Offices, near the corner of Liebig and Merri Streets, were erected in 1860 and the Shire continued to operate from there until 1936. These nails are of interest as an example of the type of nails used in buildings in Warrnambool in the 19th century. These are 13 iron nails which taper to a point and have a blunt half head. They are all in a rusty condition. nails, 5a liebig street, shire offices, warrnambool

This dinner gong was owned by Dr. Murphy, Emerald's first and much-loved doctor. He used the gong for his monthly dinner meeting held at the Ranges Hotel (Gembrook). (This hotel has since burnt down.) Dr. Murphy ran his practice from 1947 until his death in 1981This dinner gong is an interesting and attractive hand-made item that belonged to Emerald's first doctor.Steel gong suspended from a wooden frame. The frame is made of 2 wooden spoons as uprights, joined by an archway of a curved wooden coat hanger. A cord is used to suspend the gong. The striker is a wooden spoon which matches the uprights.dr. murphy, ranges hotel, dinner gong, gembrook

This Boomerang packet originally contained 60 leaves of pre-cut paper made from rice straw to be used for rolling cigarettes by hand or machine. It was manufactured by the Australian Automatic Cigarette Paper Company, Richmond, Victoria until 1948.Rolling one's own cigarettes was a practice of many smokers over many decades. Boomerang Cigarette Papers packet flattened out. White but discolored. Brown Art Deco style lettering with boomerang motif. No papers.'60 LEAVES / Boomerang / RICE / AUTOMATIC GUMMED / MADE IN AUSTRALIA'boomerang brand, australian automatic cigarette paper company, richmond, 1948, cigarette papers

.1) Kip - the tossing implement, timber rectangular shape, hand made with hard etched letters & numbers on one side. .2) - .4) All pennies have an image of King Edward VII on one side & Britannia on the other side with dates - .1) 1908; .2) 1909; .3) 1910..1) Hard etched with black ink: “KOKODA 1942”military history - recreation - gambling, trades -carpentery, passchendaele barracks trust

Hand made teddy bear made out of two colours of cotton, metal buttons for eyes & nose both machine & Hand sewn. It has tufts of loose thread appled here & there over all surface.teddy bears, leisure

This dress was worn by Beatrice Coulson on her marriage to Archie Henry Robinson on 17.3.1945 at the Methodist church in Orbost.The wedding gown is provenanced and in good original condition and is of historic significance as an object directly related to the Robinson and Coulson families.A hand-made long magnolia slipper satin wedding frock with a high draped neck and full flared skirt. It has a train at the back. It has long sleeves , covered buttons on the back, shirring on the front and a decoration of white flower shapes on the front.coulson-beatrice robinson-archie wedding-dress costume

Inspected by Joanna Freslov, archaeologist 2.6.2008. Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt. This is able to withstand repeated impact making it suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of a stone tool used by the early Indigenous people of Eastern australia.A handmade stone Aboriginal axe head.axe-head aboriginal tool stone-artefact

Inspected by Joanna Freslov, archaeologist 2.6.2008 Ground-edged axes first appeared in south-eastern Australia about 4,000 years ago and were used either with handles or hand-held. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt which is able to withstand repeated impact, and so is suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rockThe necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This item is an example of an early axe head used by the Indigenous people of East Gippsland.A handmade stone Aboriginal axe head.aboriginal tool stone-artefact axe-head

Initially Elvicta was known as Elliot Lucas (hand tools)Ltd, and was established around 1937 based at 38 Summer Row, Birmingham. Around 1950 the firm relocated to Cannock, Staffordshire and by 1965 had moved again to their Church bridge Works also at Cannock. The Elliot Lucas Ltd Elvicta Cabinet and Tool factory as it was known employed over a hundred people and operated from the company's satellite works in Crickhowell southeastern Powys, Wales, near Abergavenny, in the county of Brecknockshire during the 1950s. The company manufactured a range of specialist pliers, nippers and pincers including the brands Elvicta, Electoy and Elect.A tool that is now regarded today as vintage, is collectable and highlights a time when tools were made by hand and how wood was predominately used to manufacture such items. It gives a snapshot of the time before the use of plastics and other synthetic materials which are now used to produce every day objects and tools such as this spirit level.Elvicta brand wooden spirit level made by Elliott-Lucas Ltd England. Level has two levels one vertical one horizontal . Has 2 brass corner protectors Has 530 marked on plate denotes model No and an original label 610 mm long x 60 mm x 30 mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Small straw hand brush with handle bound wit fine wire and two laps of double twine binding around body of brush. Manufacture method clearly different to 'modern' machine made brushes.straw brush, hand brush, small brush, small broom

Both patients and staff were in frequent possession of passports and bank books particularly during the 20th century. These objects give an insight into people lives. The objects belonging to Miss Isabella Beatrice White are significant as they show everyday objects used by both patients and staff of Aradale Mental Hospital. British Passport - bound in thick blue material with the British Coat of Arms embossed in gold. The Passport contains 32 pages. The State Savings Bank of Victoria Book - The bank book is grey with black printed type. The Passport has both printed and hand written information and personal details. The bank book contains account details and hand written deposits and withdrawals made.bank book, passport