This sturdy, deep hat box has been carefully constructed to give the contents utmost protection in the roughest of travel conditions. At the same time, attention to detail and quality of materials makes the box an attractive, desirable and useful piece of luggage. The supports inside the hat box show that the hat’s brim dipped at the front and back in the popular 1920s Homburg or Derby style. The hat box was likely to have been purchased, complete with its fashionable hat and personalised with the initials ‘G.M.’. The five shipping labels on the hat box tell that the owner traveller overseas with it on more than one occasion. The owner had first travelled with the shipping line Peninsular & Orient Steam Navigation Company, and may have been one the first Australian passengers in 1932, as the remnant of label on the base reads Sydney. The owner later voyaged under the company’s new name of P & O. and travelled from at least one of the voyages from Melbourne to London The square label, with “P & O” and red printed “M” in centre of circle, refers to alphabetical organisation of baggage by surname, connecting the owner ‘G.M.’ to the owner’s voyage with P & O. The P & O shipping line’s early beginnings started with the partnership of London ship broker Brodie McGhie Willcox and Scottish sailor Arthur Anderson in 1822. The partnership was joined by Irish shipowner Captain Richard Bourne in 1835 and they began operation as the Peninsular & Orient Steam Navigation Company with a service between London- Spain - Portugal. In 1932 the company expanded to include Australia with its passenger services departing from Sydney; in 1840 the company was incorporated. After various take-overs of other shipping lines and businesses, it operated under the name P & O. JOHN BRUSH The hat box was made by Australian saddle designer and maker, John Brush, Sons & Co. Brush began his saddlery trade in Roma, Queensland, His designing process included consulting with the men who rode and worked the horses. He was described in the Sydney Morning Herald of December 15, 1897, as a leading Sydney saddler, well known and reliable, with every kind of English and Australian saddle on view. John Brush established his business in 1840, operating from 371 George Street Sydney. A catalogue from that era jointly advertises John Brush (371 George Sty Sydney) and Butlers & Brush (432-4 Queen Street Sydney), both under the name of Edward Butler & Co. Pty. Ltd. The catalogue included saddlery, harness equipment, riding wear and travel goods, and strongly promoted the Wienkek made saddles, which he distributed Australia wide. John Brush, So & co. advertised its ‘new’ address in 1887, as 403 George Street Sydney. In 1898 Brush made a side-saddle for a customer, a design popular with gentlewomen of the era. The business was still operating over 100 years later, producing a catalogue in the 1950s.This early 20th century hat box is significant for being one of a kind in our Collection. Its fitted design shows the shape of the hat, dating it from the 1920s men’s fashions. The hat box is significant for being a high quality hat box made in Sydney, Australia by prominent and successful early colonial saddler and leather goods business, John Brush, Son & Co. The labels on the outside of the hat box are also significant, representing the prosperous lifestyle of an Australian traveller who purchased quality goods and cared for them. The traveller was able to depart from firstly the Port of Sydney and later the Port of Melbourne. Hatbox, oval shape, brown leather, strong, sturdy construction, six pieces, and metal lock on base. Wide lid, then tapers to a narrower base that has a red leather trim. Brown velvet fabric lining inside and covers some accessories. Other internal accessories are trimmed with plain red paper and blue and white striped paper. The lid has two attached leather tabs and a leather handle and underneath it has a drawstring liner and oval, gold-lettered maker’s label. The internal oval box has a leather retention strap and brim support. Separate moulded brim support is included. A detached leather strap with catch is inside the base. Inscriptions are stamped on the lid, printed on the maker’s label, attached as printed paper labels to the lid, sides, and under the base. Maker is John Brush, Son & Co. of Sydney. The owner’s initials “G.M” are embossed on the lid.Stamped on lid “G. M.” Label, oval, inside lid “JOHN BRUSH, SON & CO. / MANUFACTURERS & IMPORTERS / of / SADDLERY AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper: “BAGGAGE, MELBOURNE TO LONDON’, part of word ‘CABIN’ and “P & O” Label, square, white background, black print, circular emblem: ‘PE - - - - - & ORIEN-’, ‘STEAM NAVIATION COMPY.’ BAGGAGE’ and a red printed “M” in centre of circle. Label, rectangular, white background, black print; narrow line border, text in rows and an ‘X’ overprinted, from corner to corner of the border: “BAGGAGE / P. & O. S. N. Co. / MELBOURNE / To / LONDON” Label, paper, rectangular, white background, black print, an “X” across the label: “CABIN / P & O / “ Label, paper, on base, “– aid” [Paid], “SYDNEY” flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, hat box, leather hat box, vintage hat box, top hat, homburg hat, derby hat, travel ware, luggage, leather goods, travel goods, clothing accessory, men’s clothing, john brush, son & co, saddler, sydney firm, peninsular & orient steam navigation company, p & o, g.m., melbourne to london, sydney port, melbourne port, hat case

Black and white photograph - Grade 5A,1961"Attached to photograph" Back Row- L to R: Greg Jacobs, Robert Bradley,, Keith Foote, Malcolm Grant, Brian Palby, ?, David Brush, John Popham. 2nd Row- L to R: David Cleator, ?, Robert Rutherford, Peter Evans, Jeffrey Venn, Andrew (?), Ross Fraser, ?, Michael Lawrence, Heinz Bansaggi. 3rd Row- L to R: Heather Rosel, Pam Adamson, Janine Brooks, Margaret Proudley, Jan Patusec, David Buchan, Colin Doake, Peter Brown, Leonie Haygarth, Sandra White, Lynette Patullock. Front Row- L to R: Jennifer McDonald, Judith Flaherty, Helen Maher, Margaret Bronner, Margaret McCord, Kathy Parker, Sandra Kemp, Sue Smeaton, Cheryl Ann Mitchell, Annette Bosaid. Teacher:

This is the lid of a Cherry Tooth Paste container made by John Gosnell & Co. London. This company had its origins in the 17th century with John Gosnell joining the company in 1814. It made perfume, soap, brushes and combs and other personal household items. By 1898 the firm was based in London and known for its Cherry Tooth Paste. The practice of brushing the teeth for hygienic reasons began in the 18th century and became more popular in the 19th century. This item has no known local provenance but is interesting as an example of an early 20th century household product and is useful for display.This is a white china container lid, cracked and mended in places and chipped in other places. The container had Cherry Tooth Paste in it. The top of the lid is brown and yellow with brown and yellow printing. There is an image of the head of a young Grecian girl on the lid. ‘Cherry Tooth Paste, Patronized by the Queen, For beautifying and preserving the teeth & gums, prepared by John Gosnell & Co. Ltd., London’cherry tooth paste, john gosnell & co., warrnambool

This item is one of many items in a travelling case that belonged to Mary Glass Dickson nee Cramond 1865- 1959. It was given to her on the occasion of her wedding to James Dickson in 1888 The case was present from her future husband..Mary Dickson's father John Cramond was a partner with her father in law James Dickson Snr. when they established a general store in Warrnambool in 1856. This store known as Cramond and Dickson was a prominent and elegant one in Warrnambool until it closed in 1973. This item is of considerable significance as it is part of an important artifact, a travelling case belonging to Mary Dickson an early member of the Warrnambool pioneering Cramond and Dickson families This is a silver backed clothes brush with horse hair bristles. The silver section is embossed on the top with floral decorations. It is slightly stained. mary dickson nee cramond

This is one of many items in a travelling case that belonged to Mary Glass Dickson Nee Cramond !865 - 1959. It was given to her on the occasion of her wedding to James Dickson in 188 The case was a present from her future husband. Mary Dickson's father John Cramond was a partner with her father in law. James Dickson snr. when they established a general store in Warrnambool in 1856. The store known as Cramond and Dickson was a prominent and elegant one in Warrnambool until it closed in 1973 This item is of considerable interest as it is part of an important artifact, a travelling case belonging to Mary Dickson an early member of the Warrnambool pioneering Cramond and Dickson families.This is a oval shaped hair brush with an embossed silver- coloured back and handle and horse hair bristles. Some of the horse hair is missing from the right side. The metal back and handle are somewhat tarnished cramond and dickson, warrnambool

Part of the "Kevin John Herdman", No 397661 collection. See cat No. 5942P for details of his service.Army issue clothes brush with light brown wooden handle and plastic bristles.Stamped on side of wooden handle "D ^ D, S.A. BRUSH CO, 1952." accessory, brush, kevin john herdman

Black and white photograph of John Stewart a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a lightly bearded man wearing a jacket facing right. Hair is brushed backjohn stewart, kelly sympathiser, kelly gang, edward kelly, ned kelly

Photo L to R/ John Howard Prime Minister of Australia shaking hands with John Henry Lockett, in the background is Mr Bruce Reid MHR and behind Jack is Kevin Lockett Jacks son. This photo was taken in the Billiard room of the Soldiers Memorial Institute Pall Mall Bendigo on 21 7.1998 when Jack was presented with the French Legion of Honour by the French Ambassador Dominique Giraud. Refer Cat No's 8143, 8144 & 8145.10PFramed photograph of Jack Lockett Aged 107 with the Australian Prime Minister Mr John Howard. Photograph: colour photograph of 2 persons shaking hands with 2 persons in background. Frame: timber with brushed gold coloured paint glass front. Mount: mid-grey colour cardboard. Label plate: gold colour metal bottom centre. Back of frame: Handwriting red ink.Label plate: engraved print. "PRESENTED BY THE / PMC AND MEMBERS/ VICTORIA BARRACKS SERGEANTS MESS" smi, smirsl, photograph, lockett

Vol. 5, No. 2, May-Jun 2000 CONTENTS ALAN MARSHALL SHORT STORY AWARD 2000 3 JOHN BRACK: DIRECTOR Exhibition review 7 GARDENS, MEMORY & IMAGINATION Book review 9 IT'S ALWAYS POSSIBLE Book review 12 BRUSH WITH PARADISE Peter Oyston interview 14 FELIX BOSARI, 1945-2000 Obituary 15 TOP ARTS VCE 1999 16 JEFFERY SMART Exhibition review 18 THE DENNIS GARDEN 19 WORDS AND MUSIC BY … Book review 22 TRAVELS IN 1840S IRELAND Book review 23 CD REVIEWS 24 RECIPE 26 CD REVIEW Betty Scarlet 27 ARTIN ABOUT 28 WINING & DINING 30 ARTISTS SERVICES 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, john brack, museum of modern art at heide, alan marshall short story award, kinglake gallery, bahnhof cafe, gwen ford, plenty views golf park, carlucci's, eltham wiregrass gallery, peter oyston, felix bosari, top arts, jeffrey smart, helen dennis, craig horne, jill blee, dynamic vegies, faces coffee place, montsalvat, maria sangiorgi, helen lucas, were street cafe

A rufous bettong is about the size of a rabbit, with body length ranging from 30cm to 38cm among species. All bettongs have long tails, roughly equal to body length. Body weight ranges from 1.2 kg in the smallest species (Northern Bettong) to 2.8kg in the Rufous Bettong, the largest of the group. Males tend to be slightly larger than females. Bettongs have furry coats, ranging in colour from grey to ginger and brown. The bettong is endemic to Australia, and is an important part of Australia's Indigenous biodiversity. There are five living species of bettong; Eastern Bettong, Burrowing Bettong, Brush-tailed Bettong, Northern Bettong, Rufous Bettong. The bettong is a member of the Potoroidae family along with the endangered Potoroos, and the extinct Desert Rat-Kangaroos. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from either the Trustees of the Australian Museum or from the amateur anthropologist Reynell Eveleigh Johns between 1860-1880 and mounted by members of the Burke Museum Committee around the same time. When all Taxidermy mounts were completed, they were quickly put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized rufous bettong with large clawed hind legs, small clawed fore legs, and a long tail that is roughly the length of its body and covered lightly in fur. The pelage of the bettong is fine and soft with the body fur cream and pale ochre in colouring with specks of brown while the underbelly is a solid cream colour. The head is small with a short muzzle and two small rounded ears, and features two round dark brown eyes made from clay.On mounting board: BMM5893/burke museum, taxidermy, taxidermy mount, bettong, rat kangaroo, bettongia, fauna, animal, animalia, potoroidae, reynell eveleigh johns, rufous bettong, rufous rat-kangaroo

This ship's boiler pipe brush would have been used to keep the steam boiler pipes in good working order. The bristles are arranged in a round shape to fit against the sides of the boiler pipe and clear away debris. The brush has a loop for storing it on a hook so the bristles won't become damaged. The ship's boilers created steam to power the ship's engines. Some larger steamships had several boilers and therefore several funnels. Early steamships also have masts and sails, giving them the option of steam power or wind power. The first successful steamboat trial in America was in 1787 when John Finch displayed its features on the Delaware River in Philadelphia. The first steamboat in Australia was the Sophia Jane, which arrived in Sydney in 1831. The ship traded cargo and passengers between Sydney and Newcastle. This ship's boiler pipe brush is unique in our collection and an essential item in the maintenance of steam boilers. It is connected to the era of steamships, which in Australia began in 1831 with the arrival of the first steamship in Sydney. Pipe brush; long twisted wire handle with stiff bristles around the base section, arranged in a cylindrical shape, and a loop at the other end. Used for cleaning pipes of a ships boiler.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, steam boiler, steam boiler brush, boiler maintenance, boiler brush, pipe brush, steam boiler pipe, steamship, steamboat, steam power

These items are from the estate of Norma Adelaide Scott (nee Johnston) ,January 2, 1925 - May 18, 2018 (93 years old) who died in Orbost. Norma was part of the Morris family who came to Newmerella in 1888, had land on Grandview Road and on the flats. Mr Morris had been a school teacher at Lake Tyers Mission before coming to Orbost. "Bobs y’r Uncle" was a nursery rhyme game designed by Frank H. Simpson for John Waddington Ltd. in 1935. The game was especially designed for children. The cards had scenes from nursery rhymes and six cards were needed to make up each rhyme in a set. Games turned out to become an important part in the progress of Waddingtons, who eventually acquired the rights to Monopoly in the UK, and then published Cluedo, opening the way for their supremacy in the toy industry These items are examples of common household items used in an Orbost family in the first - mid 20th century.3228.1 is a wooden tray with handles. The tray is lacquered and hand - painted with green leaves and orange flowers. 3228.2 is a brush with a curved wooden handle, lacquered and decorated in a similar pattern of green leaves and flowers. 3228.3 is a small wooden tray, lacquered and hand -painted with green leaves and yellow flowers. It is a rectangular shape with raised edging attached on the four sides. 3229.4 is a pack of cards in a red box with a cartoon type drawing of a man wearing a checked coat and hat holding two dogs on leashes.3228.5 is an orange / white cardboard box containing a pair of nylon stockings: box labelled " 'KOLOTEX/ Free-n-eezy" stockings.3228,5 - in orange and white print - "KOLOTEX/ Free-n-eezy/ Clings/ 40 denier/ SEAMLESS/ S-T-R-E-T-C-H" and in black - "NEW guaranteed never to ladder"scott-norma cards-playing hosiery-kolotex-stockings trays-wooden household

The historic Victorian ‘couta boat “Viator” was built by renowned boat builder J.R. Jones of Williamstown in Melbourne, between 1890 and 1920. He was one of the early builders of this design. The features of Viator - carvel planked, open cockpit, vertical stem and straight keel, single mast and a pivoting centreboard - are all characteristics of an early Bass Strait ‘couta boat. This has been confirmed by experienced Victorian ‘couta boat restorer Tim Phillips. Viator served as a ‘couta fishing boat in the Warrnambool area until the mid-1930s, then some say she served as a mail ferry across to Portland. Later it was used as a fishing and recreation boat for local families. For years Viator sat in a paddock in East Warrnambool until purchased in 1975 and donated to Flagstaff Hill. ‘COUTA BOATS - The ‘couta design for vessels is believed to have originated at Port Phillip, Victoria, for the purpose of the Barracouta (‘couta) fishing industry, being both fast and seaworthy. , The 'couta fish was an important food fish in Australian waters, supplying Melbourne with plenty of inexpensive fish. VIATORY’S OWNERS - Some of Viator’s history is known: - 1940, registered Port Fairy and owned by G.J. Richards. - 1941-1945, registered in Port Fairy and owned by Jens “Peter” Petersen. - 1950’s “Brusher” Richards of Warrnambool and Port Fairy used it for fishing. - Peter Watson and his son also went fishing in Viator. - Frank Ferrier, boat builder, was an owner (son of ‘La Bella’ hero, William Ferrier) - Arthur Rogers owned Viator too, then sold it to Terry Pridmore and Wayne Moorefield - The Viator was stored in a paddock, unused, in Fairmont Avenue, Warrnambool, where it was gradually deteriorating. - 1975 Viator was purchase at a very reasonable price from Pridmore, then donated to Flagstaff Hill Maritime Village. RESTORATION - Shipwright Erik Mikkelsen soon started restoration on the Viator after it arrived at Flagstaff Hill in 1975. In 2006 the Maritime Museums of Australia awarded a grant to Flagstaff Hill Maritime Village to assist with the restoration and renovation of the Viator. Its restoration continues today in the care of Flagstaff Hill’s boat builder. J R. JONES - boat builder The photograph of the EVA MYRL shows the builder J R Jones with his team of workers. The other photograph shows a vessel built by J R Jones' son, J B Jones of Footscray, and his team of boat boulders. The photograph of the EVA MYRL was taken by E. A. Dond---. The other photograph is of the Sturrock Coot, taken a Albert Park Lake in St Kilda.The Viator is the most significant boat in the Flagstaff Hill's fleet, being the last remaining local 'couta boat and one of few existing examples of this craft. Viator received Heritage status with the Australian Maritime Museums Council and is listed on the Australian Register of Historical Vessels in 2006 (ARHV Number: HV000561). Viator was built in Victoria in the early days by renowned boat builder J.R. Jones, and sailed by fishermen for many years, both local and on the coastal waters of Victoria, and was possibly used for the mail service. It is significant for being used for the fishing trade, for government service, perhaps as a mail boat, and for recreation by local families.Vessel, the ‘Viator’, an historic Victorian ‘couta boat, handmade by renowned boat builder This J.R. Jones 'couta boat, the Viator, was built in Williamstown, c.1890-1920. The single mast vessel has a Caravel hull built from New Zealand Kauri, blackwood, with a red gum keel and a jarrah stem and stern. It has a pivoting centreboard. Two photographs are included; one of the builder with his team, the other is of his son J B Jones, with his team. Marked "Viator" Photograph 1759.2: "E. A. Dond---" (indecipherable". Handwritten on back "Grandfather / J R Jones / Built" Photograph 1759.3; sign within photograph "J B JONES / BUILDER / FOOTSCRAY", stamped in the card, bottom right " ----- / MELBOURNE" and handwritten on the back "I think this is Mr Abel Sturrock Coot Albert Park Lake"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, arhv hv000561, arthur rogers, bass strait ‘couta boat, “brusher” richards of warrnambool and port fairy, clinker hull boat, ‘couta crafted boat c 1890-1905, ‘couta fishing boat, erik mikkelsen shipwright, g.j. richards of port fairy, jens “peter” petersen, john lindsay, old mail boat, pivoting centerboard boat, peter watson, single-masted ketch, terry prodmore and wayne moorefield, vessel viator, viator a historical vessel, victorian ‘couta boat, victorian barracoota boat, warrnambool ‘couta boat, western victoria fishing boat, western victoria mail boat, hv000561, australian register of historical vessels, erik mikkelsen, j b jones, j b jones boat builder, footscray, sturrock coot, sturrock, j r jones, j r jones boat builder, williamstown, eva myrl

The Ballarat School of Mines Students' Magazine in 1905 was an unofficial journal edited by the students.Twenty-eight page booklet known as the Ballarat School of Mines Student's Magazine. Contents include: A jaunt to South Australia; Tests for the Assay Lab; Huntingdon-Heberlein Process; Slag Calculation; Electrical Laboratory; Hydrochoric Acod-Phenolph-thalein; Ballarat scientific Society; James W. Hawthorne; Maryborough Excursion; Prof Alexander Purdie; School Dirge; Compound Engines; Sister Institutions; Trafalgar, Acrobates Pymgaeus, Pigmy Flying Phalangerobituary for Alexander Purdie, Electric traction, Estimation of Fat in Milk by the Babcock Machine, first Ballarat School of Mines Annual Dinner; Crytallography Images include; Electrical Laboratory; Professor Dawbarn; James W. Hawthorne; Ballarat Rowing Eight on Lake Wendouree (H. Valentine, W. Pearce, W. Figgis, L. Seward, C. McGennis, D. Don, R. Nevett, M. Gaunt, N. Buley). Advertisements: Craig, Williamson Pty Ltd; Ballarat Baths (B. McCausland); W. Gribble & Co., H.B. Silberberg & Co; F. Jago - Ballarat Boot Palace; John Slater & Co., Kiels Motor & Cycle Stores; Alex Miller & Sons; Thomas McPherson & Son; W. Cornell; Brush Electrical Engineering Co; Ballarat School of Mines; Harry Davies & Co; Stansfield & Smith; Craig's Royal Hotel.ballarat school of mines, south australia; adelaide, valentine, pearce, figgis, seward, mcgennis, don, nevett, gaunt, buley, adelaide school of mines, kerr grant, arizona, jack adam, adam, j.a. reid, reid, jager, rowing, h. valentine, w. pearce, w. figgis, l. seward, c. mcgennis, d. don, r. nevett, m. gaunt, n. buley, cycling

Yields information about the appearance of one Geelong's single truck trams and its Brush truck.Black and white photograph of the bogie or truck of Geelong No. 4, photographed at the Railway Station. Shows a close up of the Brush truck. The underframe and body bolts. Photographed by John Webster, 6/6/1950. Copy 1 - On rear in ink "Tram 4 bogey / Railway Station Geelong Vic" and on right hand edge "BB32 F2 / T15 / F16 / 6/6/50 1/50 at 11, VV HP3".tramways, trams, geelong, trucks, tram 4

Born: Darlinghurst, New South Wales, Australia 1858; Lived and worked: England, Spain, France, Italy, New Zealand 1881-1923; Died: Randwick, New South Wales, Australia 1930ImpressionismGift of Wooleen Pty. Ltd., 1980Snow covered mountain landscape with buildings and trees. Thin gold brushed timber frame.Recto: Signed and dated "Russell / 12" in grey pencil in l.l.c of composition; Not titledwatercolour, landscape, buildings, mountains, snow

Born: Darlinghurst, New South Wales, Australia 1858; Lived and worked: England, Spain, France, Italy, New Zealand 1881-1923; Died: Randwick, New South Wales, Australia 1930ImpressionismLedger Gift, 1985Expressive brightly coloured brushstrokes of rural farm houses and trees. Gold brushed timber frame.Recto: Not signed, not dated, not titledwatercolour, buildings, chimney, impressionist

Born: Dundee, Forfarshire,Scotland 1851; Arrived: Melbourne, Victoria, Australia 1872; Lived and worked: Scotland 1875-1884; Died: Carlton, Victoria, Australia 1912VictorianLedger Bequest, 1993Oil on canvas on composition board, depicting a rural landscape and miner's commune off a dirt road. Gold brushed timber frame with decorative gesso edges and corners Recto: Signed and dated “J FORD PATERSON / 1884” in blue oil in l.r.c of composition; Not titledpainting, landscape, house, trees, path, road

Avenue of Queensland brush box trees planted as memorial to John Carpenter pioneer builder of Lakes EntranceColour photograph of Roadknight Street looking east towards Whiter Street and crossroads Mourilyan Street and Stock Street before Norfolk Pine was removed early 2000s Lakes Entrance Victoriaroads and streets, trees, engineering

John (Jock) Corben Lavender Jock was born in Ivanhoe, but spent most of his youth in Northcote where his father was a bank manager, and where he attended primary school, high school and the Methodist church in High Street which became a central point in his life. He took his first job in the dispatch office at McPhersons nut and bolt factory in North Richmond in 1935. After a short time at McPhersons he moved to the Trustees Executors and Agency Company in 1936. While working at the Trustees Jock developed the conviction that his vocation lay with the church. This necessitated studying Matriculation at night school for two years as well as working and studying to become a Local Preacher. The minister at Northcote at the time was the Rev.F.T.Cleverdon who helped him prepare to apply as a candidate for Ordination. Before going to university and Queen’s for his arts degree and theological training, Mr Cleverdon, who was now the minister at Neil Street, Ballarat, offered Jock the opportunity to minister to the small congregation at Brown Hill, Ballarat, which was in his Circuit, and to live with the Cleverdons. He spent a year in Ballarat under the tutelage of Rev.F.T Cleverdon in 1939. Jock was accepted by the 1940 Victorian Methodist Conference as a Candidate for the Ministry and started his studies for his theological training and an arts degree at Melbourne University that year. Because of a shortage of ministers, due to the war, Jock was taken out of Queen’s in 1943 to take charge of two fairly small churches in Caulfield - Hawthorn Road and Bambra Road. Jock was ordained in 1945 & married two days later to Elsie Chipperfield, with whom he had worked at the Trustees Executors and Agency. He had joined the RAAF as a chaplain and was sent to Borneo. Returning to Australia in early 1946, he was then appointed to Orbost for a year, Bracknell in Tasmania in 1948, followed by Reid in Canberra, 1951. The next move was to Portland in 1954. Unfortunately not long after this, Elsie was diagnosed with breast cancer. This necessitated a move back to Melbourne - to Mitcham in 1957. Elsie died in December 1957. This period was a very hard time as Jock had four young daughters but his mother helped out by living in for most of the week until Jock was married to Peg in 1959 and their son was born in 1961. In 1964 Jock was moved to Launceston, his first city church. These years were challenging for Jock as he felt compelled to speak out around social issues, such as the Vietnam War & Aboriginal rights, although many did not agree with his view. In 1969 Jock was moved to Horsham to take up the role of Separated Chairman of the North-Western District responsible for Circuits, ministers and families for policy issues and pastoral concerns over an area from the South Australian border, up to the Murray and over it to Wentworth and Dareton, up river to Swan Hill and south to Ballarat and Daylesford. It was a demanding job but richly rewarding in the relationships made with ministers and their families. In 1971 Jock was elected Secretary of the Methodist Conference and in 1972 was voted President of the Conference. He felt it an honour and a vote of confidence by clergy and lay people The final move was to Geelong in 1976 where Jock was the minister at Wesley until 1983.Jock found Geelong a very satisfying parish in which to finish his active ministry. It was while he was Minister of Wesley Church, Geelong, that the Uniting Church came into being and Jock became the first Chairman of the Barwon Presbytery. There were now two ministers at Wesley – Jock and Alex Peerman, whose joint congregation of St. Giles (Pres) and City Congregational now joined with Wesley to become the City Parish. Jock was very surprised to be elected as the third Moderator of the Uniting Church in Victoria, to take office in 1979/1980 1983 saw retirement to Portarlington several months’ locum in both Canada & Kununurra. When the property at Portarlington became too large to maintain, they moved in 1994 into the current house in Belmont & returned to the Wesley Church here. In the words of Rev. Prof. Norman Young and Rev. Peter Gador-Whyte at Jock’s funeral service: “We are here today to give thanks to God for Jock Lavender; a gentle man of great compassion, humour and humility. We gather to remember the love he shared so generously the faith he lived so graciously, and the hope he expressed both in his preaching and in his presence. As President of the Methodist Conference and Moderator of the Uniting Church Jock held significant leadership roles within the church and did so with great dignity and grace never lording it over people but leading by example with an inner strength and faith that won respect and trust. There was something really special about him that is hard to put your finger on. We have all been blessed by God through Jock. Mr Alexander Kilgour Alex Kilgour was for many years an active elder and layman in the Presbyterian and then Uniting Church. He was involved in many committees at Synod level for many years. He was a Moderator of the Synod of Victoria of the UCA—one of the first laypeople to take on the role in the early years of the UCA. He was for many years Executive Director of the Resources Commission of the Synod. He worked at Mitchell Brushes (the company owned by Ethel and John Mitchell. B&W photograph. The Rev. John C (Jock) Lavender and Mr Alex Kilgour, dressed in shirts, are standing shoulder to shoulder, facing the camera.C&N 19/3/1986rev. jock lavender; mr alex kilgour; methodist, presbyterian, uniting church; synod appointments; moderator

Alex Kilgour was for many years an active elder and layman in the Presbyterian and then Uniting Church. He was involved in many committees at Synod level for many years. He was a Moderator of the Synod of Victoria of the UCA—one of the first laypeople to take on the role in the early years of the UCA. He was for many years Executive Director of the Resources Commission of the Synod. He worked at Mitchell Brushes (the company owned by Ethel and John Mitchell.B&W photograph. Alex Kilgour addressing a meeting of Synod. He is standing with Rev Graham McAnally seated on his left and an unidentified person to his right. alex kilgour; presbyterian church; uniting church; moderator; resources commission.

Alex Kilgour was for many years an active elder and layman in the Presbyterian and then Uniting Church. He was involved in many committees at Synod level for many years. He was a Moderator of the Synod of Victoria of the UCA—one of the first laypeople to take on the role in the early years of the UCA. He was for many years Executive Director of the Resources Commission of the Synod. He worked at Mitchell Brushes (the company owned by Ethel and John Mitchell.B&W photograph. Head and shoulders portrait of Mr Alex Kilgour.Church & Nation 17/10/1984alex kilgour; presbyterian church; uniting church; moderator; resources commission.

Alex Kilgour was for many years an active elder and layman in the Presbyterian and then Uniting Church. He was involved in many committees at Synod level for many years. He was a Moderator of the Synod of Victoria of the UCA—one of the first laypeople to take on the role in the early years of the UCA. He was for many years Executive Director of the Resources Commission of the Synod. He worked at Mitchell Brushes (the company owned by Ethel and John Mitchell.Head and shoulders photo of Mr Alex Kilgour standing outside of Wesley Church Lonsdale Street Melbourne.Church & Nation 17/10/1984alex kilgour; presbyterian church; uniting church; moderator; resources commission.

Alex Kilgour was for many years an active elder and layman in the Presbyterian and then Uniting Church. He was involved in many committees at Synod level for many years. He was a Moderator of the Synod of Victoria of the UCA—one of the first laypeople to take on the role in the early years of the UCA. He was for many years Executive Director of the Resources Commission of the Synod. He worked at Mitchell Brushes (the company owned by Ethel and John Mitchell.B&W photograph. Alex Kilgour is standing in the pulpit of St Paul's Cathedral, Melbournealex kilgour; presbyterian church; uniting church; moderator; resources commission.

A typical Olsen painting combines an implied aerial view with an ambiguous and seemingly unpremeditated figuration. His characteristically quizzical line and irregular squiggles and dots deftly render countless organisms, large and minute. Their environment is conjured through loosely brushed and stained expanses of colour (on canvas or hardboard) and lines which sometimes read as geological mappings. In Olsen's work there is no foreground/ middle ground/ background, nor any sign of European landscape's concern with "human scale." Instead he employs simultaneously the contrary vantages of naturalist and geographer. 'Tropical Rain Shower' by John Olsen forms one of the eight artworks represented in the Bodford Terrace Suite. Eight of Australia's finest artists were brought together to create a folio of lithographic prints to celebrate the restoration of historic Bodford Terrace. Printed at the Druckma Press by John Robinson under the supervision of master printer Jock Abbott. The folio edition was limited to 300 signed and numbered folios. The lithographs were printed on special heavy weight french Arche's paper in accordance with the tradition of this artistic medium. Lithographic print on paper.Signed John Olsen '78, lower right hand corner. Edition 179/300bodfford terrace collection, john olsen, tropical rain shower

South Melbourne, Vic. : Hyland House, 1994 ix, 186 p., [8] p. of plates : ill. (some col.), ports, / 26 cm. non-fictionHistory of the Painter's Union in Australiaoperative painters and decorators union of australia -- history., labor unions -- painters