The article is an obituary for Trevor Partington who passed away in 2002. Trevor was a descendant of the Partington and Whatmough families, both of which were pioneering families of Greensborough.A photocopy of a black and white newspaper article.Pencilled date.partington, trevor partington, wangaratta gift, diamond valley football league, greensborough football club, greensborough bowling club

Unit badge mounted on wooden plaque. Crown above with Southern Cross in blue surrounded by the words "Royal Australian Army Pay Corps" and below - the word "Integrity"Royal Australian Army Corps/Integrity

Secondary education was either High or Technical schools up until about 1990, we have now no Technical schools. The blazer was part of the formality of all students wearing school uniforms, Blackburn Technical School was opened 1959 and closed 1992.The School blazer from Blackburn Technical School was worn by Geoff Winkler between 1968-1972School blazer from Blackburn Technical School worn 1968-72 size 15. Royal blue colour with school badge on pocket with striped edging on top of pockets with gold and burgundy ribbon with three buttons in front. school badge tree background with Blackburn technical School om top and two acorns on top Integrity written on bottompocket- Blackburn Technical School- Integritycostume, children's uniform

Australian Open warning sign relating to illegal gambling activities and sporting integrity. Materials: Plastictennis

Peter Lalor was the diggers leader at the Eureka Stockade.White poster with blue representation of the Eureka Flag and black and white line representation of Peter Lalor.VR Lalor Campus Ballarat "What is in a name?" Integrity Identity Inspiration Independanceuniversity of ballarat, lalor, lalor campus, mount helen campus, poster

Items in collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Badge pressed brass, shape is of an old style Artillery piece on large wheels, rear has two lugs on. .2) Badge, metals crown at top, centre has 5 stars in silver, outside is oval shape with lettering, scroll under, rear has two pins. .3) Badge silver colour metal, crown at top, oval shape, raised lettering, scroll under with same, pin on rear..2) "Royal Australian Army Pay Corps, Integrity" .3) Royal Australian Army Nursing Corps, Pro Humanitate"badges, artillery, nursing, pay

Small booklet on the career of George Adams, founder of Tattersall's. With honesty and integrity as his watchwords he built his business on firm foundations. George Adams died 21 Sept., 1904 but left his character in the business.The Romantic Career of Geo Adams. Hobart. (TATTERSALL).geo adams, tattersall

Uniform belonged to "Graeme Wilson". "The Corps of Commissionaires is a not-for-profit/ organisation for uniform service personnel who have/ served with loyalty, integrity and commitment to/ duty and who continue to apply these same qualities/ in positions of trust in the commercial world"1. Jacket - black colour wool/polyester fabric, with collar, four front pockets - top patch pockets with button down flap, lower inset with button down flap. Front, 4 buttonholes with 4 silver colour plastic buttons with shank and metal pins. All eight buttons have moulded emblem - letters - CCV. Top of each sleeve is a cloth badge with words "CORPS OF COMMISSIONAIRES". Below - 75 mm round cloth badge, embroidered yellow, white, blue, red and within the 'Star' is a blue ring with the words "SERVICE - LOYALTY - INTEGRITY", surrounding 3 symbols - Eagle, Anchor and a Rifle. Lining - dark blue polyester fabric. Two internal inset pockets. Two manufacturer's labels - on lining right side. 2. Trousers, dark blue colour wool/polyester fabric. Waistband, belt loops, two nset side pockets, one inset back pocket with button closer. Plastic zipper fly with metal hook and loop at waist. Lining - beige colour polyester/cotton fabric to waistband and pockets. Three manufacturer's labels on waistband lining. 3. Shirt, light blue colour polyester/cotton fabric. Collar, shoulder epaulettes with cloth slides with the words in white thread on black fabric "CORPS OF COMMISSIONAIRES". Long sleeves with cuffs and cloth badges at top (description as per jacket 75 mm round cloth badge). Two front patch pockets with button down flap. All buttons clear plastic. Two manufacturers labels - below collar, right side seams. 4. Peak cap. White crown, plastic, black webbing band, thin black plastic strap, black plastic peak, metal badge insignia - Queen's Crown, Star, lettering - "CORPS OF COMMISSIONAIRES" and symbols - Eagle, Anchor and a Rifle. Manufacturer's label interior crown. Manufacturer's labels - white embroidery on black fabric. 1. "Fletcher Jones/ FLETCHER JONES/ AUSTRALIA'S FINEST CLOTHING" 2nd label "70% NEW WOOL/ 30% POLYESTER". 2. "FLETCHER JONES/ AUSTRALIA", 2nd label 55% Polyester/ 45% WOOL", 3rd label - laundry instructions. 3. "SIZE M (18) 39cm/ FAIRMARK/ AUSTRALIAN MADE" Side seam label - laundry instructions. 4. "MELBOURNE/ EMERCO/ REG. TRADEMARK/ THIS IS YOUR GUARANTEE FOR QUALITY/ MADE IN AUSTRALIA" "SIZE/ 6 7/8 /55" 5. & 6. Cloth badges, pair, with words "Corps of Commissionaires"uniform, corps of commissionaires, graeme wilson

Although this house has been clad and had an iron roof put onto it, the historical integrity still appears to be intact. Colour photograph of a clad weatherboard house in Lydiard (North) Street Ballarat. Some of the iron roofing has been removed exposing shingles.weatherboard, shingles, lydiard street, house

This letter is part of a collection of archival documents including letters and certificates that relate to Charles Tansley. Charles Tansley was a wool classer mainly in Victoria, but also worked in Tasmania and New South Wales. In his career, he also worked as a wool valuer with Elders in Geelong. Charles was born in Melbourne in 1898 and was educated in England at Bedford Modern College. He was sent home from England due to WW1 and was not enlisted due to health reasons. Charles married Mary Brownjohn in 1924, and together they moved to Geelong in the late 1920s. This letter, dated 1923, is a reference for Charles' work undertaken with W. Angliss & Co. Pty. Ltd in Footscray.Letter on cream paper with black printed text and handwritten black text.[printed] TO WHOM IT MAY CONCERN / It is pleasing to me that I can certify to the ability, integrity / and industry of Mr. C. Tansley who is serving his connection with us / after giving very satisfactory service in wool department for a period / over one year.charles tansley, woolclassing, wool classer, farming, sheep, wool, agricultural industry, estates, tasmania, new south wales, pastoral industry, textile industry, education, reference letters, working life, geelong, training, mary brownjohn

two glass panels laminated together with engraved textGM, business strategy, design build sell, strategic agility, innovation management, dealing with ambiguity, new executive orientation, management courage, workplace of choice, team trumps talent, fiscal responsibility, learning agility competencies, ethics and integrity, leadership, organizational agilityaward, trophy

Items in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat No. 7926P for his service record.Certificate - cream coloured paper with black and cream coloured print. Illustrated in colour with Navy, Army, Airforce and Nursing personnel above crossed flags - Union Jack and Australian above scroll work and City of Bendigo. Coat of Arms/crest bracketed by dates "1939 - 1945". Red coloured embossed "City of Bendigo" Seal lower right. Frame - clear varnished timber with cardboard backing, no glass.Inscription on certificate - "TO YOU WHO SERVED/ THE CITIZENS OF BENDIGO/ EXPRESS/ DEEP THANKFULLNESS/ TO "W. THEODORE"/ Long as the heart beats life/ with in the breast/ And Freedom, Love and Plenitude endure/ So may your sacrifice for these/ be Blessed/ And Honour, Pride, Integrity ensure/ "A. Truscott" Mayor/ ??? Town Clerk".framed accessories, certificate, ww2, ran, william anthony theodore dsm

Endowed in 1997, through the generosity of Judy and Leon Goldman in honour of Betty and Shmuel Rosenkranz who devoted themselves with intellect, integrity and commitment, to the development of so many communal organisations for over 60 years. Please contact [email protected] to request access to this record. The Rosenkranz Centre for Excellence and Achievement in Education in honour of Betty & Shmuel Rosenkranz. The Rosenkranz Centre for Excellence and Achievement in Education has been established at Bialik College in honour of Betty and Shmuel Rosenkranz. The Rosenkranz Centre is the focus of the College's activities in maintaining a continuing series of diverse enrichment and extension programs for students of kindergarten to Year 12. The programs and initiatives of the Rosenkranz Centre supplement the curriculum of the College and provide opportunities for children with high abilities. Students are encouraged to develop high level thinking and research skills, to participate in open debate and to show an active commitment to communal responsibilities. The activities of the Centre are aimed at educating young people towards excellence and personal achievement whilst at the same time shaping them as involved citizens with a strong sense of values and ethics: The College gratefully acknowledges the support of Leon & Judy Goldman, whose very generous endowment has made possible the establishment of the Rosenkranz Centre. 1990s, 1997, donors, education, judiasm, bialik college

Marion POPPLEWELL (1912-1998) Born Yorkshire Marion Popplewell visited relatives in Ballarat in the early 1940s. She loved Ballarat so much she decided to stay. She worked at a bank in Lydiard Street, opposite the Art Gallery of Ballarat, and lived in rooms above the Lydiard Street Shops. Marion enrolled in some evening classes at the Ballarat Technical Art School (a predecessor institution of Federation University Australia) conducted by Neville Bunning. He was nor overly happy with her small colourful jugs and vases, wanting her to handbuild pots, rather than wheel throw them. Marion Popplewell continued making her small wheel thrown pots with fine handles, and made glazes herself from materials imported from England. Attending classes in Ceramics up until the mid 1970s, she also took some classes in Woodwork and Needlework. Her 'Pink Glazed Jug' 1945 won a prize at the Royal Melbourne Show in the late 1940s. She died in Melbourne on 26 September 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown vessel with three slight bulges and turned foot. Deep blue glaze with rim banded in a second glaze, causing a eutectic reaction, causing the spontaneous syrupy runs down the outside of the vessel. Vessel has many small divots, suggesting the clay may have been reclaimed, or collected from nature, and not thoroughly prepared before throwing. Vessel has one small chip (13mm x 5mm) on inside of rim, but is not a threat to its overall integrity. Inscription on base: "MP 59" Sticker: "85"art, artwork, marion popplewell, ceramics, ceramics available, alumni

Boyd forewarns that the article is strong on generalisations and not diplomatic. He writes that Australian architecture is old-fashioned, second-hand, rejects sophisticated world fashion trends, and has under-developed professional pride and determination. In the last few pages, Boyd advocates a code of integrity and goodness in architecture, calling on designers to come together and commit to the code.Original manuscript published in Architecture in Australia, vol. 56, no. 3, pp. 454-465.Typewritten (c copy), pencil edits some pages missing, quarto, 26 pagesIncomplete- pages missing, and includes page 8Aaustralian architecture, sydney school, perth architecture, university architecture, code of integrity in architecture, robin boyd, manuscript

This is Boyer lecture 5 of 'Artificial Australia' by Robin Boyd. 'Artificial Australia' consisted of five lectures given by Robin Boyd in 1967 on the Australian Broadcasting Commission radio. The lectures were (1) Creative Man in a Frontier Society, (2) The Architecture of Ideas, (3) Integrity in the Artificial Object, (4) The Environmental Arts in Australia. (5) The Australian Myth in the Modern World. Sanyo CDboyer lecture, artificial australia, robin boyd

This is a death notice for Robin Boyd from The management and staff of James Hardie Coy Pty Ltd "Robin Boyd was indeed a man of tremendous dignity- a man whole professionalism was without peer and one who commanded a platform of respect among those who were familiar with his work. he was a man of authority, a man of great integrity. he will be missed."A and date handwrittendeath notice, robin boyd, walsh st library

This is a death notice for Robin Boyd from The Management and Staff of James Hardie Coy Pty Ltd "Robin Boyd was indeed a man of tremendous dignity- a man whole professionalism was without peer and one who commanded a platform of respect among those who were familiar with his work. he was a man of authority, a man of great integrity. he will be missed."S and date handwrittenwalsh st library

This contains Lecture 3 (28 min 56 sec) and Lecture 4 (28 min 32 sec) of the series Artificial Australia by Robin Boyd. Artificial Australia was the title of a five Boyer lectures given by Robin Boyd in 1967 on the Australian Broadcasting Commission radio. The lectures were (1) Creative Man in a Frontier Society, (2) The Architecture of Ideas, (3) Integrity in the Artificial Object, (4) The Environmental Arts in Australia. (5) The Australian Myth in the Modern World.Sanyo CDboyer lecture, artificial australia, robin boyd

A Textile Designer’s Fabric Sample Book is an important tool for keeping a record of past designs. This is useful in order to showcase a designer’s previous work; functioning like a portfolio or a résumé. They also serve as a source of inspiration, sometimes even providing a template to re-release iconic designs. The National Wool Museum has a large collection of Fabric Sample Books. They reveal the colour and daring designs produced by textile mills across various time periods. This Fabric Sample Book is from the 1920s and gives us insights into design trends that are now over a century old.The cover of this book has a brown/grey marble. It carries many marks and oils from the hands, after more than a century of use. A strip of red tape has been added to the spine of the book in order to give it integrity. The book internally has white pages that have turned a brown/cream with age. These pages have a faint blue line printed horizontally across them, to assist with handwriting. The contents of the pages are fabric samples which have been staple to them, as well as handwriting with a blue ink. The pages also include technical drawings, relating to the fabric samples and how such samples were woven together.textile design, textile manufacture

Limb Holders, also known as Limb Restraints, are designed to limit the movement of wrists and/or ankles in patients assessed to be at risk of disrupting life-saving treatment, pulling lines/tubes, exacerbating skin conditions, compromising wound site integrity, or self-injury. In our collective experience, we used these types of restraints to ensure patient safety, to minimise self harm by confused patients (for many reasons - head injury, post op, drug induced) who would otherwise have interfered with treatments (remove intravenous, remove dressing) or fall out of bed.Limb Holders, also known as Limb Restraints, are designed to limit the movement of wrists and/or ankles in patients assessed to be at risk of disrupting life-saving treatment, pulling lines/tubes, exacerbating skin conditions, compromising wound site integrity, or self-injury.pair of tan leather wrist straps (can be used for ankles) with cream felted lining, belt strap with buckle for securing in place, machine stitching to edge of leather to attach felted padding in place, silver studs x 2 holding leather belt in place, silver metal buckle and loop on belt.176.87 written in black ink on leather section of cuff, also white paper sticker with blue ink 176.87patient safety, restraints, ahnl

The pair of ornamental white resin owl bookends was likely made around the 1930s when epoxy resin became available. Bookends modelled on owls have been a popular ornament for many years, possibly because of the association between owls, books and wisdom. They are used and displayed in places where books are appreciated and valued, such as homes, libraries, educational buildings, business offices, legal institutions and banks. Bookends hold a row of upright books in place by supporting the beginning and end of the row. The books are more likely to keep their integrity when stored vertically. The first patent for a metal bookend was placed by William Stebbins Barnard in 1877. Bookends became useful and decorative items around the middle of the sixteenth century after printed books became available. At that time books were expensive and treasured possessions, treated with much respect. Even in the early nineteenth century, a Bible was often the only book in the home. It was included among the limited items brought by many immigrants to Australia. Books became more available and affordable to the public by the end of the nineteenth century and households and businesses were able to build their own libraries. Bookends were used then, and are still used now, to keep books organised, cared for, and readily accessible. Bookends, a pair of two (2) small white resin owls with clear bright red eyes standing on a stack of books, their bodies facing towards each other, chests on an upright book, heads turned towards the viewer. The ends are left and right-handed.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ornament, bookend, bookends, pair of bookends, library, book storage, book display, room decoration, resin ornament, white bookends, owl bookends, owl ornament, white owls, resin owls, book support, bookend patent, william stebbins barnard

Heather Pitman studied at the School of Mines and Ballarat College of Advanced Education and was awarded the Civil Engineering Scholarship in 1977. Heather broke down barriers in engineering with an integrity that earned her tremendous respect in the sector and led to her becoming the first female Head of Engineering for the City of Ballarat. She was the first of a new breed of engineers to consider the urban water cycle in its entirety and not in isolated parts, a radical approach at the time. In her honour, the Pitman Benjamin Engineering Prize was founded, to recognise students like Heather, who have chosen not to accept the status quo, but instead to change the world to make it better for all. Heather died in 2005.heather pitman, engineer, alumni, ballarat school of mines, ballarat college of advanced education, civil engineering scholarship, first female head of engineering, city of ballarat, urban water cycle, pitman benjamin engineering scholarship

Heather studied at the School of Mines and Ballarat College of Advanced Education and was awarded the Civil Engineering Scholarship in 1977. She graduated in 1978. Heather broke down barriers in engineering with an integrity that earned her tremendous respect and led to her becoming the first female Head of Engineering for the City of Ballarat. Heather pioneered sustainable design and was the first of a new breed of engineers to consider the urban water cycle in its entirety and not in isolated parts, a radical approach at the time. In her honour, the Pitman Benjamin Engineering Prize was founded, to recognise students like Heather, who have chosen not to accept the status quo, but instead to change the world to make it better for all.women of note, ballarat school of mines, ballarat college of advanced education, first female, head of engineering, city of ballarat, civil engineering scholarship, pioneered sustainable design, urban water cycle, pitman benjamin engineering scholarship

When the Commonwealth Post and Telegraph Act was passed in June 1902, and a national Postmaster General's Department (the PMG) was established the responsibility for the nation's mail and telephone services fell on local Post Offices. The Bendigo Post Office, built in 1887 and is situated on Pall Mall, it was the central distribution centre for receiving and delivering communication and postal services until 1997 and is now the Bendigo Visitor Centre. The Dead Letter Office, aka Mail Distribution Centre's job is to reunite the mail with their owners and to protect the integrity and confidentiality of the mail. This item is part of the postal collection donated by the Rankins family in memory of the last postal manager at the Bendigo Post Office, Ted Rankins.Printed brown paper which folds into an envelope.O.H.M.S / Postmaster - General's Department / P.M. 29. / Dead Letter Mail / Date Stamp / Office of Despatch / to the / Dead Letter Office / Enclosed are Articlested rankins collection, bendigo post office, bendigo tourism, city of greater bendigo tourism, post office collection

Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton District Mounted Rifles. A double-sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back-to-back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton