St Luke’s Anglican Church officially opened on 15 March 1863 and originally operated as a branch of the Albury church. The first minister to conduct a service there was Rev. Robert Potter, followed by Rev. B. Brownrigg , Rev. J. H. May, Rev. D. E. Jones and Rev. J. K. Tucker. The first resident minister at Wodonga was Rev. J. H. White who came in 1879. The Church was constructed from locally hewn stone. From the early 1900s the building was showing signs of serious structural problems. The community instigated a series of fund raising activities to enable renovations to be carried out. One of the most successful and long-lasting initiatives was the Annual Flower Show and Industrial Exhibition. The inaugural event took place in 1916 and the show continued as an annual event for several decades. Unfortunately the costs of the necessary structural and remediation work were too high. After serving the congregation for more than a century, the St Luke's Church was closed by the Health Commission due to its deteriorated condition which was judged to be beyond repair. It was demolished by voluntary labour on the 10 – 11 August 1968.This item is significant because it documents an important Church and community fundraising activity which was conducted annually for several decades in the early to mid 20th Century in Wodonga.A full-page advertisement from the Wodonga and Towong Sentinel of 1933 promoting the St Luke's Church Flower Show and Industrial Exhibition. The feature advertisement is surrounded by advertisements placed by a wide range of Wodonga businesses.st luke's church wodonga, wodonga and towong sentinel, community fundraising activities

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Three red second prize award certificates, and one cream coloured first prize award certificate.All inscribed with: "Awarded to: Mrs. H. Ellwood". hamilton-smith, hamilton-smith collection, ellwood, show, industrial show, award, prize, flower show, flowers, wodonga, social history

Undated cardboard hand-made sign listing the variety of products made by RVIB workers available for purchase at the show. Given the taped over word before 'show' this sign was most likely utilised across a number of shows (Melbourne and regional).Digital image of sign displayed for RVIB EnterprisesRVIB Enterprises Quality Products Made By Workers of the Royal Victorian Institute for the Blind Industrial Division. Show Special Prices On. Baby Gates Tissue Box Covers Door Stops Pot Plant Stands Folding Tables Ludo Mops Chopping Boards Hat Boxes Bread Boards Dominoes Solitaire Toy Boxes Jarrah Outdoor Settings Tapestry Frames Hookey Boards Treated Pine Out Door Settings Chinese Checkers Wall & Mantle Clocks Building Blocks Tapestry Frame Standsroyal victorian institute for the blind, signs

Charles Knight is an English publisher and author. He was born at Windsor in 1791, and died in 1873 at Addlestone, Surrey. This book covers the period of English history from pre Roman times to the Industrial age. It shows how life was like in old England in regards to people, places, architecture and fashions, etc. The book contains 1000's of wonderful engravings, hand coloured plates beside 100's of pages of text contained in one volume. A large leather brown/gilt cover book with black leather bound and corners. 392 p. with coloured and b/w illustrations. It includes a table of contents of volume 1, 18 illuminated engraved (colour) plates, indexes to the engravings at the end of the book. 'Old England' gilt decoration on spine. The book shows how life was like in old England in regards to people, places, architecture and fashions, etc. from Roman times through to Industrial age. The book is published in two volumes, the book in hand contains volume 1 only.A plate inside front cover titled "Ballarat Technical Art School Library No. R/170"travel, customs, and, great britain antiquities, old england history, great britain description, the british period, the roman period, the anglosaxon period, regal baronial antiquities, ecclesiastical antiquities, great, britain social, life, charles knight, tomb of mary queen of scots, rochester castle

The Sunshine business area has undergone major change from industrial manufacturing to retail. This aerial photograph shows the industrial areas that existed on both sides of Hampshire Road in 1982, and which have since been replaced by two shopping centres and the library building. The photograph also shows the old swimming pool, and retail outlets that no longer exist such as Waltons, Clark Rubber, Fosseys and the original Safeway store. It also shows a vacant land where the current Centrelink office now exists. The photograph was originally used as a promotion for the Sunshine Centre Plaza retail complex.This photograph is a historical record of what part of Sunshine looked like 3 decades ago.Sunshine Centre Plaza Stage 1aerial view, 1982, sunshine centre plaza, sunshine business area, massey ferguson buildings, old sunshine pool, waltons

Image from CD (Compact Diskette for use in computers) - see Reg Item 135. A series of three images of the Hawthorn Bridge over the Yarra, c1930, during the era with problems with the bridge. See separate article for more details. Richmond 6, Richmond, Richmond 3 on the CD as original files. .1 - Looking from the south west, at the Hawthorn bridge with the temporary wooden bridge being constructed on the south side. Has the cable tram depot in the photo and part of the Burnley racing course. Temporary track on the north side of the steel bridge and crossings can be seen. .2 - Looking along Bridge Road to the east with Hawthorn Bridge in the middle of the photograph. Shows the industrial and residential areas, Hawthorn Railway Station and part of the Burnley Race course, the cable tram depot building. W class tram in Church St Hawthorn and W class tram crossing the bridge on the north side temporary track. Note the cable tram used as a shelter on the north east corner of the bridge. .3 - Looking south along River St towards Bridge Road, with the Yarra River and Hawthorn Bridge on the left side of the photograph. Shows the industry in the area at the time, wool and skin Merchants, north side of the cable depot, housing and the outlook to the river!trams, tramways, hawthorn, yarra river, burnley, richmond, hawthorn bridge

Bendigo Show and Agricultural Exhibition Prize Schedule. Oct. Thurs 17,Fri18,Sat 19 1935 Day&Night Special Arena Attraction. County of Bendigo Agricultural, Horticultural and Pastoral society Founded 1859. Rules, Regulations and Conditions of Grand Annual Spring Show. Agricultaral & Industrial Exhibition Thursday, Friday,Saturday october 17th,18th,19th 1935, three days - Three Nights. President: cr M.E. O'Brien. Vice-Presidents: W.H.Wallis, Esq., F. Stanistreet, Esq., and Cr E. Buckland. Hon Treasurer E.J. F. Crawford, Esq. Secretary E.G. Ham Esq. Council: Messrs. A.J.Anderson, M.H.Adams, C.T.H.Bailey, Cr.E.Buckland, M.S.Boyle, Cr.W.M.Bolton, M.J.Brown, Cr. W.J.Clement, Cr. R. Collins, T.E.Carey, J.H.Collins, T.Corrie, J.E.Don, D.Danson, L.L.Dungey, J.H.Daly, F.Goyne, T.Gilmore, Cr. H.C.Harry, A.J.Hamilton, Col.W.E. James, H.M.Leggo, A.Lowndes, J.H.Lienhop, W.J.Lansell, Cr.C.H.Ludeman, C.B. McCallum, B. Mitchell, Cr. J.C.Morrrison, J.Mitchell, E.Nuttall, G.A. Pethard, N. Ramsey, F.Stanistreet, W.J.Stephens, J.C.Symons, R.J. Trahair, E.J.Vanston, A.Whitehead, A.E.Wallis, R.E.Warren and F.A. Young. Patron His Worship the Mayor of Bendigo 9Cr. A. Staples). Life Governors: Hon. H.Keck,M.L.C., W.H.Wallis, Esq., A.Johonson, Esq., W.G.McRobert, Esq. Office: Victoria Chambers, Pall Mall, bendigo. Telephones: Office Bendigo 418. Secretary's Private Residence 176. Showgounds 296.event, agriculture

