346 p. : ill.fictionsilas k. hocking, children's fiction

A property illustration by Margaret Picken Commissioned by the real estate agency Hocking Stuart Blackburn for the purpose of advertising 63 Vicki St., Forest Hill This property has be subdivided into two house since being sold in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 63 Vicki St., Forest Hill depicting a single story brick house with steps up the concealed doorway. On the left a driveway leads to a gated garage, on the right in the foreground is a front garden.63 Vicki St., Forest Hill Margaret Picken © 2002 Hocking Stuart B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate

People - "Hocking, Nicholas; Margaret, Elizabeth & William" Buildings - House Associated with - Borough Of Malmsbury

Advertisement for V & A Hocking Milk Bar and mixed business, 361 Greensborough Road, Watsonia, 1973.Digital copy of newspaper advertisement.milk bar, hocking family, greensborough road watsonia

The one-man show was presented by Glenn Elston, Greg Hocking and Tim Woods starring Tom Barlow's one-man show.The performance was part of the Melbourne Fringe Festival for 1990.black ,pink and white coloured program in good conditionmy army, program, theatre de complicite, melbourne fringe festival, tim barlow, athenaeum theatre two

This iron chaff cutter was a vital piece of rural machinery especial for cattle in areas subjected to limited grass growing seasons. The Kiewa Valley and Alpine regions were up to the 21st century "snowed" in. The conditions requiring summer crops and fodder to be prolonged for the harsh winter climate are now becoming less and less and may confirm the precursor of "global warming". The Kiewa Valley is still a strong base for dairy cattle and other stock requiring all year access to hay/grass supplies. The use of, now defunct, Tobacco drying sheds for the storage of hay and other fodder is typical of the Australian farmer/grazier's adaptability to utilise anything available. To think outside the square.Black Iron Chaff Cutter. The wheel has a single piece inside with 4 curved spokes with adjustable blades attached by 4 screws & 3 rivets. The wheel has a wooden handle. Operated by cogs. HOCKING GREASE BALLARAT COGS FREELYagriculture, farm machinery, stock feeding, grazier, farm animals

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 48 Barrington Avenue, Kew by Margaret Picken.48 BARRINGTON AVE., KEW / MARGARET PICKEN 2002/ HOCKING STUARTartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 48 barrington avenue -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The R Haughton James House (former) was built to a design by Robin Boyd in 1956-57. With its unusual plan form, this is one of Robin Boyd’s most important residential commissions of the period. The house was identified in heritage study as being of architectural significance at the state level. Alterations to the house were made in 1967, 1989, and 1999. This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 82 Molesworth Street, Kew by Margaret Picken.MARGARET PICKEN © 2001 / 82 MOLESWORTH ST, KEW ~ HOCKING STUARTartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 82 molesworth street - kew (vic)

The Waistcoat’s Owners The first owner of the waistcoat was Alfred (Alf) Gilbert White, 1868 Stretton Park, Connewarre – 1946, Mt Duneed. He was the fourth child of Andrew White, 1828-1900, and Jane Roberts, 1827-1871. His father Andrew White was born at Stretton-on-Dunsmore, Warwickshire, England, the sixth child of William White and Sarah Elkington. Andrew had come to Victoria on the James L. Bogart in 1852 with his first wife, Emily Walker. From 1854, records show he was the owner of livery stables in central Geelong before he moved into land ownership. In 1862, Andrew became a landowner with 1,400 acres in Connewarre, the Salt Water Run, then re-named Stretton Park by Andrew. Thereafter he is usually noted as a Farmer or Sheep Farmer. Emily died in 1861 and Andrew remarried Jane Roberts in 1863. Jane was the daughter of Jane (Jenefer) Pearce and William Roberts in Crowan, Cornwell, England and it is thought arrived in Victoria on the British Trident in 1855. In 1878 Andrew moved to the newly purchased “Hillside” at Mt Duneed with his family including Alfred. By 1880 Andrew held 11,095 acres in South Barwon and Barrabool. As well as being a landowner, he had other business interests including Auctioneers, Stock and Station Agents Learmonth White from 1886. However farming at Hillside, particularly wool production, was an important part of his life. For example, in 1893 10,350 sheep were shorn although the highest number of bales of wool produced was in 1892 with 174 bales under AW’s wool mark and 8 under that of Stretton Park. This was the result of shearing 9,234 sheep. There were usually six or seven shearers, shearing over a two to three week period, beginning in early or mid October. Some of the shearers bore names familiar in the district such as Gogoll, Duffield, and Baensch. Andrew White held a number of local positions including: •1863-1874 Connewarre Road Board, Chairman 1871-73 •1875-1900 South Barwon Shire Council. When the Board amalgamated with South Barwon to form the Shire of South Barwon, he was an inaugural representative of Connewarre. He was a council member for 44 years and president for the following terms: 1878-1879; 1885-1887; 1889; 1894; 1895-1896; and 1898-1899. •1878-1886, Barrabool Shire Council, President 1882 •In 1885 he was appointed a Justice of the Peace in the Southern Bailiwick •Committee member of the Geelong Racing Club, 1890-96 •In 1892 he was appointed returning officer for the South-Western Province and the electoral district of Barwon •Foundation President of Torquay Racing Club, 1893 •Mount Duneed Cemetery Trustee, 1893 Alfred Gilbert White went to Connewarre School and then to Mt Duneed School after the family moved to Mt Duneed. He then went to Geelong Grammar School as a boarder from 31 July 1883. After leaving school, in 1886, he worked as a bookkeeper for the family business Learmonth-White stock and station agents and lived at home at Hillside. He and Bessie Orchard Mathews were married in 1894. Bessie was born in Geelong in 1869, the sixth child of William Matthews and Amelia Orchard. Her family lived at “Turley,” Malop Street, Geelong, named after the hamlet of Turleigh in West Wiltshire, England. Bessie’s father, William Mathews, a butcher from Winsley, Wiltshire, arrived on the Queen of the East in Sydney in 1854 and established a successful butcher’s business with his brother James in Geelong. Her mother, Amelia Orchard, also from Winsley, arrived on the Thames in Melbourne in 1857. Alfred, Bessie and their family lived at Stretton Park, Connewarre, leasing it from Andrew. They had six children including their fourth child Douglas Alfred White, the second owner of the waistcoat. His father Andrew supported Alfred’s sheep farming at Stretton Park. In 1896 “.... eight splendid 2-tooth Lincoln rams in the wool were purchased by Mr Andrew White for his son, Mr Alfred G. White….intended for Mr White’s sheep run at Connewarre.“ Alfred White bought ‘Hillside’, 640 acres, after his father’s death and moved there with his family from Stretton Park in Connewarre. (Stretton Park was bought by his half sister Emily and her family and renamed “Morangarell”.) A family partnership was formed to run the wider station. It was then Alfred who managed the new partnership, called Stretton Park. Alfred meticulously kept the financial records of the station, as might be expected from a former bookkeeper. The detail kept is exemplified in the annual shearing records, including the names of the paddocks, the number of lambs and ewes and the shearers’ tallies. In the spring of 1900, after Andrew White had died, shearing began on 7 October and was finished on 6 November. On some days well over 500 sheep were shorn. The highest tally was 616 on 11 October. That year the overall total of sheep shorn was 9,101. Alfred was an active community member including: •South Barwon Council member (46 years), president: 1903-04; 1906-07; 1921-22; and 1931-33 •Geelong Grammar School Council member, 1908-1946 (over 37 years) •Active member of St. Wilfred’s Church of England, Mt Duneed •Director of Dennys Lascelles, 1932-1946 •Mt Duneed Cemetery Trustee, 1900 •Honorary member of the Mt Duneed Rifle Club, 1900 •Mt Duneed Mutual Improvement Association •Mt Duneed Recreation Reserve Trustee •Torquay Improvement Association Trustee •Barwon Returning Officer Douglas Alfred White, 1900 Stretton Park, Connewarre-1976, Geelong. Initially Douglas and his sisters were taught at home by a governess. Then, like his father, Douglas attended Geelong Grammar. After finishing school, he studied Engineering at Melbourne University where he met Violet Fullerton, 1900-1992, who was studying Medicine. They married in 1926 and had two children including Douglas Robert Stretton (DRS) White Melbourne, 1928–Geelong, 1989, the final owner of the waistcoat. After a successful career as an engineer with the Department of Main Roads, NSW, and serving as a Major in the Royal Australian Engineers in NT, New Guinea and Borneo during the Second World War, Douglas purchased part of Stretton Park when it was sold in 1952. He farmed “South Beach Farm” until his death in 1975. (This area now includes The Sands and Stretton Estate subdivisions.) His son DRS White also attended Geelong Grammar before studying at Dookie Agricultural College. In 1955 DRS purchased land from Peter Fisher, John Fisher and Frank Walter, naming the property “Lambidgee”. (This was part of the land that had originally belonged to Andrew White that had been sold previously.) He farmed this land for the rest of his life, continuing the family tradition. After his father’s death in 1975, the waistcoat became his and so passed to a third generation of the family.Chartreuse green and red waistcoat featuring woven wool front with six buttons, silk back with metal clasp, and red lining. The buttons feature small green beads in the centre.Label [printed]: R. Collins Hocking / GEELONG Label [handwritten]: A. G. White Esqwaistcoat, vest, design, textiles, fashion, alfred white, sheep farming, mt duneed, rural life

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Commercial postcard produced by Hocking Stuart to advertise Ruskin Place, 75 Princess Street, Kew, but instead showing the Studley Park Boat House.The reverse includes advertising copy relating to the company and to Ruskin Place, 75 Princess Street, Kew.ruskin place - kew, 75 princess street - kew, studley park boat house

An illustrated history of many Australian bushrangers.192 p., illus. (some col.). Hard cover.bushrangers, geoff hocking

Photographic record by Russ Haines, RDHS, in 2008.

Photographic record by Russ Haines, RDHS, in 2008.

Photographic record by Russ Haines, RDHS, in 2008.

contains two play named ''Conversations with a Cupboard man'' by Ian McEwan ''Confessions from the male'' by Murray OliverPart of the ''Next Wave Festival'' 1988Black and Whiteconversations & confessions, athenaeum theatre two, program, programme, hocking & woods, next wave festival, glenn elston

The flyer has the play Ricordi printed on one side and an advertisement for My Army on the other. It was also performed as part of the Melbourne Fringe arts festival.1 small posterricordi, athenaeum theatre, program, melbourne fringe arts festival, doppio teatro company, teresa crea

The photograph was created by Geelong artist Julian Aird and framed by a business in Geelong. The window in the photograph is of the 1928 stained glass window and the baptism fold in the St Nicholas' Seamen's Chapel at Flagstaff Hill Maritime Village, which were installed at Flagstaff Hill's for the Chapel's opening in 1981. About the Window - The window in this photograph, once known as the Dr Connell Memorial Window, was a feature of an external wall adjacent to the Women’s and Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. The green glass memorial nameplate has an inscription that dedicates the window to Dr. Connell. The inscription reads: "A tribute to Egbert John Connell M.B.B.S. who for 30 years rendered devoted and valuable service to this institution. Obiit April 4th 1928, A.D." The photograph's significance lies in the subject of the stained glass window, and its connection with the history of the local Warrnambool Base Hospital, dating to Dr Connell's work there in the early 20th century.This photograph captures the light shining through an arched, stained glass window behind a baptismal font. Rectangular framed photograph, portrait view, behind glass, with black frame and matt. A cord for hanging it is attached at the black, and there is a black, round felt pad on each lower rear corner. The photograph by Julian Aird is titled 'Illumination' and was framed in Geelong. Details of title, and photographer are handwritten on the back and and printed label gives the contact details of the framer. Written by hand in black pen " 'ILLUMINATION' / MARITIME MUSEUM WARRNAMBOOL", "JULIAN AIRD / TEL/FAX. 03 52890457" " Printed on adhesive label "EASTERN VIEW / PICTURE FRAMERS" "Proprietors Steven & Annemarie Hocking / 162 Malop Street, Geelong, Vic, 3220 / Ph. (03) 5229 5935" Logo on label in centre of oval with text [2 tall water birds facing each other with a water fountain between them]flagstaff hill maritime museum & village, maritime museum, maritime village, great ocean road, shipwreck coast, ulian aird, illumination, photograph, dr. connell, stained glass window, baptism font, gbert john connell, st nicholas seamen's church, warrnambool hospital, dr connell memorial window, eastern view picture framers, steven & annemarie hocking

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Glossy square-shaped card sleeve printed in colour with combination of text and black and white photographs arranged as though a newspaper page. From top left corner: green stripe, red album title, union jack, photograph of a young servicewoman, photograph of the Cliffs of Dover, photograph of St Mary's and various song titles in various serif fonts. Newspaper-style page set behind metal square fencing upon brick fence, simulating a newspaper being sold. Reverse features pastel-toned photograph of Vera Lynn, with smaller collage-style image of the newspaper-style text on front, below which are song titles for Side One and Side Two in a numbered list. vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Flat disc, black in colour, with an inscribed, modulated spiral groove across diameter. Centre has adhesive paper label bearing information about the songs on each side and artist/copyright information. Label is Mustard yellow to white in ombre fade effect. Centre of disk has round hole through which the disk is attached to a machine. Disc contained within plastic sleeve, fused on three sides.vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary, phonograph, vinyl record, gramophone record

Small brownish booklet with embossed cover and black print titled ''Rules of the Bendigo Returned Servicemen's Club Bendigo Instituted 1951''. Printed in 1951 by Hocking & Sloan Print.Hocking & Sloan Printclubs, social, bendigo returned servicemen's club, r.s.l. bendigo collection - rules of the bendigo returned servicemen's club bendigo 1951, hocking & sloan print

A small green soft covered book titled, 'Scouting in Bendigo District. Official Year Book 1964.' Arthur Hocking Print, Bendigo. 60 pgs. Photos, illustrations, advertisements.Arther Hocking Print, Bendigoclubs, social, scouts, lydia chancellor, collection, scouting, boy scouts, australian boy scouts association victorian branch, bendigo district scouting, boys, male, recreation, handicrafts, clubs, clubs and associations

Spring binder containing 138 pages of Bendigo Advertiser Index of Funerals, Inquests, Obituaries, Accidents & More 1872 - 1876 taken from micro-film of the Bendigo Advertiser held at the Bendigo Goldfields Library, researched & compiled by Patricia Hocking.Patricia Hockingbooks, catalogues, personal notices

A spring binder containing 145 pages of Bendigo Advertiser Index of Funerals, Inquests, Obituaries, Accidents & More 1877 - 1880 taken from micro-film of the Bendigo Advertiser held at the Bendigo Goldfields Library, researched & compiled by Patricia Hocking.Patricia Hockingbooks, catalogues, personal notices

Spring binder containing 151 pages of Bendigo Advertiser Index of Funerals, Inquests, Obituaries, Accidents & more 1885 - 1886 taken from micro-film of the Bendigo Advertiser held at the Bendigo Goldfields Library, researched & compiled by Patricia Hocking.Patricia Hockingbooks, catalogues, personal notices

Spring binder containing 237 pages of Bendigo Advertiser Index of Funerals, Inquests, Obituaries, Accidents 7 more 1881 - 1884 taken from micro-film of the Bendigo Advertiser held at the Bendigo Goldfields Library, researched & compiled by Patricia Hocking.Patricia Hockingbooks, catalogues, personal notices