School project booklet on Irish Linen in Northern Ireland, with yarn samples12 page booket with coloured and black and white images, black and red textirish linen, ireland, school project material

small quantity of Irish linen fabric from No.2 Air Park Bankstown where many Ansons were repaired and overhauled during the waraircraft covering fabric, Irish linenlinen, fabric, irish linen, dixon, avro anson

Beige linen ladies blouse. Foldover collar. Sleeveless with turned back cuffs at arm holes 7 cm at shoulder. Front opening with three 1 cm white plastic buttons and one press-stud 12 cm above the waist. Front made of two pieces with 24 cm dart from hemline. Breast pocket on LHS with turn over flap. Back made from one piece with 23 cm darts from hemline.Label inside back neckline ''SPORTSCRAFT'' Regd. In a Moygashel. Pure Irish Linencostume, female, ladies irish linen blouse

19th century Irish linen Christening gown and matching petticoat donated by Ruth Starkey. The Christening gown and petticoat have been in the family for around 170 years, passed to generations. They were sewn by Eliza Lynon in Enniskillen, Northern Ireland. The following history has been provided by Ruth Starkey: • Town of origin is Enniskillen, Northern Ireland, sewn by Eliza Lynon. • The gown came to Australia with Eliza Lynon on the Red Jacket in 1855. • Eliza married Joseph Dobbyn (who was a member of the Royal Inniskilling Fusiliers Regiment) at Christ Church Geelong. • They built a home at 150 McKillop St, Geelong. Melrose was the name of the home. • Family name Dobbyn - Joseph Wilson Dobbyn b. 07/04/1844 - d 12/10/1892 and Elizabeth (Eliza b 12/03/1847 d 26/08/1934) and passed to Eliza Jane, Jessie Victoria Mary and Lucy Ellen Dobbyn (sisters). • Lucy Ellen nee Dobbyn, married Herbert Blunt, Boatbuilder Geelong at Christ Church Geelong • All lived at 150 McKillop St Geelong over the years • Passed to Marjorie May Fearn born nee Blunt who was baptized at Christ Church Geelong 29/5/1915 • Passed to Ann Rosemary Starkey nee Fearn • Passed to Ruth Norelle Starkey (me) I was baptized at Christ Church Geelong. • I am the great- great granddaughter of Joseph and Eliza and the great granddaughter of Herbert and Lucy.White Irish linen bodiced petticoat with three sets of three pin tucks at hem. Skirt is attached with cartridge pleating and constructed with French seams. The bodice ties at the back with drawstrings at the neck and waist.irish linen, christening, religion, children's clothing, ceremonial, church, geelong, red jacket ship, enniskillen, christ church geelong, northern ireland

19th century Irish linen Christening gown and matching petticoat donated by Ruth Starkey. The Christening gown and petticoat have been in the family for around 170 years, passed to generations. They were sewn by Eliza Lynon in Enniskillen, Northern Ireland. The following history has been provided by Ruth Starkey: • Town of origin is Enniskillen, Northern Ireland, sewn by Eliza Lynon. • The gown came to Australia with Eliza Lynon on the Red Jacket in 1855. • Eliza married Joseph Dobbyn (who was a member of the Royal Inniskilling Fusiliers Regiment) at Christ Church Geelong. • They built a home at 150 McKillop St, Geelong. Melrose was the name of the home. • Family name Dobbyn - Joseph Wilson Dobbyn b. 07/04/1844 - d 12/10/1892 and Elizabeth (Eliza b 12/03/1847 d 26/08/1934) and passed to Eliza Jane, Jessie Victoria Mary and Lucy Ellen Dobbyn (sisters). • Lucy Ellen nee Dobbyn, married Herbert Blunt, Boatbuilder Geelong at Christ Church Geelong • All lived at 150 McKillop St Geelong over the years • Passed to Marjorie May Fearn born nee Blunt who was baptized at Christ Church Geelong 29/5/1915 • Passed to Ann Rosemary Starkey nee Fearn • Passed to Ruth Norelle Starkey (me) I was baptized at Christ Church Geelong. • I am the great- great granddaughter of Joseph and Eliza and the great granddaughter of Herbert and Lucy.Irish linen Christening gown with cutwork anglais. Cutwork along hem is scalloped with a central motif going down the centre front of the body. Bodice is embroidered in a v shape at the front and has cutwork embroidered sleeves. Skirt is attached to the bodice with cartridge pleats.irish linen, christening, religion, children's clothing, ceremonial, church, geelong, red jacket ship, enniskillen, christ church geelong, northern ireland

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having had an effect of available workers and the well being of the women and children. This tea towel would have been used at a later date possibly for fund raising as the group continued to meet and work together.This large blue green, yellow, brown and black with a white border, linen, tea towel has the CWA logo in the middle with pictures of handcrafted items surrounding it. Along the bottom is printed: "Handicrafts / of the / Country Women's Association of Victoria."Handicrafts / of the / Country Women's Association of Victoria - along the bottom Pure Irish Linen - bottom left Dummay - bottom righttea towel, cwa, tawonga, kitchen, linen

Cream irish linen tea towels with printed green border on three sides. 10cm green band, with printed cup and saucer on fourth side.domestic items, cleaning, manchester, work cloths

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980.The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdie called Margandie, made in Switzerland, and harder wearing than usual organdie. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches.Pale grey linen hand towel with white embroidery, cutwork and applique. The design is of a tree with blossoms.madeira work, surface stitchery, hand towel

Marghab Linens Ltd. was a company specialising in table linens founded on Madeira in 1933 by British Cypriot Emile Marghab and his South Dakotan wife Vera (née Way); and disestablished in 1980. The company was also known as Emile Marghab Inc. Since 1850, when Madeiran natives were introduced to hand embroidery as a means of industry, the islands had been renowned for their needlework. The Marghabs took advantage of this reputation, producing textiles that were skilfully hand-embroidered on the highest quality Irish linen and a form of organdy called Margandie, made in Switzerland, and harder wearing than usual organdy. The linens were designed by Vera, and hand-embroidered as a home industry by the women on Madeira, who Vera insisted received payment per stitch - which for a single place mat could amount to seventy thousand stitches. Marghab linens were retailed through leading American department stores such as Lord & Taylor, Marshall Field's, and Neiman Marcus. In 1945 Vera Marghab was awarded the Neiman Marcus Fashion Award. Emile died in 1947, and his wife took charge of the business until its disestablishment in 1980. She died in 1995. While linens have continued to be produced by Madeira since Marghab closed in 1980, as of 2015 the quality and workmanship in Marghab's output remains highly regarded. In 1970, the South Dakota Art Museum were gifted nearly eight hundred examples of Marghab linens, followed by many gifts from Vera and her trustees. The Marghab Gallery was dedicated in 1970. As of 2015, the museum's holdings are described as the world's most complete collection of Marghab linens, with over three hundred patterns and almost 2800 objects. The museum holds at least one example of almost every design produced, but deaccessioned and sold off all the duplicates at auction in 2005 in order to raise money for building work. At the time of the auction, it was noted that Marghab linens had previously sold for hundreds of dollars over their reserve prices, and that it was extremely difficult to find matched sets.6 pieces Marghab/Madeira embroidery. a) Yellow and white organdy mat with convolvulus in 2 corners b) Pink organdy mat with flowers in opposite corners c) Pink linen mat with spray at one end. d) White organdy mat with red and white spray e) Blue and white cotton mat with applique flowers in border f) Yellow and white scone holder with shadow embroideryembroidery, madeira, marghab, mats, madeira embroidery

These cotton reels were owned and used by Helena Warren of Newmerella. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).Helena Warren was a popular Orbost identity who was well known as an accomplished photographer and needleworker,Four wooden cotton reels. 2495.1 is an empty reel with paper labels at both ends. " Best Linen lace thread Barbours No 50 200 yards Wm Barbour & Sons Ltd Lisburn Ireland" 2495.2 is a wooden reel with thick linen thread. On one end " H11 underlined" 2495.3 is a narrow wooden reel with white thread and grey wound over it. It has paper labels at both ends. " J. & P. Coats 500 yards No 50 457 metres - Chain Brand Mercerised Cotton MR WHITE" 2495.4 is a wooden reel with synthetic thread - one paper label. "J. & P. Coats 6 Cord 200 yards 40 183 metres"needlework cotton-reels warren-helena

This chest came from County Cavan, North Ireland, with Jane Fleming, when she migrated to Australia arriving at Port Fairy in approximately 1863. Jane Flemming was about 6 or 7 years old at the time and later was to become the mother of Mary Jane Giles (nee Flemming). This chest is one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The chest is of historical significance as an example of an early piece of furniture brought to Australia by Jane Flemming when she migrated to Australia during the mid 19th century. The chest is associated with the Giles family as Jane later was to become the mother Of Mary Jane Giles (nee Flemming). The Giles family collection is of social and historical significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. Linen chest wood construction with hinged lid and lock. Hinges are brass. Painted black. ( Giles Collection)Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, wooden chest, cabin trunk, giles collection, henry giles, tower hill, cooramook, mailor’s flat, wangoom, 19th century household goods, jane flemming, mary jane giles, linen chest

White fine linen embroidered by hand, with shamrocks. Satin stitch and stem stitch. There is a wide tuck above the hemline, and an opening at centre back waistline with a tape tie. May have been part of a dress.embroidery, garments, whitework, ireland, 1900-20

White linen tea towel with design of dressed up crab presumably at Ascot races.Dressed Crab Fast colours.- Dummery Regd - Pure Linen - Made in N. Ireland.manchester, work cloths

White linen tea towel with blue stripes.Made in Ireland|Dryfastdomestic items, cleaning

Hand made, Irish crocheted.Round, white doily with 10 embroidered flowers in the cotton hand-crocheted surround.doilies, table linen.

This piece belonged to Miss Doris Tye, donated to the Guild by Miss M. Harris (member)Bright, multicoloured (red, green, blue, yellow, brown, pink and cream) Irish crochet style. Australian flower motifs (waratah, wattle, flowering gum, flannel flower, nuts) in a wide border around a brown linen map of Australia with the States (less Tasmania) A.C.T. stitched on.Initials of the States, Vic, N.S.W., Qld, S.A. N.T. and W.A.crochet, maps, 1900-20, australia

Donor's mother bought this from the west of Ireland in 1950. Said to have been embroidered by her grandmother and her ladies in 1780-1800. (This may be a later rather than actual date). Knotting was a genteel pastime for leisured ladies requiring little concentration, so conversation could be carried out. Favoured at Court and practised in England in the late 17th C in William and Mary's reign and Queen Anne's reign in the early 18th C.Knotting was a genteel pastime for leisured ladies requiring little concentration, so conversation could be carried out. Favoured at Court and practised in England in the late 17th C in William and Mary's reign and Queen Anne's reign in the early 18th C. A knotting shuttle, larger than a tatting shuttle, made knots at every quarter inch or 6 mm intervals in string, linen, silk or wool. Mrs Mary Delaney enjoyed knotting and preferred linen thread which was stronger. The Ulster Museum in Belfast holds an embroidered bedcover by Delany, one of the few complete pieces of embroidery made by her. The threads between the knots was dependent on the thickness of the thread. This fashionable occupation was often mocked by men, Sir Charles Sedley, a wit and libertine wrote a verse mocking Queen Mary, the dull Protestant wife of William 111: "Blest we, who from such queens are freed/ Who, buy vain superstition led,/ Are always telling beads;/But here's a queen now, thanks to God/ Who, when she rides in Coach abroad/ Is always knotting threads. In the Spectator of 1712 it was suggested that men might take up knotting. Dr Johnson attempted to learn the skill but told Boswell "I once tried knotting: Dempster's sister undertook to teach me, but I could not learn it." Knotted linen thread couched onto white linen bed cover. embroidery, whitework, bedcover, 18th century, ireland

White work on off white linen, satin stitched leaves, eyelets and stem stitch. Buttonhole scalloped edge of front flap. Gusseted pocket with shamrocks at bottom left and right sides. Machine constructed with French seams.H.K.E.S. in satin stitch.embroidery, sachets, 1900-20, ireland, whitework

Lidded cardboard box containing a variety of silk and linen sewing thread. The tread is sorted in to hanks, ans grouped into seven small cardboard boxes. The inside of the lid shows drawings of a range of products made by the company. The top of the lid shows a drawing of Hilden Mill in Lisburn Ireland. On Inside of the lid: "Barbour's LINEN THREAD/WM BARBOUR & SONS, LDT/LINEN THREAD AND SHOE THREAD/MANUFACTURERS/LISBURN IRELAND" On top of the lid: BARBOURS LISBURN, IRELAND/Barbour's Hilden Mills/Royal Irish Silk or Pure White Lustrous Linnen Thread"

Tape lace tea cosy cover with linen centre. An interesting feature is the picots round the edge. The design suggests shamrocks and is possibly Irish. Cotton tape, Cotton threadslace, tape lace, 1920-40, ireland