A postcard of a photograph taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD A.G.J. AFFIX/ STAMP THIS SPACE MAY BE USED/ FOR COMMUNICATION. THE ADDRESS ONLY TO BE/ WRITTEN HERE. Printed in Saxony COPYRIGHT. To Dear Emily/ With every loving/ Wish for many/ happy birthday/ with love from me/ Myrtlemarysville, victoria, george, george locke, nicholas john caire, cumberland valley, hermit, postcard, souvenir

An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria.An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria. George Locke was a well-educated young man and had some success prospecting in the Cumberland area before partnering with William Chester with whom he opened the Golden Bower gold mine in 1896. George and William then discovered a second reef which they named the Silver Bower mine. George lived in a log cabin in the Cumberland reserve and was known to be a loner. He was clever with his money and chose not to have a bank account in Marysville, where everyone would learn about his financial status. He banked at the ES&A in Fitzroy and at the time of his death in 1941 he had accumulated the princely sum of three hundred and sixty pounds. George Locke was known as "the Hermit of Cumberland Valley" and lived in his humpy until his last few days during which he moved into a Forest Commission's patrol hut because his old humpy had started to fall to pieces. When George passed away at the age of 81 years he had not visited Marysville for over 14 years. Today (2022) George Locke's hut is part of the Cumberland Reserve.Mr Lock hermit Joy Marysville 392george locke, cumberland valley, marysville, victoria, william chester, golden bower mine, silver bower mine, cumberland reserve, hermit of cumberland valley

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Hermits Author: Charles Kingsley Publisher: MacMillan & Co Date: 1880Label on spine with typed text PAT 209.2 KIN Pastedown end page has sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the hermits, charles kingsley

The "Hermits" were a group of young men from Collingwood who had camping holidays at Evelyn (now Mount Evelyn) between 1908 and 1911. They took photographs, and were mentioned in a diary kept by two girls who spent their holidays in the area in 1911. The diary and photos were found in a collection belonging to Dorothy Higgs, a sister of one of the Hermits, following her death in 1978. Some of the photos and a facsimile of the diary form this publication.The photos and diary provides direct evidence of turn-of-the-century holiday and tourist activity32 p. black & white and colour illus.mount evelyn, tourism

Journal extracts from the expeditions of Abel Janszoon and Marc-Joseph Marion Dufresne 1642 and 1772. Edited by Edward Duyker. Translated by Edward, Hermit & Maryse Duyker. Hard cover book with 106 pages. Book cover has coloured wrap around watercolour illustration of two sailing ships passing tall cliffs. Cover design by Mary G. Reynolds. Book included black and white maps, photographs and illustrations. Printed and Bound in Tasmania by Tasmanian Government Printing Office, Hobart. St. David's Park Publishing, GPO Box 307C, Hobart, Tasmania, Australia 7001. 1992.Written in ink on Title page. Signature of Donor. 17/7/25 To the Bendigo Historical Society with very best wishes.tasmania, abel tasman, dufresne

The Sanctuary of the Blessed Virgin of the Coast is located in the picturesque municipality of San Giovanni Bianco, is a fascinating example of a subsidiary church immersed in the greenery of the mountains. Its privileged location, at an altitude offering breathtaking views, has made this place an important point of reference for the local community since its founding. The church, characterized by a simple yet elegant architectural style, features a façade that exudes serenity and welcome, inviting visitors to discover its history and significance. The feast of the Blessed Virgin of the Coast is celebrated every year on 15 August, becoming a moment of joy and sharing for the community. True Image of the Blessed Virgin venerated in the Church of the Costa of St. Gall One black and white holy card shows an artwork of the Blessed Virgin, St. Joseph, and the Magi and is venerated in the Church of the Costa of S. Gallo. The history of the sanctuary has its roots in an extraordinary event that occurred on 04 April 1492. A sacred image depicting the Virgin Mary, kept in the home of Caterina Lupis, was the scene of a miracle: tears of blood flowed from the painting. This event, interpreted as a divine sign, stirred great emotion and devotion in the local community. After a series of miraculous events, the Madonna herself expressed the desire to build a sanctuary in her honor, in a specific place: the coast overlooking the town and the hamlets of San Giovanni. Construction of the sanctuary began in 1492, marking the beginning of a story of faith and devotion that continues to this day. S. Antonio Abate, or St Anthony the Abbot Anthony the Abbot, Saint Anthony the Great, Saint Anthony of Egypt, Saint Anthony of the Fire, Saint Anthony of the Desert and Saint Anthony the Anchorite , ( Qumans , 12 January 251 – Thebaid Desert , 17 January 356 ) was an Egyptian abbot and hermit. A contemporary of Paul of Thebes, he is considered the founder of Christian monasticism and the first of the abbots; he is responsible for the permanent establishment of families of monks who, under the guidance of a spiritual father, abba, consecrated themselves to the service of God. His life has been handed down by his disciple Athanasius of Alexandria. He is one of the four Fathers of the Eastern Church who bear the title of "Great" together with Athanasius himself, Basil and Photius of Constantinople. He is remembered in the Calendar of Saints of the Catholic Church and the Lutheran Church on January 17, but the Coptic Orthodox Church celebrates him on January 31, which corresponds, in its calendar, to the 22nd of the month of Tobit . St Catherine of Alexandra was a martyr. T he emperor angrily ordered her to be executed on a breaking wheel. The breaking wheel is an ancient form of torture where a person's limbs are threaded among the spokes and their bones are shattered by an executioner with a heavy rod. It is a brutal punishment that results in a slow and painful death, normally reserved for the worst criminals. When Catherine was presented before the wheel, she touched it and a miracle occurred that caused the wheel to shatter. Unable to torture her to death, the emperor simply ordered her beheaded. Around the year 800, a legend spread that her body has been found with her hair still growing and a constant stream of oil coming from her body. Nothing exists to this day of her remains, and her very existence has been called into question. Despite these questions, and the possibility that her story may be confused with that of one or more other saints, she is still venerated in the Eastern Orthodox Church as a Martyr. Many Roman Catholics also venerate her to this day as one of the great virgin saints of the early Church. During the medieval period, St. Catherine was one of the most famous saints of the Church. She has was a popular subject in renaissance art and many paintings from the period are dedicated to her. St. Henry, son of Henry, Duke of Bavaria, and of Gisella, daughter of Conrad, King of Burgundy, was born in 972. He received an excellent education under the care of St. Wolfgang, Bishop of Ratisbon. In 995, St. Henry succeeded his father as Duke of Bavaria, and in 1002, upon the death of his cousin, Otho III, he was elected emperor. Firmly anchored upon the great eternal truths, which the practice of meditation kept alive in his heart, he was not elated by this dignity and sought in all things, the greater glory of God. He was most watchful over the welfare of the Church and exerted his zeal for the maintenance of ecclesiastical discipline through the instrumentality of the Bishops. He gained several victories over his enemies, both at home and abroad, but he used these with great moderation and clemency. In 1014, he went to Rome and received the imperial crown at the hands of Pope Benedict VIII. On that occasion he confirmed the donation, made by his predecessors to the Pope, of the sovereignty of Rome and the exarchate of Ravenna. Circumstances several times drove the holy Emperor into war, from which he always came forth victorious. He led an army to the south of Italy against the Saracens and their allies, the Greeks, and drove them from the country. The humility and spirit of justice of the Saint were equal to his zeal for religion. He cast himself at the feet of Herebert, Bishop of Cologne, and begged his pardon for having treated him with coldness, on account of a misunderstanding. He wished to abdicate and retire into a monastery, but yielded to the advice of the Abbot of Verdun, and retained his dignity. Both he and his wife, St. Cunegundes, lived in perpetual chastity, to which they had bound themselves by vow. The Saint made numerous pious foundations, gave liberally to pious institutions and built the Cathedral of Bamberg. His holy death occurred at the castle of Grone, near Halberstad, in 1024. His feast day is July 13th. He is the patron saint of the childless, of Dukes, of the handicapped and those rejected by Religious Order. What we know of St. Elizabeth comes from the Gospel, the book of Luke, in particular. In Luke, Elizabeth, a daughter of the line of Aaron, and the wife of Zechariah, was "righteous before God" and was "blameless" but childless. Elizabeth is also a cousin to the Virgin Mary.What we know of St. Elizabeth comes from the Gospel, the book of Luke, in particular. In Luke, Elizabeth, a daughter of the line of Aaron, and the wife of Zechariah, was "righteous before God" and was "blameless" but childless. Elizabeth is also a cousin to the Virgin Mary. Five holy cards from San Gallo, Lombardy, Italy, carried by Luigi Gervasoni in a small prayer book that he carried to Australia. Two of the Holy Cards are hand coloured, and one mentions the Church were he was baptised, The Chiesa della Costa di S. Gallo. caterina lupis, san gallo, luigi gervasoni, italy, saint elizabeth, san giovanni bianco, chiesa di costa san giovanni bianco, holy family, saint anthony the abbot, st catherine

Thought to have originated in Austria in 1869, postcards first gained popularity in Australia in the 1890s.They were used to send short messages to friends and family. This collection was generated by Mary Emma Elliot of Talgarno. Talgarno is a rural locality in Victoria, Australia, situated on the southern shoreline of Lake Hume, about 23 km east of Albury-Wodonga. The collection contains postcards from across the world. Mary Emma Sibley was born in Ironbark, Bendigo in 1859. She married James Elliot in 1893 and they settled at “Kelso”, Talgarno. They had two children – Mona and Sibley. Mary Emma Elliot died in Melbourne in 1944, aged 84 years. This item contains the following: Twenty Japanese postcards collected by Mrs James Elliot between 1898 and 1915. 11731.141 This black-and-white card shows a shrine or temple entrance with a central gate, stone lanterns and large trees. On the card is printed “京都北野天滿宮”. The Japanese translates as “Kitano Tenmangū, Kyoto.” 11731.142 This black-and-white card shows a rocky river scene with fast-moving water and wooded banks. On the card is printed “VIEW OF KAMUIKOTAN, HOKKAIDO NO 3” and “（北海道）壯快ナル神居古潭ノ真景（其三）”. The Japanese translates as “True view of the magnificent Kamui Kotan, Hokkaido (No. 3).” 11731.143 This black-and-white card shows a morning waterside view with trees in silhouette along an embankment. On the card is printed “The Morning View, Sotobori.” and “宮城外濠の朝景色”. The Japanese translates as “Morning scenery of the outer moat of the Imperial Palace.” 11731.144 This black-and-white card shows a narrow rocky river channel with rapids, a boat and several people along the bank. On the card is printed “Ranzan, m ishyo”, “嵐山名所” and “奥之段瀬”. The Japanese translates as: 嵐山名所 — “Famous place of Arashiyama” 奥之段瀬 — “Okunodan Rapids” / “the rapids at Okunodan” 11731.145 This black-and-white card shows armed figures attacking inside a building. On the card is printed “The 47 Ronins Attacking Kira’s Residence” and “義士討入（其貳）”. The Japanese translates as “The loyal samurai attacking” or “The attack by the loyal retainers (No. 2).” 11731.146 This black-and-white card shows a group of samurai gathered in a snowy setting, presenting a severed head before a grave. On the card is printed “Offering Kira’s Head to Their Dead Lord” and “義士吉良の首級を洗ひて墓前に供ふ”. The Japanese 義士吉良の首級を洗ひて墓前に供ふ translates as “The loyal retainers wash Kira’s severed head and offer it before the grave.” 11731.147 This black-and-white card shows armed samurai surrounding a man inside a residence. The clearly legible portion of the English caption reads “Enemy Searched out”; the preceding words are indistinct. On the card is also printed “上野介之最後”. The Japanese 上野介之最後 translates as “The final moments of Kōzuke-no-suke” or “The end of Kōzuke-no-suke.” 11731.148 This black-and-white card shows a landscaped park with trees, rocks and buildings on a hillside. On the card is printed “THE KINEN PARK, NAGANO.” and “長野市紀念公園の景”. The Japanese 長野市紀念公園の景 translates as “View of Nagano City Memorial Park.” 11731.149 This coloured card shows a waterfall descending over a rocky cliff into a pool surrounded by vegetation. On the card is printed “Tamadare Waterfall at Yumoto, Hakone.” and “箱根湯本玉簾ノ瀧”. The Japanese 箱根湯本玉簾ノ瀧 translates as “Tamadare Waterfall at Yumoto, Hakone.” 11731.150 This coloured card shows a large temple building projecting over a wooded hillside. On the card is printed “The Scene of Kiyomizu Kyoto.” and “京都清水舞臺”. The Japanese 京都清水舞臺 translates as “The Kiyomizu stage, Kyoto” or “Kiyomizu Temple platform, Kyoto.” 11731.151 This coloured card shows a shrine precinct with a tall statue on a pedestal and people in the open grounds. On the card is printed “Shokonsba Shrine and Copper statue of Omura, Kudan, Tokyo.” and “東京九段招魂社ト大村益次郎銅像”. The Japanese 東京九段招魂社ト大村益次郎銅像 translates as “Shōkonsha Shrine at Kudan, Tokyo, and the bronze statue of Ōmura Masujirō.” 11731.152 This coloured card shows a pond with a fountain surrounded by trees and garden plantings. On the card is printed “Hibiya Park Tokyo”, “日比谷公園の噴水” and “（東京名所）”. The Japanese translates as: 日比谷公園の噴水 — “The fountain in Hibiya Park” 東京名所 — “Famous places of Tokyo” / “Tokyo sights” 11731.153 This black-and-white card shows buildings extending up a wooded mountainside. On the card is printed “Whole view of Zozu mt. Kotohira, Sanuki.” and “讃岐金刀比羅象頭山全景”. The Japanese 讃岐金刀比羅象頭山全景 translates as “Complete view of Mount Zōzu at Kotohira, Sanuki.” The purple stamp also contains “参拝記念”, “金刀比羅宮” and “5.7.8”. The Japanese translates as: 参拝記念 — “Commemorative visit to the shrine” 金刀比羅宮 — “Kotohira-gū Shrine” 11731.154 This black-and-white card shows a coastal view framed by pine trees, with boats on the water. On the card is printed “NISHIURA AT ENOSHIMA.” and “江之嶋西浦ノ夕照”. The Japanese 江之嶋西浦ノ夕照 translates as “Evening glow at Nishiura, Enoshima” or “Sunset at Nishiura, Enoshima.” 11731.155 This black-and-white card shows steep rocky mountain formations with pine trees growing among the cliffs. On the card is printed “The Nakanotake, myōgi Mountain.” and “（妙義山名所）仙人岩及鏡岩”. The Japanese translates as: 妙義山名所 — “Famous sights of Mount Myōgi” 仙人岩及鏡岩 — “Sennin Rock and Kagami Rock”, literally “Hermit Rock and Mirror Rock.” 11731.156 This black-and-white card shows a landscaped garden with a pond, rocks, trees and a small bridge. On the card is printed “SUIZENJI OF KUMAMOTO.” and “（熊本）水前寺（其五）”. The Japanese translates as: 熊本 — “Kumamoto” 水前寺 — “Suizenji” 其五 — “No. 5” / “Part Five” 11731.157 This coloured card shows the entrance gate to a large temple complex with people passing through it. On the card is printed “Gates Higashi Honganji.” and “京都東本願寺（阿彌陀堂門）”. The Japanese translates as “Higashi Honganji, Kyoto (Amida Hall Gate).” 11731.158 This coloured card shows a broad park approach with a large tree, pedestrians and a torii gate in the distance. On the card is printed “Entrance of Kasuga Park, Nara.” and “奈良春日公園第一鳥居遠望”. The Japanese translates as “Distant view of the First Torii of Kasuga Park, Nara.” 11731.159 This coloured card shows the ornate Yōmeimon Gate of a shrine complex. On the card is printed “YOMEIMON NIKKO” and “（日光）陽明門”. The Japanese translates as “Yōmeimon Gate, Nikkō.” There is also handwritten English across the lower portion reading “I wish to exchange a post card with you”. 11731.160 This black-and-white card shows a torii gate on a tree-lined approach with rows of stone lanterns and several pedestrians. On the card is printed “THE TOSHOGU SHRINE AT UENO PARK TOKYO.”, “上野公園東照宮” and “（東京百景）”. The Japanese translates as: 上野公園東照宮 — “Tōshōgū Shrine in Ueno Park” 東京百景 — “Hundred Views of Tokyo”postcards, collecting, collections

This cookery book was printed in the early 1960s for the purpose of obtaining the necessary funds for the construction of the Mount Beauty swimming pool. The advertisements within this book covers local traders of this time frame, for example, the Bogong Hotel which is no longer operational. the culinary measurements are in Imperial measures(pounds and ounces). The book has sections for continental dishes and sweets (Australian flavour), special dishes for Lent, cakes (farmhouse fruit cake), jams, marmalades (home made), marrow and apple chutney. Some of these recipes are early 20th Century related and in the 2000s are not sought after. The food "take away" lifestyle has been responsible for the demise of a lot of the recipes in this book. The swing away from home grown produce has been not only a lifestyle change but also the faster pace of living in rural areas. The specialisation and redefined development of the local produce store (previously provided everything the rural shopper needed) was a forced move due to larger and cheaper city born fresh food supermarkets. Although there are still some local produce store within the region these will in time vanish. This cookery book was produced just after Mount Beauty was released from an SEC "closed" community in 1961(see KVHS 0134) and the town then had to fend for itself. This book was compiled and produced because the town needed a swimming pool (which possible would have been provided had the SEC still been responsible). The book demonstrates the strong rural psyche of rallying together for the good of all and united for something which would be of benefit to all. The period 1961 to the 1970s was one of great change for Mount Beauty. The SEC protective cage was a blessing for some but a goal for others. The independence that was gained after the SEC left provided for a drastic "make over" in regards to the facilities provided for the "locals" and that for the tourists. An increase in tourist related industries such as snow skiing in winter, hang gliding and gliding, mountain bike rallies, bush walking and horse riding, all of which have supply outlets in the town, has provided a more cosmopolitan atmosphere. These activities and the greater interaction with populations outside of the region has reduced the "hermit" type feel of the town psyche.This recipe book consists of eighty nine pages in black and white print. It contains black and white sketches, recipes of local domestic cooks and advertisements covering local traders. The cover is approximately 280 g/m2 in weight and the pages are at 90 g/m2 in weight. The cover has a design in the style of Abstract Expressionism (period 1950-1960s) of identifiable (clock,jug,fruit,window) and abstract objects in tints of blue and shades of black. This was designed by Cheryl Ryder of the Mount Beauty High School, under supervision of Mr I Baker (Art Teacher)On the foreword(page two and page three) "Mt. Beauty Souvenir Cookery Book First Edition" . This foreword was presented by Rosa Kinnear, President, Ladies' Auxiliary 2nd copy - no inscriptionrecipe, cooking, food, domestic, kitchen, local history, comfort food, pioneer cleaning methods

An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria.An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria. George Locke was a well-educated young man and had some success prospecting in the Cumberland area before partnering with William Chester with whom he opened the Golden Bower gold mine in 1896. George and William then discovered a second reef which they named the Silver Bower mine. George lived in a log cabin in the Cumberland reserve and was known to be a loner. He was clever with his money and chose not to have a bank account in Marysville, where everyone would learn about his financial status. He banked at the ES&A in Fitzroy and at the time of his death in 1941 he had accumulated the princely sum of three hundred and sixty pounds. George Locke was known as "the Hermit of Cumberland Valley" and lived in his humpy until his last few days during which he moved into a Forest Commission's patrol hut because his old humpy had started to fall to pieces. When George passed away at the age of 81 years he had not visited Marysville for over 14 years. Today (2022) George Locke's hut is part of the Cumberland Reserve.george locke, cumberland valley, marysville, victoria, william chester, golden bower mine, silver bower mine, cumberland reserve, hermit of cumberland valley