One of a series of specialized atlases of human anatomy. Overlapping acetate sheets show layers of anatomy of the human heartAn interesting presentation of human anatomySoftcover stapled booklet,red cover with plastic film. On the front cover the title [white and black print] above and publisher [black print] below two silhouettes of a human heart front view [white] lateral view black. Booklet contains overlapping colour transparenciesOn the front cover the previous catalogue number [black ink] handwritten at top along with faded stamp 'OPERATING THEATRE/ALFRED HOSPITAL. Two holes have been punched near the spinehuman anatomy, human heart, cardiac anatomy

One of a series of specialized atlases of human anatomy. Overlapping acetate sheets show layers of anatomy of the human heartAn interesting presentation of human anatomyIllustrated stapled booklet with brown binding. On the front cover the title [white and black print] above and publisher [black print] below a silhouette of a human figure in profile, right leg white, rest of figure black. Contains overlapping colour transparenciesPrevious catalogue number [black ink] handwritten at top of front cover. Two holes have been punched near the spine. On the title page a name has been crossed out and '2/5 TH' handwritten underneath [both black ink] Also on this page 'Operating Theatres/Alfred Hospital' has been stamped twice [black ink]human anatomy, leg anatomy

One of a series of specialized atlases of human anatomy. Overlapping acetate sheets show layers of anatomy of the human heartAn interesting presentation of human anatomyIllustrated stapled booklet with turquoise binding. On the front cover the title [white and black print] above and publisher [black print] below a silhouette of a human ear anatomy [black and white print]. Contains overlapping colour transparenciesPrevious catalogue number [black ink] handwritten at top of front cover. Two holes have been punched near the spine. On the title page 'Operating Theatres/Alfred Hospital' has been stamped [black ink]human anatomy, ear anatomy

