Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Acquired by Kate Leviny. The Leviny daughters were friends with Ursula Ridley Walker. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.Ursula Ridley Walker is a little know Australian woman artist who was working in many artistic fields during the first part of the twentieth century. Buda holds the largest public collection of Walker's work in Australia.Print by Tasmanian woman artist, Ursula Ridley Walker, depicting blue hydrangeas in a dark blue jug with a green octagonal plate in the background. Mounted and framedLower left: 'Hydrangeas' Lower centre: '- Coloured Lino Cut -'. Lower right: 'Ridley Walker 5/50'.ridley walker, linocut print, australian women printmakers, hydrangeas, leviny collection, buda, castlemaine, 1925, ursula ridley walker, tasmanian artist

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Loosely bordered image of hydrangea and book with lower case title of morgan's book and initial MK in right corner of image.Pencilled beneath image, Mary Keepkeith wingrove memorial trust, australian bookplate design awards 2020, mary keep, hydrangea, book, bookplate

Slide.Garden 12 Hope Street.Yellow hydrangea.slide, bendigo, garden 12 hope street., garden 12 hope street.

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Small still life with two pumpkins and hydrangeas.art, artwork, bunning, neville bunning, pumpkins, still life, framing required

Jones Family Collection - NP2565 to NP2606. See also ND3831.Black and white photograph of hydrangeas growing Jones' Flower Farm in Mt Pleasant Road, Nunawading, in 1930.jones, bette, walter, rolf, geoffrey, arthur, keith, lionel, muriel, jones flower farm, mount pleasant road nunawading

Jones Family Collection - NP2565 to NP2606. See also ND3831.Black and white photograph of hydrangeas growing Jones' Flower Farm in Mt Pleasant Road, Nunawading, in 1946.jones, bette, walter, rolf, geoffrey, arthur, keith, lionel, muriel, jones flower farm, mount pleasant road nunawading

Identified by E.B. Littlejohn and T.H. Kneen as Margot George (1951).Black and white photograph. Student, Margot George, (T. H. Kneen, E. B. Littlejohn) watering hydrangeasmargot george, students, female students, watering, hydrangeas, student working outside

Post card sent from Priscilla PETERSON ( nee HUME)to her niece Elizabeth PROCTOR (nee HUME) who was living Littleton, Massachusetts, USA in 1908. At the time Pricilla and Frederick were living with their daughter, Lottie at 23 Ross Street, Port Melbourne.Sepia postcard of three members of the Peterson family standing in lattice arch beside a hydrangea bush at 23 Ross Street,, Port Melbourne.On reverse: Mrs H F Proctor, Littleton, Massachuttes (sic) USA. 23 Ross Street, Port Melbourne , Australia, Jan 14 08 Dear Elizabeth Yo said you would like to see us in our home S here we are in our side entrance. Myself, Husband & Lottie. Hope to hear from you soon. Love from all to all. Aunt Priscilla.priscilla peterson, priscilla hume, frederick peterson, lottie peterson, families, elizabeth proctor, ross street

Thomas Harrison (1897-1981) was a leading Melbourne milliner from the 1930s. He began his millinery career in 1920, and by the late 1930s had a salon and workshop at 163 Collins St. He later moved the business to Toorak Road, South Yarra. He continued millinery work until 1975.Pink floral dome-shaped hat made up of silk and velvet pink hydrangea petals and mauve silk stems attached to a stiffened net base.Label, printed black on white acetate, centre back: THOMAS HARRISONthomas harrison, hats, 1960s fashion, melbourne fashion

Women in photo, Mrs Hansen and Miss Bertha Hansen.Black and white photograph of two women standing at the corner of the veranda of the Venga Guest House, hydrangeas in garden. In the background Mrs Hehir's shop. Lakes Entrance Victoriaguesthouses, tourism, people

Older woman with two young girls posed in front of hydrangea bush outside the Quamby Café at Olinda c 1950s. Sennitt's Ice Cream sign visible upper RHS.quamby, quamby cafe, olinda, sennitts icecream

Hand coloured small format photograph of Venga Guest House. It shows a timber and cement sheet building, gable roof, bay window, half veranda across front, flowering hydrangeas behind picket fence. Lakes Entrance Victoria.guesthouses, historic buildings

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 82.Black and white photograph. Ray Harding, Instructor in Horticulture, and student, Margot George, looking at flower heads of a lilium. There is a large planting of liliums and some delphiniums. Also a patch of hydrangeas and some vegetables, possibly beetroot. Note the Boxthorn hedge behind.On reverse, "Ray Harding 1945-58, Student Margot George," (1951.)instructor, students, vegetables, flowers, boxthorn hedge, ray harding, margot george, green grows our garden, a.p. winzenried, female students, liliums, hydrangeas, orchard

Black and white photograph of Venga Guest House. It shows a timber and cement sheet building, gable roof, bay window, half veranda at front, hydrangeas flowering in garden, picket fence at front, two women in picture. Lakes Entrance Victoriaguesthouses, architecture, fences

Photograph in "The Argus," 22 Dec 1932. Caption: "A magnificent bank of hydrangeas, 63ft. In length, may now be seen in the gardens of the Burnley School of Horticulture. The principal (Mr. A.W. Jessep), in the centre, and others are shown picking blooms to be sent to various hospitals for Christmas."the argus, hydrangeas, burnley horticultural college, a.w. jessep, orchard border, community, hospitals

Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. She was active <1963-1970>. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still life of a vase of flowers.art, artwork, gwen graham, still life, flora, hydrangea

Photo shows a man dressed in pale trousers, an open-necked shirt, a blazer and a peaked cap. He is with a boy dressed in dark pants, a pale, short-sleeved shirt and a narrow-brimmed sunhat. A tin chimney narrowing towards the top is behind them. There are hydrangea bushes nearby and tall trees in the background. The Slingos lived on Wellington Rd, Narre Warren East.

(1) Photograph from a newspaper. Caption: "This fine show of hydrangeas was photographed at the Burnley Horticultural gardens. Not for years has there been such a fine display of these beautiful flowers." Comments from George Russ, who is probably the man in the photograph. (2) Photograph from "The Leader," September 10, 1927 of 4 female students standing with a staff member who is holding a plant, in the Gardens.the leader, flowers, hydrangeas, burnley horticultural college, george russ, female students, outside class, staff

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward