A book titled 'The Life of John Knox. The Great Scottish Reformer.' London : Ward, Lock & Co., Salisbury Square, E.C. 689 - 704 pgs. This booklet is one of a series of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. There are also advertisements of note.books, biography, john knox, lydia chancellor, collection, john knox, the life of john knox, person, individual, male, scotland, scottish history, history, ward & lock's penny biographies, ward & lock's penny books for the people, biographies, biographical series, penny books, advertisements

Macgregor Knox house (1976) - a small building of note on the Knox property. It is an attic bedroom that Alistair's son, Macgregor, built for himself when he was fifteen. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, macgregor knox house, mudbrick

Two rectangular communion tokens with text on both sides, one side also has a depiction of the Burning Bush."JOHN KNOX FREE CHURCH MELBOURNE I.COR.XI.23" "NEC TAMEN CONSUMERATUS"john knox free church melbourne

p.240.non-fictionThe life and times of Nelsongreat britain - military history, great britain - admirals - biography

Letter Office of the Place Names Committee to Eltham Historical Society, 10 November 1980: Seeking Society's opinion of naming of Eltham Common and Alistair Knox Park. Letter Office of the Place Names Committee to Eltham Historical Society, 7 April 1981, seeking response to letter 10 November 1980 re naming proposal. Letter Shire of Eltham Historical Society to Place Names Committee, 30 April1981, No objection to name Eltham Common but considered Eltham Town Park more appropriate, providing a history of area. Letter Office of the Place Names Committee to Eltham Historical Society, 9 July 1981: Resolved to assign name Eltham Common. Letter Office of the Place Names Committee to Eltham Historical Society, 23 October 1981: No objections to Government Gazette notice re naming of Eltham Common. Newspaper article: Diamond Valley News, 12 November 1991, Correction, restaurant review of Shillinglaw Cottage in Diamond Valley News, 5 November 1991, said founder was Grant Phelan, correctly Martin Brown.main road, eltham, property, houses, businesses, j m hjolloway, alistair knox, john hicks petty, eltham common, shillinglaw cottage, grant phelan, martin brown

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood

Presented to Rev Hewiston on his departure from Brunswick Presbyterian Church to the John Knox Church Dunedin New Zealand. Rev W Hewiston BA 1890 ordained Brunswick, assistant to A MacVean (McVean); 1895 Dunedin New Zealand, Knox ChurchBrown leather cover with heavily decorative gilt embossed border and text. The inside left has a richly illuminated border round the text which is addressed to the Rev & Mrs Hewiston. It is decorated with a variety of colourful flowers and an image of the Brunswick Presbyterian Church. The right side is a continuation of the testamonial from the Brunswick Presbyterian Church congregation. It is signed by the Acting Session Clerk Evander McIver; Treasurer Daniel Tough and Secretary Daniel McDougall.brunswick presbyterian church, daniel tough, rev w hewiston, rev allan macvean, john knox church dunedin new zealand, daniel mcdougall

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, a nd a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141 At the eastern tip of York Street, Eltham, stands Shinrone, the former home of one of Australia’s intellectual leaders. Professor William Macmahon Ball, was one of the first to bring Asia as a foreign policy issue to the Australian public.1 He was a political scientist, writer, broadcaster and diplomat. The house was one of the first in Eltham Shire to incorporate mud-brick,2 because of the acute shortage of building materials after World War Two. Its novice builders later become leaders in Eltham’s built and garden design. Mac (as he was usually called), who was the son of a Church of England minister, was born in Casterton, Victoria in 1901 and died in 1986. In 1945 he helped establish the United Nations, as political consultant to the Australian Delegation at the San Francisco Conference.3 Then in 1946 Mac was appointed British Commonwealth Representative on the Allied Council for Japan, which is recorded in detail in his diary.4 In 1948 Mac led an Australian Government Goodwill Mission to South East Asia. However, Mac was perhaps most successful as an academic and public speaker.5 He was a commentator on the Australian Broadcasting Commission, from the early 1930s to the early 1960s. He was also Controller of the Short-Wave Broadcasting Unit during World War Two, which later became Radio Australia. From 1923 he taught at The University of Melbourne, then became foundation Professor of Political Science in 1949 and was Chair until his retirement in 1968.6 In 1942, as the government expected a Japanese invasion, Mac’s wife Katrine and their only child Jenny, moved from Kew to Eltham as temporary evacuees. However Mac and Katrine lived in Eltham for almost the rest of their lives. After staying with friends, they rented a house in Reynolds Road, where, as it was wartime, they needed to keep horses for transport and a cow and poultry for milk and eggs. In 1945 the family moved to the house at York Street, which was then a timber cottage, built around the 1890s and in poor repair. The underground well, cellar and part of the garden are all that remain of what stood on the original 18 acre (7.3ha) allotment. Thanks largely to Katrine’s hard work, the house was gradually renovated and extended. The long rambling house was partially built by several young neighbours, who were inspired by the cheap mud-brick and stone building style of Montsalvat, the Eltham artists’ colony. Mac asked Alistair Knox to renovate Shinrone, named after an Irish village near Katrine’s family home. Knox later popularised the mud-brick style of house construction, for which Eltham became known. He expanded the living area and added verandas. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Another neighbour, Gordon Ford, who was to have a major influence on the Australian garden style, made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in short-wave broadcasting, to build a pisé (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms – including an attic bedroom – a balcony with a shower and toilet, and a fireplace and chimney of local sandstone. With pioneering work naturally came mistakes, including one particularly dramatic incident when Harcourt was building walls with unsupported sections. Jenny Ellis, Mac’s daughter, remembers being awakened from sleep by a thundering shudder. The wall of her room had fallen down – fortunately away from her! In 1950 artist Peter Glass – another neighbour and later landscape designer – built Katrine a mud-brick pottery. As a result, the house features at one end Harcourt’s characteristic steep gable roof, while at the other the flatter construction characteristic of Knox. Mac referred to the home as the Eltham ‘experimental building site’.7 Surprisingly, the combination works, perhaps partly because it has the warm inviting feel of timber, mud-brick and stone.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, and a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Newspaper article: Was woman found in well put in it? Diamond Valley Local, 16 February 1954, story of wife of baker found in well before Burgoyne family purchased bakery. Newspaper article: Bakery goes ... locals protest, The Valley Voice, 18 July 1979, Joh Ebeli protests about planned destruction, history of building memories of Alistair Knox. Note on demolition of Eltham Bakery building, 1979, by Joh Ebeli who tried to save front of house with friend names Elwers. Photocopy newspaper article: Murder mystery at bakery, History comes to life for old building, 4 November 1979, Harry Burgoyne remembers his grandfather John James Thomas Neville Burgoyne bought bakery in 1896 at time of body found in well, bakery build 1860-1864, sold in 1921. Photocopy newspaper article: Public meeting called over Eltham restaurant proposal, Diamond Valley News, 4 October 1988, protests re proposal for motel and restaurant. Photocopy newspaper article: Fresh tales at an old mine, Diamond Valley News, 4 October 1988, Ausminde Pty Ltd applied for renewal of exploration licence at Old Tree Hill Mine, last mined by Stan Bone and Bill Wallace, photograph of Russell Yeoman at site. Photocopy of line drawing, The Bakery, by Joh Ebeli, 1978. Photocopy of photograph, Old Bakery, next to house built 1880. Photocopy of photograph with Old Bakery in background. On August 12, 1902, appearing before T. Smallman, Esq,. Police Magistrate, and Messrs. W. Duncan and W.J. Taylor, Justices of the Peace is Luther Haley, baker. Wilfred Henry Johnston, by his agent Stanley Ernest Elder had applied for a warrant of ejectment under the Landlord and Tenant Act 1890 against Luther Haley from the bakery premises at the corner of Main Road and York Street. From the evidence presented it is made known that Mrs Burgoyne of Eltham had purchased the property some months earlier from Mr Johnston, which consisted of a store and bakery establishment at Eltham occupied by Mr. Luther Haley, and whose lease expired some little time back, and up to the present time, Mr. Haley was not prepared to leave. He informed the court that he was unable to secure at Eltham a suitable house in which to carry on his business, but he was building a place near the railway station which he expected to be done in about three weeks time, at which time he would give up possession of the bakery. Mr Smallman informed the defendant, Luther Haley, that he would have to quit the premises in three weeks from the present date, and that a warrant of ejectment would be issued. However he also informed Mr Haley that he would order the warrant to lie in the office for three weeks from that date. The premises under construction refered to by Luther Haley in court were situated on the western side of Main Road, near the railway station slightly opposite present day Arthur Street. It was opened around September 1902 as a General Store, Bakery and Tea Rooms. In June 2024 Annie Hackrath shared a memory of living in the old bakery: "My husband and I lived in the old bakery for 18 months in 1978-9 , husband Geoff used the old bakery out the back as a wood workshop, making turnery and handcrafted furniture. The front shop was operated as a “sometimes” art gallery which we called “Gouge and Grain”. There were old sheds against the back fence which we thought were probably stables from the bakery days. Lovely memories of the old place which had so much character and seemed to attract a multitude of interesting creative people! Sad that it was pulled down; a friend salvaged some of the lead light glass in the old doors and included it in a new door panel for us."main road, eltham, property, shops, businesses, eltham bakery, burgoyne family, joh ebeli, alistair knox, harry burgoyne, john james thomas neville burgoyne, one tree hill mine, stan bone miner, bill wallace miner, russell yeoman, henry rech, ausminde pty ltd, john street, bridge street, judy paynter, art gallery, gouge and grain, annie hackrath, geoff hackrath

Flight Lieutenant A copy of Australian Gallant and Distinguished Service Vietnam 1962-1973: Being A Record of British and Foreign Decorations Awarded to Australian Servicemen which was published by The Military Historical Society of Australia.commander of the order of the british empire, cbe, air commodore jack dowling, 0370, air commodore john fullarton lush, 0369, group captain john wilkins hubble, 05833, air commodore geoffrey thompson, 0393, group captain john irwin adams, o33119, air commodore frederick stephen robey, o5787, group captain ronald jack mckimm, o22084, air commodore clarence haddon spurgeon, o399, air commodore neville patrick mcnamara, o11353, group captain roberts (robert) hunter martin, o22188, distinguished service order, dso, companion of the distinguished service order, group captain peter frank raw, wing commander anthony watcyn powell, o314347, group captain selwyn david evans, o22127, wing commander john alan paule, o35028, wing commander john alan whitehead, o33710, wing commander peter geoffrey larard, o35023, wing commander roy walter hibben, o37568, wing commander jack robert boast, o14165, wing commander peter lionel howard coy, o26006, wing commander peter william hahood, o52901, officer of the order of the british empire, order of the british empire (obe), wing commander phillip arthur bloom, o210837, wing commander peter william kennedy, o4667, member of the order of the british empire (mbe), warrant officer andrea giovanni pellizzer, a4149, chaplain third class patrick john mccormick, o19853, wing commander cecil george kilsby, o33178, warrant officer allan richard grinter, a31866, flight lieutenant philip anthony mogridge, o39014, flight lieutenant george walter foskett, o223127, squandron leader ronald holden tucker, o220878, flight lieutenant neville colin walliss, o12206, flight lieutenant walter wolfgang wurm, o55848, flight lieutenant john thomas connell, o33721, chaplain john julian white, o317689, squadron leader donald arthur ernest tidd, o313248, flight lieutenant raymond keith crossley, o32838, flight lieutenant bruce victor tipping, o35364, squadron leader robin norman wade, o217796, chaplain john eward grannall, o222956, distinguished flying cross, dfc, wing commander victor douglas guthrie, o22015, wing commander raymond alfred scott, o22143, wing commander (acting) vance drummond, o33624, wing commander charles james melchert, o11419, flight lieutenant leigh oxley hindley, o23946, flight lieutenant francis patrick riley, o216204, pilot officer michael john haxell, o218798, squadron leader anthony john fookes, o33200, squadron leader james henry cox, o216731, flying office macaulay cottrell, o316174, squadron leader peter john reed, o35030, squadron leader athol charles jory, o15831, squadron leader nicholas james gregory watling, 015612, flight lieutenant anthony philip ford, o219917, flight lieutenant peter graham smith, o216415, flying officer brian harris fooks, o44200, wing commander jack darby espie, o33153, squadron leader ronald david crump, o53401, squadron leader brian leslie john dirou, o314174, flight lieutenant robert alec charles kendell, o316951, flight lieutenant donald herbert porter, o217899, flight lieutenant garry gordon cooper, o219964, wing commander barry moore thomas, o32568, squadron leader thomas ward, o14288, flight lieutenant gerald maurice cramer, o22886, flight lieutenant reginald john thompson, o316968, flight lieutenant roger arthur wilson, o221235, flight lieutenant peter william davies, o221384, squadron leader graham dyke, o14384, flight lieutenant kenneth james mitchell, o43443, flight lieutenant john frederick hazelwood, o219888, flying officer michael ross tardent, o113526, flight lieutenant rex robert budd, o212791, flying officer douglas john stuart riding, flight lieutenant douglas john stuart riding, o221573, flight lieutenant edward brian john bolger, o23741, squadron leader michael robinson, o14202, squadron leader ronald james crimmins, o32764, squadron leader ivan laurence grove, o34222, flight lieutenant ronald alexander slater, o61240, flying officer gary john ennis, o19987, flying officer nicholas william hobson, o116949, squadron leader graham wallace neil, o215111, flight lieutenant john laurence ellis, o315190, flying officer bruce charles townsend, o224152, squadron leader stewart cosmann kostlin mitchell, wing commander stewart cosmann kostlin mitchell, o213595, flight lieutenant john patrick hayden, o315434, flight lieutenant william norton robertson, o56673, flying officer christopher allan beatty, o45549, flying officer robert francis meares, o223862, wing commander francis john leonard downing, o34496, squadron leader arthur barnes, o36433, squadron leader donald couldrey white, o13864, flight lieutenant francis leo clough, o218083, flight lieutenant lindsay arnold naylor, o315270, flying officer david evan ozanne, o57511, wing commander colin leonard ackland, o14204, squadron leader stanley clark, o217663, squadron leader kenneth david clark, o52798, flight lieutenant norman mellville goodall, o43963, conspicuous gallantry medal (flying), cgm, cpl john desmond coughlan, a220788, george medal, gm, sgt gordon dudley buttriss, a21702, military medal, mm, sgt noel edward power, a111932, distinguished flying medal, dfm, sgt robert joseph stoyles, a217773, cpl william wallace o’rourke, a42889, cpl john gordon yorke, a45046, cpl barry thomas gracie, a219151, sgt terence john pinkerton, a216972, cpl george alexander edwards, a314994, leading aircraftman kerry john shipp, a44980, leading aircraftman david thomas moles, a61704, leading aircraftman trevor lawrence hamill, a317922, cpl rodney joseph ranger, a222471, british empire medal, bem, sgt ernest edward moore, o216106, flight sergeant colin milton robb, a51944, sgt alan william rudd, a14871, sgt barry william fitzell, a218341, cpl james benedict vanderkyl, a216178, british empire medal for gallantry, cpl robert albert stephens, a220871, mentioned in dispatches, mid, flight lieutenant ronald george raymond, o33756, sgt robert maxwell wark, a216427, leading aircraftman david michael gwin, a218227, wo frank anthony latham, a13057, pilot officer charles john downes, o218221, flight lieutenant anthony lempriere harley abbott, o55138, cpl robert patrick st john, a218262, group captain lyall robert klaffer, squadron leader lyall robert klaffer, o4218, flight lieutenant graeme alexander nicholson, o41992, flight lieutenant george godfrey, o54101, flying officer peter yates, o56263, cpl stanley donald mellow, a14968, cpl raymond charles chandler, a55714, wo james richard kenny, a21316, flight sergeant thomas george lenton, a2927, sgt eric glen allen, a6548, aircraftman ronald neil mcnamara, a25038, squadron leader rex stevens ramsey, o33687, flight lieutenant robert max hayes, o51626, flight lieutenant clifford mitchell dohle, o39642, flight lieutenant geoffrey alfred banfield, o37553, flight lieutenant john terence mcdonnell, o38531, flight lieutenant john mcleod harris, o43732, flight sergeant owen vincent cooke, a24168, sgt douglas william henry kennett, cpl dennis frederick olsen, a18781, leading aircraftman david john collins, a221540, cpl herbert roy sharpe, leading aircraftman herbert roy sharpe, a45003, wing commander henry alfred hughes, o21144, squadron leader john irvine thomson, o32446, squadron leader thomas dunning wright, o27562, squadron leader john maxwell chesterfield, o32860, flight lieutenant barry squires, squadron leader barry squires, o216046, flight lieutenant michael raymond lewino, squadron leader michael raymond lewino, o55331, flight lieutenant leslie wilfred morris, o219176, flight lieutenant jeffrey allan pedrina, o314595, flying officer william stewart mcalister, o17860, cpl stewart hampton bonett, leading aircraftman stewart hampton bonett, a215424, cpl ronald cecil orchard, aircraftman ronald cecil orchard, a14436, cpl gregory michael aleckson, a222329, flight lieutenant william allen gill, o316957, flight lieutenant robert charles thompson, o33757, flight lieutenant richard allan fisher, flying officer richard allan fisher, o18628, flying officer peter alexander davidson, pilot officer peter alexander davidson, o222082, cpl murray denis johnson, a55622, cpl arthur douglas gale, a317317, flight lieutenant alan john perry, o216406, flying officer ian bruce cooper, o316302, cpl allan elliott matthews, a216396, wing commander robert john limbury tebbutt, o211575, squadron leader hedley robert thomas, o219178, flight lieutenant gregory norman goddard, o15633, pilot officer john knox ross, o113665, flying officer onno dalmolen, o317513, cpl david john dubber, leading aircraftman david john dubber, a317809, cpl john henry parsons, leading aircraftman john henry parsons, a223927, aircraftman john lynn seibel, a112818, flying officer neil francis jonasson, flight lieutenant neil francis jonasson, o314130, pilot officer john jeffrey wilkinson, flying officer john jeffrey wilkinson, o223864, sgt patrick arthur burkett, flight sergeant patrick arthur burkett, a23477, leading aircraftman ronald wilson, a117793, cpl colin william duffield, leading aircraftman colin william duffield, a44284, squadron leader lloyd duncan knight, flight lieutenant lloyd duncan knight, o37573, flight lieutenant robert william howe, o218328, flying officer joseph james wilson, o220792, flying officer robert bruce treloar, o317557, flight sergeant herbert keith rieck, a13890, sgt walter joseph jones, a36497, cpl vincent albert lowe, sgt vincent albert lowe, a17829, squadron leader hans jorg friederich roser, o217004, flight lieutenant raymond john butler, o221233, flight lieutenant bruce david searle, o110302, flight lieutenant kevin vernon griffin, o43348, flying officer ian douglas fogarty, o317512, wo david roy grover, a32816, squadron leader brian edward o’shea, o116226, squadron leader lynton thomas winn, o219589, flight lieutenant martin campbell newman, o316978, flight lieutenant barry edgar stanley williamson, o220069, flight lieutenant john francis byrnes, flying officer john francis byrnes, o222542, flying officer stuart wesley dalgleish, o224143, flight sergeant john penn, a25124, cpl barry keith birchan, a44066, flight sergeant john maurice ignatius hayes, a659, sgt ronald o’neill, a12379, cpl colin john gray, a21893, aircraftman terry david jackson, a317581, squadron leader samuel nelson todhunter, o53169, flight lieutenant maurice francis linden, o32387, flying officer richard neil kelloway, o221393, pilot officer brinley guest haylock, o223593, wo patrick edward curtis, a2887, leading aircraftman jan johannes kiewiet, a223858, aircraftman alan roy brazil, a45935, flight lieutenant cunningham norman mcintyre cassels, o316966, flying officer maurice alexander lewis, o316431, flying officer hector goldie rutherford, o317276, wo leslie alderton, a34026, cpl barry alan sharman, a218593, leading aircraftman geoffrey kenneth smith, a223095, chaplin stanley bruce ford, o217659, leading aircraftman ian lee, aircraftman ian lee, a224697, squadron leader lloyd dennis brown, flight lieutenant lloyd dennis brown, o110501, flight lieutenant colin monk, o221681, flight lieutenant david kingsley palmer, o44431, flying officer peter robert nuske, pilot officer peter robert nuske, o224148, sgt kevin ralph stapleton, a313317, cpl glynn james young, sgt glynn james young, a56060, squadron leader frank ronald lonie, wing commander frank ronald lonie, o35101, chaplain david thomas pritchard, o314053, flight lieutenant brian greatorex hammond, o55985, flight lieutenant kenneth ian semmler, o44135, flying officer michael sandro calvert, o57541, flying officer barry james ellison, o15953, cpl douwe de boer, a61419, squadron leader bernard alan johnson, o35022, flight lieutenant anthony john taylor, o116118, flight lieutenant john arthur power, o44953, flying officer robert upham, o117199, flying officer peter vincent murphy, o117342, flying officer kerry john connors, o117503, flying officer john raymond huggett, o117508, sgt kenneth wayne marks, a222358, cpl colin henry bruce, a222195, leading aircraftman joseph earl pettit, a113187, squadron leader ian hamilton whisker, o218759, flight lieutenant bruce john mouatt, flying officer bruce john mouatt, o222080, flying officer robert lawrence redman, o224385, cpl keith john munns, a45385, wing commander elvin jacki felton, o25166, flight lieutenant rodger howard boerth, chaplain rodger howard boerth, o318567, flying officer jeffrey philip trappett, o117198, flying officer rhys northwood james, pilot officer rhys northwood james, o119113, sgt gregory stewart love, a211438, legion of merit (lom, the silver star medal (ssm), flying officer macaulay cottrell, 0316174, squadron leader alan raymond reed, o52363, the bronze star medal, flight lieutenant william middlemiss, o51083, the air medal, the national order of the republic of vietnam, fifth class medal (knight’s badge), republic of vietnam gallantry cross with silver star

B084.1 & B084.2 - Rectangular communion tokens with text on the obverse and text and scripture reference on the reverse.Obverse: "CAIRNS MEMORIAL CHURCH" Reverse: "1 CORINTHIANS 24-25"john knox free church melbourne

This photocopy belonged to the Lock family before being acquired by the Museum.List of passengers on ship 'John Knox' at Point Henry, Geelong. The ship sailed from Plymouth 24, March 1851. Capt John Barnard Lock last entry.local history, documents, passenger lists, family of john barnard lock, black & white photocopy, ships, passenger list, lock family

Rodney Ross Scoullar was born on 02/01/1953 and attended John Knox Presbyterian Church. After studying geology, he began studies at the United Faculty of Theology in 1981. He was ordained at Bentleigh Uniting Church on 17/12/1984. His ministry included Balmoral, Queenscliff High School chaplaincy, Haileybury chaplaincy, and Geelong College chaplaincy. He began placement at Cowes St John's.B&W photograph head and shoulders."Rod Scoullar C&N 30/1/95 pagae 14"scoullar, rod, reverend

Dorothy Beaty (Knox): married to John Beaty. Passed away in 1981.She was a member of Melton's Country Women Association from 1938-1985. Mary Robinson nee Barrie: Born in 1907 and was the first child of Charles Ernest and Jessie May nee Lang of Melton South and Darlingsford Melton. She eventually married Keith John Robinson and they had three children, Ian, Ena May and Mary Elizabeth 'Beth". Mary died in 1999. Dorothy Beaty, Pearl Wilkie and Mary Robinson at the Melton State School 430 First Hundred Years Celebration. This was held at Mechanics Hall, Melton. local identities, local significant events, education

Black and white photograph - Grade(?), 1900"Attached to photograph" Back Row - L to R: Albert Brown, Charles Parker, ?, Andrew Grant, ?, (?) Parker. 2nd Row - L to R: ?, Edith Blood, Iris Thornley, ?, ?, C Hill. 3rd Row - L to R: (?) Blood, ?, Dora Parker, Alice Tortice, Clara Aird, Alice Smith, Maryann Blood. Front Row - L to R: Graham (?), S Oates, John Ryan, John Knox, ?, Horwood Falconer, Stanley Falconer. Teacher: Mr Hocking.

Photo in the collection re John Eric Wiles VX16067, refer Cat No 5410P for his service details. Vivian Bullwinkle (The survivor of the Banks Island massacre WW2)B & W photograph on card backing showing three people, two men and one women, all 3 are wearing medals, on rear a label has been typed and stuck on.On rear, “ Sir George Knox, Vivian Bullwinkle, Jack Wiles President Mitcham RSL”photographs, mitcham rsl, wiles

The Ballarat School of Mines was established in 1879, making it the first site of Technical Education in Australasia. In 1879 a Botanical Garden was established in the grounds of the Ballarat School of Mines, and was used for the teaching of Materia Medica, Botany, and related subjects. An A4 folded booklet produced for the centenary of the Ballarat School of Mines Botanical Gardens. ballarat school of mines botanical gardens, ballarat school of mines, botanical gardens, george porter day, john noble wilson, materia medica, james oddie, francis usher, emil gutheil, botany, jessie knox smith, norfolk pine, parks and gardens

In 1905 Richard Squire was manager of the West Berry Consols at Allendale, and developed an improved system of mine ventilation, which was supported in "The Age." He was successful in combating and remedying the gas and ventilation troubles of the Deep Mines of Creswick and Allendale Districts after all had failed. MINE MANAGERS’ ASSOCIATION. Ballarat Branch. ... Mr R. B. Squire, manager of the West Berry Consols, at Allendale, submitted a paper detailing what he had done tor the betterment of ventilation in the alluvial mines of Smeaton and Mary borough districts- Members gave Mr Squire every credit for the results that he claimed to have effected; the adoption of his ideas had testified to their value to mine-owners. It was painted out, however, that for want of a thorough debate of the subject with experienced men the author had unwittingly included some general statements that required modifying in some points and extending in others, in justice to other workers among the earlier and the present day managers of mines. It was decided to invite the author to meet a sub-committee on this subject!Various handwritten Letters from Richard Squire to his son Tom 1935richard squire, tom squire, hazel squire, jack squire, jim squire, ned, mt mercer, basil, plant, skids, pump, c. hayes, illness, poppet, carburetor, shaft, balance weight, pearson, pulleys, syndicate, goon, suction, lease, reports, estimates, flat fields, reef, banagwanth, trucks, pipeclay, sandstone, suction pipe, valves, honeycomb rock, mr kermode, yarrowee, ballarat, reef combs, cheques, earthquake, yellow slate, leigh river, dyke, the madame bay coy, allendale, berry west, quartz, ballarat deep leads, ballarat deep leads extension, bore, reads, bedrock, j. hayes, harmen premier distributors, middletons, cemented sand, electricity commission, g m of a, gold mines of australia, dick harry, pearsons, hawksburn, crown wheel, rice's paddock, liz the car, volcanic ridge, lrg coy, mcnaughton's paddock, madison's lead, cameron & sutherland, crabhole, rokewood, glenfine, mrs gibbs, dobson, booth, shiels, thomas mitchell, mcpherson's reward, haddon, trunk lead mine, elaine, pitfield plains, mr clarke, daylesford, kuchel, shelford, geoff squire, lode, quartz reef, bladder attack, kidneys, income tax, reginald murray, grenville, blasting, john b. dennison, martin t. taylor, durham and buninyong deep lead, sebastopol plateau, mr wilkie, the premier petrol distributing agency of ballarat, lawaluk, ryan's western leads, mr nichol, mr hodge, knox schlapp and co., dr griffiths, state accident insurance office, magdala mine stawell, mining

Poor video quality (noise and interference), edited raw footage with music and some commentary by Merv Hanna. A video documenting the demolition of the Shire of Eltham offices at 895 Main Road Eltham under the direction of the Commissioners appointed for the new Shire of Nillumbik and some of the communities activities surrounding the event. The building was demolished exactly 25 years after the southern wing housing Engineering and Planning on the upper level and the Eltham Library on the ground level was opened in celebration of the Shire of Eltham's centenary. Video has lots of distortion and noise, and sections of clips dubbed over. Immediate initial footage of Jenni Mitchell talking about asbestos claims in the Shire Offices (Sigmund Jorgensen standing behind her) advising Council did a review of the building several years previously and had been cleared of health problems. Cuts to group of people standing outside front door of offices but possibly voice dub over not related ? Then the date 27 Jul 1996 on a scene flashes on screen immediately followed by an edited clip intro of title and credits with classical music track. It then opens with Jenni Mitchell driving to the Shire Offices on Saturday 27 July 1996 at 11.00am. Footage of Main Road past Pitt Street, Alistair Knox Park then entering Shire Office driveway which is fenced off and contractor signs hanging up. Scenes at rear of building showing some internal demolition has commenced. View of the Administration wing. More clips of road driving, Alistair Knox Park, Eltham Library and visitor car park for Shire Offices. Cuts to a group of people standing in access to visitor carpark with new Eltham Library in background, one being immediate former Shire of Eltham President, John Graves. Scenes of people looking through chain link fence and security guard checking front door. John Graves being filmed that someone informed him the Shire was offering the building to the Community Health Centre for $2.3 million and that if they had been offered a price of $1.1 for what it apparently was sold for they would have snapped it up. View of truck loaded with brick rubble literally struggling to ascend the hill of Library Place to exit into Main Road. Cuts to a scene looking at Eltham War memorial Hall through the Memorial Gate, then the Shillinglaw trees and large banner sign ‘Delta Demolitions’ hanging on office façade. Views of front door, old library and bluestone wall. Scene (31 Jul 1996) filmed at night of several white crosses with “RIP Community” and “RIP Democracy”. Scene (1 August 1996) again driving along Main Road towards the Shire Offices then scenes of the offices showing substantially more demolition to exterior, groups of people standing on footpath outside watching, Delta heavy demolition machines, woman holding sign “Democracy where have you gone …”, the odd person in full protection gear and breathing apparatus hand carrying materials out to place on rubbish pile in front of people standing on footpath watching (with no protection) and then stamping on it to break it creating dust, security person in hard hat (no other protection) wandering around, many groups standing around watching, news film crew, person standing on roadside edge holding signs facing traffic stating “Pirate Planning” and “ Grant us your ears” also sign on back of parked car “Elthams High Jacks”, another sign “Community Democracy”, views of crosses in Main Road median strip “RIP Community”, groups of people on footpaths and reporters conducting interviews, footage of unknown person standing with Jenni Mitchell and Sigmund Jorgensen advising people have the right to protest, Jenni Mitchell urging people to ask questions of local MP and Council and Sigmund Jorgensen referring to the three historic Shillinglaw trees with demolition machinery operating in background, Jenni Mitchell and others installing more crosses in median strip; demolition machines operating inside and outside the building, more views of onlookers including Sigmund Jorgensen then Police approaching on footpath, workers and machinery continuing to operate, views of the old library being demolished, the former Community Services department, security personnel. Scene (2 August 1996) more heavy demolition machinery in operation smashing building up, people standing around southern wing watching, view overlooking Eltham Library of train pulling in to Eltham station. Scene (7 August 1996) more heavy demolition and people wandering around with only hard hat protection, no dust protection, comments from one operator dumping a bin of material stating “wait till there’s a Hungry Jack’s here, you’ll be laughing, fuel, videos, hamburgers. You’ll be up with the rest of the world soon, you’ll have electricity and everything here, ha ha ha ha”, more heavy machinery demolition and breaking up of materials, view of Hitachi train going by and Administration wing, view inside the front door opening of the staircase leading to upper level, person walking around operating heavy machinery with a hose spraying rubble (no protective gear other than hard hat interspersed with edit cuts of meeting of Commissioners and independent observers on panel as well as members of the community in public gallery. Nillumbik Shire CEO Barry Rochford addressing the meeting., Chief Commissioner Don Cordell directly addressing Jenni Mitchell with respect to permission to take photographs, Barry Rochford continues to address the question asked of Council about the valuation of the former Shire of Eltham Office building/site, public gallery calling out asking why was building demolished, what was the urgency. Scene (14 August 1996) views of southern wing, previous single demolition operator again mocking people filming, operators working in and around building, Shillinglaw trees and largely demolished front, heavy demolition equipment at work, piles of building rubble, hose spraying water over rubble, large trucks arriving for rubble removal and loading of truck. Scene (21 August) more of the same, building virtually down, Shillinglaw trees standing tall and alone, water spraying on rubble and wattle in bloom. Cuts to Council meeting with public onlookers. Barry Rochford walks out, Wayne Phillips addresses meeting explaining one or two people shouting, members of the community challenging Council (Commissioners) about why due process appear to have been subverted. Former Shire President Robert Marshall in public audience, cuts back to Shire office carpark entrance site and sign hung on fence in front of library “Think Again!” and people standing around observing awaiting a protest demonstration erecting a large sign on stilts stating “Shell No!”, people singing a revised version of God Save the Queen (God Save Us All), Sigmund Jorgensen in attendance, Jenni Mitchell, Sigmund Jorgenson and others address the protest crowd, followed by people mingling, music being played then people standing around the cleared site circumference all with arms linked (video very broken up with noise) then chants “Save the Gateway” and “No Shell for Eltham” and more music and singing “Put up a parking lot”. The crowd then proceeds to walk along the footpath of Main Road. Scene (15 Sep 1996) meeting at Montsalvat in Great Hall addressed by Sigmund Jorgensen discussing a recently published list of the Commissioner’s to senior Council Officers of banned Nillumbik people, others encouraging people to view proposed plans for the site and lodge objections. Specific issues regarding asbestos claims are also addressed. Harry Gilham addresses the meeting on the subject of the Eltham War Memorial and Memorial Gardens and how Council believe a roundabout in the vicinity is of greater importance. Views of various artworks on display (for auction) and music performance in the Barn Gallery. Meeting addressed by Sigmund Jorgensen discussing an appeal against Council granting a permit to Dallas Howgate to develop the site and that the Minister has called the matter in to be decided by the governing council. This is followed by an auction of paintings.Hi-Tech Ultra High Grade Video Cassette E-180 VHS dubbing of (poor quality) edited raw footage with some music from Star Wars and commentary by Merv Hannan Converted to MP4 file format 0:30:26, 2.6GBOn label " Merv's Demolition tape No. 2 Copy"video recording, 895 main road, alistair knox park, artworks, auction, barn gallery, barry rochford, community health centre, dallas howgate, delta demolitions, demolition, don cordell, eltham, eltham library, eltham shire office, eltham war memorial, eltham war memorial gate, eltham war memorial hall, great hall, harry gilham, jenni mitchell, john graves, library place, main road, memorial gardens, mervyn hannan, montsalvat, pitt street, protest, robert marshall, roundabout, shell oil, shillinglaw trees, sigmund jorgensen, sign, wayne phillips

Plum Cottage is covered by Heritage Overelay HO256 in the Nillumbuk Planning Scheme This two-lot land holding was created as a subdivision and sold to Charles Stuart McNeil by May 1955. Sometime in the period 1955-1960, the builder-designer, John Harcourt had created a pise house on the site, straddling the two subdivision lots. The designer, John M. Harcourt was a pioneer builder in pise-de-terre and mudbrick in the Eltham Shire, Eltham being synonymous with alternative lifestyles and building practises until the onset of suburbia in the late 20th and early 21st centuries. This hipped-roof house is set high above Main Road on a V-shape plan characteristic of the Arts & Crafts style, with rammed earth or pise walls, timber joinery and a cement tiled roof. The V shape plan was used by important English and Eltham Arts & Crafts designers. The use of natural materials such as stone and timber construction is an essential part of the Arts & Crafts style and Harcourt’s work. So too is the application of the style on both the exterior and interior of the house as a holistic concept. The house adjoins the Lim Joon adobe house built and designed by Alistair Knox in the same era (HO119), thus forming a distinctive pair, both using an uncommon plan form. This house was identified in the Shire of Shire of Eltham Heritage 1992 as contributory to the Eltham Gateway Conservation Area, then proposed as an urban conservation area (now Heritage Overlay Area). Land Ownership Emily Jane Smith of 12 Woodside Street Fitzroy owned Crown Allotments 1 & 2 Sections 14, 27 by August 1918, selling to William Henry Smith of 12 Woodside Street, Nth Fitzroy May 1921. (John) James Isherwood of Main Road, Eltham owned the property by 1928 (the year of his death) with the beneficiary of his estate and next owner of this site being his widow, Minnie Maria Isherwood of Cemetery Road, Eltham. His holding in Main Road included parts of what was described in rate records as allotments1 & 2 Section E6. In the late 1930s, early 1940s her son Alfred John Isherwood was also rated for the land around this site, with the rated nett annual value varying between £2 and £5. Alfred Isherwood also lived at Main Road, Eltham with his wife Ellen: her early death at the age of 24 was reported in the Argus of 1923. Part of the Isherwood land was divided off and sold to Charles Stuart McNeil by May1955. Sometime in the period 1955-1960, the builder-designer, John Harcourt had created a pise house on the site, straddling the two subdivision lots. The house is visible on an aerial photograph from 1960s. Reputedly the house was called Plum Cottage and erected for Harcourt’s mother-in-law. A garage was added in 1959. Charles McNeil died in1971 aged 87: he was the son of Don McNeil and Margaret Arkell. Available rate records from the construction era start in the of the 1970s (1972-3) and list Mr H.C. & M/S A.V. Charity at 616 Main Road Eltham of this property with a nett annual value of $740. More recent valuer's data describes the property as lots 1 & 2 LP25668, located in the Central Riding of Eltham Shire, owned by Ann Valerie Charity and later, in 1990, by the Chincarini family. Building Description This hipped roof 11 .5 square house is set high above Main Road on a characteristic-shape plan and has rammed earth or pise walls, timber joinery and a cement tiled roof. The V-shape plan was used by Important designers such as C.F.A. Voysey (UK) who interpreted medieval domestic architecture as part of the Arts & Crafts style of the late 19th and early 20th centuries. The pise walls are covered with a textured render while the cement roofing tiles are also seen in the Harcourt Hill examples. Reputedly the ceiling joists are of a deep section and span long lengths with no need for hanging beams in the roof space. The ceilings are low and panelled in main rooms with apparently Caneite soft board infill panels between the exposed ceiling beams. These are painted white but may have been stained at one time. The focus of the house is the large living area with its vast random stone fireplace. Significance Plum Cottage is significant to the locality of Eltham because: Historically: • Plum Cottage is closely associated with the important historical theme of earth construction evident in Eltham and elsewhere in the Shire since theear1y Arts & Crafts inspired creations at Penleigh Boyd's The Robins (1912, HO101) and those at Montsalvat (1934-, HO82) but more prominent from the Second War period when earth building in Eltham was promoted in national periodicals as an alternative building method that avoided the building materials shortages of that era; • The choice of the earth building technique also expresses the theme of refuge or alternative living, synonymous with Eltham in the early to mid 20th century; • as a good example of domestic architecture from John Harcourt who was the first major post Second War figure in an important phase of Eltham’s earth building development, using his characteristic Old English or Arts& Crafts style that relies in this case on the pise wall construction, pitched roof forms, exposed ceiling joists, half timbering, random stonework, and panelled internal wall finishes. Architecturally: • Plum Cottage's pise wall construction is uncommon among the early earth-walled structures in the Shire, that are mainly of adobe or mud brick, and as a building material is uncommon among the Shire’s suburban dwellings generally which are clad typically with either fired clay bricks or timber boarding. Aesthetically: • Plum Cottage is a good and well preserved example of a modern Old English or Arts & Crafts style earth-walled building in the Shire • For the proximity of the significant Lim Joon adobe house designed by Alistair Knox adjoining to the north, providing a distinctive earth wall house pair, with uncommon plan forms. Reference Heritage Assessment of Plum Cottage, 616 Main Road, Eltham; Graeme Butler & Associates 2010main road, eltham, property, houses, (john) james isherwood, alfred john isherwood, ann valerie charity, arts and crafts style, charles stuart mcneil, chincarini family, eltham gateway zone, emily jane smith, h.c. charity, heritage assessment, john harcourt, john m. harcourt, lim joon house, main road eltham, minnie maria isherwood, pise construction, plum cottage

The property is a classic example of what made Eltham famous from the late 1940s to the 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p149 The first view of the large double-storey house at Yarra Braes Road, Eltham South, is of a jutting roofline over a balcony, reminiscent of a large sailing vessel or galleon – very appropriate, considering the name of one of the first owners, Le Gallienne. The Downing-Le Gallienne property is a classic example of what made Eltham famous from the late 1940s to the 1960s and attracted so many artists and intellectuals to the area. Set in a largely indigenous bush-style garden, the mud-brick and timber house was built by Alistair Knox. It was built for economist Richard Downing, to become a founder of the welfare state in Australia and Chairman of the Australian Broadcasting Commission, and musician and composer Dorian Le Gallienne. Le Gallienne was a pioneering composer of modern music in Victoria before 1945, whose works included the Symphony in E.1 He wrote several pieces of film music for Eltham Films, including The Prize, working with its writer and artistic director Tim Burstall. Le Gallienne was also a music critic for The Argus and later for The Age. In 1967 the music critic Roger Covell argued that Le Gallienne’s Symphony, was ‘still the most accomplished and purposive . . . written by an Australian’. According to Alan Marshall the main inspiration behind the building that evolved from 1948 to 1964 was Le Gallienne. ‘He was able to see value in the simplest things and many who worked there had their eyes opened for the first time to the Eltham environment, to the bush and the trees and the fauna which lived there.’ The garden included no formality, no lawns, nor exotic plants. ‘Natural informal growth came right up to their doors and so did the indigenous birdlife.’ This informal style – consisting of mass and void – was to be developed and popularised by landscaper Gordon Ford from the 1950s. The large mud-brick and timber house, which was built in four stages and has three separate but linked sections, began as a small weekend retreat for the couple. In 1948, Downing and Le Gallienne (Dick and Dor to their friends), asked Knox to build the 36 x18 foot (11mx5.4m) building with a pitched slate roof. It was built on a concrete slab and included a fireplace, which is still in use. The second wing was built in 1954 after Downing had returned from working at the International Labour Office and the couple decided to live there full-time. The third section was built after the death of Le Gallienne in 1963, aged 48. He is buried in the Eltham Cemetery. When Downing married widow, Jean Norman (nee McGregor) and had to accommodate a large family, including her six children and one of their own, the last stage was built by 1964. At that time the house was considered one of the largest mud-brick houses in Victoria. It consists of five living areas, including a small ballroom. Several artists helped Knox build the Downing-Le Gallienne house, which was one of his first of mud-brick. They included painter Clifton Pugh, artist John Howley and actor Wynn Roberts. Ellis Stones had landscaped the first wing and Gordon Ford set the boulder steps and made a pool as part of the landscaping he completed. Inside, the mud-bricks are largely whitewashed with pine-lined ceilings and Oregon beams. A winding timber staircase in the front extends behind a glass window from the ground floor to the top. The property, of a little more than 0.5 ha, is bordered by Parks Victoria land, which extends to the Yarra River.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, dorian le gallienne, downing-le gallienne house, eltham, mudbrick construction, mudbrick houses, richard downing, yarra braes road

Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road