Manual describing all facets of photography using Ilford Cameras and includes developing and printing of photographs. The map making production at the Army Survey Regiment, Bendigo, made extensive use of photographic processes.A5 sized book, Hard Covers front and back. 470 numbered glossy pages.Inside front cover - "L33", stamp - "EXPENDABLE STORES" (twice), "Unreadable signature - QM 30/7/82", Stamp- "AHQ Survey Regiment, Royal Australian Survey Corps" Handwritten - Accession No 167 (and then crossed out), Stamp "29" First Page "15/-", Stamp "2 Topo Svy Coy, Powlett Street Training Depot (partly crossed out), Stamp Technical Book and Magazine Co, 295 -299 Swanston St. Opp Old Melbourne Hospital cert 2041, Melbourne. Title Page - "Accession No16, stamp 2 Topo Svy Coy Powlett Street Training Depot, East Melbourne" Stamp - "AHQ Survey Regiment, Royal Australian Survey Corps" - Accession No 167 (faded). Back Cover - Stamp - "AHQ Survey Regiment, Royal Australian Survey Corps"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This item is part of a collection of seven black and white glass lantern slides previously housed in this box. The slides and this box are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Brown paper box with printed blue and black text on top. Stamped text is also shown on the side of the box.top: [printed] ILFORD / SPECIAL LANTERN PLATES / CONTRASTYnew south wales graziers association, travel, agriculture, j w allen, photography, glass lantern slide, sheep, breeding

Two glass lantern slides of Sydney Harbour Bridge. Post 1932 on Cardboard Box. Ilford used the word "chromatic" to show their plates had a degree of multiple colour sensitivity but is not fully panchromatic. May have a lower blue sensitivity - to be used in mountain scenery.Printed instructions for use in early photography attached to top of box holding plates.sydney, harbour, bridge, glass lantern slides, ilford rapid, chromatic

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. The man appears to be at the Mission to Seafarers, the Celia Little room usually used as a reading and quiet room. On the table is the shield annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney.The presence of the framed football shield in the image links this image to other objects in the MTSV collection and helps confirm location of Celia Little room and the era of the photograph to mid 20th C.Black and white photograph of a man reading a magazine taken a table with a collection of different magazines. A framed shield appears to the left of the frame.Ilford paperphotography, flying-angel, club-room, black-and-white, mission-to-seafarers, stage, celia-little-room, shield, soccer, football

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font of St Peter the Mariner chapel. On the wall to the right hangs the illumination: Believe in God The Father Almighty (see item 1537).stamp: 8940, photographic paper markings ILFORDbaptismal font, illumination, baptistry, st peter chapel, charles edward murray puckle (1887-1915)

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. It demonstrates one of the activities on offer at the Mission and documents how common indoor smoking was at the time.The photograph depicts the activities offered to seafarers while on shore leave at the Mission during the 1950s-60sBlack and white photograph depicting two men standing by a table tennis table. One is smoking while the other is holding a table tennis paddle. There is a poster visible in the background.Reverse: ILFORD in repeat 1940: stamped in redtable tennis, ping pong, sports, games, flying angel, mission to seamen, flinders street, seamen's mission, seamen, seafarers, sailors, smoking, claude james eldridge-doyle, reverend c.j. eldridge-doyle

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font at St Peter the Mariner chapel. On the wall to the left hangs the illumination: Believe in God The Father Almighty (see item 1537). handwritten number poss. 3, stamp: 8940, photographic paper markings ILFORDbaptismal, font, st peter chapel, illumination, charles edward murray puckle (1887-1915)

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. Photograph is part of the collection that has been accumulated at the Mission to Seafarers. It shows how the Mission was furnished at one time.Black and white photograph of a wooden chair against a tiled wall, possibly in or near the kitchen. To the left of the photo is a series of lockers.Reverse: ILFORD repeat print across the photograph. 1940 in red stamp.photography, black-and-white, mission-to-seafarers, chair

This photograph shows how the Flying Angel club room was once used. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Dancing was permitted by Padre Oliver in 1932 under strict rules. Black and white photograph with six people standing next to the stage in Flying Angel Club room. One man facing the camera is formally dressed and speaking to a lady who is less formally dressed. Pictures are seen hanging up in the background.On reverse: ILFORD (maker's mark stamped across the back of the photograph). 1940 (slightly faded)photography, flying-angel, club-room, black-and-white, mission-to-seafarers, dance, lhlg, asian, seamen, flinders street

This photograph forms part of the collection that has been accumulated at the Mission to Seafarers Victoria. It demonstrates that that there was an ample library once in use at the Mission. The photograph is thought to have been taken in the Chaplain's office next to the chapel. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Reading have always been an incentive at the Mission, and books were always made available to seafarers insiste or brought on board ships via reading parcels.Black and white photograph of two men in the chaplain's library. The man on the left of the frame is putting a book back on the shelf and the man to the right of frame appears to be be reading a book.Number 3 (in circle) handwritten in black ink on reverse of photograph in top right-hand corner. Reverse side also includes a numerical stamp of "1940". Ilford is étampes on the paper.library, books, literature, reading

The Stone family were migrants from Wales, living at the Fisherman's Bend Migrant Hotel around 1960. This photograph was taken on a day trip to Emerald Park Lake.The photograph shows the state of Emerald Park Lake around 1960.B/W photograph, looking across a stretch of Emerald Lake. Feature in background left might be diving platform.REAR: Ilford 260emerald park lake

The Stone family were migrants from Wales, living at the Fisherman's Bend Migrant Hotel around 1960. This photograph was taken on a day trip to Emerald Park Lake.The photograph shows the state of Emerald Park Lake around 1960.B/W photograph, looking across a stretch of Emerald Lake towards a building in the background, probably the kiosk.REAR: stamp "Ilford 260"emerald park lake

The 9 photographs taken by reverend C.J. Edldridge-Doyle (called Bill Doyle), depict the 3 mission buildings around 1953-54. There are three photographs per buildings. On the envelop, he wrote a message to Pearl (from a photography lab) ordering glossy prints in 8x10 inches. with a PS message: "You'll be glad when we go to England". The archives still holds 4 prints of this size (2 of the Port Melbourne building, 2 of the Williamstown building). Reverend Eldridge-Doyle was chaplain between 1953 and 1958, then in 1960 he replace Padre Oliver for a year before Perry Mitchinson.The photographs depict the three mission's buildings used from 1943.2 strips of 9 black and white Ilford negatives with the beige colour wide envelope where they were kept.Written in blue ink on the envelope is written instructions to print the images addressed to Pearl from Bill Doyle. "PS: You'll be glad when we go to England. Dear Pearl, Sorry to be such a confounded nuisance. Do you think you could do 2 of each of these in 10x8 glossy? The ones of Port Melbourne appear to me to show had camera shake but may be ok. Could I have them tomorrow? Bill Doyle"bill doyle, pearl, negatives, mission's buildings, port melbourne, williamstown, melbourne, mission to seafarers, 1950s, v.b. merlin, 2 greenwood st, reverend c.j. eldridge-doyle, claude james eldridge-doyle

Small light blue covered booklet titled Photographic Scraps it is New Series Vol 5. No. 229 September 1908 issue that comes out monthly. photographic scraps, ilford limited, home portraiture, tree-photography and its applications, the september spirit in landscape work, platona, ilford, tree-photography, landscape, photographic equipment

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

Photograph of the three trams at the Mt Pleasant terminus during an AETA tour 21-4-1962. No. 20 the service tram, 18 and 37 the tour trams. No. 20 has Advertisements for the SEC, Ilford Film and a dash panel advert for The Age newspaper. See item 5249 for a similar Wal Jack photo. The date and location on the rear of the photo are incorrect. Yields information about the trams used for an AETA visit in 1962 and worked within the service trams.Black and white photograph printed on Ilford paper.on rear in ink "Drummond St North 7th April 1962"trams, tramways, aeta, tours, special trams, mt pleasant, tram 20, tram 18, tram 37

Two rectangular black and white photographs of the Beechworth Mental Hospital (Mayday Hills) administrative building showing the left and right hand sides of the exterior building with three cars parked in driveway turning circle in the foreground taken in the 1950's by E. Yellard. Mayday Hills Hospital, originally known as the Beechworth Lunatic Asylum was constructed between 1864-67 designed by The Public Works Department. The hospital is made up of a number of buildings, landscaping, ha-ha, workshops, laundry, administrative facilities and farmland, it was constructed in 'Italianate' style by a team of up to two hundred and fifty workers (Woods p. 122). The asylum was established in response to the need for the regional shire to locally care for those particularly affected by their time working the Ovens goldfield during the Indigo Shire gold rush era where poor living conditions and isolation were significantly affecting the welfare of a great many people through poverty and lack of resources. The gaol and orphan labour systems were not able to effectively support to give housing, rehabilitation and ongoing care for the mentally ill, and transporting to Melbourne by waggon was a time consuming and counter-productive solution when the metro facilities were already overcrowded. According to Woods (A Titan's Field p. 122), between 1901 and 1911 a large percentage (thirty five percent in 1901 and twenty four in 1911) of the Beechworth population were either patients or inmates of Beechworth institutions, Mayday Hills accounted for some six hundred and seventy four patients in 1901, Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town and the large volume of people living at the hospital and contributing to this population growth is counted as reason for the survival of Beechworth as a regional township. According to the Victorian Heritage database, during the period 1921-1950 Mayday Hills underwent some modernisation by Public Works Department architect Percy Everett which included a nurses' hostel and new ward which were further developed and continued to function as a mental hospital up until 1995 when it was sold to LaTrobe university. The building and grounds are listed on the Victorian Heritage Register under criterion A, B, D, E and F.These photographs give a good indication of the ongoing use of Mayday Hills from its original establishment in the 1860's through to almost one hundred years later when these photographs were taken. The clarity of the images combined with the style and make of the cars in the foreground give a good indication of the time period and show the continued use and need for the facility over the years. Through images of building facades such as these, we might gain fuller understanding of the structural and aesthetic characteristics to be used in any future development or restorative work.2 x black and white rectangular photographs [copies] printed on Ilford photographic paper8688.1 reverse: Beechworth / Mental / Hospital / 80% 19cm / 12 cm / 80% / 728 / New / Print / BMM / 8688.1 / E. / Yellard / [Stamped : ILFORD] 8688.2 reverse: Beechworth / Mental / Hospital / E. / Yellard / BMM / 8688.1 / [Stamped : ILFORD]administrative building, black and white photographs, beechworth, mental hospital, beechworth mental hospital, mayday hills, cars, 1950, e. yellard, the public works department, public works department, hospital, mayday hills hospital, beechworth lunatic asylum, lunatic asylum, asylum, ovens goldfield, indigo shire, indigo shire gold rush

This bottle contained aspirin made by the firm of Howard and Sons of England. This firm had its origins in the late 18th century and manufactured pharmaceutical products, especially quinine and aspirin. The latter was used as a painkiller for headaches and minor health problems. The distributor of this bottle of aspirin was Len Suggett, a chemist in Warrnambool. James Barnes established a chemists business in Warrnambool in the mid 1920s and Len Suggett was the manager. After the death of Barnes in 1939 Len Suggett bought the business. The business was at the corner of Liebig and Koroit Streets (102 Liebig Street) until about 1950 when it was moved to another site across the road in Liebig Street.This bottle has local provenance as it came from the pharmacy of Len Suggett who was a well-known businessman in Warrnambool for many years and therefore the item has some significance as a memento of that business. This is a small brown glass bottle. It is empty but originally contained aspirin. The main body of the bottle has a label (white with dark blue edging) covering all sides of the bottle. The label is somewhat stained and frayed. The bottle has no stopper or lid. Howard’s English Aspirin L.G. Suggett Chemist Cr Liebig and Koroit Streets Warrnambool Phone 42

Volume 1: contents include: recipes, cookery, weights and measures, kitchen improvements, equipment, setting table, mother and baby section, toys, pottery, gardening, dressmaking, sewing, marriage. Volume 2: contents include: what makes a home, rooms, decorating, furniture, soft furnishings, flower arrangements, plants, etiquette, cookery and more.home management, newnes

One "ILFORD photographic paper" cardboard box Used to store Eight rectangular glass plates, various sizes, one slightly damage (chipped); with paper inserts for protection. 175mm x 82mm - 1 138mm x 88mm - 4 132mm x 82mm - 3Ilford (Australia) Propriety Limited Melbourne Australia

Bullock wagon with two men being pulled by approx. eight cattle. Used as a teaching aid.ILFORDagriculture, farm, wagon, bullock, mouat crawford collection, wimmera

A collection of farm machinery; tractors, and ploughs. Used as a teaching aid.ILFORDagriculture, farm, wimmera, tractors, plough, mouat crawford collection

Two men stacking sheaves into stooks. Used as a teaching aid.ILFORDagriculture, farm, crop, sheaves, mouat crawford collection

Procession four horses pulling an open wagon have just crossed a railway crossing, a band is in front of the horses. Used as a teaching aid.ILFORDagriculture, farm, procession, wimmera, horses, wagon, pipe band, mouat crawford collection

Charing Cross intersection. View of Alexandra Fountain, Plaza Corner with car park on top, Ezywalkin (shoe store), Optician, Chemist. Used as a teaching aid.ILFORDbendigo, mouat crawford colection, fountain, charing cross

Crop, appears to be ready for harvest. Used as a teaching aid.ILFORDagriculture, farm, crop, wimmera, mouat crawford collection