Robert Anderson and wife migrated to Australia in 1856 and moved to Phillip Island about 1870 - 71. His descendants are tabulated with some brief history of them. On one Family Tree it has that Robert Coxon Anderson married Margaret Sharpe in 1855 then Bessy Flemming after Margaret died. In another Family Tree the 2nd wife is noted as Annie Grant marrying Robert in 1891. The above Family Tree has been changed to Annie Grant.The Anderson' Family Treelocal history, documents, family history, family descendants from robert anderson, phillip island, hand printed in ink on white paper, mrs emma anderson jacobs, anderson family tree

This message concerned the P.S. Curlip's entry to the Snowy River Lakes Entrance. It was logged at 2:45 and received at 2:47.This item is associated with the P.S. Curlip and the Richardson family, early Orbost pioneers.A white paper telegram with blue print and details hand-written in black ink. It has been sent fro Orbost to "Allen Richardson Marlo". The handwritten message is difficult to decipher."You may enter - engine driver Curlip within two miles outside Entrance Snowy River."telegram-richardson-curlip communications-19th-century

John Russell Senior was a blacksmith, wheelwright, farmer and later chairman of the Orbost Butter Factory, makers of Sunny South Butter (today part of Murray Goulburn Co Ltd). His blacksmith business was in Nicholson Street, Orbost. Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex.This item is an example of the book-keeping of an early 20th century Orbost business and is a useful research tool.A white paper account with red lines and black print. Details are hand-written in blue ink. It is from J. Russell to R. P. Cameron.account-book-keeping russell-john blacksmith cameron-r.p.

This photograph depicts the third battle of Ypres (Battle of Passchendaele). Depicted is a trench battlefield that has been turned to mud. Two army tank vehicles have been buried in the mud of the trenches. A single soldier stands in the background surveying the battlefield.After mid-1917, and following mutinies in the over-strained French Army, the British Forces had to assume an even greater role in the war on the Western Front. For Field Marshal Sir Douglas Haig, the British commander-in-chief, this provided an opportunity to launch an offensive that he had long wanted. Attacking from Ypres in Belgium, he planned to drive the Germans from the surrounding dominant ridges and even hoped to reach the Belgian coast. Following on the success at Messines in June, he unleashed his great attack on 31 July 1917. Fighting went on, often in appalling weather and despite crippling losses, until November. Finally, with the army stuck in muddy fields churned up by the artillery fire, the bloody offensive came to an untidy close. Many would afterwards call this offensive, actually a series of battles, after the name of the village that had become the last objective – 'Passchendaele'. In the Battle off Passchendaele, the 1st, 2nd and 3rd Australian Divisions captured Broodseinde Ridge on 4 October 1917. It was a vital victory. But, then it began to rain. Five days later the 2nd Australian Division suffered heavily in a further attack in the mud. Finally, on 12 October, another attack, involving the 3rd Division assisted by the 4th, was made against the village of Passchendaele atop the main ridge. In the face of heavy fire, the men fought in the mire while struggling to keep up with their artillery barrages. Ground was taken but it could not be held. In wretched conditions, with casualties mounting at an appalling rate, the Australians had to fall back. The troops were finally exhausted and could do no more; by 15 November they handed over to the Canadians.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6523/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)/military album, burke museum, beechworth, military vehicle, trenches, trench warfare, wwi, world war one, world war 1, ypres, belgium

A restricted access document covering topics related to officer training. Part of the collection of KEVIN JOHN HERDMAN No.397661. See Cat No. 5942P for details of his service record.Blue coloured plastic coated two ring binder containing printed black text and handwritten notes. Handwritten notes in blue ink. Printed pages are white in colour with cut edges and rounded corners. Two holes punched in all pages. Sections separated by alphabetically labelled light brown dividers. Handwritten and typed pages are on white paper with blue lines. Various printed and hand-drawn diagrams. Title on cover in gold coloured lettering, Australian Army, logo in gold.On inside of folder's back cover on Dymo tape label: "HERDMAN".officer training, australian army, training manual, kevin john herdman

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This document relates specifically to power of Attorney in relation to the Croydon goldfields in Northern Queensland which operated in the latter part of the 19th century. By 1907 it was failing although there were attempts to revive it in the 1920’s. Patrick O’Neil authorized as the agent for Augustus Bostock was a confidential mining agent for Sandhurst mines one of the larger mining companies at that period of Australian history.This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This letter records one of Augustus Bostock’s many interests, being for the Croydon goldmine which is situated on the Gulf of Carpentaria.White lined paper handwritten in black ink. Coomete, Hexham, Victoria printed at top right hand corner.Signed Augustus Bostock.warrnambool, augustus bostock, croydon goldmines, sandhurst mines, 1888, goldmining, patrick o’neil,

These items concern the history of the Baulch family ownership of Cowabee, a large grazing property in the Riverina in N.S.W. In the 1870s Samuel Baulch, the son of pioneer Kirkstall settlers, Francis and Ann Baulch, established a property in the Macarthur/Hawkesdale area called Rose Park. In 1893 he acquired Dunmore, a nearby property, and Rose Park became part of that estate. In 1910 Samuel Baulch purchased Cowabee in N.S.W. and Stan Baulch, the son of Samuel and Eliza, later managed Cowabee for some years. After Samuel’s death Stan Baulch and his two brothers split up Dunmore and Stan acquired the eastern third which he named Rose Park. Cowabee was sold in 1922. This booklet and associated material is of some historical interest as a summary of the history of Cowabee, one of the properties owned by the Baulch family of the Western District in the early 20th century. It will be of some use to researchers, with the photographs an added bonus. .1 This is a booklet of 41 pages with a buff-coloured paper cover with a black tape binding. The front cover has a title in hand-printed lettering and the back cover has a red stamp (partly obliterated). The booklet contains typed information on Cowabee Station. .2 This is a small envelope containing six black and white photographs, all with handwritten information on the back. .21 & .22 These are two loose sheets of writing pad paper with handwriting in blue ink. .1 Cowabee .2 Snaps Cowabee Church Cemetry(sic) & pise buildings left there cowabee station, n.s.w., baulch family western district victoria, history of warrnambool

Letter from Martin Middlebrook to F.G. Davey requesting information about the 'Raid on Nuremburg' about which Middlebrook was writing a book. Part of the F.G. Davey Collection. See catalogue no. 3536P for his service record.Opened airmail letter in black type on blue paper over a handwritten signature. Reverse side has sender and recipient's addresses in black type. Front panel has recipient's address in black type. A printed postage stamp in blue, black and white is located in the top right hand corner of the front panel. In the top left hand corner is a blue rectangular panel with the words 'BY AIRMAIL AIR LETTER' in white type. On the reverse, the sender's address section is marked with blue lines and a warning in blue type advising that the letter should not include enclosures.Handwritten signature in blue ink: 'Martin Middlebrook'letter, f.g. davey, raid on nuremburg, martin middlebrook

Soft cover book. Soft cover - cardboard, white brown and dark green print on front, spine and back. Front cover background illustration montage of 2 colour photographs. Top portrait of soldier in uniform, bottom street scene in Afghanistan. Back cover - colour photograph of "Eleven Bats" 366 pages, cut, plain off white paper. Illustrated colour photographs. Hand signed on Title page.non-fictionBook - soldiers story of Combat, Survival and Backyard Cricket.books, autobiography, east timor, iraq, afghanistan,

The Illustrated War News, Volumes 1 & 2. .1) 12.8.1914 - 28.10.1914. .2) 4.11.1914 - 20.1.1915. .3) & .4) Catalogue data sheets from the Bendigo Historical Society 15.4.2010..1) & .2) Book collection in hard cardboard buckram dark maroon colour, gold print on spine, pages have gold edges, white paper slightly glossy, B & W photographs from “The Illustrated War News”. .3) & .4) Catalogue sheets, black print with pencil entry, white paper..1) Hand written in blue ink on, “Fred J Prideaux/Geelong/May 1915illustrated war news, photographs, 1914 - 1915

A story of HMAS Bendigo, a literacy sketch comprised of contributions from some of the men who served in her; contributions that reflect the humour, frustration, tragedy and discomfort of life at in war time.Soft cardboard cover, purple print on front & spine, red & black print on back. Sepia colour photo on front of HMAS Bendigo in camouflage paint. Back cover has a coloured photo of HMAS Bendigo banner which includes The Bendigo City Crest of the places served during WWII. 126 pages, cut plain paper, illustrated with black & white photos & maps.Hand written in black ink on notepaper attached with clear sticky tape to front end paper: “WK, DAVID INGRAM BORN IN BENDIGO”books-military/history/navy, hmas, bendigo

.1) Soft cover, plastic coated mottled mid green card with black print on front & back covers. 148 pages, cut, plain, off white paper with black & white photos, maps & diagrams. .2) Blue plastic cover with white print on front & back covers. No page numbers, 25 chapters, cut, plain, white paper with black & white diagrams & mid green illustrations..1) Purple stamp on title page: “WAUR LIBRARY No (194 handwritten in black ink)” Handwritten in black ballpoint ink on 3rd page: .1) 1 MAR 69, 1A., 2, 1 NOV 69 ) 29 JUL 77” .2) Handwritten in black ink on 1st page: “ BOO”. ???books, military, infantry, hand book

FRANK THOMAS DUNPHY No 4485 enlisted in the AIF on 12.7.1915 in 14th reinforcements to 6th Batt age 22 years. Embarked for Egypt 28.1.1916, embarked for France 29.3.1916, hospitalised 7.9.1916 with varicose veins, while recovering was hospitalised again with mumps. Returned to unit 19.2.1917, WIA 5.10.1917 with GSW’s chest & right arm - severe, returned to Australia and discharged medically unfit on 1.10.1918.Frame. Timber, cream painted with glass front. Certificate. Black, white, blue, red & yellow ink, hand written certificate on beige paper. Battalion colour patch at the top & RSL badge at bottom with printed blue ink: 28th Day of October 1964. "From 6th Battalion AIF Social Club Bendigo - To Frank Thomas Dunphy Esq" Signed in black ink bottom RH: "Les Bennetts- R C Wright - W Green"documents - certificates, frame accessories, military history

"The Battle of Coral" is the exciting and dramatic story of the biggest unit level battle involving Australian soldiers in the Vietnam War. Donated by Andrew John BALSILLIE MBE. Refer Cat No 118.5 for his service details, RSL, Council history.Hard cover, red colour buckram. white colour print on spine. Dust cover with plastic cover, black and red colour print on front, back and spine. Illustrated yellow colour background, silhouette of helicopter/jungle on front. 361 pages cut plain. Illustrated black and white photographs and maps. End paper - illustrated maps.Title page - hand written in black ink "Donated by / 2-1-2000" - owners stamp in black ink "Major A.J. BALSILLE, .M.B.E.,J.P.books, military

The newsletter was published to address the Mercantile Marine primarily officers in the service. This is the number 19. The term "Merchant Navy" was coined in 1919 by King George V. So this foyer predates 1919.An unusual example of newsletter circulated by the Missions to Seamen (UK) during WW1. The aim may well have been to boost morale but clearly targeting Merchant mariners.Small paper and ink (2 colours, black and blue) 4 page stapled paper pamphlet/booklet. First page features some small black and white printed hand drawn graphics of a river mouth and a decorative angel or female. ww 1, mercantile marine service, mercantile marine, ww1, first world war, great war

