Wire-framed circlet. Frame covered in cotton netting. Frame has a scalloped design 3cms high. The over lapping scallops are covered in small pearl beads. Around the base of the head dress are attached net covered “lilies” each with a tear-drop shaped pearl bead at the centre. An elastic band is attached to hold the head dress firmly to the head. The head dress originally also held a veil. Cream in colour. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531 Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte.costume, female ceremonial, wedding head dress

Lace belonged to Rob Innes' mother Miriam Effie (Drury) Born 1895. It might have belonged to her mother born 1856.Lappet head dress made with Maltese lace. Long deep cream coloured piece with edge of Maltese cross shaped medallions on all sides. There is a gathering at each end.lace making, handicraft, lappet head dress

This type of head dress was very commonly worn by British Commonwealth Forces in the Sub Continent and other tropical areas. This particular example would have been a common sight in Northern Australia during the time frame, as well as Africa, Middle East and the Pacific. It is a light weight ventilated helmet offering good air circulation via the vent in the top of the crown, and shade to the back of the neck. As well as protection by the peaked front for the eyes reducing glare, preventing sun and heat stroke. It also created an image of gentlemanly dress and pride in appearance. It conformed to an ideal and was considered quite fashionable and a little dashing, often worn at a jaunty angle, creating a rakish air, far from today's simplistic view of pure functionality and at as low as possible cost. Whether worn with a tropical uniform with jacket and trousers, or open necked shirt and shorts, the wearer was easily identifiable as British or one of the Commonwealth countries.WW2 RAAF Wolsley cork helmet. Helmet Khaki cotton six (6) panel outer, with three (3) fold pugaree. Colour patch on left side approximately 6cm X 5.5cm, Dark blue,2.5cm, Light blue, 0.5cm and Maroon 2.5cm. Tan leather trim around brim, tan leather chin strap. Traditional pith helmet four (4) hole domed type vent on top of crown. Beige leather sweat band pierced around the top and with a cotton cord adjustment threaded around. Fixed to shell in four points diagonally. Interior is also covered in Khaki cotton. Hand written in brown ink. A1917 F/Lt C KERR GRANTworld war two, head dress, helmet, pith, cork, cloth covered, leather trimmed, royal australian air force, officer, flight lieutenant, khaki, pith helmet, air force, tropical, hat

Nurses head dress

This brown wool felt hat with a broad brim was, by its style, used by a adolescent child for church services. This was worn in a period where church services on Sunday was an important weekly ritual by the whole family. Special (church only) dresses and hats were worn not only to show respect to the church but also part of expected community mores relating to religious beliefs. This behavioural pattern was more entrench in the rural communities than within larger cities. The closeness of smaller rural communities is the main factor regarding social norms. The visible standing within the community was uppermost. The period pre 2000 was a more coheasive family environment ( due to greater intra family activities) which provided better communication and family activities.This "church styled" hat is very significant to the rural lifestyle and its mores. It clearly demonstrates the coheasive force that religion has on the Valley population. The closeness that the semi isolation (at this time) brought about by the Valley's physical land formation and the poor roads within the valley brought families closer together. Not turning up for important social functionsw was duely noted by all (and frowned upon). Mrs E. Fisher lived at Mongan's Bridge in the Kiewa Valley.Brown child's all felt hat size 6 1/4. A broad brim with a lighter brown velvet ribbon head band. Head band has a crossover to the left front with 100 mm extension flowing over the brim. The top of the inside of the head pocket is lined with a soft silk fabric.6 and one quarter (size tag). Unreadable crest / monogramchildren's head wear, social head dress, church hats

"School at Hall's Gap studies holistic Aboriginal theology" - article by Tim Angus - "Participants at a school of Aboriginal Theology were challenged to take up a new partnership in mission by the Rev. Charles Harris, president of the Uniting Aboriginal and Islander Christian Congress… Charles Harris gave a quiet and determined witness to the power of the Gospel to free his people to become agents of their own destiny in spiritual, cultural and political terms."Head & shoulders, dressed casually."Rev. Charles Harris"harris, charles, aboriginal and islander christian congress

Alexander Norman Cummin (Sandy) No 18 enlisted in the AIF in the 38th Batt HQ on 22.2.1916 age 19 years 4 months. Embark for England 20.6.1916, embark for France 22.11.1916, WIA 11.8.1918 Shell wounds (unclear), rejoin unit 23.9.1918, hospital while on leave 1.12.1918 with Bronchitis, return too Australia 24.12.1918 with Influenza, discharged from the AIF 21.3.1919 medically unfit.Portrait black & white of soldier standing. Australian soldier has no head dress, name Sandy. ALEXANDER NORMAN CUMMIN.On photo itself is a small number 4072. The bottom RHS has T L FULLER AMESBURY. The rear: Larkhill Camp Amesbury Salisbury Plain England. To Mr Harvey with love and best wishes Sandy 29.8.16. Sailed June 20/16documents - postcards, photography-photographs, military history - army

Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe

Bride in shin length dress , head dress and veil typical of 1920'sBlack and white photograph of Les Fish and his bride Ethal on their wedding daycelebration, wedding, ww 1, army

Souvenir item belonging to Mathew Red woodArab Keffiyeh Head dress for males. .1) White knitted skull cap. .2) Black cord. .3) Black and white cloth yash math scarf.headwear, iraqi, arab

Recruit training was often carried out on a Brigade basis with recruits and instructors from units.Black and white photograph of large group of soldiers posed in 6 tiers. Variety of head dress and badges indicate the group is a recruit course. Some 8/13 Victorian Mounted Rifles members are included.

Black and white photograph of Miss Molly Palmer, Queen of Fishing in the fundraising Queen of Carnival, she is dressed in white dress with decorative head dress and long train accompanied by two flower girls. Lakes Entrance Victoriacelebrations, genealogy, fashion

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400. B&W photo of a young girl in a white dress and head dress sitting on a lawn with 2 dolls. Below is 'Australian Series. Possums' Undated. Addressed to Miss Shatford, Black Rock, Via Sandringham Sender with message J G D, Emu Park, 19/11/1906 postcard, collector, alice mcgregor

Small, oval head and shoulder portrait of a lady. She is wearing a high neck dress with a brooch at the neck and a long necklace? Her dress has embroidery and flowers? Sewn onto it. She also has a floral head-dress.T. M. Cleaves, Photographer, View Point, Eaglehawk.photograph, portrait, female, portrait of a lady

Gilbert Rule Colletion: oval shaped photo on rectangular board. Young girl with long hair, wearing a white bow on top of head. Dressed in a black outfit with a white collar. Written on rear of mount "Gladys Rule, Bendigo".W. Vincent Kelly, Mitchell St., Bendigo.person, individual, gilbert rule collection:

Small oval head and shoulder portrait of a lady wearing a dark dress with a wide crocheted collar and a brooch at the neck. She has a lacy type of head dress. Photo mounted on dark brown card with the photographer's name printed in red on the back.M. W. Bent, Pall Mallphotograph, portrait, male, portrait of a lady, m w bent

A mitre is the traditional, ceremonial head-dress of bishops. This early 20th century example is of a low cut style in its original case. It is decorated in a baroque style with arabesques and paste and is believed to have belonged to Ballarat's second bishop James Moore.bishop moore, ballarat, mitre, gold embroidery, stones, paste.

Colour tinted photograph of Cyril and Joan nee Fraser Edsall standing in the doorway of St Nicholas Church of England after their marriage on 7 September 1963. Bride in shin length long sleeved frock and small floral head dress Lakes Entrance Victoria genealogy, fashion, celebration

after their marriage at St Andrews Bairnsdale. Groom in dark three piece suite, white shirt, pale tie. Bride has simple head dress and veil, dress with long sleeves slashed at upper arm, short train, bouquet tied with white ribbon. Sepia toned studio photograph of John Alexander and Rita Wills Bairnsdale Victoriagenealogy, celebration, fashion

This is a souvenir program made for the musical event, Hiawatha, presented by Orbost Rotary Club on November 28,29 1949. Miss Elsie Lambert was a teacher at Orbost State School for 25 year.This is representative of the entertainment popular in Orbost in the 1940's-1950's.Two small 12 pp cream coloured books with brown print and the head of an American Indian chief in head-dress on the cover. It is titled"Hiawatha" prod. and directed by F.C. Herbert. a musical event presented in Orbost 1949, performed and sponsored by the Orbost Rotary Club. This was a souvenir program.On the back cover 657.1 in ink - E. Lambert.souvenir-program hiawatha musical orbost-rotary

Small portrait of a lady seated on a chair with her left arm resting on a table. She is wearing a long, high neck dress with a full skirt and large sleeves. She is also wearing a head dress with a frilled edge and wide bow under her chin. No photographer's name.photograph, portrait, female, portrait of a lady

Black and white photograph of Margaret nee Darcy and Colin Campbell taken after their marriage 9 July 1955. Brides frock lace over satin, long sleeves, pointed collar and tiny buttons centre of bodice, long train, small head dress holding veil.genealogy, celebration

The subject of this photograph was unidentified for many years, but in 2014 the photograph was identified as probably of Mary Broadstock Tame, the aunt of John Burnham Tame. (J. B. Tame was the son of Mary's brother Charles Tame). Mary Broadstock Tame was the wife of Joseph Shepherd, who ran Shepherd's Family Grocery & Ironmongery store in Sussex Street, Linton. They had no children of their own, however they are known to have fostered several children, including Mary's nephews Alfred and Edwin Darling, as well as Ruby Barton.Sepia Carte de Visite portrait of a woman with hair drawn to back of head, wearing dress with white collar.mary broadstock tame, mary shepherd nee tame

Photograph. This is a photo-copy of 11400.751. A black and white photo mounted on cream card. It is from the Wedding of Mrs James Mitchell (nee Ella Nicholls, Bendigo). A floral head-dress holds a long veil, fingerless gloves, and a large round bouquet complement this beautiful silk and lace dress.photograph, person, copy wedding photo of mrs james mitchell, refer research notes included in clothing box 136

8/7 RVR is a Victorian Army Reserve Unit (Citizen Military Forces).This is a B & W portrait of C.M.F. soldiers. It is in a simple brown wooden frame. The portrait shows 4 rows of soldiers on a stand. In front of them, seated, is an instructor holding a cane and a Lieutenant. They are wearing GP boots, jungle green pattern shirts and trousers. Head dress is a variety of slouch hats and berets.On the back is :- 75/06 P.16 1981 1981 Recruit Course 'Puka' featuring Cpl Johnson.photograph, recruit course, cmf training, 8/7 rvr

Sepia toned photograph of bride Rita Wills and her bridesmaid in Mona Mcleods photographic studio, bride in white dress with unusual split upper sleeve, simple head dress and patterned veil, seated bridesmaid in floral frock with short puffed sleeves, simple circle of flowers in hair. Bairnsdale Victoriacelebrations, clothing, genealogy

Studio print William Giles in three piece suit sitting on chair with legs crossed and holding gloves. His wife Emma in white wedding dress, white gloves, white shoes and veil has flowers as head dress, wearing glasses. Her right arm is resting on the chair holding her bouquet. Emma is buried at Glenorchy.15998 Giles/18 Eden Photo Studios Melbourne.wedding, clothing

A plume of emu feathers was worn in the puggaree of the slouch hat by Australian Light Horse. The tradition was continued by Australian armoured regiments wearing a smaller tuft of emu plumes behind the hat badge on the black beret. In 1992, the slouch hat with plumes was reintroduced as the official head dress of the Roya Australian Armoured corps although the black beret continues to be worn as work dress.A bunch of emu feathers attached to a piece of tanned skin.emu, light horse, plume

Photograph. Wedding photograph of Mrs James Mitchell nee Ella Nicholls (Bendigo). Brown cardboard surround. Photograph - black and white 18.5cmX13.5cms. A .5cm wide dark brown border surrounds the photograph, and the edge of the mount. Bride wears a beautiful silk and lace gown, a floral head-dress holds a floor - length veil, and she wears fingerless gloves and carries a large round bouquet.Photo, Eden Studios Melbourne P697. On back of photograph: hand written - About 1912. Mrs James Mitchell nee Ella Nicholls (Bendigo).photograph, person, wedding photo of mrs james mitchell, refer research notes included in clothing box 136