Showing 55 items
matching headdress
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National Vietnam Veterans Museum (NVVM)
Headwear, Headdress
Blue circular satin embroidered headdress with leather sweatbandheaddress -
National Vietnam Veterans Museum (NVVM)
Headwear, Headdress
Red circular satin embroidered headdress with blue leather sweatbandheaddress -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Headwear - Sub-Unit Headdress of C Company 5/6RVR - Navy Beret with White Plume and RVR Badge
Sub-Unit Headdress of C Company 5/6RVR - Navy Beret with White Plume and RVR Badge. Originating from the busby and white plume of the 6th Battalion, the Royal Melbourne Regimen (from which C Company 5/6 RVR is descended as "The Melbourne Company") the beret and plume represents the historical connection between C Company of today with the 6th Battalion and her allied regiment, the Royal Regiment of Fusiliers. -
Department of Health and Human Services
Highland indigenous people, at Goroka, Papua New Guinea, with their tribal headdress on - Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo Collection
Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection -
Brighton Historical Society
Headwear - Hat, Headdress, Late 1800s
A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole -
Lilydale RSL Sub Branch
Headdress, 1968
Slouch hat complete with puggaree, colour patch, Royal Australian Engineers cap badgeInside crown: "Dukes" written in biro Inside hatband: Dunkerley Ltd, Akubra 1968, 7 1/8, Made in Australia -
Ringwood RSL Sub-Branch
Headgear Navy Oficers Cap, Compton Webb Ltd, C 1970
Naval Officers Peaked Cap with QE 11 badge.8405 - 99 - 415 - 7983 Compton Webb ( Headdress ) Ltd. -
Montsalvat
Bronze Sculpture, Untitled (Female Nude)
Bronze sculpture of a woman wearing a lace headdress.Nonematcham skipper, sculpture, bronze, woman, headress -
Woodend RSL
Slouch Hat, 1988
Slouch hats were first worn by the Victorian Mounted Rifles in 1885. It was originally worn with the right side looped up to make it easier for marching troops to perform the “eyes right” command in parades but as more states adopted the slouch hat, it became more common to wear the left side turned up. The slouch hat was widely worn by Australian soldiers during the Boer War and it was universally adopted for the Australian Army after Federation. It was usually worn with a khaki hatband, known as a puggaree, and a Rising Sun badge on the left-hand side. The word ‘slouch’ refers to the sloping brim. The brim is made from rabbit-fur felt or wool felt and is always worn with a puggaree. The majority of the Australian Army wear the light khaki coloured puggaree, with a unit colour patch sewn on the right side, however, there are slight variations. The seven pleats in the standard puggaree represent each state and one for the Australian Territories.The slouch hat is an object strongly associated with Australian identity.Australian Army standard issue khaki fur felt slouch hat with leather chinstrap, commonly worn as part of a military uniform. Wide-brimmed with snap up latch on left-hand-side. Without Rising Sun badge or unit colour patch. 7 fold/pleat khaki cloth band puggaree around the hat. Dark brown leather sweatband, embossed with a gold stamp identifying manufacture as Akubra, date of manufacture as 1988, size 58, and a broad arrow to signify the hat is owned by the Australian Department of Defence. The slouch hat is also known as a hat KFF, or hat khaki fur felt.headdress -
Whitehorse Historical Society Inc.
Leisure object - Doll
Pink celluloid Kewpie Doll with blue Tuille and ribbon around waist and net headdresstoys, dolls -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Portrait of a lady wearing a long, voluminous dress with a white collar. She has curled hair and a headdress with ribbons.W. Daynesm Warwick St., Rugbyphotograph, portrait, female, portrait of a lady, w daynes -
Whitehorse Historical Society Inc.
Leisure object - Child's costume, 1960's
Given to donor's daughter for her 3rd birthdayChild's nurse outfit consisting of white apron, red cape and triangular headdress/veil with stitched red cross.costume, children's -
Stawell Historical Society Inc
Photograph, Lorna
Huttley Martin FamilyB/W/ Portrait of a young woman in long floral dress, high heels, pearl necklace - headdress holding floral bouquetLorna ( as Madge's Bridesmaid)huttley, martin -
Federation University Historical Collection
Object, Tengkolok Diraja (Royal Headgear), 2008
Over the centuries, the Malay Rulers were wearing fabric woven with silk tied up with various makeup in fur as garments. The shape of the bond (makeup) and its color are different from state to state. The cloth is called "Skull".Royal headdress worn by Malaysian royals, has a gold hat badge on the side. Presented to the University of Ballarat as part of Malaysian graduation celebration 2008.tengkolok diraja, royal headgear, royal headdress, university of ballarat, malaysian graduation celebration, souvenir -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The4th Task Force ( 4TF ) was a grouping of all arms ans services in Victoria. They combined to conduct recruit training courses. On this occasion it was held at the 8/13 VMR depot in Siseley Avenue, Wangaratta. Named are Back -, -, Sgt. Steffard, -, SGT.Tehaar,. Centre : Sgt. Bainer ( in centre ) Front: -, -, -, RSM White DCM 4/19th PWLH,Major Neale OC, Captain Horne 4/19th PWLH,-,-.Black and white photograph of twenty - four Officers and NCO's posed in three tiers. Mixture of headdress and badges indicate they come from a variety of regiments.Staff 4TF Recruit Camp Wangaratta August 1968. -
Whitehorse Historical Society Inc.
Clothing - Bridal headdress, 1886
The bridal headdress was made in England and worn in Ceylon in 1886 by Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886.1886 Pearl encrusted bridal tiara. Net covered wire circlet - pearls sewn around front half with four pearl covered half circles attached. See also wedding bodice NA3580, fan NA3582 and shoes NA3578.costume, female headwear -
Bendigo Historical Society Inc.
Photograph - STRAUCH COLLECTION: PHOTOGRAPH ON GLASS
Head and shoulders photograph of woman in period costume on white milk glass, slightly hand tinted, costume has lace ruffle at neckline with brooch at throat, buttoned bodice with pleats, headdress with diamonties.photograph, portrait, female -
Dutch Australian Heritage Centre Victoria
Balinese Woodcut
Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.This is likely a memento of the Dutch/Indonesia era.Carved and lacquered wooden image of male and female heads. Each is wearing a highly decorative headdress giving the impression of a special ceremony such as a wedding. The necks of the figures merge into further carving, this time of an abstract theme. -
Whitehorse Historical Society Inc.
Footwear - Shoes, 1886
Worn by Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon.1886 cream kid with ribbon bow on front with apple blossom. Two beaded bows on elastic bands to hold shoe on foot. See also Wedding bodice NA3580, fan NA3582 and bridal headdress NA3489.costume, female footwear -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930c
Also another photo taken laterBlack and white photograph taken on the wedding day of Phyllis Beyer to Wallace Munro showing the bride in close fitting headdress and a wedding gown with handkerchief hemline, with her father Thomas Beyer fisherman Lakes Entrance Victoriagenealogy, sports -
Port Melbourne Historical & Preservation Society
Photograph - Coronation of the Holy Trinity Carnival Queen 1931, 28 November 1931
The purpose of the annual Port Melbourne Holy Trinity Church Queen and King competition was to raise Parish funds. The ceremony held on Saturday 28th November 1931 was to Crown Miss Dulcie SMITH as the Carnival queen. As Queen of the Sunday School, she gained the most votes. On the church tower each day leading to the crowning a coloured flag was flown representing the group which was currently leading in the voting. the flying of the orange flag announced Dulcie's win. Back row from L to R - Valda SMITH, Keitha (Treasure) ALLISON, -?- , Dulcie SMITH, -?- , -?- , Edith DURSTAN. Front row from L to R - Albert SMITH, Bill RACHINGER.Mounted on yellow card, the sepia photograph shows seven female figures in long dresses and hats. The central figure holding a large fan wears an elaborate headdress and has a long train. In front are two young boys in fancy dress.religion - anglican (holy trinity), port melbourne holy trinity church king & queen carnival, celebrations fetes and exhibitions, dulcie smith, valda smith, keitha (treasure) allison, albert smith, edith durstan, bill rachinger -
Whitehorse Historical Society Inc.
Clothing - Gloves
Gloves were worn by donor's mother, Jean Margaret Mathie, in 1929 at her wedding. In 1954 her daughter, Margaret Eleanor Wells wore her late mother's outfit, including the glovesCream gloves of nylon and stiffened net, embroidered at wrist with cream cotton.|See also NA3484.1+2 - Headdress & veil; NA3483 - Wedding dress; NA3488 - Framed photo of Bride; NA3487 - Photo of Daughter in in bridal dress (1954 wedding)costume accessories, female -
Linton and District Historical Society Inc
Photograph, Richards and Co, Ballarat, Charles Bennett and Lizzie Craze : wedding photograph, 1911
Charles Bennett was a son of William Garnsworthy and Susan Bennett. He married Francis Elizabeth (Lizzie) Craze in 1911.Black and white portrait of a gentleman in formal attire seated to left of a young lady standing wearing long sleeved full length wedding gown with train and flowered headdress with long veil, holding bridal bouquet in front with both hands.On reverse of photograph, information probably supplied by Stella Surman: "Mr Charles Bennett / Lizzie Crase".frances elizabeth (lizzie) craze, charles bennett, weddings -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - pastel, Untitled (Portrait of a lady), c.1859
pastelportrait, female, 19th century, pastel, headdress, lace shawl -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 1936
Donated by grand daughter of Edith and Ron Palmer. Bride Ellen Lidgerwood married Ron Mathers on 4 September 1937.The Best Man was the brother of the Groom, George Mathers. The bridesmaid was the sister of the groom, Miss Mathers and the flower girl was the niece of the bride, June Lidgerwood. For full family history and photos of both weddings see Supplementary File NA3817 & NA3818. Dress worn by Ellen at her wedding and Veil worn by both sisters Edith and Ellen Lidgerwood at their wedding ceremonies, Edith in 1936 (see NA3817) and Ellen in 1937Prominent Box Hill families1937 cream seersucker dress featuring a cowl neck and long sleeve, slit at shoulder to create cowl effect. Slim at lower arm to a point over the hand and fastened at seam with press stud. Bodice cut on the cross under the bust. Cut on the cross figure fitting skirt to the floor, complete with long train. On the back is a slit opening fastened with hook and eye and glass clear buttons. Below the slit are eight glass buttons with false rouleau button loops. The train is made of an added detachable piece. Veil worn at both sisters weddings but with different headdresses. Headdress has small circle of flowers and berries. See sister's wedding dress NA3817.costume, female ceremonial -
Whitehorse Historical Society Inc.
Accessory - Fan, 1886
Fan was made for Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon. Later carried by three family members at weddings during 1941 by Mrs Kathleen Hubbert then Mrs Mary Barry in 1947 and finally by Sharlene Barry, now Mrs Ron Draeger.1886 bamboo fan mounted with white feathers. Spray of artificial flowers and cream satin ribbon tied in bows and wound round the bamboo handle. Back of fan has circle of boa to conceal joins of white feathers. See also Bodice NA3580, shoes NA3578 and bridal headdress NA3489.costume accessories, female -
Whitehorse Historical Society Inc.
Wedding dress, 1929
Wedding dress was made and worn by donor's mother, Jean Margaret Mathie, school teacher, who married John Caldwell Wells, farmer of Burwood N.S.W. On 17 December 1954, her daughter, Margaret Eleanor Wells, married Kevin William Mayes and wore the late mother's wedding outfit1929 Cream satin wedding dress; V-neckline, dropped waist, skirt cut on cross, draped long sleeves, long train at back. See also NA3485.1.2 - Gloves; NA3484.1+2 - Headdress + veil; NA3488 - Framed photo of Bride; NA3487 - Photo of Daughter in bridal dress (1954 wedding)costume, female -
Kyneton RSL Sub Branch
Hat, Australia Army Hat, 1994
The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol. https://www.army.gov.au/our-history/traditions/the-slouch-hatStandard uniform issue for the Australian Army.Khaki slouch hat, has pleated hat band, brim upturned with badge on upturned brim. Crown of hat pinched inwards. Leather crown liner and leather chin strap with adjustable clip.MOUNTCASTLE 1994 Made in Australia (Broad arrow) 56 Black pen handwritten. Fullerarmy, uniform -
Chinese Museum
costume mask, Young Chinese League costume male mask
This mask was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions.This mask is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A costume mask of a male character. He has a silver headdress with pink, green and yellow decorations. He has black horns, a black face with pink cheeks, red lips and markings on his forehead, nose and chin. The eyes has been cut out for the wearer to see out of. There is a strap that runs behinds the mask.young chinese league, melbourne, victoria, australia, processions, masks -
Bendigo Historical Society Inc.
Coin - QC BINKS COLLECTION: 25 MILLIMETRE MIDDLE EASTERN COIN
A 25 Millimetre Middle Eastern Coin that was discovered by QC Binks while he was out metal detecting for gold. On one side is an Iron Cross with a small crown insignia in the centre. Four infinity symbols are between the arms of the cross. On the other side is the image of a person in profile with a headdress. Cyrillic writing surrounds the image around the border.bendigo, gold mining, qc binks, middle east, qc binks.