Published: (1934, June 26). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Published title: VICE-ROYALTY GREETS THE KING OF THE BEASTS AT THE ZOO. Published caption: Lord Huntingfield experienced a pleasant “induction ceremony” as Patron of the Royal Zoological and Acclimatisation Society yesterday, when he made a tour of the Zoological Gardens. The picture shows the Governor, accompanied by Lady Huntingfield, inspecting the King of Beasts, who is submitting to a little playful treatment from the Director of the Gardens, Mr. Wilkie, while the Director whispers in his ear that a distinguished visitor has come to see him. (Inset), is a picture of Lord Huntingfield greeting one of the Koalas. Trove article identifier: http://nla.gov.au/nla.news-article204818472 Description: A man wearing a hat, scarf and overcoat reaches up to pat a koala in a tree watched by a man in a hat and suit. Research by project volunteer, Fiona Collyer: In 1932, the Zoo built an Australian native animal enclosure which visitors could enter and closely view koalas, wallabies, kookaburras and magpies all placed together. The branches of the trees in the enclosure were cut so that visitors could easily see and feed the koalas sitting in them. The cost to feed each koala fresh gum leaves was fifteen shillings per week. By 1924, Queensland was the last stronghold in Australia for the koala. They were functionally extinct in South Australia, only a few hundred in NSW, and an estimated population of 1000 animals remained in Victoria. There had been a six-month open season on koalas in Queensland in 1919 where over a million had been slaughtered, however with its vast, dense forests it was impossible to accurately know their numbers. Koala fur is tough, warm and waterproof and was in high demand from consumers in Canada, Britain and the US to make hats and gloves and for lining greatcoats. In 1927, with Queensland suffering a crippling drought and high unemployment, the cash-strapped McCormack Labor Government declared an “Open Season” on koalas and “opossums” for their skins, for the month of August. (Possums were often called “opossums” at this time but they are actually possums). There were widespread protests from many groups including the Nature Lovers League, Wild Life Preservation Society of Australia, Queensland Museum, C.W.A. Royal Australian Ornithologist Union, Boy Scouts, religious and women’s groups. There were letters to newspapers from ordinary people, editorials and pleas to women to refuse to wear or purchase koala fur. People questioned the masculinity of koala hunters as it was felt that no proper bushman or sportsman would kill such a defenceless creature. The Brisbane Courier newspaper led the campaign, devoting six columns a day to “Spare the Bear”. Author Vance Palmer sent an impassioned letter to the editor of the The Brisbane Courier, 19 July 1927: “Sir- It is be hoped that the disgust which all humane people have felt at the declaration of an open season for native bears in August will not be allowed to fade away until some protest... so overwhelming and effective that the question will never be raised again. For the shooting of our harmless and loveable native bear is nothing less than barbarous. His case is entirely different from that of other furred animals. No one has ever accused him of spoiling the farmers’ wheat, eating the squatters’ grass or even spreading the prickly pear. There is not a social vice that can be put down to his account. In addition, he is comparatively defenceless. He affords no sport to the gunman, and can be trusted to present a sitting target to the creature mean enough to aim at him. For this reason he has been almost blotted out already from some areas, in days when our fauna and flora were held in such little regard that the settlers’ first instinct was to shoot every strange animal and to sink his axe into every unfamiliar tree.” The Anglican Archbishop of Brisbane, Gerald Sharp, had his letter published in The Brisbane Courier on 16 July 1927: “Sir... The extermination of fauna so distinctive of our country, especially of such harmless and pretty creatures as our native bears, seems to me a shameful thing, and this is likely to mean their extermination.” But it was all to no avail. Known as “Black August”, the government was unmoved by the public’s outrage. 10,000 licences were issued to hunters and “the slaughter of the innocents” went ahead. The newspapers were full of stories of dreadful cruelty against the helpless, benign creatures by the heartless hunters who not only used guns and spotlights but wire snares and cyanide baits so that pelts wouldn’t be damaged. Infant koalas were left orphaned and unlikely to survive without their mothers. Top quality pelts were sold at an average price of 56 shillings and 9 pence per dozen, poor quality skins for as little as 2 1/2 pence each. In December 1927, the Minister for Agriculture and Stock, Mr W. Forgan Smith told the Parliament that during the August open season 597,985 koala pelts worth £139,595 had netted the state’s coffers £6000. 952,194 “opossum” pelts were sold and £9000 made for the State. The backlash that followed helped topple the Queensland Labor Government in 1929. The Wild Life Preservation Society of Australia lobbied the Prime Minister Mr Stanley Bruce to refuse to issue exportation permits for koala pelts and from 10 November 1927 the Commonwealth Government suspended the issuing of permits. In 1930, the Society made a direct appeal to USA President Herbert Hoover and he signed an order prohibiting the importation of koala and wombat fur to USA, eliminating a major market. Koala pelts were often deliberately mislabelled “wombat” to get around restrictions. The ban most likely saved the koala from probable extinction. Three years later the Australian Federal Government banned the export of koala products. This movement against koala killing was really the first conservation campaign in Australia. It raised awareness of the vulnerability of a beloved animal and eventually brought about national parks and national laws for their protection. By 1936, community opposition to possum open seasons was beginning. The koala was made a Protected Species in all states in 1937, meaning no one is allowed to harm a koala, however the laws protecting the gum trees they rely on for food and shelter are weak. The Australian Government estimates the wild koala population in Australia is between 225,000 and 500,000 in 2024. The Australian Koala Foundation estimates the national population at less than 60,000 in 2021 with a 30% decline in three years. Habitat loss from land clearing, dog attacks, road deaths, chlamydia, bushfires and drought exacerbated by climate change, continues to cause their decline. Over eight million koalas were killed for their pelts between 1888 and 1927. Any one of the annual harvests killed more koalas than are alive now. At this time, children were also being taught to appreciate Australian native animals. In 1933, “Blinky Bill: The Quaint Little Australian” book for children was published by Angus and Robertson. It was written and illustrated by New Zealand-born author Dorothy Wall and “Dedicated to my son Peter and all other Peters and Johns and Bobs and Toms and Marys and Bettys and Joans and Pats and all kind children.” The book tells the story of Blinky Bill - a mischievous, patched knickerbocker-wearing koala and his mother and father. The story has messages of conservation and instances of human unkindness and cruelty. Mr. and Mrs. Koala and young Blinky lead a mostly idyllic family life amongst a variety of other animals in the forest. However it all changes in chapter two, when Blinky Bill’s father is distressingly shot by a hunter. There is a harrowing description of Mr. Koala’s shooting and eventual death. “The Koala family lived so happily; never thinking of harm, or that anything could happen to disturb their little home, as all they asked for were plenty of fresh gum-leaves and the warm sun. They had no idea such things as guns were in the world or that a human being had a heart so cruel that he would take a pleasure in seeing a poor little body riddled with bullets hanging helplessly from the tree-top... That same being might just as well take his gun and shoot baby kookaburras, so helpless were they all and so trusting.” “Poor Mr. Koala one day was curled up asleep in his favourite corner, when the terrible thing happened. Bang! He opened his eyes in wonder. What was that? Did the limb of the tree snap where that young cub of his was skylarking? ... bang! again. This time he felt a stinging pain in his leg... Peering over the bough of the tree he saw a man on the ground with something long and black in his arms... Another bang and his ear began to hurt. Bang! again and now his little body was stinging all over. He grunted loudly and slowly climbed up the tree, calling Mrs. Koala and Blinky as he went. He managed to reach the topmost branch... Tears were pouring down his poor little face. He brushed them away with his front paws and cried just like a baby. Fortunately Mrs. Koala and Blinky Bill were hiding in the leaves quite motionless, and the shadows of the tree made them appear as part of it. The man with the gun stood and waited a long time, then walked away, whistling as he went - the only sound to be heard in the bush except the cries of the little bear far up in the tree.” Blinky and his mother quietly and fearfully wait for Mr. Koala to wake. In the morning, grunting and crying, they feel his lifeless body with their paws. Eventually Mrs. Koala realises that her husband is dead and that they need to move to a safe place. After travelling deeper into the forest, Mrs. Koala and Blinky meet koalas Mrs. Grunty and her son Snubby and she describes how she was captured as a baby by koala fur trappers to be a pet for a little girl. The trapper forgot to bring gum leaves for the koala so they try to feed her cake, milk and bananas, making her sick. The little girl’s father relays something he read in the paper: “During the year 1920 to 1921, two hundred and five thousand six hundred and seventy-nine koalas were killed and their skins sold to the fur market, under the name of wombat.” They place the koala in a box with a teddy bear for company. The baby koala’s health deteriorates and the alarmed trapper returns her to the bush. Mrs. Grunty tells Mrs. Koala that she and Blinky are the only bears that she has seen for ten years: “I remember well the little girl’s father telling her... that not so many years ago the bush was alive with us bears, from Queensland to the south of Victoria. Now, we are so rare that we have become a curiosity, something to put in zoos, for children to see; and actually in museums. I believe our grandparents sit there in glass cases, stuffed with something inside to make them appear alive, and, oh dear, glass eyes. In New South Wales, I think we could wander for miles from one corner to another and never meet a bear. I don’t know why we were all killed. As you know, we don’t eat the farmers’ crop or ruin their orchards. All we asked for were our own gum-trees.” At the end of the book, Dorothy tells her readers - “The kindest action of all would be to leave the koala baby in his own bushland, among his own playmates, with the sun, the sky, the birds, and the gum-trees, where he will grow to manhood and live for many years - happy as he should be.” In 1934, a “Wild Zoo”, the Sir Colin Mackenzie Sanctuary, opened on 32 hectares of land, formerly part of Coranderrk Aboriginal Reserve in the Yarra Valley, exclusively displaying Australian native animals, birds and reptiles. It was later renamed Healesville Sanctuary and is now managed by Melbourne Zoo and home to over 200 species of Australian native fauna. The Sanctuary is committed to rescuing, breeding, researching and raising awareness of the vulnerability of Australian animals. Andrew Arthur Wellesley Wilkie, 1853-1948, was Director of the Melbourne Zoo from 1923 to 1936 and was associated with the zoo for 70 years. He first worked as a horticultural assistant to Government botanist Baron Ferdinand von Mueller at the Botanical Gardens at the age of 13, along with his older brother David. One of Andrew’s jobs was to capture moths for the National Herbarium. In 1857, a group of prominent Melburnians assembled at St. Patrick’s Hall to form the Zoological Society of Victoria, with the aim of introducing animals and plants from overseas. It was conceived, “For the purposes of science and for that of affording the public the advantages of studying the habits of the animal creation in properly arranged zoological gardens.” The Victorian Government granted 32 acres (13 hectares) of land to the Zoological Society at the southern end of Richmond Paddock on the opposite bank to the Botanical Gardens. (This is where AAMI Stadium and Collingwood Football Club now stand.) In 1861, the Zoological Society of Victoria was renamed The Acclimatisation Society of Victoria. Unfortunately the Yarra River frontage was damp, swampy and subject to flooding, so the animals were briefly housed at the Botanical Gardens until in 1862, the City of Melbourne donated 55 acres (22 hectares) of land at Royal Park for the fledgling zoo. Baron von Mueller secured employment at Royal Park for Andrew and David and they helped to lay out the gardens, plant trees and take care of a collection of deer, pheasants, hares and partridges. Initially the zoo was used for the acclimatisation of animals recovering from the long voyage to Australia and for breeding them for sport. In 1872, the zoo bought two lions, a leopard and a cheetah that had been seized from circus showmen Keith and Phillips when they were unable to pay the bill of butcher Mr T K Bennet of Bourke Street. The first zoo director, Mr. Albert Le Souef, negotiated with captains of ships to buy animals at overseas ports they visited and soon a multitude of exotic species arrived, including a ten-year-old Indian elephant in 1878. In 1923, after being head keeper for some years, Andrew was appointed director of the zoo. By 1933, the zoo had 110 different species of animals, 200 species of birds and 72 species of reptiles under Andrew’s care. He had personally planted all but six trees and laid out the garden beds. As director he lobbied authorities for funds to build more humane enclosures for the animals. In June 1928, Table Talk magazine wrote of Andrew Wilkie: “Up at the Zoo there is a humble gentleman who is a lion among the lions, who knows the proper specific to employ when the boa constrictor has chilblains, and who is a friend and confidant of Queenie the elephant. His fount of zoological lore has never been plumbed. It is bottomless, like his good fellowship and geniality. Every day he may be seen somewhere in the grounds of that growing sanctuary for the strange and arresting fauna and creeping things of the world, and I assure you as one who is privy to his passion that that area and its inhabitants are rarely out of his thoughts.” Andrew retired from the zoo in 1936 at the age of 83 and in 1948 died at his home in Brunswick aged 94. He and his wife Josephine had six children. The Victorian Acclimatisation Society was founded in 1861 by Edward Wilson, 1813-1878, then owner and editor of The Argus newspaper. He said that Australian indigenous animals were practically useless, providing only “a little sport and an occasional meal”. The Society believed that Australia’s plants and animals were vastly inferior to those in Europe. They wanted to introduce and acclimatise to Victoria “all innoxious animals, birds, fishes, insects and vegetables, whether useful or ornamental” for sport and for the table, and to spread indigenous animals and plants from the colony around the world. Their motto was “if it lives, we want it”. The Society was primarily responsible for introducing sparrows, starlings, sambar and hog deer, ostriches, brown trout, blackberries, and carp to the Murray River. They released the European songbirds, thrush and blackbird to quell the homesickness of British settlers. The Society also sent Australian animals like platypus, echidnas, kangaroos and koalas to Europe for scientific and novelty purposes. Thomas Austin, a wealthy sheep farmer of Barwon Park, Winchelsea (property now owned by the National Trust) was a member and in 1859 he introduced hares, blackbirds, thrushes and partridges onto his property. He is probably best known for introducing 24 breeding rabbits onto his estate as game for shooting parties. Thomas quipped, “The introduction of a few rabbits could do little harm and might provide a touch of home, in addition to a spot of hunting." In 2022, genomic data confirmed that Australia’s feral rabbit population is entirely descended from these rabbits. Biological control has brought the rabbit population down from an estimated high of 10 billion rabbits in the 1920s to approximately 200 million today, inhabiting 70% of Australian landmass (5.3 million square kilometres). In 1872, the Acclimatisation Society was renamed The Zoological and Acclimatisation Society of Victoria and they focused on importing exotic animals for display purposes to the zoo. In 1937, the Royal Acclimatisation Society of Victoria was recreated as the Zoological Board of Victoria with a focus on research of native animals threatened with extinction. In an editorial for The Argus newspaper, 16 March 1856, Edward Wilson lamented: "...this country has been shamelessly stolen from the blacks. Had they been like the New Zealanders or the North American Indians, we should have bought their land, and supplied them with the means of living when we took it... In less than twenty years we have nearly swept them off the face of the earth. We have shot them down like dogs. In the guise of friendship we have issued corrosion sublimate in their damper, and consigned whole tribes to the agonies of an excruciating death. We have made them drunkards, and infected them with disease which has rotted the bones of their adults, and made such few children as are born amongst them a sorrow and a torture from the very instant of their birth. We have made them outcasts on their own land, and are rapidly consigning them to entire annihilation. There are but a few of them left, comparatively. This is what we would do for that few. We would feed and clothe every one of them.” [Note: this last sentence is italicized in the original newspaper article text]. Lord Huntingfield, (William Charles Arcedeckne Vanneck) 1883-1969, Governor of Victoria 1934-1939, was a British Conservative Party politician and the first ever Australian-born Governor of an Australian state (although he was always considered British). He was patron of the Royal Zoological and Acclimatisation Society of Victoria and was acting Governor-General for six months during the absence of Lord Gowie in 1938. Lady Huntingfield (née Margaret Eleanor Crosby) 1884-1943, his American-born wife showed great interest in social welfare and the advancement of women and children. She was president of the City Newsboys Society and Patroness of the Girls Friendly Society. In 1937, rose breeder Alister Clark named a yellow hybrid tea rose for her. In 1940, the City of Melbourne opened the Lady Huntingfield Free Kindergarten in North Melbourne, now the Lady Huntingfield Early Learning and Family Services Centre. Lady Huntingfield died in London in 1943 after her house was bombed during a German airstrike. The Lady Huntingfield Memorial Scholarship was established after the City of Melbourne raised £1000 in a public appeal conducted in her memory for students undertaking a Social Work degree at the University of Melbourne. It is awarded annually to this day. The Queen Victoria Hospital named a bed in her honour. References: VICE-ROYALTY GREETS THE KING OF BEASTS AT THE ZOO. (1934, June 26). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved August 23, 2024, from http://nla.gov.au/nla.news-article204818472 Prominent Personalities ANDREW WILKIE (1928, June 7). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 15. Retrieved August 29, 2024, from http://nla.gov.au/nla.news-article146562949 'Edward Wilson (journalist)', Wikipedia, https://en.wikipedia.org/wiki/Edward_Wilson_(journalist) 'Thomas Austin (pastoralist)', Wikipedia, https://en.wikipedia.org/wiki/Thomas_Austin_(pastoralist) 'The Acclimatisation Society was driven by misguided ideals about 'fixing nature' in Australia', ABC News, https://www.abc.net.au/news/2022-11-04/acclimatisation-society-introduced-species-history-listen/101588262?utm_campaign=abc_news_web&utm_content=link&utm_medium=content_shared&utm_source=abc_news_web Blinky Bill: the quaint little Australian (eBook); by Dorothy Wall, 1933, 2023, Project Gutenberg Australia, https://gutenberg.net.au/ebooks04/0400571h.html "Black August": Queensland's Open Season on koalas in 1927 (thesis); Glenn Fowler, 1993, Australian National University, https://www.savethekoala.com/wp-content/uploads/2018/11/Black-August.pdf Unfair game: Queensland's Open Season on koalas in 1927; Jacqui Donegan, 2000, University of Queensland, https://mesto-ku.narod.ru/koalas.pdf OPEN SEASON CONDEMNED. (1927, July 19). The Brisbane Courier (Qld. : 1864 - 1933), p. 15. Retrieved September 5, 2024, from http://nla.gov.au/nla.news-article21863465 COUNTRY WOMEN'S ASSOCIATION. (1927, July 30). The Brisbane Courier (Qld. : 1864 - 1933), p. 25. Retrieved September 20, 2024, from http://nla.gov.au/nla.news-article21866965 AUSTRALIA: Barnardo's children at Melbourne Park Zoo (1929), British Pathé, YouTube, https://www.youtube.com/watch?v=_Wcrbo_cHpI 'Kodak Cinegraph Compilation No 8', ACMI Collection, https://www.youtube.com/watch?v=MCrBng5RwFI KOALA SKINS. EXPORT BAN SOUGHT. (1927, August 4). The Brisbane Courier (Qld. : 1864 - 1933), p. 10. Retrieved September 15, 2024, from http://nla.gov.au/nla.news-article21868746 THE ABORIGINES. (1856, March 16). The Argus (Melbourne, Vic. : 1848 - 1957), p. 5. Retrieved September 28, 2024, from http://nla.gov.au/nla.news-article4833244 Koala Bears (1937), British Pathé, YouTube, https://www.youtube.com/watch?v=XbqgMtyuzwE Australian Koala Bear (Earliest Archive Footage: 1929), Pond5, https://www.pond5.com/stock-footage/item/152767491-australian-koala-bear-earliest-archive-footage-1929Photographer notations on slide: "Vice Regal visit to zoo B42".1930-1939, zoos, governors, koalas, conservation, possums, botanic gardens

Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, thornton mccamish, bill moseley, eritrea, darebin festival, christine durham, michele lonsdale, ray liversidge, ona henderson, syd tunn, eltham festival, artists open studios program, nillumbik artists' open studios, david armfield, janet boddy, jules christian burns, wendy donald, jill forest, annie keil-taggart, ming bellamy mackay, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, maureen runge, herman pekel, austin and repatriation medical centre, carolyn pickett, sherry clarke, manningham artspace, alan marshall short story award, eltham arts council inc., eltham library community gallery, harriot dance, chapman & bailey artists' stretchers and furniture, eltham high school

non-fictionOn August 21, 1940, a Nazi raider torpedoed the British merchantman Anglo-Saxon and machine-gunned the survivors as they tried to escape in their lifeboats. One little boat escaped with seven men. Five of them perished, but Robert Tapscott and Wilbert Widdicombe endured for seventy full days and 2,300 miles to landfall on the other side of the Atlantic. This is the incredible account of their ordeal, one of the most thrilling stories of the sea ever written--and one that almost never came to light. "It has seldom happened," writes William McFee in the introduction, "that a narrative so circumstantial, so entirely stripped of all humbug and false sentiment, has come out of the depths of the sea, to inspire us with admiration for human valor." In the tradition of the Shackleton adventure and Nathaniel Philbrick's In the Heart of the Sea, Two Survived is an unforgettable true story of survival against the very longest odds.ww2, survivors, german submarines, robert tapscott, wilbert widdicombe

Index, bib, ill, maps, p.324.non-fictionThe Australian story of Kokoda has been told often and told well. Now for the first time, the full Japanese story of Kokoda is told, a poignant tale of comradeship and heart-wrenching suffering. This is a very human story of the other side, told through the eyes of Japanese who were there. kokoda track 1942, world war 1939 – 1945 – campaigns – new guinea

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. A suite of seven mixed media artworks each piece framed. Each piece is unique and is labelled as A/P (Artists Proof) Text: Anna Lanyon Images: Original etchings printed by Carmel Wallace at Portland Bay Press Victoria Australia 2004 Medium: Etching with chine collé Paper: Blue Lake (Australia) 100% cotton rag 600gsmfawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is a black printed overlay of a survey marker on top of a newspaper page taken from the Herald Sun on Tuesday February 3, 2004 with the weather forecast and the tides, moon, air quality, fish, world, beach report etc. Around the outside of the centre image is hand written wording in fine black ink.A/P 'Lagoon, P1, Second - State' Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is a black printed overlay of a the words 'TEA TREE WALK' on top of a newspaper page taken from the Herald Sun on Saturday September 4, 2004 with the weather forecast and the tides, moon, air quality, fish, world, beach report etc. Around the outside of the centre image is hand written wording in fine black ink.4/30 'Lagoon' Page 2 : Cliff Beauglehole Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is print of an extract taken from a survey record of the Fawthrop Lagoon Portland listing the name of the reserve, Allotment number, section number, Township, and Municipality. Markings and dates have been written in. Around the outside of the centre image is hand written wording in fine black ink and a map of the town of Portland also in black ink.4/30 Lagoon, Page 3 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is print of green dragons and flowers in the background and five red stamps in the foreground with the words ' Blood of China' and Chinese characters down the left and right hand sides of the stamps. The image is surrounded by red hand writing in fine liner.A/P Lagoon Page 4 : Gold / leaf Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Centre is print in the colours red and green with the word '21-ST' stamped into the print. Looks like reeds and grass in the green section and a photograph of a pillar concrete type structure with the words 'EVASSER FITTED' stamped into the leg lengthways.A/P 'Lagoon' P5 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image of a close up of the side of a timber boat, white panelling meets a black hull, on a back drop of the ocean and sky. Dark strip with a black dot, marks the boats edge. Image is bordered by handwriting.5/30 'Lagoon' P6 Captain Fawthrop Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image is of an off white colour and is a gride of 9 images, snap shots of graffiti. Cental images are bordered by handwriting.3/30 'Lagoon' P7 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

Liquor ammonie was an antidote for snake bites in the late 19th century. George Halford, a medical professor at Melbourne University promoted ammonia injections to stimulate the heart and reinvigorate the blood. Inspired by experiments in dogs, his suggestion to intravenously dose snakebitten patients with an acknowledged poison was certainly controversial. The prevailing treatments, for doctors and laity, were ligature, cutting and sucking the wound, rest (or vigorous exercise), and prodigious quantities of alcohol. Support for ‘Halford’s injection’ nevertheless grew: Victorian doctors, chemists and citizens extolled its effectiveness in both human and animal patients. (Info. from Spectacular serpents: Snakebite in colonial Australia)This item is a useful research tool.A one sheet tabular list of cases of snake bite treated by the injection of liquor ammonie. There are pinholes in each corner.on front - Harry Richardsonsnake-bite australian-medical-journal halford-george

The company that this ledger book belongs to is unknown. Handwritten ledger books were the “heart of financial and business operations,” requiring patience, precision, and excellent handwriting. A few key features defined them: - Durability: Heavy bindings, thick rag paper, and reinforced spines. - Standardised layouts: Columns for dates, descriptions, debits, credits, balances. - Manual posting: Entries copied from “books of original entry” (journals, cash books) into the ledger. - Human skill: Accountants used rulers, fountain pens, and ink pots to maintain accuracy. These books weren’t just financial tools — they became historical artefacts, preserving the daily life of businesses, farms, councils, and households. By the late 20th century, handwritten ledgers gave way to spreadsheets and accounting software. But the structure of modern systems — accounts, debits, credits, posting — is still directly inherited from those handwritten books.

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionHenry Smith Williams’ “The Historians' History of the World” is a chronological and geographical "tapestry" of human events, these twenty five volumes occupy a very specific and prestigious place in historical research. Volume 15 of “The Historians' History of the World” moves into the heart of modern European power dynamics. Published by The Times in 1908, this volume focuses on the rise of the modern German state and the evolution of the Austrian Empire.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 15 set 1, henry smith williams

Collection of papers published from 2 December 2001 to 4 April 2004 for Saint Mark's Church(Volume 28, Number 48) -|Daily Bread|The Weekly Bulletin of the Sunshine Anglican Parish|Saint Mark's Church|Corner Anderson Road and Sun Crescent, Sunshine|Parish Priest: Fr Stuart Soley|The First Sunday of Advent, 2 December 2001|The liturgical colour today is Blue. Blue symbolises the warmth of the approaching summer with it lengthening days and relaxed social events. It evokes hope which is at the heart of Advent: we prepare to celebrate Christ amongst us in human flesh.|Building Our Faith|Happenings and Events|This Week's Liturgical Ministries|(Names Listed): G. Harrison, F. Ford, D. Borthwick, K. Smith, E. Ali, O. Ford, J. Anderson, W Ager, J. Parker, D. Guymer, M. Clark, F. Noble, V. Caddick, B. Dodemaide, & P. Tisdale|(Volume 30, Number 13) -|30 March 2003, The Fourth Sunday in Lent|Nurturing Our Faith|(Names Listed): M. Park, P. Hansen, D. Scheurer, L. Wisinger, M. Clark, O. Ford, M. Packham, D. Borkut, S. Brown, T. Beckett, D. Guymer, A. Morieson, & J. Scheurer|(Volume 30, Number 15) -|Palm Sunday: The Sixth Sunday in Lent, 13th April 2003|(Names Listed): D. Guymer, R. Ellul, V. Crimi, S. Ellul, A. Noble, P. Tisdale, J. Anderson, P. Hansen, J. Parker, F. Ford, E. Guymer, J. Morieson, G. Dugdale, & F. Noble|(Volume 31, Number 13) -|The Fifth Sunday in Lent, 28 March 2004|(Names Listed): M. Park, N. Baker, F. Noble, F. Ford, G. Dugdale, P. Tisdale, J. Parker, J. Anderson, J. Eismontas, M. Sutherland, Sister Josephine, V. Crimi & B. Dodemaide|(Volume 31, Number 14) -|Palm Sunday, The Sixth Sunday in Lent, 4 April 2004|Second Sunday of Easter|(Names Listed): D. Guymer, L. Wisinger, G. Dugdale, F. Ford, F. Noble, J. Parker, O. Ford, J. Anderson, S. Ellul, E. Guymer, J. Morieson, Sister Josephine, V. Crimi, & M. Parkst. marks church, church, anderson road, sunshine, history

Educational teaching chart used at the Northern District School of Nursing, Rowan Street, Bendigo. The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989 Since 1918, Adam, Rouilly & Co. has supplied innovative clinical skills simulators, skeletons, anatomical models & charts to medical education worldwide See French artist Paul Sougy. https://www.themarginalian.org/2019/11/29/paul-sougy/ Coloured educational chart of THE Nervous System - Spinal Cord. Black paper with five coloured drawings labeled A to C. Wooden header and footer. Written on the rear of the header - NERVOUS SYSTEM - SPINAL CORD. Written on a white label at the bottom - - Supplied by ADAM, ROUILLY & COMPANY . Human Osteology Anatomy, 18 FITZROY STREET FITZROY SQUARE LONDON, W.1. Telephone Museum 2703. Written at the bottom right of the poster - P.Sougy Written on the rear, top left - HEART AND CIRCULATION education chart, nurse training, lister house, northern district school of nursing, adam rouilly & co, heart and circulation, paul sougy

After the death of Stan Savige this address was given at the Canberra Conference in October 1954. It is tribute to his life. Sir Stanley Savige KBE : Commemorative Address Federal Conference of Legacy Clubs, Canberra : October 1954. On the 15th of May this year Legacy learned to its enduring sorrow of the death of its Founder, Lieut. General Stanley George Savige KBE, CB, CBE, DSO, MC, ED, for more than 30 years affectionately known to us all as Legatee Stan Savige. He was the embodiment of all those things for which Legacy stands, and each one of us who knew him and worked with him feels a great and abiding sense of personal loss. It is proper, therefore, that those of us at this Conference, the first after his passing, representative of Legacy throughout the Commonwealth, and comprising so many who were his friends, so many who knew the depth of his love for Legacy, should acknowledge our debt to our Founder and ensure, so far as we may, that the inspiration of his life and work in this Cause shall not be lost to those who follow after. It was not ordained that Stanley George Savige - should enjoy a long life, but it was to prove a life of outstanding service. Born at Morwell in Victoria some 63 years ago, he received with his brothers and sisters such education as was then available to a lad in a mining district. He had no particular opportunities of advancement, but from his early days he cherished a strong ambition to make a success of his life, and with this in view he lost no opportunity of adding to his knowledge. Always a lover of the open country, a good bushman and a fine shot, he became as a young man, a Scoutmaster with a keen following of boys. Even in those early days he attracted youth and showed undoubted promise of the quality of leadership which later was to make him famous. Opportunity came with the first World War, and he took his place as a private soldier in the original 24th Battalion AIF. Followed Gallipoli and Anzac where his marksmanship and bush craft stood him in good stead. Conscious that his early training was not sufficient to secure the promotion he desired, he set himself to enlarge it. Only a man of fine fibre and rare determination could apply himself to study on that war torn Peninsula, where our men, hitherto untested, suffered every known hardship and no man knew, from hour to hour, whether he would survive. But Savige achieved it. Himself then a Corporal he found another Corporal who was a former Schoolmaster and learned from him all that he had to teach. Savige was on his way. He was commissioned on the Field and allotted the heroic task of leading the last party off that desperate coast during the famous evacuation. In France he became the Adjutant of his Battalion and one of the best known officers in the 6th Brigade. He won the Military Cross and was mentioned in despatches. Early in 1918 he received a signal distinction, He was included in a small but distinguished band of Officers and Non-Commissioned Officers from the British and Dominion Forces most carefully selected for individual courage and proved qualities of leadership, and was sent to Persia, under the command of Major-General Dunsterville, Kipling’s famous Stalky, to assist and mobilise the friendly tribes with a view to protecting the road to India, left wide open by the withdrawal of Russia. The story of the Dunsterforce, its suffering and achievements in the face of incredible hardships and difficulties, was later to be told by Savige in his book “Stalky’s Forlorn Hope”. He emerged, finally, unscathed, despite his active participation in several of the bloodiest battles of all time, with the rank of Captain and a DSO and MC to his credit, to say nothing of three mentions in despatches. In later years, further decorations were to be conferred upon him, but I believe he valued none of these so highly as his awards for outstanding personal bravery won in the Field when he was an Officer of comparatively junior rank. Such was the man who in August 1923, at the instance of his former Commander, Major-General Sir John Gellibrand, gathered around him a handful of men who had fought and laughed with him over four well remembered years. This small band adopted the name of “Legacy”, but its purpose then was, in the main, to assist in safeguarding the interests of ex-servicemen in this country. Worthy although the case undoubtedly was, the conception and ideal which was to distinguish Legacy from all kindred post-war movements did not emerge until two years later. The torch had not been lit. Legacy had not yet found its soul. What has been achieved since then is known to you all. The Legacy ideal, unique in its conception, with no known counterpart elsewhere, is now accepted, welcomed and honoured throughout the Commonwealth and abroad. But in those early days the achievements of our Founder in the face of all manner of difficulties and frustrations are worthy of our lasting memory and thankfulness. As the source of every river lies in the hills, so must the inspiration from which stems a great conceptions of service to one’s fellow men be lofty and above reproach. Savige was the embodiment of this new expression of comradeship, as he was the central figure and driving force of the little group that sponsored it. But for his zeal, his faith and determination, it is likely that the flame, newly kindled, might have flickered and died. The idea of men returned from active service pledging for the sake of their former comradeship, their personal assistance to the widows, and above all, to the children of those who had fought beside them and paid the full price of War, was so completely new and unexpected that it was by no means readily accepted. There were no funds, no precedents to guide the new adventurers, only the clear bright flame of an ideal just envisaged, and the conviction that the Cause was unassailable. Nor were there lacking many who said that the community held no place for Legacy, that it was born of sentiment only, and would quickly pass. The scoffers are gone and one since forgotten, but the torch remains and burns brighter than ever. Down the years of Legacy there are many names deserving of honour, men from all States and all stations of life, but no name stands out in such clear and bold relief as does the name of our Founder. By his works you shall know him. He was, in truth, the Soul of Legacy. He sought no office and preferred to work as one of the team. Six years went by before he accepted the Presidency of Melbourne Club, and then only because his fellows would book no further delay. “The Spirit of Legacy is Service” - so runs the Charter, and that was Savige’s Creed. By virtue of his attainments he was called upon to take a leading part in the administration of Legacy, first within his own club and later, as Chairman of the Co-ordinating Council of Legacy in Australia. But always it was the essentially human character of the work which enthralled and upheld him, and the tasks which gave him most joy were those which brought him into close personal contact with the youngsters and their home life. Like their elders they recognised his goodwill and his leadership and responded to it. It was Savige who made possible the first camps held for the boys and girls by Melbourne Club. These were erected on his own seaside property, and were originally conducted under his personal direction and largely with the aid of funds he had collected. There was hardly an important post in his own Club that Savige did not at some time occupy and adorn. He was happiest in the company of those men with whom he had served in the field, and cherished always the comradeship born of active service which is of the essence of Legacy. He was a man of strong convictions but attentive always to another’s point of view. As a Legatee he played a leading part in bringing hope and encouragement to many a mother on whom the whole responsibility of a young family had been suddenly and tragically laid; in the attainment of the ambitions of many an orphan child, which not so long since had seemed to him or her to be mere dreams, impossible of realisation. Comfort for the bereaved, new hope for the children’s physical and educational welfare, assistance with the home, aid for the sick, money for the needy and a new courage to face a future that hitherto had held no promise, all these facets of Legacy endeavour combine to present a living and enduring memorial to the man we honour as our Founder today. Between the two World Wars in addition to establishing himself successfully in civilian life and answering the constant calls of Legacy on his energy and time, Savige maintained an active association with the Army. He was convinced that a Second AIF would one day be urgently called upon, and as a Battalion Commander he spared no effort to train the Officers under his charge during the uneasy years of peace for the trial that he felt must come. These men have all subsequently had distinguished military careers, their names are well known and many of the serve in Legacy today. When the second crisis came, Savige himself was one of the first to offer, and although his youth was spent, he proudly carried the number VX13 throughout the terrible years that followed. This time he was to command, first the 17th Australian Infantry Brigade in the first action of the Second AIF against the enemy at Barida, and subsequently at Tobruk and Derna - all famous names now. It was his patrols which gave the warning - unheeded at the time - that Rommel’s reinforcements were reaching North Africa far earlier than was expected. Then followed the grim days of Greece and Crete when the fine qualities of his leadership were put to the utmost test. I have been told by those who were closest to him it was typical of Savige that when his convoys were on the move back and were being blasted from the air by the unopposed Luftwaffe, he should sit by the side of the open road, wearing his red banded cap, to steady the morale of men who had then no chance of hitting back at the enemy. Unorthodox no doubt, but here was a man indeed. Throughout the whole campaign and later when he commended the 3rd division in New Guinea and later still when with the rank of Lieutenant-General he became a Corps Commander in New Guinea and Bouganville, it was at all times characteristic of him that he should see for himself the situation in the forward areas. He dealt personally with his subordinate commanders whenever it was possible to do so. No one says his G.S.O. 1. understood better than he did the importance of front line troops seeing their G.O.C. frequently, and knowing that he was aware of and prepared to share their hardships and dangers. He took many risks that he should not have taken, exhausted himself physically and mentally times without number, and considered himself not at all in order to secure the success of his operations. Finally, in Bouganville, he brought his campaign to a victorious conclusion and accepted the personal surrender of the Japanese Commander. Savige is known as one of Australia’s most human military leaders, but let no one believe that he did not ask and receive the utmost of his men. He trained them in a hard school but he was ever conscious of their needs and observant and thoughtful of their welfare. Fearless and untiring under conditions which brought younger men down, he asked nothing that he was not himself prepared to give and do. The close of the Second World War left him with the same brave heart; but a vitality greatly impaired. He was called up again and again to perform important national tasks, notably that of Co-ordinator of Demobilisation and Dispersal. But his interest in Legacy never flagged it was in fact more personal than ever, for under his command many junior legatees, sons of former comrades had proved themselves worthy of their Fathers in war and in peace. In the bearing and achievements of the young men of the Second A.I.F. he took a particular and justifiable pride. He applied himself to the Extension of Legacy to areas where it had not previously been practicable to operate. His record of service and close personal contact with the men of both wars made him a most welcome pioneer and many new Clubs and Groups resulted from his efforts. He founded, and I doubt whether any one else could have done so, the Club in the great Capital of our Empire. His reputation and obvious sincerity surmounted obstacles that might well have daunted lesser man. Legacy’s debt to him visibly increased. But he was ever a simple man, with a great love and understanding of his fellow men and a true Legatee at heart. Much that he did will never be known or recognised, save by those who benefitted. His service in Legacy ranged from the humble kitchen of cottage and farm to our representation in Westminster Abbey itself. A knighthood set the seal upon an outstanding career. None the less when upon the death of Field Marshall Sir Thomas Blamey, Lieut. General Sir Stanley Savige became the Patron of the Melbourne Club, he retained at his own express desire, the title of Legatee Savige, and when on that final day we bade him farewell, when the Flags he had served so well were lowered and the guns which had formed a grim final salute, it was apparent to all who had eyes to see that this great and simple man had won such a place in the hearts and affection of his fellow country men as is given to few men indeed. From the packed Cathedral, escorted by his fellow Generals, followed by men of his own Units, by Legatees and a great company of others who had cause to honour and esteem him, he made his last journey. But that is not the end. His voice and presence are lost to us but his memory and inspiration must ever remain. As he has bequeathed to the National War Memorial yonder his diaries, records and battle plans, so he has bequeathed to us his fellow Legatees his greatest achievement and his trust, Legacy itself. Never was the Torch passed by worthier hands. Now it is ours to hold it high. Whatever material memorial the future many hold for him, Legacy owes its Founder a livelier recompense. It is within our power to implement what I believe to be his greatest wish, that Legacy and its ideal of comradeship and service shall flourish and endure. Let each one of us then resolve that we shall, within our Clubs, in all tasks to which we are assigned, both great and small, keep in our minds the life and spirit of Stanley George Savige, so that we may be proud at all times to say of Legacy to those who follow after - “If you would see his memorial - Look around you”.The tribute to Stanley Savige shows how greatly he was regarded by the Legatees.Off white quarto paper with black type, address given about Stan Savige to the Canberra Conference, x 12 pages.savige, speech, obituary

Brochure to accompany the Soroptimist Quilt Project 2000. The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt has been displayed in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objects of Soroptimism.A3 sized folded brochure printed in blue and white depicting images and text relating to squares of the Soroptimist Project Quilt 2000.front: [printed] SOROPTIMIST / INTERNATIONAL / Soroptimist International / SOROPTIMIST / PROJECT QUILT - 2000 / To celebrate the Year 2000, members of the / seventeen Victorian Soroptimist Clubs have / worked together to produce this quilt. The / quilt squares illustrate some of the projects / which have been initiated, funded and / supported by Victorian Soroptimist / members as well as illustrations of our / broader affiliations and responsibilities.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations

The quilt was made by members of seventeen Soroptimist International clubs across Victoria to celebrate the Year 2000. The quilt squares illustrate some of the projects initiated, funded and supported by Victorian Soroptimists as well as illustrations of broader affiliations and responsibilities, including to the UN. Examples include the S.I.A.M. (Soroptimist International Aids Mediation) project by SI Berwick in Northern Thai villages which established industries and health programs for women and girls as viable alternatives to the sex industry. Revegetation of woodlands, wetlands and cleared land by SI Deakin. Donation of toiletries to women's shelters, police lock ups and church emergency centres in the western suburbs of Melbourne by SI Cut Paw Paw. Founded in 1921, Soroptimist International is a global volunteer movement with a network of around 72,000 club members in 121 countries. Advocating for human rights and gender equality, at the heart of Soroptimist International’s advocacy is its work across seven UN Centres, where UN representatives ensure that the voices of women and girls are heard. Memberships work on grassroots projects that help women and girls achieve their individual and collective potential, realise aspirations and have an equal voice in communities worldwide. It has a flourishing Club in Geelong. The quilt was displayed from 2001 until 2023 in Soroptimist Headquarters Victoria at 383 Toorak Road, South Yarra (Soroptimist House) since touring the State of Victoria in 2000. Soroptimist House has been sold with the funds raised to go to furthering the objectives of Soroptimism.Cream patchwork quilt with 31 squares depicting various scenes and motifs. The Soroptimist logo features in the bottom right corner.quilt, women, soroptimist, victoria, community, clubs, human rights, gender equality, united nations

