Image taken of the Bellarine Peninsula Tennis Association - A Grade Premiers for Season 1967-681 photograph of Premiership tennis teamStanding: A Smythe (Capt), G Peacock, K Anderson Seated: J Nyirati, V Dadds, R Andersonleopold tennis club, a smythe, g peacock, k anderson, j nyirati, v dadds, r anderson, bellarine peninsula tennis association

Image taken of the Geelong Lawn Tennis Association - A2 Grade Premiers for Season 1968.1 photograph of Premiership tennis teamStanding: R Green, K Anderson (Capt), G Peacock Seated: Mrs R Anderson, Mrs V Dadds, Miss S O'Halloranleopold tennis club, geelong lawn tennis association, r green, k anderson, g peacock, r anderson, v dadds, s o'halloran

The Gallipoli Star and its ribbon were designed in 1917 by R K Peacock, but official approval from King George V for the proposed campaign medal was withdrawn after the ribbon, but not the medal, had been manufactured, because it was to have been presented only to Australians and New Zealanders, but not British or other Empire soldiers involved in the campaign. Some Anzac veterans are known to have been issued with lengths of ribbon during the war in anticipation of the medal's production. In 1990, Mr Ross Smith, a former Australian Army Warrant Officer and Vietnam veteran, arranged, at his own expense, for dies from the original design to be manufactured, and for A J Parkes & Co Pty Ltd, of Brisbane, to strike 1000 examples of the medal. 200 of these stars were presented to surviving Australian and New Zealand Gallipoli veterans to mark the 75th anniversary of the campaign. The remainder were sold to the public. A further 1000 were later struck for sale to collectors. The design features an eight pointed star, representing the states and territories of Australia (seven points) and New Zealand. The colours of the ribbon are blue, representing the ocean, gold, representing Australian Wattle, silver grey, representing New Zealand fern, and red for the colour of Australian gum blossom and the New Zealand Rata flower.Gallipoli Star is a star shaped medal with raised crown at centre suspended on a coloured ribbon.medal, gallipoli, world war one, wwi

The Gallipoli Star and its ribbon were designed in 1917 by R K Peacock, but official approval from King George V for the proposed campaign medal was withdrawn after the ribbon, but not the medal, had been manufactured, because it was to have been presented only to Australians and New Zealanders, but not British or other Empire soldiers involved in the campaign. Some Anzac veterans are known to have been issued with lengths of ribbon during the war in anticipation of the medal's production. In 1990, Mr Ross Smith, a former Australian Army Warrant Officer and Vietnam veteran, arranged, at his own expense, for dies from the original design to be manufactured, and for A J Parkes & Co Pty Ltd, of Brisbane, to strike 1000 examples of the medal. 200 of these stars were presented to surviving Australian and New Zealand Gallipoli veterans to mark the 75th anniversary of the campaign. The remainder were sold to the public. A further 1000 were later struck for sale to collectors. The design features an eight pointed star, representing the states and territories of Australia (seven points) and New Zealand. The colours of the ribbon are blue, representing the ocean, gold, representing Australian Wattle, silver grey, representing New Zealand fern, and red for the colour of Australian gum blossom and the New Zealand Rata flower. This full size accurate replica was presented in the early 1990's to the remaining survivors of the 1915 Gallipoli landing. The Gallipoli Star Medal 1914-1915 was to be awarded to survivors of the Anzac landing but a political dispute of the exclusion of British Soldiers saw the idea withdrawn. Timber look frame containing medal on yellow/blue/red ribbon and paper with black writing on grey cardboard surround.gallipoli star, medal, 1914-1915

? Trowel used by Mrs J K Turnbull to lay stone of the Ringwood State School 1889? Then used by Alexander Peacock on 27-Oct-1921Bone handled trowel with Sheffield silver blade - ornamented with oval area in centre.; Inscription: Presented to The Hon. Sir Alexander Peacock K.C.M.G. Minister of Education on the occasion of his laying the Foundation Stone of the Ringwood State School 27-10-[19]21. Thompson & Chalmers, Builders. +Additional Keywords: Peacock, Alexander, Hon. Sir, K.C.M.G.Presented to The Hon. Sir Alexander Peacock K.C.M.G. Minister of Education on the occasion of his laying the Foundation Stone of the Ringwood State School 27-10-[19]21. Thompson & Chalmers, Builders.

The Ballarat School of Mines is a predecessor organisation of Federation University Australia.Black and white photographThis building was officially opened on 4th July, 1978 by E.J.T. Tippett, M.B.E. in whose honour the library was named thus commemorating dedicated service since 1934 as a member of the Council of the School of Mines and Industries Ballarat Stamp Battery The stamp battery for treating gold ores was first intriduced in California. A heavy iron stamp is raised on a cam and let fall so that its weight causes the quartz which is held in the mortar box. This three head battery was installed in the mining laboratory of The School of Mines, Ballarat in 1898 and crused many hundreds of tons of quartz. It was reected on this site to commeorate the centenary of the School of Mines in 1870. School of Mines & Industries Ballarat Established - 1870 Stage one of The Vocational Skills Centre was officially opened by The Hon. Robert Fordham M.P. Minister of Education on 29th April 1983 P.R. Shiells K.J. Flecknoe Principal President The School of Mines and Industries Ballarat Established - 1870 This plaque commemorates the opening of the Hairdressing School on 9 March 1983 by Peter Cutter, B. Comms, M. Ed. General Manager - Programs, TAFE Board School of Mines and Industries Ballarat Ltd Land Laboratory officially opened by Dr D.F. Smith Director of Agriculture on 12th November 1980. School of Mines & Industries Ballarat Amenities Building was officially opened by His excellency The Hon. Sir Henry Winneke K.C.M.G., K.C.V.O., O.B.E.. K. St. J., O.C., Governor of Victoria on 7th October 1981 G.H. Beanland K.J. Beanland Principal President This room is known as the Yates Geological Centre in recognition of a professional lifetime of service from 1920=1962 as' head of Geology in The SChool of Mines and Industries Ballarat by Harold Yates M.Sc Plaque presented by former students This stone was laid by The Hon. Alexr J. Peacock Minister of Public Instruction April 14th 1899 Abdrew Anderson, Presidentbuildings, ballarat school of mines, smb campus, premier of victoria, plaque, e.j.t. tippett library, tippett learning research centre, smb library, ballarat school of mines library, e.j. tippett, smb foundation stone, smb stamp battery plaque, geology centre - yates, yates geological centre, smb amenities building opening, smb land laborarory opening, smb hairdressing school opening, smb vocational centre (stage 1) opening, smb e.j. tippett library opening, former ballarat gaol national trust plaque, former ballarat supreme court national trust plaque, smb buildings - administration national trust plaque, foundation of technical education in australia, ballarat school of mines foundation stone, yates geology centre, amenities building, land laboratory, former ballarat gaol, former ballarat supreme court, courthouse theatre, stamp battery, stamper battery, centenary, anniversary, mortar box, peter shiells, ken flecknoe, vocatonal skills centre, haidressing school, peter cutter, museum building, former wesley church, henry winneke, graham beanland, harold yates, alexander peacock, andrew anderson, a building, administration building

This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.Contents Foreword - Commodore Dacre H. D. Smyth, R.A.N. - 7 Editorial - Pondering on Polly - 9 Progress Of The "Polly Woodside" - J. F. Yuncken - 13 Nearly Another "Birkenhead" - E. J. Batten - 21 Pawn Of The Storm - N. S. Smith - 27 The "Golden Plover" - I. L. Barton - 35 The "Brier Holme" - Ross Osmond - 43 The "Joseph H. Scammell" - A. D. Long - 47 A Western Port Boatman - Arthur Woodley - 51 Apology To A Freighter - C. E. Bonwick - 52 When Ships Burned Coal -- The 'Black Gang' - E. Carpenter - 53 From The Galley -- Fried Chicken - R.G.E. - 57 Just a Bit Outside The Law - Captain C. Meyer - 59 More Of Pearling Off The ARU Islands - Capt. W. J. Cowling - 63 A Medal Well Earned - L. A. Marchant - 70 The Tale Of The "Komet" - Harrow Morgan - 72 A Passage From England To Australia in the "Gauntlet" - Sven Tvermoes - 79 A Tug Of The Past - H. R. Watson - 94 Commodore Beal To The Rescue - Capt. F. K. Klebingat - 98 The Peacock From The Sea - J. M. MacKenzie - 106 The Man From Timbuctoo - L. de Neumann - 110 H.M.A.S. "Tingira" - D. C. Ricketts - 112 Inverneill At Iquiqui 1912 - Major M. H. O. Forbes - 116 The "Bear" - S. A. E. Strom - 121 Book Reviews - - 125 Glossary - - 128 More After Thoughts - W. F. Cook - 129sailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch, polly woodside

School Council, Members of Staff, Editorial, Principal's Page, Magazine Committee, News and Notes, Literary Society, Prominent Personalities, The Centenary and Jubilee Celebrations, Prize Presentation, Boys Sport, Cricket, Annual Sports, Football, Baseball, Tennis, Science School, A Day in Colombo, The Apprentices, The Art School, Ballarat's Achievement, The Girls Association, Dressmakers, Commercial Notes, Foundation Pupils of Ballarat Girls Junior Technical School, Junior School, Retirements Green soft covered magazine with gold font.ballarat school of mines, magazine, heather harris, c. g. fairbank, d. cotton, j. bethune, f. andrewartha, p. ditchfield, n. andrews, f. benjamin, s. deans, w. j. patterson, glenice lodington, esme atkins, rosemary hullick, heather browning, valerie jolly, eileen walsh, beverley robinson, b. bryan, jack ballinger, h. trudinger, l. garner, don stevens, kevin treloar, cliff restarick, jim brokenshire, john jopling, barbara wilson, margery troon, e. j. tippett, r. w. richards, w. kingston, joan cameron, lloyd veal, john mckenzie, crom. bray, pat maloney, betty dulfer, margaret martin, bill llewellyn, jacquiline bilston, alf mckenzie, grace laurie, john spittle, mina gallie, mrs willis brown, donald eltringham, mrs d. eltringham, geoff mounter, mrs g. mounter, alan wilson, ian mclachlan, doug dean, mrs d. dean, bill meinhardt, norman dalton, b. taylor, j. tinney, r. ingleton, a. kinnane, g. hindson, j. peyton, j. sawyer, j. watts, a. fareco, e. bartrop, m. frawley, l. matthews, j. blackburn, b. flavel, b. schreenan, b. smith, d. stevens, j. ballinger, c. livitsanos, a. johnson, r. archer, j. brokenshire, g. heyes, j. carmichael, c. restarick, m. phillips, m. gillin, don stewart, a. faneco, m. stevens, w. maddox, w. tooth, r. simpson, jim john, ruth buckland, ron simpson, max phillips, l. m. pedrazzi, ballarat, lake wendouree, don whitefield, dorothy robertson, glen gazzard, alison philp, audrey dunn, judith bryan, valerie blee, valerie hughes, carol seddon, brenda beaumont, elizabeth kinnane, noel batch, pat lavery, glenys perry, ann wright, margaret henderson, margaret winberg, faida lewis, diane o'beirne, lynette klein, gloria white, dorothy j. searle, isobel tyrell, l. j. blomeley, adelaide hocking, joyce wilson, j. edwards, lynette robson, lois snibson, janice rogers, joy mills, lynn gilbert, dawn searle, valerie mills, bonnie cody, dawn peacock, margaret paine, carole sneddon, valma vincent, raylee bennetts, kay buchanan, loris gilbert, dawn lang, margaret thompson, lorraine horwood, yvonne rowlands, janette sandwith, dawn parkes, doreen new, marion marshall, p. sullivan, k. r. hall, n. brogden, k. duncan, b. baldock, j. bastin, r. furlong, n. spiers, d. quillian, n. sutherland, a. mills, l. norman, w. saggers, m. hodder, r. hewitt, d. jones, p. reid, b. warrillon, g. edwards, j. bentley, m. hall, n. quick, b. mann, f. dolan, g. gilbert, e. mackie, w. davies, d. roberts, n. purdue, r. austin, r. dunstone, g. king, r. hill, i. nunn, g. hawkes, w. cowan, c. grose, c. garnham, j. white, d. snowden, b. darrington, m. drabsch, t. wilson, r. osborne, a. mcpherson, n. dixon, g. anderson, r. stevenson, b. musgrove, m. roberts, d. dow, a. hepworth, j. copeman, g. pike, j. collier, c. petrie, l. pitcher, r. sharpe, j. gilmer, k. hall, j. boak, j. hudson, k. mccoll

Bendigo Advertiser "The way we were" from Friday, November 7, 2003. Attention: then 2nd Bendigo Cub Scout group on October 4, 1953. Pictured I. Shadforth, J. Graham, J. Samson, A. Wells, M. Tootal, J. Thomas, K. West, R. Boulton, I. Yandell, D. Woods, I. Dalrymple, R. Pocock, B. Ivory, B. Hocking, G. Dalrymple, P. Woods, G. Peacock, B. Richie, G. Gould. Other names unknown.newspaper, bendigo advertiser, the way we were

The Adult Deaf and Dumb Mission of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Mission are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Mission but also to the significant people and events within the Deaf Community.Pink Cover, Size 21.5Hx13.5W, 52 Pages (pages 7 and 8 missing)reginald talbot, samuel gillott, edward newbigin, h. sumner martin, rev. j. h. frewin, rev j. j. halley, rev. david ross, rev e. h. sugden, w. a. dickens, john m. griffiths, w. h. judkins, m. l. miller, j. e. muir, a. c. muir, e. r. peacock, f. j. rose, ernest j. d. abraham, mrs e. j. d. abraham, miss mills, miss mitchell, miss i. foster, miss a. foster, mrs f. e. frewin, mrs h. sumner martin, mrs j. e. muir, mrs r. r. paterson, mrs samuel luke, alex williamson, s. moss, m. g. b mortimer, captain olden, rev. h. kelly, mrs james martin, leslie newbigin, john hancock, mrs d. nolan, messrs griffiths brothers proprietary limited, queensland adult deaf and dumb mission, lady gillott, rev j. t. love, rev h. g. nicholls, rev k. hosking, rev s. j. hoban, brigadier hendy, salvation army, p. holt, r. h. luff, w. p. muir, e. burke, deaf mute cricket club, mrs samuel johnson, j williamson, young mens mutal improvement society, monthly letter

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Grey Cover, Size 21.5Hx13.5W, 44 pagese. r. peacock, a. a. peverill, j. g. murphyr. j. oehr, o. r. macdonald, dr w. j. craig, dr. may, morman armstrong, a. e. atherton, g. fethers, e. l. morton, k. macdonald, j, mclean, g. newnham, edgar h. peacock, f. e. frewin, r. h. luff, w. a. paterson, a. h. spencer, a. w. sutherland, j. m. johnston, m. g. b. mortimer, adam c. muir, j. pierce, blackburn, cricket, lacrosse

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath