Inglis Street of Ballan .circa 1930/40.The photograph is looking East. Parts of the Mechanics Institute and Free Library can be seen, as can the butcher shop, and on the opposite side of the Street the Ballan Hotel and Post and Telegraph office.Black and white photograph of Inglis Street Ballan.Looking East. Photograph is on a cardboard backing with an ornate surround of green and gold. Cars and a truck circa 1930/40 are parked in the street.The word Ballan written on bottom of surround under the photographtelegraph office, car, mechanic institute, butcher shop, delivery truck, 1930 40 cars

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A view of the towered front of 'Invergowrie" (also known as the Inglis House) in Redmond Street, Kew."Inglis House, Redmond St"dr inglis, invergowrie (kew), redmond street (kew), rogers collection

Clara Inglis, née Nicholls, was a daughter of Henry and Marian Nicholls, of 'Sutton Grange', Linton. Part of Old Lintonian collection ; No. 116.Sepia Carte de Visite portrait of a young woman wearing long-sleeved frilled top and collar with head leaning on left hand, arm crooked, right arm crooked, resting on table, and man dressed in suit standing slightly behind woman with left arm leaning on stand."Mr and Mrs J Inglis".john inglis, clara inglis née clara nicholls, old lintonian collection

John Inglis was a son of David Inglis and his wife Maria, née Booty. John was born in England in 1949 and came to Victoria in 1857 with other members of his family. David Inglis, John's father, is listed as a baker in Linton in Bailliere's 1868 Victorian Post Office directory. In 1876 John Inglis married Clara Nicholls, a daughter of Henry Nicholls and Marian Nicholls née Downes. Clara was also born in England in 1849, and travelled to Victoria with her parents in 1852. John and Clara Inglis had three children. They moved from Linton to Ballarat, where John worked as a carter. Part of Old Lintonian collection ; No. 60.Sepia photograph of bearded man seated, wearing suit and hat with arms resting on arms of the chair, with lady standing beside him wearing long gown and large hat, right arm resting on chair back.On back - "from Mr and Mrs J Inglis, Ballarat East".john inglis, clara inglis née nicholls, old lintonian collection

B/W photo, across intersection to gates on corner of Scott and Inglis Streets, double iron gates with single gates either side, then short length of picket fence. Wire fence down Scott Street to left, wire fence and hedge along Inglis to left. Big Cypress tree centre behind gate, assorted other large trees surrounding.buninyong, botanic gardens, gate, streetscape, trees

B/W photograph, Streetscape, looking west down Scott St. from Inglis Street corner, Uniting Church partially visible on right, Presbytery on left.buninyong, scott st., inglis st., uniting church, presbytery

John Inglis Lothian and family at 'Tantallon', c1925. John Inglis Lothian was born in Dunbar Scotland in 1851. He married Lillias Charlotte Smith (b 1847) in 1876. They had 6 children, all but the last born in Scotland before they migrated to Australia in 1888. Children were: 1. Margaret Morrison (1879 - ) 2. Thomas Carlyle (1880 - 1974) 3. Elizabeth Inglis (1882 - 1973) 4. Lillias Smith (1883 - 1971) 5. Isabella Margaret (1885 - 1946) 6. John George (1892 - 1983). Lillias Smith Lothian (Father's name: Morrison Smith; Mother's name Margaret Inglis) died in Ringwood and is buried in Box Hill Cemetery (C-*-0138). Most of the other members of the family were cremated and their ashes scattered. The family were in York Street, Surrey Hills in 1903 but moved to Ringwood where they were orchardists, returning to 59 York Street by 1927, by which time John Inglis Lothian had retired. Thomas Carlyle Lothian lived at 33 York Street (St Abbs) and established Lothian Publishing Co Pty Ltd. He died on 19 Apr 1974 in Mont Albert. A black and white photograph of a family group of 8 adults and four children in a garden setting; some being seated in chairs and deck chairs, some seated on the grass and some standing.lothian publishing company, 1900, 'tantallon', 'st abbs', house names, york street, surrey hills, john inglis lothian

A remarkable, thoroughly researched and detailed record of "Dunera" internee artists with examples of their varied styles of water and colour paintings, sketches and cartoons. Vivid reminders of the whole experience of internment in Australia during World War 2 for these men. Launched at the Jewish Museum in St Kilda, Sunday July 8th and Monday July 9th at Readings Books in Melbourne.Visual history of camp life of the Dunera boysBlue soft cover, with front cover painting by Emil Wittenberg. Painted at Tatura on 23rd May 1941, depicts a group of Dunera internees behind barbed wire. B/W and colour photos, sketches, paintings and watercolour.To the memory of Amirah Inglis. A photograph of Kenneth Stanley Inglis, 7 October 1929 - 1 December 2017dunera boys

D.J. Hanrahan was the Licensee of Hanrahan's Hotel and E.T. Hanrahan was the proprieter of Hanrahan's Store. The hotel supplied the best of liquors, good accommodation and prompt attention. It offered livery and letting stables, and horses and buggies on hire. According to the advertisement Hanrahan's had one of the finest stocks of imported liquors in Victoria. Hanrahan's Store offered "everything you want from a first-class General Store, all at lowest prices."Advertisement for Hanrahan's Hotel at Ballan. The advertisement features a photograph of a weatherboard building on the corner of Inglis Street and Stead Street in Ballan. The lamp legally required at the front of licensed premises is present.ballarat irish, hanrahan, hanrahan's hotel, hanrahan's store, ballan, stables, horses, buggies

This item was produced for commercial shops and other traders in a period, 1800 to the 1950s. They were used because they were extremely cost effective, speedy, easy to learn and simple to use. It was also at a time before pocket calculators and electric cash tills were produced. The reckoners were a fast and accurate accounting book for a ever increasing bulk purchasing industry. These reckoners were at the start of a business principle "time is money" The reckoner was also looked upon as a way of reducing staff errors in the calculation field. This reckoner was highly valued to a rural industry in the Kiewa Valley because of the bulk produce being bought and sold here. Produce such as milk, tobacco, cattle, timber and fruits relied on weights and quantities calculation for cost pricing. Electrical machines were not of use in "the field or paddock" where important price negotiations took place. For a successful business to keep going accuracy was upper most to producers. It was still a time where honest transactions built reputations and tardiness ruined them. It was a time when a producer's word was his bond and a gentleman's handshake was as good as a contract. This attitude lasted a lot longer in rural regions than in the city. A producer's reputation was based on face to face negotiations and honesty.This hard cover book (blue in colour) contains 210 pages of black numbers and headings on light yellow pages (aged). The numbers refer to calculations of per unit price of goods and percentages.Top of front cover "Inglis Reckoners" underneath "The 'Express' Ready Reckoner", underneath "with All the Pence up to 1(pound symbol), Interest, Wages, Discount, Tables Etc." The spine: The Express Ready Reckoner with all the pence up to 1 (pound symbol) Interest Wages Discount Tables &c." underneath " The Express Series Vol 1" at the bottom of spine "Gall & Inglis"inlis, ready reckoner, imperial calculations

This is a paperback book of 521 pages. The cover is multi-coloured with an image of an Australian soldier on the front and spine.non-fictionThis book looks at the war memorials in Australia and traces the development of the Anzac cult and the reasons that the war memorials are increasingly cherished in Australian society. It is an important treatise on a unique aspect of Australia cultural life.war memorials in australia, monuments

An illustrated history of war memorials and monuments in Australia.522p., illus.war memorials, monuments

Expressions 2004 Quilt PrizeWeaving consisting of four panels sewn together to form the quilt. Consists of gradations of green to blue colours containing flecks of multicoloured wool through the weft. Weaving forms raised zigzag pattern running left to right through quilt. Three woven blue panels are sewn to the front of the quilt with dyed dark blue zigzags. The quilt is hung on a cardboard roll at the top. Satin square containing the artist's name and address sewn onto the back of the quilt in the right hand corner.'Cross Currents', Jean Inglis, 13 Park Street, Geelong, 52295131weaving, inglis, jean - geelong handweavers and spinners guild inc.

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

Black and white photograph of Winnie Harbeck with her gentleman friend R J Inglis sitting in a stationary buggy drawn by a black horse Lakes Entrance VictoriaR J Inglis and Winnie Harbeck Lakes Entrancew 1919 Courting Days on reversetransport, genealogy

Part of Inglis Barby Collection1. Women's Badminton Association Life Member Medal Metal engraved on front with foliage and faux enamel crossed badmintons and shuttlecock. Background in aqua blue. 2. Metal and blue enamel Methodist Youth Fellowship Badge1. Front - Life Member & Back - WBA 1985 INGLIS BARBY 2. MYF and symbol of crossbadges, badminton, inglis barby, methodist youth fellowship, port fairy

Prize awarded to George G Morrison (birthdate 3/2/1862) for excellence in Algebra and Geometry in the first form; George entered the school 23/8/1877 and left less than a year later on 1/7/1878.Very early example of an academic prize awarded by Principal John Garbutt (1877 - 1909). no date of publication but c1866, xxiv + 502 pages, bound in elaborate embossed maroon cloth binding, with lacquered illustration and college crest in gilt on front cover, decorated spine; in very poor condition through mould and wear; illustrated with steel engravings, each page of text with red lines at margins, all edges giltBook plate inside front cover: Ballarat College crest / Algebra and geometry / First form / First PRIZE / Awarded to / G Morrison / CHRISTMAS 1877 / JOHN GARBUTT, M A PRINCIPALgeorge-g-morrison, ballarat-college, john-garbutt, 1877, book-prize

This book was awarded to Fanny Nicol in 1882 for special prize for bible. Fanny enrolled in Clarendon Ladies' College in 1882 along with her sisters Agnes Williamson Nicol and Katy Beatrice Nicol. In the original register the father's name is listed as James and he was a produce merchant who resided at 119 Lydiard Street, North Ballarat. This book was donated to the school library in 1978 by Fanny's niece.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Green cloth cover with ornate gilt decorations on cover, back and spine; gilt edges; color illustrations, slight foxing on pages, 314 p. Book plate inside front cover: CLARENDON LADIES' COLLEGE,/ BALLARAT./ Special prize./ Bible/ Awarded to/ Fanny Nicol./ 19th December, 1882.fanny-nicol, 1882, book-prize, clarendon-ladies'-college, agnes-williamson-nicol, katy-beatrice-nicol, james-nicol.

This book prize was awarded to Theophilus Heugist Serjeant in the fifth form for first prize for arithmetic. Theo enrolled at Ballarat College in 1884 at the age of 12. Theo's brother, Alfred George Serjeant, also enrolled at the same time at the age of 17. In the original register parent/guardian is listed as R.M Serjeant and their residence as Yarrowee Hall.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown calf with black and gilt decorations on front cover and black decoration with college crest embossed on back cover. Six raised bands on spine with gilt lettering on second compartment and the remaining compartments with gilt decoration. Slight detachment of spine with foxing on pages. Gilt edged pages, black and white illustrations throughout. 624 pages.Book plate inside front cover: college crest/ Arithmetic/ Fifth Form,/ First Prize./ Awarded to/ Theo. H. Serjeant/ Christmas, 1887.theophilus-heugist-serjeant, book-prize, ballarat-college, 1884, alfred-george-serjeant, r-m-serjeant, yarrowee-hall.

Brown coloured hardback book. Front and back covers feature black line drawings of soldiers with red highlights. The title is in red lettering with black outlines. 159 pages on cream coloured paper with cut edges. Black line illustrations.non-fictionThe book is part of a series issued to service men for spiritual guidance and inspiration.book, soldier's guide, army chaplains, major thomas b. williams

A guide to sites and memorials relevant to the first Australian Imperial Force in Britain, Belgium and France in the First World War170 p. : ill. (some col.), maps (some col.), ports. ; 30 cm.ISBN 9780646519920australian imperial force, war memorials, world war 1 battle fields

The Gippsland Institute of Advanced Education was established by an Order-in-Council in September 1968. The Council of the Institute included members of the Gippsland community who are prominent in local government, industry, commerce, education and the professions, the Director of the Institute, and representatives of the academic staff, students, and graduates. On its establishment, the institute assumed responsibility for the diploma courses previously offered by the Yallourn Technical College which had commenced diploma teaching in 1929. Initially, all the Institute's teaching was conducted in the diploma building of the Yallourn Technical College. In 1972 the Institute transferred part of its operations to the first of its permanent buildings on a large campus in rural surrounds near the township of Churchill, ten kilometres south of Morwell and one hundred and sixty kilometres east of Melbourne. The Gippsland Institute of Advanced Education was opened on 20 November 1976 by the Honourable Lindsay Thompson, Deputy Premier of Victoria and Minister of Education; and Senator J.L. Carrick, Minister for Education in the Commonwealth Government. Silver and yellow soft covered booklet celebrating the opening of the Gippsland Institute of Advanced Education at Churchill, Victoria. An introduction is written by C.H. Ford, President of Council. The book was designed and produced by the design Centre, G.I.A.E. SChool of Visual Arts.gippsland institute of advanced education, m.w. hopper, c.h. ford, lindsay thompson, j.l. carrick, r.w. muncey, churchill, yallourn, morwell, yallourn technical school, yuncken freeman architects, f.a. gray, f.r. goddard, j. milton-smith, j.r. lawry, b.r. groves, c.p.a. hos, c.w. tolley, k.f. smith, j. dowsley, robert charles bigelow, charles hartley ford, daniel eric kent, barbara lapin, john charles mcgauran, neville thompson, john charles vinall, leslie alfred galvin, maxwell francis gray, john alfred forster oram, donald robert hannington, john perrin kellaway, john james robertson, leslie lawrence shipp, valerie lorraine willington, leonard allan falk, kwong chiu lee dow, brenton robert groves, glen william drover, kenneth francis gibson, maxwell wallace hopper, teunis jan geerit korevaar, j.j. robertson, d.f. kretlow, chancellor and patrick, churchill campus, gippsland campus collection

Index, notes, ill, p.640.non-fictionAfter the slaughter of the First World War, Australians embarked on a remarkable programme of war memorial construction. These memorials, large and small, stand everywhere in the Australian landscape. They embody what Australians have wanted to say about the service and death of their compatriots in overseas wars. They express pride, grief, and perceptions of God, empire and nation, becoming the holy sites of a new civil and nationalist religion -- the cult of Anzac." "In this moving and beautifully written book, award-winning historian Ken Inglis traces the development of the Anzac cult, as well as looking at those who rejected it. Sacred Places also examines a paradox: why, as Australia's wars recede in memory, have these memorials and what they stand for become more cherished than ever? In this updated third edition, that question is pursued into the first decade of a new century.war memorials - australia, soldiers memorials - australia

BP018.1 Green linen hard-back book with black and gold embossed decoration on front and spine. 378 pages. Gilt edged pages. Eight full page black and white illustrations and one colour plate opposite the title page. BP018.2 Typed letter.non-fictionstratford sunday school, james wilson 1865-1961

Hardcover w/ Dust Jacketaustralian social history, 1788 - 1870, walsh st library

In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool