Collection of photographic equipment used by Zilles Printers. Collection of equipment - negative holders, developing trays - enamel and plastic, globes, thermometer, tongs - metal and plastic, metal frames, measuring cups, Ilford on plastic developing trayzilles printers, photographic equipment, developing trays, image holders, tongs, thermometer, wooden negative holder, darkroom safe light, globes, negative holders, darkroom

Hammerton itemsSouvenir of LorneGroup of three metal matchbox holders with images of Lorne and Great Ocean Road on two sidesscenery of lorne and ocean road

The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment

This tin matchbox was manufactured as a souvenir to commemorate the centenary of European settlement of Melbourne and Victoria in 1934-35. This celebration was important as a sign of better times after the 1930 Depression.This is an every-day souvenir item which can be linked to a significant celebration in Victoria. A souvenir matchbox holder made of tin with paper labels. It is U-shaped with transfer images whcih have a cellulose acetate coating. The background is dark blue with white panels on which are the images. The front of the holder has a picture of H.R.H.Prince Henry. On the back is a picture of a man with a gun looking towards a city (Melbourne) rising with the sun and 1834-1934 Souvenir of the Melbourne and Victorian Centenary celebrations.souvenir matchbox-holder victorian-centenary melbourne

This was owned and used by J.G. Ralston of Orbost. John Gavin Ralston was born 26 July 1914 at Eden, N.S.W. and came to Orbost in the early 1920's, with his parents and siblings. They lived at the corner of Tennyson and Salisbury Streets. Jack was educated at Orbost Higher Elementary School before being apprenticed to William Ross at the Snowy River Mail as a lino-type operator. He married Jean Cameron. After WW11 when he served overseas in the islands) He resumed his trade at the Snowy River Mail until 1949 when began J.G.& J.M. Ralston, Seed & Produce Merchants. Jack Ralston was very involved in the Orbost sporting community, the Presbyterian Church and the Orbost Municipal Band. He also served in the Orbost sub-branch of the R.S.L. He died on April 15 1967. (ref. Margaret Smith O.D.H.S. Newsletter) Collecting match box holders / grips was a popular hobby. They were made to fit over a box of matches for protection. Some were especially produced for significant occasions. This item is an example of a very common personal item rarely used today.A painted metal matchbox cover with a thin wooden matchbox inside. It is cream coloured with a picture of a cricketer being bowled out. In the top right hand corner is "OWZAT". The matches are Bryant & May's Crown Safety Matches. it is a rectangular cardboard box with a sliding cardboard drawer. The box has a paper label with text reading, "BRYANT & MAY'S CROWN SAFETY MATCHES" and an image of a crown. The top and bottom side has a purple striking paper, to light match. Bottom and sides of sliding drawer are a green color.J.G.Ralstonmatchbox-holder smoking-accessories ralston-j.g.

Digital scans of 104 slides of Southwood Primary School buildings, grounds and students, prepared by former teacher, Faye Griggs Rogers Guthrie, in 1986 for a University project. Slide holder has been disposed of, but original slides are retained in the archives. Individual images are also loaded to Victorian Collections in records 11540-001 to 11540-xxxNo identification on individual slides

This is a souvenir of the British Empire Exhibition of 1925. This exhibition, designed to showcase the industrial and natural resources of the countries in the British Empire was on a 216 acre site at Wembley, England. In 1923 the Wembley Stadium was completed and the F.A. Cup Final was held there. In 1924 the Exhibition was opened by King George V in a first ever radio broadcast by a British monarch. There were Palaces of Industry, Engineering, Horticulture and Art and Pavilions housing exhibits from most countries in the British Empire. 17 million people visited in 1923 and there were 11 million visitors in 1925 when the exhibiton was re-developed. Wembley Stadium was reconstructed in 2002. This item has no local provenance but is of some interest because of its connection to the British Empire Exhibition of 1925. It is a good example of the type of souvenir that was bought by visitors to the Exhibition. This is an enamelled metal container, circular (octagonal on the outside edges) in shape with a short handle. The central area is slightly recessed to take a small amount of rouge (a red powder compound for the face, usually the cheeks). A pad to apply the rouge to the face is missing. There is a metal hinged lid with a clip and a small ring at the end of the handle, possibly to contain a chain for it to hang around the neck. The wording on the front is black on a blue and green enamelled backgroundRaised image of a lion with the words underneath ‘British Empire Exhibition, 1925’rouge holder, british empire exhibition 1925

Matches and match boxes were common and essential household items in the 19th century and early to mid 20th century. Today matches are used only irregularly. This match box holder was an advertising tool for Roy Pearson who had a motor service station at 100 Kepler Street, Warrnambool in the 1930s. The business was called the Super Service Station and Pearson was the agent for Triumph and Citroen cars. He sold petrol and used cars and did car repairs. In 1937 the business was run by Chorlton and GrahamThis item is of considerable interest showing the type of advertising used in Warrnambool in 1935. Apart from its utilitarian use of holding a match box, it is an advertising tool containing a 1935 calendar and it also uses humour as its main appeal. The holder features a face which shows a happy man when held one way (“This man calls at Pearson’s Service Station for satisfaction’) and a grumpy man when it is turned around (‘This man wishes he did call’). This is a metal match box holder, painted blue with yellow printing and an image of a man’s face. It has a 1935 calendar. It is much rusted on the inside and a little blotched on the outside. ‘Roy H. Pearson, Super Service Station, Ye Auto Fille Here, Phone 511, 100 Kepler Street, Warrnambool. This man calls at Pearson’s Service Station for satisfaction, This man wishes he did call’ pearson service station, warrnambool, match box holder

This is a china candle holder which is a souvenir of Warrnambool with an image on the item of the Warrnambool War Memorial. Czechoslovakia was established as a country in 1918 and began to export china goods in the 1920s and 30s when the label ‘Victoria China’ became well known. The Warrnambool War Memorial at the southern end of Liebig Street was unveiled and dedicated in 1926. It was designed by John King, the Headmaster of the Warrnambool Technical School and erected by the local stonemasons, Wooles and Carpenter. This candle holder is of some interest as an example of the tourist souvenirs that were popular in Warrnambool pre-World War Two. This is a china candle holder with a circular base in brown-orange and white tonings and a fluted edge. The candle holding section is also circular with the same colour tonings and a slightly fluted edge. Inside this are the hardened remains of a candle. The base has a handle attached. On one edge of the base there is a colour image of the Warrnambool War Memorial. The maker’s name at the back has a crown symbol. ‘Soldier’s (sic) Memorial, Warrnambool’ ‘Victoria China, Czechoslovakia’ victoria china czechoslovakia, warrnambool war memorial, history of warrnambool

The Warrnambool Family History Group, founded in 1980, conducts walks in the Warrnambool Cemetery each year. In 2014 the graves visited were those of people who were early directors and share holders of the Warrnambool Cheese and Butter Factory Company Limited. This company was established in 1888 and today is the oldest operating dairy factory in Australia. This item is of minor interest as a memento of an annual activity of the Warrnambool Family History Group.A yellow sheet of paper with black text and an image of an old photograph at the bottom of the sheet.WARRNAMBOOL FAMILY HISTORY GROUP INC. CEMETERY WALKS warrnambool family history group, warrnambool cemetery

This is a match box holder that has been produced as a souvenir of Warrnambool. It was possibly made to commemorate the gazetting of Warrnambool as a city in 1918. The holder features the Warrnambool crest which was designed in the early 1850s by the first teacher of the Warrnambool National School, John MacDonald. He also suggested the motto, ‘By These We Flourish’. The crest has been modified over the ensuing years.This is an important souvenir of Warrnambool as it is a high quality one and features the crest of the City of Warrnambool as used early in the 20th century. This is a gold-coloured piece of metal with the ends folded or sheeted over to form a rectangle with a flat base and an open top to hold a packet of matches. The front of the holder has attached a metal image of the crest of the City of Warrnambool. The image is in gold, white and dark blue. The holder is a little bent and stained. ‘City of Warrnambool By These we Flourish’city of warrnambool, souvenir household items

This matches holder, a common item in the early 20th century, has been produced to commemorate the reign of King George 5th of England. It may have been produced for his coronation in 1911.This item is of no known provenance but it is of some interest since it is a souvenir of the reign of King George 5th.A rectangular shaped brown metal matches container. It is rounded on one side and has a striking mechanism on the other side and a lift up lid at the top. There is a circular inset with an image of King George 5th and Queen Alexandra in sepia tones with a clear perspex cover. Inside the container are five wooden matches with red heads.vintage accessory, warrnambool history

Found under the wooden floor of the Billiards room of 717 Flinders St. during renovation works on Tuesday 29 May 2018. This size of pack would have held 5 small cigarettes. Probably dropped by a visiting seafarer during a game of billiards. ( NB the term Capstan in the nautical context refers to the winding mechanism used to wind in ropes and halyards often manned by several crew on older vessels.)The company WD & HO Wills were also cigarette manufacturers of the brand "Senior Service" ( referencing the Navy) this pack also uses the term "Navy" and "Capstan" in the brand name, alluding to the nautical, perhaps suggesting that seafarers or those with an interest in the sea were especially targeted by promotions and advertising in the 20th c. Commercially printed very small packet wrap or box for a pack of 5 cigarettes originally folded and glued now opened out. ( the card slide out holder or silver paper wrap of the cigarettes that would have completed the packet is missing).See Image for detailscigarettes, packaging, capstan, navy cut, sailors, seamen, smoking

This printed tinplate candle holder appears to have been made in Australia from the middle of 1915 and was available for private purchase to Australian troops (including Light Horse) prior to their departure overseas in WWI. The purpose of the tin was to ensure the contents were kept dry and readily available. The lid also aided in shielding the direct flame of the candle.Used by Australian troops in WWIRectangular tin with hinged lid. The lid is illustrated with a coloured image of three Australian soldiers at camp (WWI era) with the words 'Camp Pocket Candlestick - A Soldier's Friend'. The border of the lid is decorated in a daisy pattern. The body of the tin is decorated in a monotone green tartan, with the base displaying a small panel entitled 'Patented 19-7-15 No 16856'. Inside the tin is coloured olive green, with a fitted pressed tin circular candle holder, located over a hole in the base, and a folded tin match holder. A half used white wax candle is contained within.Camp Pocket Candlestick - A Soldiers Friend Patented 19-7-15 No 16856candlestick, soldier's friend, camp pocket, wwi

From original in State Library of South Australia.Black and white photographic copy of earlier image. View of a bluestone building on a corner of an unpaved street. Building has two stories, a wrought iron balcony and front door set in the corner with framing columns and pediment. Three men stand in front, with another mounted on a horse.Back: B21766/103 (pencil, upper left). Bank/History House (typed on white label, top centre). State Library of South Australia Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No A16493 (stamp).commercial bank, portland, bluestone building, commerce

Displayed at History House.Black and white photo. Images shows bare Battery Point, buildings under cliff, pier with building at end , another building (Baths?) and uprights in ocean.Front: View of Portland Harbour Back: State Library of South Australia, Photographic Section. Reproduction prohibited except with the permission of the copywirte holders. Order No. A/6493

