Lamps standards 46/- Lamps 30/- Purchased November 1968, and first lit Wed 26th 1869. Murray Comrie Collection.Monochrome photograph of the historic lamppost outside the Presbyterian Church in Tarnagulla. This is an original photograph probably taken in the 1960s. tarnagulla, buildings, churches, church, presbyterian, religion, lighting, lamppost, power, energy

Murray Comrie Collection. This is an original photograph.Monochrome photograph depicting an old, defunct gas lamppost in King Street, Tarnagullatarnagulla, lighting, gas, power, electricity

The photograph of Lady Bay, Warrnambool, and its surrounds reflects the historical changes to the area since since the early days of the Breakwater, from the 1870's. The foreground shows a lamppost with insulators, showing that electricity was supplied before or at the time.The subject of the photograph gives a reference point to the passage of time and the changes brought about in the growth of the town to a busy city, of the changes in transport and landscape and the management of the Bay.Photograph, sepia, showing Lady Bay, Middle Island, Lake Pertobe, railway line and cows in foreground, steam ship with smoke docked at the breakwater, small hut and larger building at start of breakwater, row of Norfolk pine trees across centre. There is a lamppost with white insulators in the foreground.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, warrnambool, lady bay, lake pertobe, cannon hill, middle island, steam ship, breakwater, warrnambool history, insulators, electricity, power, shed on breakwater

Early Hogan Street looking East towards Court House; with horse drawn cart; lampposttatura, buildings, historic, transport, horse

Photo of the P&O liner Monterey approaching Station Pier on its maiden voyage, with several people waiting by lamppost on the pier. 1932Details pencilled on backmelbourne harbor trust - port of melbourne authority, piers and wharves - station pier, transport - shipping, engineering - bridges, monterey

Black and white photograph of Blackburn Road looking south from Canterbury Road in January 1960. Note lampposts and made footpath on the left side.blackburn road, canterbury road

Photograph of a brick building with a bell tower at the rear. A sign above the doorway reads ' Fire Brigade Depot. In front of the building are several horse drawn fire appliances, one of them holds a ladder and some buckets, another contains what appears to be a tank and is towing a large hose reel. There are eight men grouped around the appliances, some in uniform. To the right of the building ,on the roadway, there is a lamppost and to the left and right are wooden tree guards.Batchelderbuildings, organisation, batchelder , fire brigade depot

This image depicts the same area - if at a different angle - as VEMUP0008, which dates from 1907, and VEMUP0694, which dates from 1909. Most buildings in VEMUP0008 are also in this image, but there are some in that on which are not visible here - though they may simply be out of frame. There also appear to be less trees than in the 1907 photograph, appearing somewhat more similar to 1909. In 1908, a large bushfire threatened Emerald, putting Archibald & Moffatt's store at risk (with it igniting and being put out several times) alongside many other buildings in and around town - and destroying the town's church. It is possible this photograph was taken not long after that fire, in the early 1910s. It is also possible it was instead from earlier than this, but the telegraph line clearly visible in this photograph don't appear to be visible in the 1907 and 1909 pictures (though these pictures are also unclear. Tentatively I would date this to the early 1910s.This image forms part of the record of the historical development of Emerald.This item is a black and white photograph printed on glossy photo paper. The reverse features printed technical information, Fujifilm logos, and a handwritten accession number. The image depicts an unsealed road with a shop on the foreground on the right; a telegraph line runs across the right side of the road, and a gas lamppost stands in front of the shop. There are more buildings in the background on the left. Four individuals are standing in front of the store on the right. That store has a sign printed on the side facing the camera.Obverse, Lower Left: "EMERALD" Obverse, Sign in Image: "ARCHIBALD & MOFFAT / GROCERS" Reverse, Printed Technical Information: "J9505398 2/6 <> 00000002.jpg / JOB3819505398 Emerald early 2.jpg Kevin+"1910s, emerald, commerce, archibald & moffatt

“This public art project honours the people and suburb of Sebastopol, as well as providing a strong visual identity for Albert Street. It will make the street a lot more attractive and welcoming. The project is the outcome of extensive consultation with groups and individuals in the Sebastopol community, who have made suggestions both as to the nature of the project but also the aspects of life in their community they wanted to represent through the artwork.”Crossing Rubicon by Ratartat is located in Albert Street, Sebastopol, Ballarat. A row of 16 lampposts in Sebastopol’s main street are topped with large enamelled steel sculptures of trees, representing different aspects of Sebastopol’s community life and history. Ratartat is an artistic collaboration of Ballarat-based artists Geoff Bonney and Pete Widmer. The name, Crossing Rubicon, refers to Rubicon Street, the boundary between Redan and Sebastopol. The street was named after the Rubicon River, an ancient boundary between Italy and Gaul. Julius Caesar’s decision to cross the river, thereby rebelling against the Roman Senate, gave rise to the expression “crossing the Rubicon”, meaning going past the point of no return.Sixteen powder-coated steel sculptures mounted on light polesrubicon, sebastopol, ratartat

This building on the corner of Main and Gell Streets, comprised of two shops, a residence and sheds at the back, was built by Jeremiah Ryan in 1886-7. It became known as "Ryan's Corner". The first usage as mentioned in the Bacchus Marsh Express was as a jewellery in one shop and a fish and oyster shop combined with Watson's agency business in the other. Over the years, a variety of businesses operated in the two shops, including a barber shop, auctioneer and land agent premises, a hairdresser, solicitor's, costumiere, and bootmaker. Joseph Burbidge operated a greengrocery on this site for several years until the corner store was purchased in 1903 and became an ABC Cafe. Various businesses continued to operate on the site, with the neighbouring ABC cafe continuing in business with a number of different proprietors. The cafe was taken over by Miss Mary O'Donnell in 1922, assisted by Mr "Bill" Day, who became a business partner in 1924. In 1935, Miss O'Donnell sold her share of the business to Mr Day, who continued to operate the tea rooms with his wife. He remained the sole proprietor until his death in 1963. Because he was a well-known shop-keeper in the town over a period of forty years, his establishment became known locally as "Bill Day's Corner". In 1968 the building was demolished for the Commonwealth Bank, which continues to operate on this site.Black and white photograph mounted on brown cardboard. Photograph of M. O'Donnell A.B.C. Refreshment Rooms with a young woman and a gentleman standing outside on the footpath. They can be identified as Virgie McCusker and W.J "Bill" Day. The corner brick building has a corrugated iron roof with a verandah supported by pillars featuring wrought iron corners. The corner pediment bears the name : Ryan's Corner 1887. The space between the corner pillars has a large sign reading: Miss M. O'Donnell. A.B.C. Dining & Refreshment Rooms. Board & Residence. Motors Catered For. The front window has an advertising sign: Cadbury's Chocolate. A sign on the door reads: Luncheon Please. Items can be seen in the window. At the corner stands an ornate iron gas lamppost.On the back: Handwritten: Corner Main & Gell Sts built by Jeremiah Ryan 1)Day. demolishe 19 (incomplete date) Site now Commonwealth Bank. C.B.A. opened 1963. Virgie McCusker, niece of Miss O'Donnell. 21/3/23.shops bacchus marsh, small businesses bacchus marsh, refreshment rooms, w.j. "bill" day 1887-1963

View looking east across the Glen Park Bridge and the railway crossing towards Main Road circa 1920. The bridge was originally built as a replacement for an older private bridge built by a man named Foley around 1880. In 1911 Heidelberg and Eltham agreed to share the costs to build a new bridge (the Diamond Creek was the border between the two). Construction began in June 1915 and it was officially opened by Cr. Taylor on Cup Day, November 1915. This photo, dated around 1920, is of the Glen Park Bridge crossing over the Diamond Creek about 50 metres north of the present-day Wattletree tree Road Bridge. Glen Park Road intersected Main Rain Road along an alignment following present day Coleman Cresent. In this this picture we see the narrow wooden bridge over a high flowing Diamond Creek at Glen Park, now Eltham North. In the background is a railway crossing sign. There is a self-contained carbide streetlamp situated in front of the bridge. In the early 1900s, carbide (acetylene gas) streetlamps emerged as a lighting technology for regional towns across Victoria, Australia, before municipal electricity grids were widely established. During the late Victorian and early Edwardian eras, major hubs like Melbourne relied on centralized coal-gas infrastructure. However, small regional Victorian shires lacked the funds or population density to build large gasworks. When the commercial production of calcium carbide became viable around 1900, it offered a quantum leap in brightness over traditional kerosene streetlamps. Acetylene gas burned with an intense, crisp white flame—significantly brighter than oil or candles. Many rural towns used self-contained lampposts. A lamplighter had to climb each post daily to manually place calcium carbide pellets in a lower chamber and fill an upper chamber with water. The water dripped onto the carbide, producing acetylene gas to feed the burner. Lamplighters carefully measured the fuel amounts so the chemical reaction would naturally exhaust itself and "turn off" around midnight. While carbide streetlights provided unparalleled visibility for early motorists, cyclists, and pedestrians, they were incredibly labour-intensive and inherently volatile. The gas was highly explosive, prone to leaks, and left behind a pungent, sulphur-like odour. By the end of World War I, local Victorian councils rapidly phased out acetylene infrastructure in favour of safer, independent electric powerhouse generators. In the context of Eltham's local history, the Eltham Shire and surrounding Yarra Valley region actively relied on carbide streetlamps and kerosene lighting during the early 20th century before the expansion of the Melbourne electric grid. Eltham was an outer-rural, heavily timbered farming and orchard district at the turn of the century, it faced unique civic infrastructure challenges. In rural Eltham, early streetlamps were exceptionally sparse. The community relied heavily on "innkeeper laws" which dictated local hotels—such as the historic Eltham Hotel—were legally required to keep external oil, kerosene, or acetylene lamps burning through the night to illuminate the main roads for travellers and coaches. The volatile carbide and kerosene lamps on Eltham's main thoroughfares were progressively phased out during the 1920s. The district steadily transitioned to electricity, which allowed for developments like the installation of modern electrical wiring at the local fire station on Arthur Street by 1928. The Glen Park Bridge was a low structure and subject to flooding readily. In 1959 Eltham Council erected a new crossing over the Diamond Creek and realigned the road to the present-day Wattletree Road Bridge. Construction was not fully complete when on Sunday, 20 September 1959, heavy flooding occurred in the stream and at 3:53 pm the old bridge was washed away forever. - Research by Peter Pidgeon, EDHS, June 2026Photograph copy eltham north, wattletree road, coleman crescent, bridges, diamond creek (creek), bridge, carbide streetlamp, floodwater, glen park bridge, street lamp, glen park road, glen park estate

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.