This painting shows a historic depiction of Australian whalers in action at sea, and shows the scale of man to whale. Whaling was one of the first industries in early Victoria. John Dollery was born in London in 1933. As a child he loved to draw and was a frequent visitor to the National and Tate Galleries. In 1957 Dollery came to Australia, settling in Queensland in 1965. After receiving a prize in a drawing exhibition, he began painting in oils, and is entirely self-taught. Whilst in Queensland he painted most of his canvases strictly from life and in 1977 he moved to Melbourne where he established himself as a full-time artist. John was very interested in Australia’s history, and most of his work represents this theme. Many of his pieces are in collections both in Australia and overseas. Dollery’s daughter is also an artist and has exhibited both her father's and her own works together in an exhibition 'Now and Then, Father and Daughter'.The painting is a significant work by artist John Dollery. Its subject of whaling shows an early Australian industry and shows the scale of man to whale. The decorative frame is appropriate for the era in which the scene would have taken place.Painting in oil on canvas, in gilt carved timber frame. Seascape, depicting a whale hunt. A spouting whale is behind a whale boat with six whalers aboard. A tall ship with seamen aboard is behind the whale. Two other tall ships and another whale boat are in background. An embossed plaque in bottom centre of lower frame has inscription.. Artist is J. Dollery. Stamped on the sticker “John Dollery / ARTIST / Crown Lot 16 The Esplanade Corinella, Victoria 3984 / Telephone: (056) 78 0644 “ Hand written on sticker “THE CHASE $xxx” Embossed in the wooden frame “30 / ART / Specturm” Signed “J DOLLERY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, whales, whaling, industry, whale oil, blubber, john dollery, the chase, corinella, historic art work, australian art work, australian historic artwork

Dwight James Baum is an American architect. He was born in 1886 in Newville, New York. As a young man, Baum moved to Syracuse. In 1909, he graduated from Syracuse University with an architecture degree. He worked for Boring and Tilton and Sanford White which are well known Architecture firms in America. Around 1912, he started his own residential design firm. During the 1920s, Baum designed a significant buildings and several houses in Sarasota, Tampa, Terrace, Temple and Florida all in the Mediterranean Revival Style such as the Ringlings dubbed Cà d'Zan, which is now known as the John and Mable Ringling Museum of Art. In 1923-1924, he also designed Sunset Hill for Mrs. Eugene D. Stocker at Warren, New York which was listed on the National Register of Historic Places in 2007. During the Depression Baum became involved with Good Housekeeping Magazine as consulting architect, and as designer of their building exhibit at the 1933 Chicago World's Fair. His later work includes Hendricks Memorial Chapel at Syracuse University, with John Russell Pope in 1929–1930 and the pedestal for V. Renzo Baldi's statue of Columbus in the city's Columbus Circle. Dwight James Baum died in 1939. Book with large blue hard cover. Title is written on the front cover and the spine in gold. Manufacturer's logo is written on front cover in gold. The book includes index, preface and an introduction. black and white illustrations, plates and floor planes of the architect's work such as Ca d Zan, the fantastical Venetian Gothic waterfront palace of John and Mable Ringling in Sarasota, Florida and the stately Italianate house of Anthony Campagna in Riverdale, New York and more.architecture, architectural designs, art moderne, domestic designs, ca d zan