Thought to have originated in Austria in 1869, postcards first gained popularity in Australia in the 1890s.They were used to send short messages to friends and family. This collection was generated by Mary Emma Elliot of Talgarno. Talgarno is a rural locality in Victoria, Australia, situated on the southern shoreline of Lake Hume, about 23 km east of Albury-Wodonga. The collection contains postcards from across the world. Mary Emma Sibley was born in Ironbark, Bendigo in 1859. She married James Elliot in 1893 and they settled at “Kelso”, Talgarno. They had two children – Mona and Sibley. Mary Emma Elliot died in Melbourne in 1944, aged 84 years. This item contains the following: Twenty Japanese postcards collected by Mrs James Elliot between 1898 and 1915. 11731.021 This coloured card shows people gathered beneath flowering cherry trees in a park: On the card is printed “Cherry blossoms in Maruyama park Kyoto translation is “Cherry blossoms in Maruyama Park—one of Kyoto’s hundred famous views.” 11731.022 This coloured card shows an ornate Japanese shrine building beside a flowering plum tree: On the card is printed “Tenmangu Shrine, Dazaifu, Fukuoka-kan The Japanese translates approximately as: “Dazaifu Tenmangū, Fukuoka Prefecture. It is a middle-ranking Imperial Government Shrine dedicated to Sugawara no Michizane and was founded in the eighth month of Engi 5. Turn left several dozen paces from the great bronze torii and enter through the second torii, where there is a large pond. Beyond two arched bridges stands the tower gate. The picture shows the main shrine within, simple and dignified and possessing a sacred tranquillity. In front of the shrine is the famous Flying Plum tree.” The references to Sugawara no Michizane, the bridges and the plum trees accord with present-day official descriptions of the shrine. 11731.023 This coloured card shows an ornate Japanese shrine gate and surrounding buildings in a snowy setting: On the card is printed “Yomei gate at Toshogu, Nikko. The Japanese translation is “Yōmeimon Gate at Nikkō Tōshōgū Shrine.” 11731.024 This coloured card shows a Japanese shrine building surrounded by pine trees and stone lanterns: On the card is printed “Hitomaru Jinsha at Akashi. The Japanese translates as “Hitomaru Shrine at Akashi.” 11731.025 This coloured card shows a natural rock arch topped with pine trees beside a sailing boat: On the card is printed “Matsushima (3.views of Japan.) The Japanese translates as “Udegasaki, Matsushima—one of the Three Scenic Views of Japan.” 11731.026 This coloured card shows a rocky stream flowing beside a small wooden building in a wooded valley: On the card is printed “(E43) Current of Kiga, Hakone. The Japanese itranslates as “The stream at Kiga, Hakone.” 11731.027 This black-and-white card shows a garden with large trees, dense flowering plants and a small shelter: On the card is printed “SHAKWA GARDEN MUKOJIMA, TOKYO. (NO. 2) The Japanese iranslates as “Mukojima Hyakkaen Garden, Tokyo.” 11731.028 This coloured card shows a large seated Buddha statue surrounded by trees and visitors: On the card is printed “Daibutsu at Kamakura The Japanese translates as “The Great Buddha of Kamakura.” 11731.029 This coloured card shows traditional Japanese shrine buildings with a tower and rows of lanterns: On the card is printed “THE KASUGA SHRINE AT NARA The Japanese translates as “Kasuga Shrine, Nara.” 11731.030 This coloured card shows a temple gate beside a road with a tram and pedestrians: On the card is printed “Shiba Park Tokyo" The Japanese translates as “Zōjōji Temple in Shiba Park—a famous place in Tokyo.” 11731.031 This coloured card shows a landscaped garden lake with pavilions, trees and distant hills: On the card is printed “THE GARDEN GORAKUEN, BIZEN. The Japanese translates as “Kōrakuen Garden, Okayama, Bizen—a famous place in Japan.” 11731.032 This coloured card shows a rocky shoreline with a wooded headland: On the card is printed “(D35) Inamuragasaki at Kamakura. The Japanese translates as “Inamuragasaki, Kamakura.” 11731.033 This black-and-white card shows a stone arched bridge across a moat with palace buildings in the background: On the card is printed “301 Imperial Palace, Tokyo.” 11731.034 This black-and-white card shows a large hotel complex and landscaped garden beside a pond: On the card is printed “NIKKO HOTEL, NIKKO JAPAN.” 11731.035 This coloured card shows railway tracks beside the shoreline with Mount Fuji in the distance: On the card is printed “Okitsu Sea Shore. The Japanese translates as “Scenery of Okitsu — the tunnel at Satta Pass.” 11731.036 This black-and-white card shows a traditional mosque building with a tiered pavilion roof: On the card is printed “CHINCHENZU TEMPLE, FENGHUANGCHENG. The Chinese characters are read from right to left as 鳳凰城回回教清真寺, meaning “Muslim Mosque, Fenghuangcheng.” 11731.037 This black-and-white card shows an industrial loading crane beside railway tracks at a port: On the card is printed “A crane belongs to Mitsui Miike Port. The Japanese translates as “Ship-loading crane at Mitsui Miike Port.” 11731.038 This coloured card shows a large bank building beside a street with a tram: On the card is printed “Nippon Ginko, Tokyo. The Japanese translates as “Bank of Japan, Tokyo.” 11731.039 This black-and-white card shows traditional school buildings surrounded by trees and gardens: On the card is printed “THE SERICULTURAL SCHOOL AT ST. KODAMA, MUSA-HI. The Japanese translates as “Kyōshinsha Sericultural School, Kodama Town, Musashi (No. 1).” The smaller wording 戸塚堂發行 means “Published by Totsukadō.” 11731.040 This coloured card shows snow-covered Mount Fuji viewed across a lake: On the card is printed “（富14） View of the Mt. Fuji from the Lake side of Seiho. The Japanese translates as “Mount Fuji from the shore of Lake Sai—one of the Fifteen Views of Mount Fuji.”postcards, collecting, collections

These booklets were produced in 1896 by the Warrnambool photographer, Joseph Jordan as a souvenir of Warrnambool with three of them being also souvenirs of the 1896-7 Warrnambool Industrial and Art Exhibition. Joseph Jordan, born in England, took up photography whilst on military service in India. In 1890 he set up as a professional photographer in Warrnambool and became well-known for his family portraits and official photographs of civic dignitaries in the town. He retired in 1916 and the business was continued by his son, Arthur. The Warrnambool Industrial and Art Exhibition was held over three months in 1896-7 in the civic buildings with some temporary buildings added. 70,000 people were said to have attended over that time with concerts, operas, art and sporting competitions and many exhibits. Joseph Jordan had the exclusive rights to publish a souvenir booklet. These booklets are of prime importance because:- 1. They are invaluable pictorial records of Warrnambool and district in the late 1890s. 2. They contain valuable advertisements which give us pictorial representations and other information on businesses in Warrnambool in the late 1890s. 3. Three of them relate directly to the Warrnambool Industrial and Art Exhibition and contain an article dealing with the Exhibition. 4. They contain a written description of Warrnambool in the late 1890s. 5. They show the work of one of our most important photographers, Joseph Jordan and probably also the work of his son, Arthur. These booklets have been published in 1896 by the Warrnambool photographer, Joseph Jordan and contain 15 pages of black and white photographs of Warrnambool and district, many advertisements for local and Melbourne business and an article of the town of Warrnambool. Three of the booklets also contain information on the 1896-7 Warrnambool Industrial and Art Exhibition. Booklet One and Two – dark red hard cover with the title in gold and ornamental scroll work. The cover printing of Booklet Two is almost obliterated. The books are glued and reinforced with string. Booklets Three, Four and Five – soft covers in beige tonings with the title in black print and featuring ornamental scroll work with a sketch of a bird. The covers have much foxing. The booklets are bound with black and brown tape. Booklet One: ‘Ivy Morden’ Booklet Two; ‘Mr Peter Gibbons’ joseph jordan, warrnambool industrial and art exhibition

This is a programme of a concert called ‘The All Nations Night’ staged by the Warrnambool Orchestral Society and held in the Warrnambool Town Hall on Show Night, November 13th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and with his wife taught piano, violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Louis Bayer was the musical director at the Warrnambool Industrial and Art Exhibition, writing the Cantata for the opening ceremony and directing over 60 performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas including one called ‘Federation’. Bayer’s wife was an accompaniste at this ‘All Nations Night’ concert and his son, Otto was the horn player. The concert featured the soloists, Nellie McClelland, Lucy Meares, W.D. Thomson and D. Williams. The concert may have been sponsored by Youngers Stores. This large department store was established in 1888 and closed in the 1980s. This programme is of great significance as it featured a 1902 concert conducted by Louis Bayer, one of the most important musical identities in Warrnambool’s history. These are two sheets of green-coloured paper folded in two to make eight pages. The printed material is in black type. The pages include the concert programme, a list of members of the orchestra and several advertisements for Youngers Stores. The front page has the concert title (‘The All Nations Night’) in a text box bordered by a floral pattern. The pages are a little torn at the edges. younger & co, warrnambool, history of warrnambool, louis bayer