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. This letter mentions the S.S 'Morgenster', the South African ship Allan was working on at the time, and also which he was signed off from because of South African law.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0152.1 Envelope Part 0152.2 Letter Page, 0152.3 Letter Page. Both the envelope and letter were white paper, which is now a yellow-white. The letter begins "My darling Mum, I hope that you have not worried..." and concludes with "Your loving son, Allan...". Printed across the top of 0152.2: SOUTH AFRICAN MARINE CORPORATION, and handwritten beneath: S.S 'Morgenster', 23rd April, Baltimore.Front of envelope: SENATOR HOTEL / 136 WEST SECOND STREET / RENO, NEVADA (printed) / MRS. S. QUINN, / "SANLORENZO", / 63 OCEAN BEACH, / MANLY, N.S.W., AUSTRALIA (handwritten in blue ink). In the top right hand corner are three U.S.A stamps, for the value of 5, 20 amd 50 cents.. In the middle of the top of the envelope is a stamped postmark: JUL 18 / 12 M / 1945 / NEV. Back of envelope: A. QUINN / MV. JOONAWARRA / 61 (indecipherable) STEAMSHIP SO. / SAN FRANCISCO, CAL. U.S.A (handwritten in blue ink).allan-quinn, letter, handwriting, south-africa

This photograph forms part of the collection that has been accumulated at the Mission to Seafarers Victoria. It demonstrates that that there was an ample library once in use at the Mission. The photograph is thought to have been taken in the Chaplain's office next to the chapel. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Reading have always been an incentive at the Mission, and books were always made available to seafarers insiste or brought on board ships via reading parcels.Black and white photograph of two men in the chaplain's library. The man on the left of the frame is putting a book back on the shelf and the man to the right of frame appears to be be reading a book.Number 3 (in circle) handwritten in black ink on reverse of photograph in top right-hand corner. Reverse side also includes a numerical stamp of "1940". Ilford is étampes on the paper.library, books, literature, reading

Construction of the main road from South Tawonga to the Bogong High Plains, to provide access to the construction sites for the new Kiewa Hydro Electric Scheme, was commenced early in 1938, the work being undertaken on behalf of the commission by the Country Roads Board. For the construction work, the Commission purchased three Caterpillar - model R07 - diesel crawler tractors equipped with Kay Brunerei (Brunner) hydraulically operated trailbuilders (angle dozers). This acquisition resulted from a visit to the United States of America in May, 1937 by the Construction Engineer ( Mr. C.H. Kernot) and Assistant Civil Engineer ( Mr. J.F. Douglas) where they saw this relatively new type of equipment in use. With the co-operation of the CRB, the Commission demonstrated the operation of these machines at Fishermen's Bend on 6th April, 1938. They were then sent to Kiewa where they commenced operation towards the end of the month. From South Tawonga, the route let immediately across the Western Branch of the Kiewa River necessitating the construction of a bridge 100 feet long. By the end of 1939, the excavation had been 'opened up' for a distance of 19 1/2 miles (approx. 31 km.) and of this length, 10 miles (approx. 16 km.) had been surfaced. (see KVHS 0328)The purchase of this type of mechanical equipment in road making was a huge investment, as prior to this most of the work would have been done manually with the use of picks and shovels. Not only were many months of hard manual labour saved, but a very significant amount of time in providing access to the proposed work sites for the new Kiewa Hydro Scheme. This photo is an excellent reminder of how primitive the early machinery was compared to the present but also represents the forward thinking of the State Electricity Commissions engineers in purchasing such innovative equipment.A black and white photograph of road making near Mt. Beauty in 1938. Mount Beauty hills can be seen in the background with cleared land for grazing in the fore ground.Hand printed in black ink at the top of the photograph is 'Kiewa Road Making 25/8/1938'. On the right hand corner has been printed the number 2. It has been printed on gloss Velox paper.road making, state electricity commission, caterpillar tractor, kiewa, secv