Edith CURNOW (1913–2003) Ballarat | Australia Edith Gertrude Curnow undertook Industrial Art teacher training at the Ballarat Technical Art School, with a five-year Senior Technical Scholarship, between 1926 and 1931. She taught for a time before marrying compositor James Lawn in 1937. She reportedly continued to teach at the Ballarat Technical Art School as Edith Lawn. She retired in 1972 at which time she was the Lecturer in Charge of Craft Edith Lawn was a member of inaugural Ballarat School of Mines Old Girls Association, and served as first Press Correspondent. Her daughter, Valda Lawn (later D'Angri) also attended and taught at the School. One of the subjects Curnow studied was Historic Ornament. This subject spanned time and space to inform and inspire designers. Students studied the influences of history, geography, culture and climate on ornamental aesthetics, including the tools, materials and methods applied to decorative objects, interior design and architecture.Two books containing student notes and drawing relating to courses at the Ballarat techncial Art School in 1931. The work was undertaken by Edith Curnow. .1) - Foolscap red covered book on Historic Ornament. Includes History of Ornament, Egyptian Ornament, Assyrian Ornament; Greek Ornament, Roman Ornament, Pompeian Ornament, Byzantine, Romanesque Ornament, Norman, Decorated Gothic, Perpendicular Gothic, Renaissance. .2) Green quarto book on Historic Ornament Part 2: Costume. The work includes Egyptian Costume, Greek Costume, Roman Costume, Richard I, Crusades, Edward III, Charles I, Charles II, George II.ballarat school of mines, ballarat technical art school, art history, edith lawn, edith curnow, val lawn, val d'angri, curnow, lawn, ornament, costume., ballarat technical art school library, artists workbook, journal, historic ornament, university women, ballarat school of mines old girls association

Notre Dame of Paris Vol 2 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 1 is 7072, Vol. 3 is 7073, Vol.4 is 8036fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach the final volume, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith

Woodblock print of Namgyalma, a deity associated with long life and purification. The engraver of the woodblock was the historically famous artist called Tsangpo. This block print was made from one of those historic woodblocks that are now designated as protected treasure of Derge Printing Press and therefore not allowed to be used anymore. Those involved in the printing process consider their work an offering to the Buddha.Namgyalma, often depicted in female form, is believed to remove obstacles that shorten one's lifespan. Reciting her mantra can help purify negative karma, heal diseases, and ensure a favorable rebirth.Woodblock print of Namgyalma printed in red on parchment paper woodblock printing, buddhist art

The Valley Worsted Mills were established in 1924 on Swanston Street in South Geelong and quickly grew to become the largest and most modern textile mill in Australia, employing roughly 500 workers at its peak. Built out of distinctive red Geelong brick with iconic Art Deco white trimmings and a sawtooth roofline, the massive 11-acre complex served as a major manufacturing cornerstone during the height of the region's historic wool boom. The mill operated at high production for nearly 50 years before merging with John Foster & Son in December 1973, subsequently closing down entirely in the mid-1970s. The donor's father Stan Hoyle, and grandfather Cliff Hoyle, both worked there at the time.Black and white panoramic photograph attached to backing board. Photograph shows a group portrait of male factory workers outdoors.back: [handwritten] Valley Worsted Mills / Geelong 35 1936-37valley worsted mills, swanston street geelong, geelong, woollen mills, depression, 1930s, working life, panoramic, employees, staff, portrait, textile industry, great depression, stan hoyle, cliff hoyle

Nicholas Nedelkopoulos is an established artist, his work is represented in the Metropolitan Museum of Art, New York, the National Gallery of Australia and in numerous International and Australian Public and Private Collections. His work has been included in major historic exhibitions: the National Gallery of Australia's Federation touring exhibition, The Australian Bicentennial Folio and Victoria's 150th Anniversary exhibition curated at The State Library of Victoria and National Gallery of Victoria. He has a Diploma of Fine Arts from Victorian College of the Arts, a Master of Fine Art from the University of Melbourne (Victorian College of the Arts) and has a Doctorate from Monash University. Nedelkopoulos' work is based strongly in graphic tradition which can be seen throughout all of his media.'The Sneeze' alludes to a feverish response, an irritation, a period of temporary discomfort, or a sign of sickness. On a visit to Eltham in 1995 Nedelkopoulos became aware of the disquiet felt by many residents because local government was not in the hands of elected representatives. 'The Sneeze' is an allegorical work, which serves as a reminder of this period in our municipal history. Nedelkopoulos has constructed an environment similar to a theatre set in which every element is a symbol to be deciphered. Whether you read the red-nosed figure as democracy being challenged by the political circumstance, as representing the unelected commissioners surrounded by the criticism of the community, or as another player in the story, to unravel the meaning of individual elements will provide direction and add weight to your interpretation. Without knowledge of the artist's intention the work can convey quite straightforward messages and responses. For example, the misery of hayfever in Spring, or how germs spread from a single sneeze. Such ideas are relevant and provide the metaphoric basis for a more in-depth analysis.Pastel drawing on paper. Image depicts a small black figure with a small monkey on a lead. The figure has a red nose to which he is holding a tissue. He is walking through what appears to be a flowering forest.nedelkopoulos, the sneeze

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Bontharambo is a homestead located in Wangaratta and was built in 1857-9. This homestead plays a prominent role in the history of Wangaratta and the pastoral history of Victoria. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Bontharambo homestead on white paper.Obverse: Cantlon 65/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, bontharambo, homestead

Cantlon is widely known for his illustrative paintings of Victorian historic homes, and he wrote and illustrated Homesteads of Victoria 1836-1900 published by Georgian House in 1967. Fairfield, Rutherglen is located in the North East region of Victoria and is a historic homestead that was built in 1889 and plays a prominent role in the history of the region. Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An black ink sketch of the Fairfield homestead on white paperObverse: Cantlon 66/ (bottom right)wangaratta art gallery, maurice cantlon, ink drawing, homestead, fairfields, rutherglen

Irish poet and balladeer Thomas Moore, best-known for penning The Minstrel Boy and The Last Rose of Summer, is honored in this statue prominently located in Sturt Street created by sculptor George Grant from white Carrara marble. George Grant was trained at the School of Art associated with the National Gallery of Victoria, apparently in the 1880s, and then worked as an artist, specialist house painter, and banner artist. Several of his paintings are held by the Ballarat Art Gallery. Moore`s writings range from lyric to satire, from prose romance to history and biography. His popular "Irish Melodies" appeared in ten parts between 1807 and 1835. Moore was a good musician and skillful writer of songs, which he set to Irish tunes, mainly of the 18th century. This statue is of historic and aesthetic significance to the people of Ballarat.Marble statue of Thomas Moore above a large sandstone pillar West: Presented to the City Council of Ballaarat by the following citizens: H.F. Elliot, The Honorable E. Morey M.L.C., Cr C.R. Retallick, Cr J. Heinz. South: R.S. Mitchell, P. Papenhagen, T. Elliot, J. Snow, G.K. Coutts, C. Bailey, J.J. Goller & Co, W.E. Ballhausen, G. Thompson, W.H. Figgis. North: S. Seward, F.G. Haymes, Craig Williamson, R. Giddings, G. Berry, R. Inge, J.A. Pittard, L. Lederman, H. Bremer, D. Jones. thomas moore

The Old Post Office in SunshineHistoric Local Scene. James worked as a tutor in art with Sunshine community arts program.Old Post Office, Sunshine. Charcoal drawing

A4 page folded twice to create three column flyer. art exhibitions, historic site, women health professionals

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a historic scene with coach signed: R J READ 1996 (lower right) Inscribed: 6am Coach Buangor to Ballaarat (lower left)

Shows the drawing of a scene looking east along Collins St from about Queen St. Has a number of cable trams in the view. Has the 1970 calendar underneath. See item 9140 for a printed card of the same image. Has the words "Collins St Melbourne Victoria 1880" under the image and "hand printed in Australia by Rodriquiz" along the bottom edge.Demonstrates a commercial calendar using a historic cable tram image.Illustration, wall hanging, printed on a yellow coloured cloth background with sewn edges. Has two pieces of wood stapled at top and bottom with a hanging cord.Has a price label on the top edge "$1.00"trams, tramways, collins st, cable trams, illustrations

Notre Dame of Paris Vol 4 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 1 is 7072, Vol. 3 is 7073, Vol. 2 is 7761fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach Volume 4, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith

Notre Dame of Paris Vol 3 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 1 is 7072, Vol. 3 is 7073, Vol.4 is 8036fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach the final volume, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith

Notre Dame of Paris Vol 1 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 4 is 8036, Vol. 2 is 7073, Vol. 3 is 7761fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach the final volume, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith