Collection of photographic equipment used by Zilles Printers. Collection of equipment - negative holders, developing trays - enamel and plastic, globes, thermometer, tongs - metal and plastic, metal frames, measuring cups, Ilford on plastic developing trayzilles printers, photographic equipment, developing trays, image holders, tongs, thermometer, wooden negative holder, darkroom safe light, globes, negative holders, darkroom

Hammerton itemsSouvenir of LorneGroup of three metal matchbox holders with images of Lorne and Great Ocean Road on two sidesscenery of lorne and ocean road

The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment

Found under the wooden floor of the Billiards room of 717 Flinders St. during renovation works on Tuesday 29 May 2018. This size of pack would have held 5 small cigarettes. Probably dropped by a visiting seafarer during a game of billiards. ( NB the term Capstan in the nautical context refers to the winding mechanism used to wind in ropes and halyards often manned by several crew on older vessels.)The company WD & HO Wills were also cigarette manufacturers of the brand "Senior Service" ( referencing the Navy) this pack also uses the term "Navy" and "Capstan" in the brand name, alluding to the nautical, perhaps suggesting that seafarers or those with an interest in the sea were especially targeted by promotions and advertising in the 20th c. Commercially printed very small packet wrap or box for a pack of 5 cigarettes originally folded and glued now opened out. ( the card slide out holder or silver paper wrap of the cigarettes that would have completed the packet is missing).See Image for detailscigarettes, packaging, capstan, navy cut, sailors, seamen, smoking

Stereoscopy (also called stereoscopic or 3-D imaging) refers to a technique for creating or enhancing the illusion of depth in an image by presenting two offset images separately to the left and right eye of the viewer. Both of these 2-D offset images are then combined in the brain to give the perception of 3-D depth. Three strategies have been used to accomplish this: have the viewer wear eyeglasses to combine separate images from two offset sources, have the viewer wear eyeglasses to filter offset images from a single source separated to each eye, or have the lightsource split the images directionally into the viewer's eyes (no glasses required). Stereographic cards and the stereoscope. Two separate images are printed side-by-side. When viewed without a stereoscopic viewer the user is required to force his eyes either to cross, or to diverge, so that the two images appear to be three. Then as each eye sees a different image, the effect of depth is achieved in the central image of the three. Stereograms cards are frequently used by orthoptists and vision therapists in the treatment of many binocular vision and accommodative disorders. Source: www.wikipedia.org Wooden viewer with two glass "windows", separating divider between them. Sliding cross-piece which holds the photocard between wire holders. Turned handle.home, stereoscope, photography, 3d, postcards, entertainment, viewers

.3) South Australian School of MInes and Technological Museum Annual Report for 1908 and Prospectus for 1909. Includes images of the School Council (H. Adams, E.A. Roberts, E.W. Van Senden, Hon. Sir J. Langdon Bonython, Hon. Sir F.W. Holder, Hon. D.M. Charleston, Professor W.H. Bragg, J. Theo Scherk. L. Grayson, J.G. Bice, W.H. Matthews), The School, Plans of the Metallurgical and Chemical Laboratories, Physics Students, Assaying Furnace Room, David Murray, Museum, Noyes Electrical Engineering Laboratory, Model Scouring Plant at the Angas Wool laboratory, Sir George Ruthven Le Hunte, Wet Assay Laboratory. Electro-Technical Room.south australian school of mines, museum, e.a. roberts, e.w. van senden, hon. sir j. langdon bonython, hon. sir f.w. holder, hon. d.m. charleston, professor w.h. bragg, j.g. bice, w.h. matthews), the school, plans of the metallurgical and chemical laboratories, physics students, assaying furnace room, david murray, noyes electrical engineering laboratory, model scouring plant at the angas wool laboratory, sir george ruthven le hunte, wet assay laboratory. electro-technical room., h. adams, j. langdon bonython, f.w. holder, d.m. charlston, w.h. bragg, j. tho scherk, l. grayson, ruthven le hunte, south australia, schools of mines

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

Scan of a permt for Gem Pictures to operate within a 60 mile radius of Ballarat.1 hereby permit Edwin Rash of 2 Victoria Street, Ballarat East, to carry on the work of a cinematograph operator subject to the following conditions:- This permit shall entitle the holder to operate this how touring show (The Gem Pictures) within a radius of sixty miles of Ballarat, for a period of three months from date.theatre, film, entertainment, gem, rash, gem pictures, edwin rash, cinematograph operators' permit

Displayed at History House.Black and white photo. Images shows bare Battery Point, buildings under cliff, pier with building at end , another building (Baths?) and uprights in ocean.Front: View of Portland Harbour Back: State Library of South Australia, Photographic Section. Reproduction prohibited except with the permission of the copywirte holders. Order No. A/6493

From original in State Library of South Australia.Black and white photographic copy of earlier image. View of a bluestone building on a corner of an unpaved street. Building has two stories, a wrought iron balcony and front door set in the corner with framing columns and pediment. Three men stand in front, with another mounted on a horse.Back: B21766/103 (pencil, upper left). Bank/History House (typed on white label, top centre). State Library of South Australia Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No A16493 (stamp).commercial bank, portland, bluestone building, commerce

This was owned and used by J.G. Ralston of Orbost. John Gavin Ralston was born 26 July 1914 at Eden, N.S.W. and came to Orbost in the early 1920's, with his parents and siblings. They lived at the corner of Tennyson and Salisbury Streets. Jack was educated at Orbost Higher Elementary School before being apprenticed to William Ross at the Snowy River Mail as a lino-type operator. He married Jean Cameron. After WW11 when he served overseas in the islands) He resumed his trade at the Snowy River Mail until 1949 when began J.G.& J.M. Ralston, Seed & Produce Merchants. Jack Ralston was very involved in the Orbost sporting community, the Presbyterian Church and the Orbost Municipal Band. He also served in the Orbost sub-branch of the R.S.L. He died on April 15 1967. (ref. Margaret Smith O.D.H.S. Newsletter) Collecting match box holders / grips was a popular hobby. They were made to fit over a box of matches for protection. Some were especially produced for significant occasions. This item is an example of a very common personal item rarely used today.A painted metal matchbox cover with a thin wooden matchbox inside. It is cream coloured with a picture of a cricketer being bowled out. In the top right hand corner is "OWZAT". The matches are Bryant & May's Crown Safety Matches. it is a rectangular cardboard box with a sliding cardboard drawer. The box has a paper label with text reading, "BRYANT & MAY'S CROWN SAFETY MATCHES" and an image of a crown. The top and bottom side has a purple striking paper, to light match. Bottom and sides of sliding drawer are a green color.J.G.Ralstonmatchbox-holder smoking-accessories ralston-j.g.

This tin matchbox was manufactured as a souvenir to commemorate the centenary of European settlement of Melbourne and Victoria in 1934-35. This celebration was important as a sign of better times after the 1930 Depression.This is an every-day souvenir item which can be linked to a significant celebration in Victoria. A souvenir matchbox holder made of tin with paper labels. It is U-shaped with transfer images whcih have a cellulose acetate coating. The background is dark blue with white panels on which are the images. The front of the holder has a picture of H.R.H.Prince Henry. On the back is a picture of a man with a gun looking towards a city (Melbourne) rising with the sun and 1834-1934 Souvenir of the Melbourne and Victorian Centenary celebrations.souvenir matchbox-holder victorian-centenary melbourne

Black and white photograph"Written on front of photograph" Lady Stall Holders- Mechanics Institute Bazaar Refer also to identical image located in NWD 02-09-05 ,Reg No ce0003(a) . This image lists some names on back.

This printed tinplate candle holder appears to have been made in Australia from the middle of 1915 and was available for private purchase to Australian troops (including Light Horse) prior to their departure overseas in WWI. The purpose of the tin was to ensure the contents were kept dry and readily available. The lid also aided in shielding the direct flame of the candle.Used by Australian troops in WWIRectangular tin with hinged lid. The lid is illustrated with a coloured image of three Australian soldiers at camp (WWI era) with the words 'Camp Pocket Candlestick - A Soldier's Friend'. The border of the lid is decorated in a daisy pattern. The body of the tin is decorated in a monotone green tartan, with the base displaying a small panel entitled 'Patented 19-7-15 No 16856'. Inside the tin is coloured olive green, with a fitted pressed tin circular candle holder, located over a hole in the base, and a folded tin match holder. A half used white wax candle is contained within.Camp Pocket Candlestick - A Soldiers Friend Patented 19-7-15 No 16856candlestick, soldier's friend, camp pocket, wwi

Richard Liebreich of Germany invented his design of ophthalmoscope in 1855. This example is complete in its case with Coccius lenses and condensing lenses. Early ophthalmoscopes required an external source of illumination, eg lamp or candle, and light was reflected into the eye to be examined by the mirror on the ophthalmoscope. The earliest versions of the Liebreich ophthalmoscope used a polished metal surface to reflect light; glass mirrors were introduced in 1870. A condensing lens was held in front of the patient to view the image. A Coccius lens could be clipped into the holder to counter ametropia of user or subject.This Liebreich ophthalmoscope is significant for the collection as it is the only complete example of the three held in the collection.Cased Liebreich ophthalmoscope with 5 small coccius glass lenses and 2 glass condensing lenses. Non-illuminated ophthalmoscope has concave mirror in round head with central sight hole.Hinged coccius clip attached to hold lenses. Black metal head, silver coloured mount and black turned timber handle. Case has black leather outer lining and purple velvet and satin inner linings. Case hinged with snap closure. On front of case:"LIEBREICH'S OPHTHALMOSCOPE" 4 of 5 Coccius lenses engraved with powers: "8-", "12-", "-01", "+01"ophthalmoscope, optometry, ophthalmology, liebreich, coccius, lenses, eye examination, fundus, funduscopy, non illuminated, instrument, eye doctor, liebreich ophthalmoscope

Stereoscope slide viewers were popular throughout the late 19th and early 20th century. The dual photographic images gave a three-dimensional view of popular tourism sites and sometimes news events.This is the only stereoscope in the collection intended for general use. Others held in the collection were intended for study of ocular anatomy or visual training.Stereoscope slide viewer. Wood with metal eyeshield engraved with eagle decoration. Folding wooden handle. Detachable sliding target slide holder.Clip mount stamped 'PATENT/AUS', unclearstereoscope, stereopsis, views, tourism, souvenir

Part of the Uebergang Collection (H49). This would have been used by Ray and Joyce Uebergang as children during the 1930s.Wooden frame with two-lense metal viewer. The metal viewer is an oval shape with an etched pattern and suede-covered edge. A removable wood and metal attachment has two wire holders for the stereograph cards. There is a folding spindle-shaped wooden handle attached to the base with a metal fitting. The stereograph is housed in a black cardboard box with 'Rose Stereographs' on the lid. The double-image stereo cards are stored separately.Base: PAT'D APR 20 1897 SEP 20 uebergang, george rose, stereoscope, rose stereographs

The Stereopticon Card viewer enabled the viewer to see photos which gave a "3D" imageHand held viewer for viewing 19th century "3D" cards..Made of aluminium and wood,the face piece is ingraved with decorative scrolls and the brand KEVUKO is in the centre surrounded by a circle and wheat leaves. The card holder,which slides along an aluminium arm, is wood with wire brackets to hold the picture cards. The handle is a wooden "spindle"which can fold flat."KEVUKO"

Digital scans of 104 slides of Southwood Primary School buildings, grounds and students, prepared by former teacher, Faye Griggs Rogers Guthrie, in 1986 for a University project. Slide holder has been disposed of, but original slides are retained in the archives. Individual images are also loaded to Victorian Collections in records 11540-001 to 11540-xxxNo identification on individual slides

Weekly Times Page with 5 photographs, date October 2, 1909 with main subtitle of "Grand Fancy Fair in aid of the new Hall at Ringwood".The five images are described as follows: "1. The New Mechanics' Hall. 2. Some of the 'aboriginals'. 3. Bush drama-Blacks attacking the camp. 4. Spectators watching the display. 5. Group of stall-holders."

Black and white photograph (2 copies- 1 large, 1 postcard size)Written on back of postcard copy: "Edna and Edie G?????. Left: Edith Greenwood, ?, Maggie Falconer." Image shows 5 of the lady stall holders at the Bazaar. (See also VC 2845- CE 0003A for group photograph of all stall holders- Location NWD 02-11-04 17A.)

In 2016 the Welcome to Eltham community project started to welcome Syrian refugees into the community and made Welcome Butterflies to say welcome to them. In addition to the physical book, EDHS also holds several hundred digital images pertaining to the development of the Welcome to Eltham campaign, photographs, artworks and graphic designs, which resulted in the publication of this book. EDHS also holds further material from the period 2016 to 2017 associated with the Welcome to Eltham campaign group. Contents: 1. Welcome Book Welcome Book includes selected page extracts and images as published December 2016 Contents: • Greetings to our Country P2 • Offering P8 • Your neighbours P10 • Rotary P39 • Eltham Baptist Church P44 • Eltham Farmers Market stall holders P48 • The Eltham community P54 • Surrounding communities P60 • Our Lady Help of Christians Primary School P64 • Nillumbik Greens P66 • Our Lady Help of Christians Church Eltham P68 • Catholic Care Eltham P70 • St Vincent’s P71 • Montmorency South Primary School P72 • Victoria Police P73 • Catholic Ladies College P74 • Warrandyte P76 • Eltham Toy Library P78 • Eltham-Montmorency Uniting Church P82 • Gingerbread P84 • Scouts P86 • Eltham businesses P89 • Surrounding communities P96 • The Seed P101 2. Administration 1. Welcome to Eltham Infant Plan, Purpose and Scope (Aug. 2016) 2. Circle of Friends; A draft proposal from Welcome to Eltham, 26 August 2016 3. Welcome to Eltham; a resident support group for refugees settling in Eltham (Sep. 2016) 4. Welcome to Eltham; Purpose and Scope (Sep. 2016) 5. Welcome to Eltham Plan (Sep. 2016); 10 pages typed of tasks broken into four categories, 10 pages 6. Welcome to Eltham Team/Volunteer organisation structure, volunteers’ skills assessment and role assignments, strategies, 11 pages 7. Briefing Document: Refugees being welcomed in Eltham, 2 Oct. 2016; 5 pages 8. Public Engagement Plan, 2 Oct. 2016; 2 pages 9. Welcome to Eltham 2016 Review, Values and Structure, 2017 10. Welcome to Eltham Incorporated Financial Report July 2016 – June 2017; 3 pages 11. Letter: Nina Kelabora and Welcome to Eltham Team to Bolton Street Fruit Market re offer to provide fresh fruit, 30 Jun. 2017 12. Welcome to Eltham Incorporated Annual Report 2016–2017; Oct. 2017; 4 pages 13. Certificate: Jagajaga Community Australia Day Award 2018 to Nina Kelabora, signed Jenny Macklin MP, Federal Member for Jagajaga 14. Certificate: Jagajaga Community Australia Day Award 2018 to Welcome to Eltham, signed Jenny Macklin MP, Federal Member for Jagajaga 15. Letter: Simon Le Plastrier, Principal, Eltham College to Nina Kelabora, 20 April 2018 offering congratulations for the work achieved by Welcome to Eltham group 16. Photo: River pebble covered in spray paint of multiple colours. The rock was used to hold down templates for painting butterflies on the footpaths near Andrew park as a counter to protesters assembling for the ‘Battle for Eltham’ demonstration on 5 November 2016 17. Photo: Welcome to Eltham team member, Gillian Essex 18. Photo: Welcome to Eltham team member, Kirsten Bate 19. Photo: Welcome to Eltham team member, Lara McKinley 20. Photo: Welcome to Eltham team member, Nina Kelabora 21. Photo: Welcome to Eltham team member, Sarah Hooten 22. Incorporation • AGM-minutes-2017 • Certificate of Incorporation • Mission and Values • Ordinary Business of the AGM 2017 • Welcome to Eltham Rules 23. Advocacy • Eltham Butterfly Effect Corflute panel design 5 November 2016 Rally • MemeFest PowerPoint presentation 23 November 2016 • Oxfam PowerPoint presentation 16 June 2017 • Eltham Rotary PowerPoint presentation 1 June 2017 • Welcome to Eltham Gift Card artwork 3. Artwork • Logo: Welcome to Eltham • 12 artworks by children of the Eltham Child Care Co-Operative (ECCC) o Me at the Immigration Museum by Ethan B. o Immigration Museum by Edie o Me with my family and lots of hearts by Charlotte o My suitcase like the refugees we learnt about with Bec by Jarvis o Me at the football with my friends by Harley o My suitcase if I had to leave the country by Ellen o Me at the park near the library by Chloe o Books at the library by Addison o Ethan’s grandfather who died in the war and this is him in his grave by Ethan o A nursery by Annabel o The age care home we visit by Ari o This is my mum the Ranger by Mia • Butterfly Effect, Ona Henderson 2016, inscribed “Dedicated to Nina, in appreciation of your butterfly effect for ‘Welcome to Eltham’; reproduced p1 • Ona and Sid gifting her artwork for use by the campaign; reproduced p1 • Duat and Iuk, Mandy Nicholson, Wurundjeri woman; reproduced p3 • These hands welcome you to Australia, Mungo, Warrandyte resident; reproduced p9 • The Library by Rose; reproduced p15 • Welcome to Eltham from Maia; reproduced p19 • Billy, Warrandyte resident; reproduced p20 • Through my window, Janet Boddy; reproduced p23 • Eryn and Lachie, Eltham residents; reproduced p25 • Eva, Eltham resident; reproduced p29 • This is the community hall across from my house by Cinta; reproduced p30 • Welcome, Brenda, Eltham resident; reproduced p34 • Flying over Kerry Crescent, Kerry, Eltham resident; reproduced p38 • A dragon called 'fat' from Joe, 6; reproduced p42 • A rainbow-heart-welcome from Trixie, 8; reproduced p42 • A lovely message from Sarah; reproduced p53 • Monique; reproduced p56 • Tom; reproduced p56 • Josh; reproduced p56 • Chloe; reproduced p56 • Jack; reproduced p57 • Mia; reproduced p57 • Ann Curry, Montmorency resident; reproduced p60 • From Mia: "Keep your head up high and be confident. I'm sure that you will soon find that Eltham is a very nice place and I hope you can have a happy life."; reproduced p77 • Amy; reproduced p79 • Ben; reproduced p80 • Welcome, Kayla, Warrandyte resident; reproduced p94 • Lucas; reproduced p98 • Ale; reproduced p98 • Grace; reproduced p99 • Hugo; reproduced p99 4. Australian-Syrian Charity • ASC – Certificate of Appreciation; Awarded from Australian-Syrian Charity presented to Welcome to Eltham Group by Rev. Fr. Samir Haddad, ASC president, 30 Sep. 2016 including two images of Father Samir and WTE organiser, Nina Kelabora 5. Butterflies • 148 images of handcrafted butterflies and artwork of butterflies edited for reproduction throughout the Welcome to Eltham book and for use on other placards, gift cards and promotional materials including the original source photographs (232 total) • 128 other images of butterflies submitted or photographed installed at various locations around Eltham • 11 images of metal butterfly artworks created by Linda MacAulay and Tim Read showing the works during creation at Bend of Isles and at initial install at the roundabout on Main Road at Luck Street then at the final install to greet the new arrivals and residents alike at St Vincents Aged Care Services (since demolished). 6. Eltham and Surrounds Residents and Local Businesses • 195 photos (157 published in book) submitted by local residents and businesses with people holding Welcome to Eltham placards including: Eltham Farmer’s Market, Eltham Baptist Church, CatholicCare Eltham, Nillumbik Greens, Hurstbridge Wattle Festival, Our Lady Help of Christians Eltham, Our Lady Help of Christians Primary School, Montmorency South Primary School, Warrandyte Primary School, Bronnie Hattam, Mayor, Nillumbik Shire Council, Vicki Ward, MP for Eltham, Jenny Macklin, Member for Jagajaga, Bend of Isles, Eltham Toy Library, Eltham Library, Eltham-Montmorency Uniting Church, Catholic Ladies College (CLC), First Eltham North Scouts, Warrandyte Primary School, Ona Henderson and many individuals and businesses. 7. Events • Alistair Knox Park, 12 August 2016 • Syrian Community Dinner, 30 September 2016 • Pop up Picnic, Eltham North Adventure Playground, 1 October 2016 • Alistair Knox Park, 7 October 2016 • At Our Lady of Help of Christians, 7 October 2016 • Andrew Park Butterfly Effect v Battle for Eltham, 5 November 2016 • City Rally, 5 November 2016 • Eltham Library Children’s Garden, 12 November 2016 • Eltham Festival, 13 November 2016 • Welcome Book Fundraiser, St Margaret’s Church, 11 December 2016 • Nillumbik International Women’s Day Dinner 9 March 2017 • Bush Dance, 17 June 2017 • Eltham Police Morning Tea, 29 July 2017 8. House warmers • Approximately 40 images of gift care items donated (food, drink, blankets, etc) intended as housewarming hampers 9. Media Media Releases • Eltham elders take to social media to welcome refuges, video goes viral; Wednesday 28 October 2016 • Eltham locals use their bodies to say WELCOME to refugees; 1 October 2016 • Community group welcomes Minister’s decision so refugees can call Eltham home; 5 October 2016 • Locals answer far-right “Battle for Eltham” with butterflies: thousand of them; 5 November 2016 Newspaper articles • Group fosters goodwill; organisation works to assist refugees; Brittany Shanahan; Diamond Valley Leader, Wednesday, August 17, 2016, p3 • Refugees are welcome (Gillian); Care is for the elderly alone (Fred); Plenty of positives in plan (Kirstin); Open your hearts and doors (Alison); Flood of families a worry (Cath), Conversations, Diamond Valley Leader, Wednesday, August 17, 2016, p11 • Support refugee housing; Diamond Valley Leader, Pamela Nash via Facebook, Janet R. Body, Eltham, Glenise Michaelson, Montmorency; Letters (online), 5 October 2016 • Refugees find a haven, and, Groups to fundraise for arrivals; Wednesday, October 12, 2016, p5 • Site for resettlement of refugees on a flood plane (Jacquie Bellchambers); Accommodating young families from a foreign culture in an established western culture retirement home will only lead to both parties feeling …. (Margit Alm); Great news for our community … (Nean Tatnal); Conversations, Diamond Valley Leader, Wednesday, October 12, 2016, p19 • Refugee scrap looms; daughter of Eltham aged-care resident upset as extreme group hijacks debate; Brittany Shanahan. Diamond Valley Leader, Wednesday, October 26, 2016, p1 • Many ready to welcome refugees into community (Megan Anne) and others; Conversations, Diamond Valley Leader, Wednesday, October 26, 2016, p20 • On a wing and a prayer; Chris Vedelago, Tammy Mills and Mark Hawthorne; Sunday Age, November 6, 2016, p3. – It was billed as the “Battle for Eltham”, but in te end the butterflies carried the day. • Rally hits trade; Diamond Valley Leader, Wednesday, November 9, 2016, p1 • Protests bad for business; Brittany Shanahan; Diamond Valley Leader, Wednesday, November 9, 2016, p8 • Police earn praise for keeping protest calm; Re: Battle for Eltham rally (Maree Quinlan) and others; Conversations, Diamond Valley Leader, Wednesday, November 9, 2016, p14 • Butterflies to counter anti-Muslim protest; Bianca Hall and Marissa Calligeros, The Age, November 5, 2016 • Rally created challenges but it’s time to move on; Re: Battle for Eltham rally (Local Area Commander Acting Inspector Danielle Leemon) and others; Conversations, Diamond Valley Leader, Wednesday, November 16, 2016, p19 • Praise for warm welcome (Linda Jajawi) and others also photo “Officers from Eltham police station welcomed newly arrived refugees to the community”; Conversations, Diamond Valley Leader, Wednesday, August 9, 2017, p15 • Refugees welcomed; Diamond Valley Leader, n.d. 2017, p12 • Refugee plan riles; Retirement centre residents voice concerns; Brittany Shanahan, Diamond Valley Leader; n.d. 2016 Facebook Responses • Responses top frequent Facebook comments regarding the housing of refugees in aged care at Eltham 10. Placards and Promotional Flyers • Selection of placard images and Welcome to Eltham Gift Card artwork 11. St Vincents • Two hand drawn sketches showing plan views of proposed front and rear units at St Vincents to be used by refugees 12. Videos • Feisties; several local seniors read online comments made by objectors and offer their own opinions; 00.02.28 • Tour of unit at St Vincents, 31 July 2016; 00.00.44 • Drone view of people creating Welcome sign at Eltham North Adventure Playground, 14 September 2016; 00.00.14 • Launching of the butterflies (campaign); Nina Kelabora releases the first butterfly into the wild; 00.00.24 • Gillian Essex, Welcome to Eltham, discussing counter strategy to protest demonstration (Battle for Eltham) scheduled for later in the day; 5 November 2016; 00.01.45 • Glenise Michaelson, Eltham local for 69 years discussing counter strategy to protest demonstration (Battle for Eltham) scheduled for later in the day; 5 November 2016; 00.01.30 • The Butterfly Effect, counter strategy to protesters 5 November 2016 Battle for Eltham rally; 00.02.24 with ten associated photos of the seniors involved; 31 October 2016 • Butterfly art ninjas 1 (15 secs), 2 (26 secs) and 3 (14 secs), showing the butterflies remaining in existence on the paths around Andrew Park, 16 November 2016 • Butterfly capture and release with Nina Kelabora– butterflies around Andrew Park relocated to the Children’s garden at Eltham Library, 17 November 2016; 00.00.28eltham (vic.), welcome to eltham (vic.), syrian refugees, refugees, social life and customs, butterflies, welcome butterflies, nina kelabora collection

Item in the collection of George Wheeler Life Member Bendigo RSL, refer Cat No 8263 for his RSL and Service history. The association between Wheeler and Dunstan is at this point unknown. Re Dunstan No 2162 and the Matchbox holder. John Sickler Dunstan enlisted on 23.7.1915 in the 4th reinforcements 21st Bn, embark for Eygpt 27.9.1915, embark for France 26.3.1916. For a period he acted as escort for General Birdwood from 7.4.1916, transfer to 1st ANZAC HQ, hospital with Gastritis 13.1.1917, attached to 3 Sqd RFC 8.3.1917, rejoin unit 13.5.1917, promoted to Sgt 23.6.1917, detached for duty with 4th Field Survey Coy RE 1.3.1918, rejoin unit 16.3.1918. Married in England 12.7.1919, embark for Australia 12.5.1920, discharged from the AIF 11.8.1920. He was awarded a Croix De Guerre on 14.7.1919. At a point in his records when with 1st ANZAC HQ he was in the Topographical Section. Trench Art, Matchbox Holder, brass engraved on three sides.Side i, " 2162 - Pte. J. S. Dunstan - 1 ANZAC CORPS" Side 2, "Engraved image of the Rising Sun badge". Side 3, Somme 1916/17"smirsl, trench art, brsl, match box, gwheeler

This silver wool-holder was sold as a souvenir at the British Empire Exhibition of 1924-5. This exhibition was staged to strengthen the bonds of the British Empire and 56 of the 58 nations or territories within the Empire participated. Wembley Stadium was built for the Exhibition and called then Empire Stadium. 27,000,000 visited the exhibition in the two years of is existence. Wembley Stadium survived until 2003 when it was rebuilt. This wool-holder is of interest as an example of the type of household item that would have been in a more affluent home in the 1920s. It is also of interest as an example of the type of souvenir sold at the British Empire Exhibition in 1924-5. It is a useful and attractive display item.This is a silver circular-shaped wool holder which was a souvenir of the British Empire Exhibition held at Wembley in 1924-5. It has four silver segments held together at each end with silver pins. The segments have an open fretwork pattern and can retract and open to allow material to be stored and to be easily accessible to the knitter or needleworker. The Wembley emblem with the image of an Art Deco lion is welded onto one of the segments. This silver ball could also be used as a pomander to hold perfumed material and to be placed in a wardrobe or cupboard.‘Wembley’ british empire exhibition, wembley 1924-5, pomander, wool holder

This is a souvenir of the British Empire Exhibition of 1925. This exhibition, designed to showcase the industrial and natural resources of the countries in the British Empire was on a 216 acre site at Wembley, England. In 1923 the Wembley Stadium was completed and the F.A. Cup Final was held there. In 1924 the Exhibition was opened by King George V in a first ever radio broadcast by a British monarch. There were Palaces of Industry, Engineering, Horticulture and Art and Pavilions housing exhibits from most countries in the British Empire. 17 million people visited in 1923 and there were 11 million visitors in 1925 when the exhibiton was re-developed. Wembley Stadium was reconstructed in 2002. This item has no local provenance but is of some interest because of its connection to the British Empire Exhibition of 1925. It is a good example of the type of souvenir that was bought by visitors to the Exhibition. This is an enamelled metal container, circular (octagonal on the outside edges) in shape with a short handle. The central area is slightly recessed to take a small amount of rouge (a red powder compound for the face, usually the cheeks). A pad to apply the rouge to the face is missing. There is a metal hinged lid with a clip and a small ring at the end of the handle, possibly to contain a chain for it to hang around the neck. The wording on the front is black on a blue and green enamelled backgroundRaised image of a lion with the words underneath ‘British Empire Exhibition, 1925’rouge holder, british empire exhibition 1925

These are the Lenses from the Klimsch Commodore Cartographic Camera that was located in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The KLIMSCH Commodore camera was originally introduced to the Survey Regiment in 1953 and was the largest in the Southern Hemisphere. It was replaced with a new model of the same size in 1977. These lenses are from this new model. The new model with its computer-based interface provided productivity gains with improved speed and its consistent results led to less wastage in time and materials. Its variomat lens system provided improved retention of map feature linear weights during the camera reduction process. The camera which was specially made for the Australian Army in Germany was fully automatic and power operated. It was claimed to be one of the biggest automatic cameras of its type in the world. It was made to the specifications of the Royal Australian Army Survey Corps to assist in the production of the very high standard maps for the Australian Army. THIS KLIMSCH COMMODORE CARTOGRAPHIC CAMERA was in operation 1977 - 1997". It was a Precision Darkroom Camera especially suited for Cartographic Reproduction of Line, Continous Tone, Halftone and Colour Separation. Reproduction of Negatives and Positives from a variety of Reflection or Transmission Originals. Its characteristics were: Maximum Negative Size 1.27m sq, Copy Holder (Vacuum) 2m sq, Maximum Enlargement 400%, Maximum Reduction 13%, Automatic 60, 90 and 120cm Focal Length Lens, Transmission or Reflection Originals, Pulsed Xenon, Photo Flood or Fluorescent Tube Light Source, Maximum Reflection Original 1.3m x 1.85m, Maximum Transmission Original 1.3m x 1.85m, Exposure Light Monitoring System." The camera was superseded by computerized image manipulation software associated with the Automap system. These significant and extremely high-quality Lenses were retrieved by WYCOMBE Constructions Pty Ltd during the demolishment of the camera in 1997 and then mounted on a display board. See also Item 6189.4P for more photographs of the camera.Lenses from the Klimsch Commodore Cartographic Camera mounted on a very heavy timber display board. The display board contains an engraved plate that describes the technical characteristics of the camera."KLIMSCH COMMODORE CARTOGRAPHIC CAMERA 1977 - 1997", "FUNCTION: Precision Darkroom Camera especially suited for Cartographic Reproduction of Line, Continous Tone, Halftone and Colour Separation. Reproduction of Negatives and Positives from a variety of Reflection or Transmission Originals." "CHARACTERISTICS: Maximum Neg Size 1.27m sq, Copy Holder 2m sq, Maximum Enlargement 400%, Maximum Reduction 13%, Automatic 60, 90, 120cm Focal Length Lens, Transmission or Reflection Originals, Pulsed Xenon, Photo Flood or Fluorescent Tube Light Source, Maximum Reflection Original 1.3m x 1.85m, Maximum Transmission Original 1.3m x 1.85m, Exposure Light Monitoring System." royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, litho

The Warrnambool Family History Group, founded in 1980, conducts walks in the Warrnambool Cemetery each year. In 2014 the graves visited were those of people who were early directors and share holders of the Warrnambool Cheese and Butter Factory Company Limited. This company was established in 1888 and today is the oldest operating dairy factory in Australia. This item is of minor interest as a memento of an annual activity of the Warrnambool Family History Group.A yellow sheet of paper with black text and an image of an old photograph at the bottom of the sheet.WARRNAMBOOL FAMILY HISTORY GROUP INC. CEMETERY WALKS warrnambool family history group, warrnambool cemetery

Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown.This is one of a collection of items associated with Dr Felix Henry Meyer (1858-1937). Meyer was a very prominent early obstetrician and doctor, playing a part in the establishment of the role of the chair of obstetrics at the University of Melbourne in 1929. He was also a foundation member of the Royal Australian College of Surgeons.Instrument with teardrop shaped handle above two curved prongs set at an angle to the handle. Top of the handle is graduated to allow the instrument to lock in different positions, and the tension is held by a spring bar in the middle of the handle. The edges of the handle are corrugated for grip. Instrument engraved with the number '67' on inner aspect near pin, and 'PAT 5.3.92'. One side of the instrument is engraved with an image of the Rod of Asclepius, featuring a serpent wrapped around a staff, topped by a crown.'PAT 5.3.92'obstetrics, gynaecology, surgery