Trude Jonas was a Melbourne milliner with her business operating from 159 Mavern Road, Malvern.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Elegant broad rimmed purple straw woman’s hat retailed by Trude Jonas with a purple ribbon of the same colour at the base of the crown.Label: Trude Jonas. Model Hats, 159 Glenferrie Rd., Malvern.milliners -- malvern (vic.), milliners -- melbourne -- trude jonas, trude jonas -- model hats

Donation from familyPersonal HistoryItems kept in foldersPersonal Papersjonas sirtautas and fanni rosenhammer, lithuanian migrants, waeenambool, warrnambool migrants, post ww2 migrationjonas sirtautas and fanni rosenhammer, lithuanian migrants, waeenambool, warrnambool migrants, post ww2 migration

Morning Of The Earth tells the fantasy of three exotic lands: Bali, Hawaii and Australia, where surfers made their own houses, surfboards and lived in harmony with nature. Featuring Nat Young, Terry Fitzgerald, Gerry Lopez, Stephen Cooney, David Treloar and Michael Petersen. The movie soundtrack featured Terry Hannigan, Taman Shud, Brian Cadd , G. Wayne Thomas and many others. The film premiered at the Manly Silver Screen Theatre in 1972.Described by many as the greatest surf film ever made in Australia and one of the most influential surf films ever made, Albert Falzon's stunning surf footage captured the spirit of a timeless period in Australian surf history.Black text on red with iconic black and white photograph of Michael Petersen cutback.Film title, Jonas Mekas quote.nat young, gerry lopez, albert falzon, michael petersen, taman shud, morning of the earth, terry fitzgerald, stephen cooney, david treloar, bali, brian cadd, terry hannigan, g wayne thomas, david elfick

Weaving samples folder: 3 "FANCY WOOLLEN" patterns with 1 green, 1 grey and 1 brown checked cloth samplesJonas Zoirbbis (ink) FANCY WOOLLENweaving textile industry textile design, weaving, textile industry, textile design

small sheet of film 1859 GRINTER A TO 1859 JONAS Mbirth, family, register

Black and white photograph of attendees at State Cabinet Meeting held at City of Nunawading on 9 February 1981.L| - R: Hon W. Jona, MLA Minister of Community, Welfare Services| George Cox, MLA for Mitcham| Pat Mann, Mitcham Community Home| Cr. David McKittrick, City of Nunawading| The Hon. H. Storey, MLC, Attorney General & Minister for Federal Affairsjona, walter, cox, george, mann, pat, mckittrick, david, storey, h

small sheet of film 1859 JONAS M TO 1859 McLEAN Jbirth, family, register

Item 5. Dresden 1885: loose pictorial cards (numbered on back). Red Photo folder with red cover with black and gold decoration. Dresden printed in gold on the front. Has four fold out cards held by the red material to hold the cards in place. Photos are: 1. Palace of the Great Garden, Dresden, 2. German Annual Gymnasium Fete, Dresden, 3. The Zwinger, Dresden, 4. Avenue in the Great Garden, Dresden, 5. Military Barracks and Albert Bridge, 6. New Tower and Elbe on Augustus Bridge, Dresden. 7. Katholische Kirche und Terrasse.Verlag v. Rommler & Jonas, K.S. Hof-Phoogn. Dresden 1885books, collections, buildings of dresden, german heritage society collection - dresden 1885 loose pictorial cards, palace of the great garden, dresden, german annual gymnasium fete, dresden, the zwinger, dresden, avenue in the great garden dresden, military barracks and albert bridge, new tower and elbe on augustus bridge, dresden

B&W PHOTOGRAPH OF ''BRUSH WITH DEATH'' - Printed note: ''MRPG PRESENTS BRUSH WITH DEATH;: LEFT TO RIGHT: Ali Jonas, Josphine Lee and Guy Hooper. Other sundry annotation. Cast posing on set with upheld bottle (of ??)

Woodcut, paper cutoutInscribed in lower section of printed cutout: Signed 'Jonas Ropponen 2004' Titled 'In the Beginning' Edition 11/25

Newspaper article 'MLA at Bialik College', published in The Eastern Suburbs Standard, 27 April 1965. The newspaper clipping states: 'Mr. Walter Jona, MLA, paid an official visit to Bialik College, Hawthorn, at the invitation of the headmaster (Mr. Abraham Chowers). During a tour of classrooms, Mr. Jona pointed out to the children the extent of the electorate of Hawthorn in which the college is situated. Right, Mr. Jona points to the map watched by (left to right) Ricky Kausman, Chaim Krigel, Roark Muhelm, David Goodman, Mr A. Chowers and Mark Ashkanasy'. Please contact [email protected] to request access to this record.shakespeare grove, 1960s

Newspaper article 'Mr Jona Willing "Pupil"', published in The Australian Jewish Herald, 15 April 1965. Please contact [email protected] to request access to this record.shakespeare grove, 1960s

The painting was created by Mrs M. Bazeley who was the wife of the current Church of England minister and the mother of Dr Percival Bazeley, born in Orbost (1909) who was credited with assisting Dr Jonas Salk who produced the polio vaccine.This item is an example of the artistic talents of many women in the early 20th century. It is of aesthetic significance.Picture of small village by the sea with passersby. In all gold coloured frame.Front RH corner - M Bazeley,1912painting oil-painting bazely

Book, hard cover, paper brown. Dust cover cream & brown, photograph of soldier playing bugle. Title in black print. 225 cut pages, illustrated & black & white photographs.Victorian Association of Jewish Ex-Servicemen and Women (VAJEX) Dear Bill, in appreciation of your address to VAJEX Remembrance Night Dinner 20.11.94, Sol Rose, President. Walter Jona, Patron & President (Past) Dinner Chairman.books, military, history, jewry

A personal note from MLA Walter Jona to Lisa Taft on 4 May 1989, which he sent with photographs of his visit to Bialik College 32 years before. Letter reads: 'Lisa Taft. Lisa, here are some copies of press photographs of my visit to Bialik 32 years ago!! Love Walter.' Please contact [email protected] for access to this record.shakespeare grove, hebrew school

A slab hut situated in Research, Victoria. An elderly man and woman stand in front of their small bark slab home with bark chimney. It has a tin roof and tin water tank to the side. A small garden is situated at the front. Reproduced on pp 38-39 of 'Pioneers & Painters: One Hundred years of Eltham and it's Shire" (1971) Article in "Australian Family Tree Connections" February 2000 by B. J. Parkinson claims that the people in this photo are "Jonas and Christina Jane (Gregg) PRIOR in front of their home at Ferny Hill, near Eltham, Victoria, 1877". Photocopy of photo also attached to 14 online family trees for the Prior family on Ancestry.com without the words "A Bush Home". References found to Prior in historical newspapers and the property "Ferny Hill". Jonas was a convict from Kent, England. He arrived in Hobart in 1821 aged 19 years. He married Christina Gregg in Hobart about 1834 and had 11 children. They came to Victoria about 1846. He died at Ferny Hill, near Research, Eltham in 1878 aged 74 years and was buried at Melbourne General Cemetery. His occupation was gardener.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 20 x 25 cmshire of eltham pioneers photograph collection, research (vic.), ferny hill, jonas prior, christina prior, hut, prior, convict, pioneers and painters

The ship “Ellis” started life as the Clementina, launched in America in 1781. The vessel was first listed in Lloyd's Register in 1784 and under this name began serving as a slave ship sailing out of Liverpool. A Lloyd’s database records of slave-trading voyages by vessels from Liverpool makes it clear that Clementina was a slave trader. The next year Captain J. Elworthy sailed her to West Central Africa and St Helena. He transported his slaves to South Carolina. Then in 1785 Elworthy gathered slaves in the Bight of Biafra and the Gulf of Guinea Islands for delivery to Jamaica. In 1786 Bent & Co. purchased the Clementina and renamed her Ellis, presumably after the then owner Ellis Bent. She remained in the slave trade and In 1788 Captain John Ford sailed the now renamed Ellis to the Bight of Biafra and the Gulf of Guinea to gather slaves. He delivered this batch of slaves to the island of Grenada. The next year, 1789 the Ellis was almost completely rebuilt, and from the change in subsequent reports of her cargo loading or (burthen), she was enlarged. In 1791, Captain Joseph Matthews became master and sailed the Ellis to the Gold Coast then delivering his consignment of slaves to the island of St Vincent. During this voyage, some misfortune may have befallen Matthews because records show the Ellis command was transferred to Thomas Given. In 1792, Given sailed to the Bight of Biafra and the Islands in the Gulf of Guinea, again collecting slaves for delivery to Jamaica. There is a parallel record, also for 1793, that the Ellis under the command of Thomas Heart, undertook the same journey and with the same itinerary and cargo. In 1793, Bent & Co. decided to use the Ellis as a privateer with John Levingston as the master. After receiving a letter of "marque” on the 3rd of June 1793, that allowed any armed vessel to commit acts on the high seas which would otherwise have constituted piracy. Thus the Ellis began to operate as a combat ship under the endorsement of the British navy. The Ellis was three times captured first by the French frigate Gracieuse, under the command of Captain Chevillard on 22 July 1793. The French took her into service and renamed her as ”Elise”. Later that summer the Spanish captured her and in November ownership returned to the French who then renamed her the “Esperance”. On the 8th of June 1794, Esperance arrived in Jacmel, Saint-Domingue (present-day Haiti), from France with the official proclamation of the abolition of slavery. Leger-Felicite Sonthonax was one of the Civil Commissioners of Saint-Domingue and he had already unilaterally proclaimed the island for the French colony the year before amid a slave rebellion and attacks from British and Spanish forces. Ironically, Esperance also brought the news to the Civil Commissioners that the National Convention of France had impeached them on 16th July 1793 and ordered them to return promptly to France. On 8 January 1795, HMS Argonaut, under the command of Captain Alexander John Ball, captured Esperance while she was on the North America station. At this time the Esperance was armed with 22 guns (4 and 6-pounders) and had a crew of 130 men. She was under the command of Lieutenant de vaisseau De St. Laurent and had been out at sea for 56 days from Rochfort, bound for the American Chesapeake Bay area.  The French ambassador to the United States registered a complaint with the President of the United States that Argonaut, by stating that by entering Lynnhaven bay, either before she captured Esperance or shortly thereafter, had violated a treaty between France and the United States. The French also accused the British of having brought the Esperance into Lynnhaven for refitting for a cruise. The British Consul replied that the capture had taken place some 10 leagues offshore as the bad weather had forced Argonaut and her prize to shelter within the Chesapeake area for some days, but that they had left as soon as practicable. Furthermore, Argonaut had paroled her French prisoners on arrival at Lynnhaven, and if she had entered American territorial waters solely to parole her French prisoners no one would have thought that objectionable. Royal Navy Service: Because the Esperance was captured in good order and sailed well, Rear Admiral George Murray, the British commander in chief of the North American station, put a British crew aboard and sent the Esperance out on patrol with HMS Lynx, under the command of John Poo Beresford, on 31st January. On 1st March the two vessels captured the Cocarde Nationale (or National Cockade), a privateer from Charleston, South Carolina, of 14 guns, six swivel cannons and a crew of 80 men. Esperance and the lynx went on to recaptured the ship Norfolk, of Belfast, and the brig George, of  Workington. On 20 July, Esperance, in company with frigates Thetis and Hussar, intercepted the American vessel Cincinnatus, of Wilmington, sailing from Ireland to Wilmington. They pressed many men on board into service, narrowly missing the Irish revolutionary Wolfe Tone, who was on his way to Philadelphia. Esperance was formally commissioned in 1795 into the Royal Navy in August under the Command of Jonas Rose. On 4 May 1796 Esperance was sailing in company with HMS Spencer and Bonetta when they sighted a suspicious vessel. Spencer set off in chase while shortly thereafter Esperance saw two vessels, a schooner and a sloop, and she and Bonetta set off after them. Spencer sailed south by south-east and the other two British vessels sailed south-west by west, with the result that they lost sight of each other. Spencer captured the French gun-brig Volcan, while Bonetta and Esperance captured the French schooner Poisson Volant.   The Esperance eventually arrived at Portsmouth on the 3rd of November 1797, the crew was paid off and on 31st May 1798 the Admiralty listed the Esperance for sale and she was sold in June 1798 for £600.The subject scrimshaw is a modern reproduction crudely done of a historic vessel and the scene is believed to be engraved onto a synthetic substance. Scrimshaw art crudely carved into non-natural material in the shape of a tooth. The line artwork is an image of a three-masted sailing ship with a poop deck, and anchors, are coloured black. Inscription is engraved into tooth.Engraved "Man o War Ellis" warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, ellis, esperance, clementina, elise, hms ship, man of war, leter of marque, privateer, slave ship, slavery, ellis bent, american war of inderpendance, marine art, marine artifact, whale tooth, ivory tooth, resin, plastic, craft, engraving, carving

A short guide to the history, lives and culture of the First Australians, the Aboriginal and Torres Strait Islander peoples.b&w photographs, colour photographsmoieties, reconciliation, land rights, mabo

Black & White Photograph

Black & white photographsam jonas, george godfrey, blacksmith, diamond creek, nillumbik

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Australian Print Coucnil Commissioned PRint.art, artwork, frogs, toadstools, mushroom, australalian print council commissioned print, jonas ropponen