This is one of the earliest surveys and maps of Warrnambool harbor, Lady Bay. Being done in 1853, it shows the depths of the bay area marked in fathoms, currents and directions and areas of rocks around mouth of the Merri and the Western side of the bay as well as a large sand spit to the middle right of the beach region.. It also marks the large areas of seaweed and fuci in the outer bay area. It has the area of Pertobe Lagoon marked and shows the early tracks to the town. The engraving work was done by Tulloch and Brown, with Tulloch being one of the earliest engravers and lithographers in the state of Victoria. He arrived in Melbourne in 1849 and set up business with James Davie Brown in 1853 with Brown being a map engraver. They were awarded bronze and silver medals for their work at the Victorian Industrial Exhibition. He also worked in the vignettes on the Proeschel Map of Victoria.This map is of high historical and comparitive significance as it shows the Lady Bay area prior to the changes that have occurred in the last 160 years with the building of the breakwater. The issue regarding access to Lady Bay remains a current one. The engraver D Tulloch engraved some of the earliest scenes of the goldfields in Ballarat and as such has left a record of a very early and important era in Australian history. Rectangular cream paper with black text. Map area is outlined by fine black lined border. Key in top right hand corner and scale at bottom middle of map.Map is labelled Town of Warrnambool printed at top of map. Small logo at top right corner which has “Hydrographic Department” in circle around an anchor. Lady Bay Warrnambool Surveyed by John Barrow assistant surveyor Engraved by Tulloch & Brown in bottom right corner. Melbourne engraved by order of the legislative Council of Victoria in middle bottom.map, warrnambool, town of warrnambool map 1853, tulloch & brown map 1853, lady bay warrnambool,, warrnambool harbour, warrnambool breakwater, warrnambool beach

These plans have been drawn by Steve Hester for the Warrnambool City Council to illustrate the allotments in Warrnambool concerned with the subdivisions of 1989. The streets have not been named but there is an indication of the area with the identification of known buildings (eg Hospital) and the plan numbers of each allotment is clearly marked. These numbers corresponded to the plan numbers registered in card files and ledgers in the Warrnambool City Council offices. The scale of the plans was 1 to 5000. These plans are of considerable interest because they show Warrnambool street subdivisions of 1989 in illustrative form. They show how information was collated in the late 1980s before the widespread use of computer digital means to describe and store information.These are five hand-drawn sheets showing plans of sub-divisions in Warrnambool streets in 1989 (Warrnambool City Council material). The plans are multi-coloured (crayons) and show allotments with plan numbers. The first plan has much of the material torn off but the location is known to be in the Russells Creek area. Some of the green tape around the edges is missing. Plans two to five are almost intact and are bound with green tape. Plan Two- Industrial Estate of West Warrnambool; Plan Three – Hospital/Merrivale/ Lake Pertobe areas; Plan Four – North Warrnambool, Wollaston/Brierly areas; Plan Five – Flaxman Street area. ‘Subdivision Plan, Reference Guide, Steve Hester, Oct. 1989’. warrnambool street subdivisions, steve hester, history

The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte

A collection of 20 photographs which shows different aspects of Warrnambool. In 1896 Joseph Jordan was given exclusive rights to produce a souvenir booklet for the 1896-97 Warrnambool Industrial and Arts Exhibition. The Jordan studio sold many publications such as albums, which featured local scenes, as well as postcards, and greeting cards for different occasions and portraits The Jordan studio was a significant photographic studio in Warrnambool. They produced a large volume of work which is a useful record of scenes of the Western District and Warrnambool. This Souvenir booklet was a memento of an important event in Warrnambool. The advertisements also provide a record of people in business at that time.Pale green light card cover with dark blue text and illustrations which consist of title in the middle of cover with floral border along bottom with drawing of bird inset in floral picture at the top. The contents consist of 18 illustrations and a number of advertisements. One loose page with same text as book and advertisement for R. F. Kennedy chemistPublished by J Jordan Warrnambool.j jordan, jordan photographers, warrnambool, jordan photographs, warrnambool souvenir

This so-called Hickford medal was a medal struck in 1897 by the Town of Warrnambool (bearing Walter Hickford’s name as the Mayor at the time) to commemorate the 60th anniversary of the reign of Queen Victoria. Walter John Hickford was Mayor of Warrnambool 1895-6-7 and President of the Committee that organized the Warrnambool Industrial and Art Exhibition of 1896-7. A skilled decorative artist, Hickford carried out art work in many private houses, business and churches in Warrnambool. His shop in Liebig Street supplied paint materials for households, businesses and artists. Hickford Parade is named after him. The 60th anniversary of Queen Victoria’s reign was celebrated widely throughout Australia and the British Empire. This medal is one of several owned by the Warrnambool and District Historical Society. It is of some importance as it shows the extent to which civic authorities and individuals in places like Warrnambool were concerned with all things British and the influence of the British monarchy in Australian affairs in the late 19th century. It also shows the importance attached at the time to the position of Mayor, with his name being inscribed on the medal.This is a medal, possibly bronze, with the logo of the Town of Warrnambool on one side and two images of Queen Victoria on the other. Side one: Town of Warrnambool, W.J.Hickford, Mayor Side two: 1837-1897, Queen Victoria’s 60th Year of Reign queen victoria, town of warrnambool walter hickford

This tie pin has as its centerpiece a souvenir medal from the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition was held in the Town Hall and Council Buildings and the Mechanics’ Institute and temporary buildings at the corner of Liebig and Timor Streets, Warrnambool. It was held over three months and attracted many visitors and featured concerts, sports events, industrial exhibits and a variety of competitions. This is an interesting and important item. It is one of the more unusual mementoes from the Warrnambool Industrial and Art Exhibition and shows the use made of souvenirs from exhibitions around the world. This tiepin was purchased in an antique shop in England in the 20th century. This is a metal tie pin with three circular coins, soldered together at the edges. In the middle is a souvenir medal of the Warrnambool Industrial and Art Exhibition of 1896-7 showing an image of the Exhibition buildings at the corner of Timor and Liebig Streets on one side and a Coat of Arms on the other side. The two smaller coins on each side are imitation British half crowns. The clip at the back is soldered on to the two smaller coins Medal: Industrial Exhibition, Warrnambool 1896 Coins: 1889-90 warrnambool industrial and art exhibition 1896-7, warrnambool, tie pin

Lake Guy Dam is a 'slab and buttress' type wall. A timber frame is built and then filled with concrete. The first batch of concrete was placed in September, 1940. By June, 1941 the buttresses were finished to a height safe from floods and in October of that year a flood of 2,800 cusecs occurred but with only slight damage to the installations. Industrial trouble caused some delays but there was also slow progress on the part of the contractor and the work was taken over by the S.E.C., terminating the contract. The dam was completed in March, 1944. A walkway was made through the dam wall. Lake Guy was named after Mr. L.T. Guy who was the Resident engineer, in charge of construction work and associated activities on the Kiewa Area from 1939 to November 1946.Shows the walkway placed as part of the Lake Guy (Junction) Dam wall. A very good pictorial reference for the future.Black and white photograph of the walkway through Lake Guy (Junction) Dam wall.Handwritten in blue ink on back of photograph "Inside Lake Guy Dam". slab, buttress, dam, mr. l.t. guy

This atlas, printed in 1944, details not only the geographic and political boundaries of the world as it was at that time but also the snap shot of life of the time. This snap shot in time covers the major Australian cities, the major farming, grazing, industrial and sporting/recreational activities. Also there are snap shots of similar activities from other global areas. The period also covered World War II, detailed by a photo of "shell making", munitions, required by Australian soldiers. The great political and territorial changes made as a result of World War II can be clearly identified for example , Israel (the Jewish homeland). The various prewar colonies of major European nations.This atlas was used by children of a Kiewa Valley family and shows the value and the general educational exposure that these children had at this time. The rural setting and within the backdrop of a world war did not severely alter the life style of children in this region. The "news reels" shown in cinemas of cities and larger towns were the only visual realisations of major events of global significance available to these children. The information provided by this atlas allowed students to glimpse at what the "outside world" was. The majority of these students would possibly never see these regions for themselves. The great communication facilities of the late 1900s and beyond, was still only science fiction.This atlas has a thick (350 g/m) red cardboard cover with bold black lettering and shading. The cover is set out within a shield like frame. The shield is held up by two square markings, each with a four part circular pattern and a cord entwining two pendulum structures ending with a bowl figure at the bottom. There is a semi circular form enclosing a printed book contents list. The inside cover has the atlas title and contents and the publisher details. The atlas contain 56 pages of world and Australian maps, vegetation and rainfall maps. Within this atlas there are 27 double sided pages of black and white photographs depicting life styles, buildings, landscapes and prominent and significant to Australia males from 1652 to 1944. The pages are of approximately 200 g/m and have the yellow aged appearance.On front cover "Philips' Australian COMMONWEALTH ATLAS" and underneath "Containing" underneath "60 PHYSICAL, POLITICAL AND ECONOMIC MAPS". Publisher George Philip & Son, Limited 32 Fleet Street, London E.C. 4. Inside cover are: written, in freehand and in ink the following names and dates; "J.Muller Form V 1945", "L L Muller Form IV 1946", "N.J. Muller Form I + II + III 1948 +49 + 50" and "D Muller Form I 1949". also handwritten and in pencil is "Peter Leslie". On the last page is a small freehand sketch of Australia in biro.1940s school curriculum, rural education, 1940s atlas, australian atlas

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the Standard Canadian style, would have emigrated to Australia with its owner, a reasonable young professional or executive of the Hudson Bay Tobacco Company in the late 1800s or early 1900s. It is the type of pipe well suited to a harsh rural backdrop and with its owner found the Kiewa Valley a more relaxed environment than the Canadian Indian locations. The value of this pipe to the original owner, who would have sealed many trade contracts during the Canadian Indian smoke rituals In the late 1800s, is indicated by the long voyage to Australia and the Kiewa Valley. However with the health related restrictions placed on public smoking in the early 2000s, these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few and not with this pipe. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco. Pipes such as this item show that smoking was not only part of the lifestyle of the era but also that it was part of a ritual (especially to the Indians of the Canada Hudson Bay region) that sealed a brotherhood not only socially but also politically and economically.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a very exclusive pipe it blended into the tobacco industrial environment of the Kiewa Valley and its surrounding districts. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco industry and the levels of men smoking pipes was enhanced by the readily supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.This pipe has a straight shank and stem and its style is 'standard Canadian'. The pipe has a permanent filter and a stainless steel band with the initials of the Hudson Bay Tobacco Company and its seals stamped on it.. The bowl and shank are one piece of appropriate shaped wood. The bit and bore are made from bakelite (dark brown in colour). The pipe is fashioned in the form of the clay pipes used by trappers, in the late 1800s early 1900s. It has a "rest" lug at the bottom of the bowl similar to clay pipes. This pipe has its own pipe case with wood reinforcement running the entire pipe shaped contour.On the stainless steel at the mortise and tenon junction is stamped "HP" and below that are stamped symbols of a ship's anchor, a lion and a tobacco leaf.tobacco, pipe smoking, smoking accessories

This photograph is a "snap shot" in time circa 1950s detailing the rural environmental change and the progressive effects of the Kiewa Valley Hydro Scheme on the basic rural setting of the valley (note the sparsity of rural infrastructure). This photograph shows the beginning of the accommodation and administration buildings for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. It also provides a view of the landscape before extensive development of Pondage and other non rural buildings.This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s (see sparse rural buildings/houses). This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made. The construction of the large Pondage at the centre of the photograph is a good example.This black and white photograph of a panoramic view of the Kiewa Valley (Mount Beauty SEC construction workers village) shows the newly completed transmission line towers delivering electrical power(66KVA) from the Clover Power Station. The photo is on 200gms paper and not on special photographic paper.mount beauty 1940 to 1950s, development of sec kiewa hydro scheme, sec victoria

Small china pieces carrying scenic views of holiday destinations were a popular kind of souvenir during much of the 20th century. The pictures on the souvenirs ranged across natural beauty spots (beaches, waterfalls, rivers), civic buildings and monuments (town halls, war memorials), and indicators of local progress (commercial centres and occasionally even industrial sites). Ref: Powerhouse Museum Sydney.Small souvenir dish. White with gold edging and a picture of Orbost in bottom centre. Picture is a view from Grandview Heights. White, square, bone china dish with fluted rim trimmed with gold. In the centre of the dish there is a coloured transfer of a scene labelled as 'Sturt Street, Ballarat'. The scene shows grand Victorian buildings in the background, shops with verandahs and verandah posts lining one side of Sturt Street, trees on the other side of the street, and a tram in the foreground. A transfer on the underside gives manufacturer's information. Read more: http://www.powerhousemuseum.com/collection/database/?irn=12118#ixzz23rwkysrO Under Creative Commons License: Attribution Non-CommercialUnderneath- Royal Stafford -Bone China, Made in England, 3444 Top- Orbost From Grandview Heights, Vic.souvenir dish orbost grandview-heights crockery domestic stafford-royal

Document: Gold Mining Lease Crown Land No 11272 Bendigo, entered in the register book Vol 331 Fol 36450, embossed seals of Central Napoleon Gold Mining Co N.L & King George VI, Map: No 11272 Mining District of Bendigo, Parish of Sandhurst, County of Bendigo, shows the minerunning between Harvey & Inglis Streets and crossing Empire and Sparrowhawk Roads and running a good distance beyond Sparrowhawk Rd.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Copy of two photos on the page. The top one is a photo of the plaque with: The Bendigo Underground Miner. To acknowledge the contribution of the many hundreds of miners who lost their lives in the industry through accident and industrial disease. Many were Cornishmen and their descendants. The lower photo shows part of the poppet head with the plaque and another one below it. There are two men standing on one side of the plaques and a lady and a man on the other side.bendigo, history, long gully history group, the long gully history group - the bendigo underground miner, teh cornish association of bendigo & district, george a ellis, robert lloyd

Document: 4 copies of plan of Transverse Section of Napoleon Anticline Lease no 10970, plan shows proposed shaft location and depth (1000 ft), for Napoleon Reef Gold Mining Co, also location and depth of adjacent Central Nell Gwynne Shaft scale 100ft = 1 inch, Prepared by J.J. Caldwell Mines Dept Bendigo.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, napoleon reef

Document: Light weight cardboard cover, contents show the purchase of gold from Central Napoleon, weights, charges, value, and the date of purchase.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front

Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a cluster of houses in the top right corner. It is believed that this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular photograph printed on matte photographic paper.Obverse: A.3.FE.2.291 / 62D O.20bd.P.25O.C / 16.7.18 / 12 / F 8 1/4 / Reverse: 6532military album, military, army, war, wwi, world war i, france, trenches

Taken some time between 1914-18, the photograph depicts an aerial view of Villers-Bretonneux in France, a region which was part of the Western Front during World War I. The image mostly shows rural landscape. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. The First Battle of Villers-Bretonneux occurred between 30 March - 5 April 1918. It took place during Operation Michael, part of the German Spring Offensive on the Western Front. The offensive began against the British Fifth Army and the Third Army on the Somme, and pushed back the British and French reinforcements on the north side of the Somme. The capture of Villers-Bretonneux, close to Amiens, a strategically important road and rail-junction, would have brought the Germans within artillery-range. In late March, troops from the Australian Imperial Force were brought south from Belgium as reinforcements to help shore up the line. In early April, the Germans launched an attack to capture Villers-Bretonneux. After a determined defence by British and Australian troops, the attackers were close to success until a counter-attack by the 9th Australian Infantry Brigade and British troops late in the afternoon of 4 April restored the situation and halted the German advance on Amiens. The Second Battle of Villers-Bretonneux occurred between 24 - 27 April 1918, during the German Spring Offensive to the east of Amiens. It is notable for being the first occasion on which tanks fought against each other. A counter-attack by two Australian brigades and a British brigade during the night of 24 April partly surrounded Villers-Bretonneux, and on 25 April, the town was recaptured. On 26 April, the role of the Moroccan division of the French army was crucial in pushing back German units. Australian, British and French troops nearly restored the original front line by 27 April.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. Additionally, the record's significance is enhanced by its depiction of Villers-Bretonneux. The battles that occurred in this town during World War I are especially historically significant to Australia as this is where the Australian Imperial Force had one their greatest World War I victories. An Australian flag still flies over Villers-Bretonneux in the present. Furthermore, a plaque outside the Villers-Bretonneux Town Hall recounts the battles fought to save the town in 1918. Kangaroos feature over the entrance to the Town Hall, and the main street is named Rue de Melbourne. More officially, recognition of the significance of the battle in Villers-Bretonneux is found at the Australian National Memorial, which was built just outside the town. It commemorates all Australians who fought in France and Belgium and includes the names of 10,772 who died in France and have no known grave. Each year, a small ceremony is held at the memorial to mark the sacrifice made by the soldiers. Lastly, the record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: yAE.2.35. / 125 / 62d.2834.35.36.VA.5. / 12.G.18-11 / F.-(?)" /military album, wwi, world war i, villers-bretonneux, australian imperial force, aif, france, war, army, conflict, germany, 1918, battle