One of three We The Makers videos commissioned by the Programs and Education department at the National Wool Museum to assist in learning and engagement alongside the We The Makers Sustainable Fashion Prize 2025 exhibition at the National Wool Museum. The films feature artist interviews from three finalists from We the Makers, providing insights into their personal influences, the motivations behind their material choices and the impact of culture on artistic practice. This film features designer Corin Corcoran and their work 'Sustain Our Stains'. Artist Statement: This work explores the tension between what we discard and what remains. The dress is a meditation on waste, memory, and the marks we leave behind — often without realising. Constructed from reclaimed textiles, the surface has been stained using collected metal waste. Rust, born from decay, becomes the medium through which this piece tells its story. These marks aren’t artificial embellishments — they are scars left by objects that were once useful, now forgotten. The process of rusting becomes a slow, quiet collaboration between time, weather, and the materials we throw away. At the heart of this work is the idea that nothing truly disappears. Even in decay, objects carry history — and they imprint that history onto the world around them. The rusted stains serve as a metaphor for the often-invisible impact of human consumption. We discard things — metal scraps, clothing, time, people — without thinking about the residue they leave behind. This dress captures those traces, preserving them in a way that’s both intimate and unsettling. The piece asks the viewer to consider the long life of what we call waste. It challenges us to look more closely at what we overlook, and to understand that the things we abandon continue to speak, to stain, to shape. In a world striving for sustainability, perhaps we must also learn to sustain our stain — to acknowledge and carry the weight of our impact, rather than pretending it disappears. This is a dress made not only from waste, but with waste — a collaboration with rust, with the discarded, with the forgotten — inviting reflection on permanence, responsibility, and the quiet weight of residue.Three minute fifty one second digital video file with audio.fashion, sustainability, design, we the makers, film, documentary, artist, corin corcoran, education

When removed from the frame, in Sept 1999, for conservation work it was found that probably on three previous re-framings the work had been tacked as the tack heads are clearly visible around the edge and staple marks are also present. The conservator was able to remove some rust but not the staple marks. She feels the 'browning' of the material was caused by the wooden board which the sampler was mounted on.|The conservator stated that the material was cotton 'Tiffany' fabric.Framed sampler of cross stitch headed 'Prudence' 'Hear the Words of Prudence, give heed unto her councils and shore them in your heart. Her maxims are universal and all her virtues lean apon her. She is the guide and mistress of human life. Put a bridle on thy tongue , set a guard before thy lips lest the words of thine own mouth destroy thy peace. Let him that scoffed at the lame take care that he hurt not himself. Whosoever speaketh of anothers failings with pleasure shall hear of his own with bitterness of heart. of much speaking cometh repentance but in silence is safety'|Embroidered trees and buds, flowers, baskets all stylized. 'To labour and to be content with that a man hath. is a sweet life' Mary Baker 1803 18 M.A.G. 47handcrafts, needlework

"NEW CROSSLEY CHURCH. BLESSING AND OPENING CEREMONY. A lasting testimony to the faithful generosity of the Catholic community at Crossley was vouchsafed on Sunday last, when the beautiful new church of St. Brigid was formally blessed and opened, in the presence of a particularly large congregation of adherents of the Roman Catholic faith, and many supporters of the doctrines of other churches. The function was further enhanced by the presence of two noted Catholics in Dr. Higgins (Bishop of Ballarat) and Dr. Mannix (Coadjutor Archbishop of Melbourne.) Upon arrival at the church the prelates were received by a guard of honor formed by the members of the H.A.C.B. Society, and were introduced to the members of the local committee. Then his Lordship the Bishop formally blessed the exterior and interior of the building. The building is handsome and commo dious, and one that should suffice for the population of the Crossley district for many years to come. Standing upon the highest point in the vicinity it occupies a commanding position and is a prominent landmark for many miles around. At first it was intended to pull down the old church and erect the new one upon the space occupied by it, but subsequently the land adjoining was purchased, and the sacred edifice built upon it. The style of architecture is a free treatment of the Romanesque. In a short space of time the grounds and walks were transformed by working bees and made to conform to the beauty of the building. The interior is most artistic, and would be difficult to improve upon in elegance of design, while the furnishings are most appropriate, and harmonise excellently with the general scheme of decoration. It seats 400 people and in addition there is a choir gallery with a seating capacity of 60. The church is lighted with leaded Cathedral glass windows, and the front presents a pleasing appearance, the entrance porch being surmounted with a semi-Gothic window. The floor is tiled throughout. The ceilings are semi-circular in form, with beautiful designs worked in fibrous plaster. The brickwork of the structure is faced with cement, and it has a slate roof. It is undoubtedly an addition to the ecclesiastical buildings of the district, and was universally admired. The architect was Mr. A. A. Fritsch, of Melbourne, and the contractors Messrs F. and E. Deague, of North Fitzroy. On the doors being thrown open for the admission of the congregation, the seating accommodation was immediately fully taxed, and the lengthy service and sermon were listened to with the greatest interest and attention. Missa Cantata was sung, the Rev. Father Phelan, Koroit, being the celebrant. The musical arrangements were in the capable hands of Mr. Renwick, of Warrnambool, while Miss Logan presided at the organ. Mrs. Dan. Ryan was the soprano soloist, and sang Gounod's Ave Maria at the offertory very sweetly and expressively. At the consecration Rossi's Tantum Ergo was sung by Messrs Crowley and Renwick; Farmer's Kyrie Gloria and Agnus Dei and Webb's Credo were rendered during mass, and while the collection was being taken additional numbers were sung. The occasional sermon was preached by the Coadjutor Archbishop (Dr. Mannix), who based his remarks upon the Gospel for the day, St. Luke V., verses I to II, dealing with the miraculous draught of fish. On His return from Galilee Christ found that the fishermen had been toiling all night, and had caught nothing. He entered one of the ships, and addressed the multitude on shore. It was a beautiful picture, and no doubt he spoke to them about the kingdom to be established on earth. When He had finished speaking He told the fishermen to launch out into the deep. Peter said " Master, we have fished all night, and have found nothing." Still, they obeyed His command, and the nets were filled almost to breaking point. Having brought their ships to land they left everything and followed Him. In that lesson they had a symbol of God's dealing with men through the church He has established on earth. Their confidence was richly rewarded, and Christ founded His church upon those twelve Apostles. At that time the world was mostly pagan, steeped in iniquity and sin. The chosen people of God worshipped with their lips, but their hearts were far from it. When Christ wanted to estab lish His church on earth, and leave an organisation to carry on the work, did He select the most intellectual, or the most rich or powerful men? Neither did the time seem propitious. He selected twelve men who from a human point of view were quite incapable of accomplishing anything. What happened when the Jews put Him to death? The chosen twelve left Him at the critical hour, and when He came to die on the cross they were not there, but hid themselves from the hate and fury of the Jews. When the Holy Ghost came down upon them and strengthened them they became courageous and went forth at the bidding of their Master to teach all nations. Their success was not confined to the first meet ing after Pentecost, at which they made 5000 converts, but continued until the whole world had been brought into the net. It was surely a consolation to them as well as to him (the preacher), that they came from a land which of all others had been faithful to the teaching of Jesus Christ. The sons and daughters of St. Patrick had taken a great part in bringing men into the meshes of the church. It was due to the nation they belonged to that the church flourished not only in Ireland, but in England, Scotland, Ame rica, and Australia. It may have seemed hard that in the providence of God so many had to leave their homes and find a home in other lands. They had emi grated to the towns of England and Scotland, and had been the means of keeping the Catholic faith living in those places. In the United States and Canada many had made a home for themselves, and were always found faithful to God and to the true church. If to-day the Irish Catholics and Catholics of Irish des cent were taken out of the English and Scotch population there would be little left of the true Church of God. Perhaps they had not the learning of other nations. Certainly they had not the wealth of other nations, and not the power of the sword, but God was with them, and the faith they took from the old land nourished in the distant places. There was a time in Aus tralia when those opposed to God and God's Church thought they could rule Providence and make Australia a Pro testant land. They had lived to see whe ther God or His enemies are the more powerful, and the names of those who tried to stamp out the Catholic religion were forgotten, or only remembered be cause of their persecution. They had lived to see the glorious success which rested upon the Catholic Church in Aus-tralia, which the Irish people had built up stone by stone. Nowhere was it held in higher esteem than in these islands, and the people would always be faithful to God and His church. It was an inspira tion to go into the glorious church opened that day. It stood for loyalty and faith fulness and was a credit and a consola tion to the Bishop and people of the diocese, to the architect, and to the priests and the honest and zealous administrator of the parish. There was hope and an inspiration in that day's celebrations, and surely the Catholic faith would sink deeper and deeper into the people as time went on, and the progress of the last fifty years would be small as compared to the progress of the future. He congratulated the Bishop and priests who had raised that temple, and the people of Crossley upon their generosity and self-sacrifice. He prayed that the blessing of God and St. Brigid would rest upon them, their children, and their children's children. He hoped that not one of those who had received the sacrament at that church would be missing when called before the Judgment Seat, and that all would be counted into the enjoyment of eternal bliss. The Rev. Father Kerin then made a statement of the position of the finances, after which a special col lection was made towards the cost of the building. A list of subscribers of £l and upwards was read, to which Bishop Higgins contributed £250, Rev. Father Kerin £20, and the Coadjutor Archbishop £5. The amount totalled £1245 10s 7d. Pre vious donations totalled £1077 3s, and His Lordship gave an additional £250. An indebtedness of £3974 had been reduced by £1245, leaving a debit balance of £2728. The cost ot the church completed was £6250. They had broken the back of the debt, and were not frightened of it. It was also announced that the beautiful Stations of the Cross, which adorn the walls, had been donated by the following: Mr and Mrs. P. Crowe, Mr. and Mrs. T. Bushell, Mr. and Mrs. P. Gorman, Miss M. Dunne, Mr. Mugavin and Miss Mugavin, Mr. and Mrs. C. Conway, Misses A. and F. Broderick, Mr. and Mrs. Michael Hennessy, Miss K. A. M'Carthy, Mr. and Mrs. Wm. Dalton, Mrs. M. J. Greene, Mrs. and Miss K. Dwyer, Mr. and Mrs. John Mugavin, and the Rev. J. J. Manning. The new Estey organ was contributed by the school children, as the result of an enter tainment. Other donors of furnishings, etc., were Mrs. Brown, senr., (Kirkstall), and Mrs. James Maloney (Killarney), and Mrs. and Miss O'Donohue. The vestments were the gifts of Mr. and Mrs. M. Foley, of Killarney. The furnishings, carpeting, etc., of the sanctuary have been carried out by the Crossley Altar Society, of which Mrs. Jno. O'Brien is president, and Miss Mary Ryan secretary. In the course of a brief address Dr. Higgins expressed his deep indebtedness to the Coadjutor Archbishop for coming amongst them at a great sacrifice to assist in the ceremonies. He heartily thanked the people for their unbounded generosity, and congratulated priests and people upon the magnificent results of their efforts. They had an able champion in Dr. Mannix, who since coming amongst them had distinguished himself by his zeal for the church in this new land. He hoped he would be spared for many years to come to use his splendid talents in the service of the church. (Koroit Sentinel and Tower Hill Advocate, Saturday 4 July 1914, page 2)Digital images of the cathedral leadlight windowns in St Brigid's catholic Church, Crossley. st brigid's crossley, st brigid's, catholic church, catholic, church, religion, celebrations, christmas, christmas carols, carols, stained glass, window

Brown's Self-Interpreting Family Bible. London: Blackie and Son 1862. A thick dark brown volume with a tiny embossed diamond shaped self-pattern on both covers. All edges of pages are gilt, The title, Holy Bible is printed in gold lettering at the top of the spine and it has five raised bands across it. The black and white decorative title page has Brown's Self-Interpreting Family Bible with many Additional notes, References and Readings, also Index of subjects printed at the top. Underneath in a semi-circle shape is a black ad white illustration of Ruth and Naomi, with publisher details below. The following Title Page has full details and explanations of the contents. There is a Publisher's Preface and Attestations to this Edition. Following this is a Memoir of The Rev. John Brown, closing with his final words upon his death on 19th June 1787. He was buried at Haddington Churchyard 24th June A.D. 1787, aged 65 years. Following this is an Introduction to the Right Understanding of the Oracles of God. There are many black and white plates included throughout the Bible. Pp. 1157 (Bible) At the back are many additional inclusions such as: Alphabetical Index, A Collection of Similies contained in the Scriptures, Complete Index, and Concise Dictionary, The Psalms of David in Metre, Translations and Paraphrases and more. There are missing pages of the Hymns. In all a most complex Bible for the family. Included are four loose pages with details of some of the Sebire Family Tree as noted in the Inscriptions section below. non-fictionA late Victorian family Bible— the beloved King James text, augmented by the late Revd John Brown of Haddington’s Comprehensive Bible study aids which was well bound. First published in 1611, the King James Version of the Bible has exercised an incalculable impact on piety, language and literature throughout the English-speaking world. "Other translations may engage the mind, but the King James Version is the Bible of the heart" (Campbell, 275). It is probably the text most commonly found in decorative family Bibles such as this one, which has several black and white plates. The Rev. John Brown of Haddington was "a tirelessly faithful pastor"—"For eight months of the year he delivered a lecture, two sermons, and an exercise each Sunday"—and also a prolific author. He is best remembered for his Self-Interpreting Bible, first published 1778, which became "as familiar in Presbyterian households as John Bunyan's Pilgrim's Progress and Thomas Boston's Human Nature in its Fourfold State" (DNB). Without Apocrypha. There is a Separate New Testament title page dividing the bible. Opposite page 832 is The Family Register fully handwritten in black ink Old English script commencing with Peter Sebire born 14th June 1835 Sen Died 20th September 1902 (67 years). Many other entries are listed. bibles, religious books, religion, genealogical charts, genealogy, genealogical documents, family trees