The lines plan was drawn for the building of the steamship S.S. Rowitta, a passenger steam ferry built in Hobart for use in Tasmania's rivers, the Derwent and the Tamar. It is a copy of the original lines plan. The S.S. Rowitta was built by Purdon & Featherstone, at Battery Point, Hobart (Tasmania) in 1909 from Huon Pine and Kauri planking. Her final configuration included three masts and a ship rig. S.S. Rowitta took its first voyage from Hobart to Launceston in 1909 and operated for 30 years as a passenger ferry on the Tamar and Derwent Rivers. She also served as a freighter, an army supply ship, a luxury charter ferry and a floating restaurant as well as a prawn boat at Lakes Entrance. (She has also been named “Sorrento” and “Tarkarri”.). In the very early days of Flagstaff Hill ‘Rowitta’ was purchased from Lakes Entrance by Warrnambool City Council and the Victorian State Government for $20,000. The Rowitta had a hull configuration very similar to a local boat named the SPECULANT, which played a key role in the Port of Warrnambool in the early 1900s. The Speculant was the largest ship ever registered with Warrnambool as her home port. Local owner and trader P J McGennan & Co, (Peter McGennan) used her as a freight carrier to Melbourne and timber trader between New Zealand and Victoria. She sunk at Cape Otway in 1911 on a voyage to Melbourne. In 1974 Rowitta was delivered to Port Fairy and then later sailed to Warrnambool’s Breakwater where she was lifted out of Lady Bay and loaded onto the back of a long transport truck and slowly and carefully driven along Pertobe Road, through the Surfside Caravan Park and over the railway line, into Flagstaff Hill’s Maritime Village. Transfer arrangements were coordinated by Jack Morse, of Morse Engineering, a member of the Flagstaff Hill Planning Board, and Ken Goyen, a local crane operator. The ‘Rowitta’ was originally acquired to be rebuilt to match the original SPECULANT. When finances became tight in 1976 a review of all plans ended in the decision to restore the “Rowitta” to her original configuration. She was then restored, renamed the original name of “Rowitta” and installed in the Village’s Harbour Lake to become one of the popular vessels on display for visitors to enjoy. It was the decision of the Advisory Committee to Flagstaff Hill to have Rowitta demolished in April 2015 due to extensive deterioration. Items associated with the Rowitta continue to be held in Flagstaff Hill Maritime Village’s Collection.The lines plan of the passenger ferry S.S. Rowitta.is significant for its association with Tasmanian history from the early to mid-1900s. It is also connected to the history of the Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years. Lines Plan, copy, of the steamship S.S. Rowitta. Rectangular drawing paper with copy of the hand drawn lines plan showing several profiles of the vessel. The vessel was built in 1909 by Purdon & Featherstone, Hobart. On the revers is handwritten inscription, and a white label with a handwritten number.Printed on the plan: "S.S. ROWITTA / LINES PLAN / SCALE 1/4" TO 12" " Blue ink writing on the back: "Rowitta" Blue ink on label: "56"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, s.s. rowitta, charles street wharf,, launceston., purdon & featherstone, rowitta, tarkarri, speculant, purdon & featherstone of hobart, passenger ferry 1909, sorrento, lines drawing, ship's plan, lines plan, line plan, shipbuilding, ferry

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Christmas Greeting Card: Embossed paper with white daisy like flowers and green foliage. Card opens at the centre and has gold print 'The giver's loving thought Longfellow' *A bright and happy Christmas to you from Eliza* is hand written in Ink. One side of the card is detached with wear. On the back is also hand written *To my Dear Alice with love & Kisses*. A Trade Mark and Publishers to Her Majesty The Queen. Box 625Raphael Tuck & Sons Ltd, London, Paris, New York. Designed at the Studios in England and Printed by the ''Rafouth'' Plates at the Fine Art Works in Saxony. Copyright.ephemera, mementoes, christmas cards, christmas greeting card

TROVE : The Age (Melbourne, Vic. : 1854 - 1954) Thursday 22 August 1918 p 6 Article 'Doctors and Lodges. Malvern Medical Association. The friendly societies of Malvern have formed a medical association in connection with the Malvern and District U.F.S. Dispensary. This has been registered as the Malvern and District U.F.S. Medical Association and Dispensary. Practically all the societies have joined it. The committee has appointed as medical officer Dr. J Weir, who is now carrying on the work of the institution. Another doctor is to be appointed shortly to assist him. The committee lately purchased a property in Valetta-street, formerly used by the Church of Christ. Structural alterations have been made, and the business will be transferred from High-street to the new building early in September'. TROVE : The Prahran Telegraph (Vic. : 1889 - 1930) Friday 23 January 1925 p 6 Article 'Malvern Dispensary. ANNUAL REPORT AND BALANCE SHEET. The 16th report and balance sheet for the year ending December 31st last of the Malvern and District U.F.S. Medical Association and Dispensary signed by the president (Mr.Chas. A. W. Smith) has been issued. It is the first annual report since the erection of the new hall and dispensary in Valetta street, and discloses a satisfactory state of affairs. Mr. Smith, who is now a past president of the Dispensary, has been commended on. all sides for the active interest He at all times took in the work of the dispensary, and he has every reason to feel pleased and gratified that the erection of the new building was put in hand and completed during his tenure of office. The enterprise is a credit to the district, and shows that, those associated with friendly societies work in Malvern are imbued with a true progressive spirit. The dispensary is assured of a successful and useful future.........................................'. TROVE : Digitised newspaper articles.- The Dispensary Hall in Valetta Street, Malvern was used as a meeting place and dance hall after 1925.Hexagonal clear amber glass bottle, 1/4 full of yellow / brown liquid with cork stopper secured by string. White paper label with red printed text and hand writing. Bottle has 3 plain sides, 2 sides with 'x' stipple pattern either side of a panel with embossed text.Embossed on side of bottle 'NOT TO BE TAKEN', '8'. Embossed on base of bottle '8', followed by an AGM monogram, over one indistinct character and '422M'. On the white paper label printed in red 'POISON' NOT TO BE TAKEN', followed by hand written script in blue ink 'Use on pad as directed. Mr. Williams' , then printed in red, double red lines followed by MALVERN & DISTRICT U.F.S., M.A. & DISPENSARY, VALETTA STREET, MALVERN.poison, friendly societies, amber glass, pharmacist, dispensary, topical medications.

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's mouth open with one hand and is holding medical equipment in the other. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only the anaesthetist's hands, Dr Kaye, and the patient are visible.•Printed text in black ink on paper label glued under photo: Opening Mouth without a Gag. •Handwritten with blue ink on reverse and underlined: Photo. 1.geoffrey kaye, anaesthesia, dental procedure, patient, anaesthetist

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is inserting a mouth gag dental instrument into the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Inserting the Gag under Vision. •Handwritten with blue ink on reverse and underlined: Photo. 2.anaesthesia, dental procedure, anaesthetist, patient, geoffrey kaye

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is inserting a mouth-pack into the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. A fourth person's hand is holding the patient's mouth open with a mouth gag dental instrument. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist and the fourth person are visible.•Printed text in black ink on paper label glued under photo: Inserting the Mouth-Pack. •Handwritten with blue ink on reverse: Photograph 3. / (Frame 16).dental instrument, dental procedure, geoffrey kaye, anaesthesia, anaesthetist, patient

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is changing a mouth gag dental instrument in the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Changing-Over the Gag. •Handwritten with blue ink on reverse: Photo. 4. / (Frame 20).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding an instrument to the patient's mandible. An anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. A fourth person's hand is holding a mouth gag dental instrument in the patient's mouth. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist and fourth person are visible.•Printed text in black ink on paper label glued under photo: Depression of Mandible by the Operator. •Handwritten with blue ink on reverse: Photo. 5. / (Frame 22).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is holding the patient's jaw and is placing an instrument inside the patient's mouth. An anaesthetist's hands are supporting the patient's jaw and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: It takes Two to support the Mandible. •Handwritten with blue ink on reverse and underlined: Photo. 6. / (Frame 23).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye

Black and white photograph of a demonstration of a dental procedure on a patient who is receving anaesthesia. An anaesthetist standing on the right is supporting the patient's mandible and administering anaesthesia to the patient through an inhaler. A second person's hand is holding a mouth gag dental instrument in the patient's mouth. The background of the photo has been covered with black ink so that only the patient, anaesthetist and hand of the third person are visible.•Printed text in black ink on paper label glued under photo: Supporting the Mandible : the Anaesthetist's Stance. •Handwritten with blue ink on reverse: Photo. 7. / (Frame 22).dental procedure, anaesthesia, anaesthetist, patient