Richard Liebreich of Germany invented his design of ophthalmoscope in 1855. This example is complete in its case with Coccius lenses and condensing lenses. Early ophthalmoscopes required an external source of illumination, eg lamp or candle, and light was reflected into the eye to be examined by the mirror on the ophthalmoscope. The earliest versions of the Liebreich ophthalmoscope used a polished metal surface to reflect light; glass mirrors were introduced in 1870. A condensing lens was held in front of the patient to view the image. A Coccius lens could be clipped into the holder to counter ametropia of user or subject.This Liebreich ophthalmoscope is significant for the collection as it is the only complete example of the three held in the collection.Cased Liebreich ophthalmoscope with 5 small coccius glass lenses and 2 glass condensing lenses. Non-illuminated ophthalmoscope has concave mirror in round head with central sight hole.Hinged coccius clip attached to hold lenses. Black metal head, silver coloured mount and black turned timber handle. Case has black leather outer lining and purple velvet and satin inner linings. Case hinged with snap closure. On front of case:"LIEBREICH'S OPHTHALMOSCOPE" 4 of 5 Coccius lenses engraved with powers: "8-", "12-", "-01", "+01"ophthalmoscope, optometry, ophthalmology, liebreich, coccius, lenses, eye examination, fundus, funduscopy, non illuminated, instrument, eye doctor, liebreich ophthalmoscope

Stereoscope slide viewers were popular throughout the late 19th and early 20th century. The dual photographic images gave a three-dimensional view of popular tourism sites and sometimes news events.This is the only stereoscope in the collection intended for general use. Others held in the collection were intended for study of ocular anatomy or visual training.Stereoscope slide viewer. Wood with metal eyeshield engraved with eagle decoration. Folding wooden handle. Detachable sliding target slide holder.Clip mount stamped 'PATENT/AUS', unclearstereoscope, stereopsis, views, tourism, souvenir

Black and white photograph"Written on front of photograph" Lady Stall Holders- Mechanics Institute Bazaar Refer also to identical image located in NWD 02-09-05 ,Reg No ce0003(a) . This image lists some names on back.

Part of the Uebergang Collection (H49). This would have been used by Ray and Joyce Uebergang as children during the 1930s.Wooden frame with two-lense metal viewer. The metal viewer is an oval shape with an etched pattern and suede-covered edge. A removable wood and metal attachment has two wire holders for the stereograph cards. There is a folding spindle-shaped wooden handle attached to the base with a metal fitting. The stereograph is housed in a black cardboard box with 'Rose Stereographs' on the lid. The double-image stereo cards are stored separately.Base: PAT'D APR 20 1897 SEP 20 uebergang, george rose, stereoscope, rose stereographs

The Stereopticon Card viewer enabled the viewer to see photos which gave a "3D" imageHand held viewer for viewing 19th century "3D" cards..Made of aluminium and wood,the face piece is ingraved with decorative scrolls and the brand KEVUKO is in the centre surrounded by a circle and wheat leaves. The card holder,which slides along an aluminium arm, is wood with wire brackets to hold the picture cards. The handle is a wooden "spindle"which can fold flat."KEVUKO"

Stereoscopy (also called stereoscopic or 3-D imaging) refers to a technique for creating or enhancing the illusion of depth in an image by presenting two offset images separately to the left and right eye of the viewer. Both of these 2-D offset images are then combined in the brain to give the perception of 3-D depth. Three strategies have been used to accomplish this: have the viewer wear eyeglasses to combine separate images from two offset sources, have the viewer wear eyeglasses to filter offset images from a single source separated to each eye, or have the lightsource split the images directionally into the viewer's eyes (no glasses required). Stereographic cards and the stereoscope. Two separate images are printed side-by-side. When viewed without a stereoscopic viewer the user is required to force his eyes either to cross, or to diverge, so that the two images appear to be three. Then as each eye sees a different image, the effect of depth is achieved in the central image of the three. Stereograms cards are frequently used by orthoptists and vision therapists in the treatment of many binocular vision and accommodative disorders. Source: www.wikipedia.org Wooden viewer with two glass "windows", separating divider between them. Sliding cross-piece which holds the photocard between wire holders. Turned handle.home, stereoscope, photography, 3d, postcards, entertainment, viewers

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

.3) South Australian School of MInes and Technological Museum Annual Report for 1908 and Prospectus for 1909. Includes images of the School Council (H. Adams, E.A. Roberts, E.W. Van Senden, Hon. Sir J. Langdon Bonython, Hon. Sir F.W. Holder, Hon. D.M. Charleston, Professor W.H. Bragg, J. Theo Scherk. L. Grayson, J.G. Bice, W.H. Matthews), The School, Plans of the Metallurgical and Chemical Laboratories, Physics Students, Assaying Furnace Room, David Murray, Museum, Noyes Electrical Engineering Laboratory, Model Scouring Plant at the Angas Wool laboratory, Sir George Ruthven Le Hunte, Wet Assay Laboratory. Electro-Technical Room.south australian school of mines, museum, e.a. roberts, e.w. van senden, hon. sir j. langdon bonython, hon. sir f.w. holder, hon. d.m. charleston, professor w.h. bragg, j.g. bice, w.h. matthews), the school, plans of the metallurgical and chemical laboratories, physics students, assaying furnace room, david murray, noyes electrical engineering laboratory, model scouring plant at the angas wool laboratory, sir george ruthven le hunte, wet assay laboratory. electro-technical room., h. adams, j. langdon bonython, f.w. holder, d.m. charlston, w.h. bragg, j. tho scherk, l. grayson, ruthven le hunte, south australia, schools of mines

Scan of a permt for Gem Pictures to operate within a 60 mile radius of Ballarat.1 hereby permit Edwin Rash of 2 Victoria Street, Ballarat East, to carry on the work of a cinematograph operator subject to the following conditions:- This permit shall entitle the holder to operate this how touring show (The Gem Pictures) within a radius of sixty miles of Ballarat, for a period of three months from date.theatre, film, entertainment, gem, rash, gem pictures, edwin rash, cinematograph operators' permit

Page 3 of Ray Pearson's Photo Album. Brown card page with two metallic look postcards (landscape format) placed on page using clear plastic photo corners. Both postcard images depict trams in Ballarat. The bottom postcard has come loose of two of it's photo corners (top and bottom on the right) and is not secure on the page. A hand written inscription is written in pencil behind the bottom photograph.Hand written inscription in pencil behind postcard at base of page: W.4. Printed text to left of image on bottom postcard: BALLARAT TRAMS / 1887 to 1971 / A series of four postcards. / NO. 3 LATER ELECTRIC TRAM SYSTEM / In 1934 the State Electricity / Commission took over the Bal- / larat trams from the Electric / Supply Company of Victoria. / During 1935-37 the whole sys- / tem was reconditioned by the / Commission. / For the Coronation of King / George VI, No. 28 was decor- / ated for the occasion. It ran / for three days – 12th, 13th / and 14th May, 1937, and was / painted red and cream. / During the Coronation cele- / brations of Queen Elizabeth II, / the trams carried two flags / mounted vertically fore and aft / on the roof. / Some huge loads were / carried during the second / World War period and owing / to man power shortages, con- / doctresses were employed / from September, 1942 to July, 1946. At one time, the total / reached 23. Printed text to back of bottom postcard: BALLARAT TRAMS / 1887 to 1971 / A series of four postcards. / In the early fifties, loading / on the trams was heavy. When / the lag in housing was over- / taken, however, breadwinners / started to leave the trams and / travel to work in cars. Increas- / ing affluence in the sixties ac- / centuated the trend. Soon the / trams were running with mount- / ing annual losses. Most of the / passengers travelling in these / times were concession holders: / students, pensioners, deserted / wives and T.P.I.'s A fine printed vertical line runs down the centre of the blank writing space to the left of the body text. Above is written: POSTCARD postcard, coronation, ray pearson, vintage trams, ballarat tramway, tram postcard, female conductors, suttons, ballarat tram

This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print