These Lithographs were made for the printing and Publishing of the Book entitled "The History of Winchelsea Shire" by Cr. W.L Koenig who was commissioned by the Shire of Winchelsea to collate, Document and present the Pre-Colonial and Colonial History of the Barwon District and in particular the Winchelsea Shire for posterity and public education. The Book was published including the photographs represented by these lithographs as illustrations, and remains the foundation of the historical narrative of the area, and the context of this collection. This Lithograph is one of four depicting indigenous artefacts collected and displayed by Cr. Koenig. Koenigs collection of indigenous artefacts remain as unique in the Surf Coast Shire as a relic of material culture from the district in Pre-Colonial times. These lithographs remain as significant in themselves being the master copy remaining from the publication of Koenig's work. They are aesthetically beautiful as a work of art, and historically (technologically) important in the narrative of printing.Lithograph for printing a Photograph of a collection of indigenous artefacts for publication in the book "History of the Winchelsea SDhire" By Cr. W.L. Koenig.NILkoenig, lithograph, illustration, printing blocks, picture, book, indigenous, artefact, image, stone tools, winchelsea, wadda wurrung, witharong, wathaurong, wito wurrung, aboriginal

1 copy of original laser prints from the original lino cuts donated by Hartmut Beck and 1 original calendar donated by Rosa Kuegler.Foolscap plastic sleeve containing 18 pages of original booklet "Unsere Heimat". Cover and back mid brown colour whilst pages are bone coloured with lino prints. Also copy of the 18 pages in A4 size on cream paper. front cover: Unsere Heimat 12 Bilder von Alfons Konig unter Mitarbeit von Lilli Fast und 4 Lieder Beilagen. Herausgegeben von der Lagerleitung des Deutschen Internierungslagers 111 Tatura Vic. Australien. Weihnachten 1945lino prints, german calendar, hartmut beck, rosa kuegler, unsere heimat

Portrait of Gerda Decker in her role as Das Fuchen in Aus Dem Zerbrochenen Krug. Artist A. Konig was a graphic artist in Sydney and interned in compound A in camp 3 in 1940.Head and shoulders portrait of a lady with plaits wearing a Dutch bonnet, cream blouse and blue check, possibly apron, over the top of the blouse. Neck on the reverse of the bonnet match the check in the blouse.gerda decker, das fuchen, a. koenig

Material donated from various persons. Sketches by Alfons Koenig and others.Black plastic folder with plastic sleeves containing sketches and other material from Camp 3German Families from Palestine Interned 1941-1947 in Camp 3, compounds B and Calfons koenig, camp 3, german internees, germans from palestine

Material collected from Australian Archives by Lurline and Arthur Knee. Reports of Special Visitors to the Camps.|Plan of alteration to Camp 2 dated September 1943|Conduct report and release form for Walter Koenig.|Approval for marriage of internees Hans Fischer with LotteCalm.|Report on escape of von Amelunxen from Camp 10, 11.12.1942.|List of various reference number of Aust. Archive file of interest.|List of photograph negative numbers relating to the Tatura Camps.|Report on need for camp school.Blue plastic foolscap sized folder containing printed and handwritten material in plastic sleeves.Australian Army Archives Material from Brighton, Vic.documents, reports

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father, the seller's grandfather was Dr. Bruno Koenig, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Oil painting, depicting mythological scene. Female figure (unclothed), holding a red cloth/ garment trailing behind her. Centaur / faun? walking beside her. Outdoor scene. Trees, mountains & cloudy blue sky visible in background. Sandy coloured soil. Painted on reverse of old "Choice Tea" box.(On back): 1945 Tatura; ... remember ..... and us, Cesare and Maria Vagarini; On back, on sticker: Va(r)garini, Tatura Internment Camp, 1945 "Choice Tea" stencilled on back, part of original box material.tatura, camp 3, cesare vagarini, camp 3 artwork, victorian internment camps, doctor bruno koenig