The doily is part of a larger collection of textile items owned by Alice Matilda Barrie who was born in 1885. According to family members Alice was a talented crocheter and it would be presumed that she crocheted this doily as it is similar to patterns available in the 1940s. The doily is an example of a handcrafted crocheted object used to decorate homes in the late nineteenth and early 20th century.A hand crocheted oval doily in the pineapple pattern. To the left and right are two large 'leaf' shaped motifs which are repeated to a smaller scale on the top and bottom of the pattern. The four motifs are placed around a central flower shape. The whole piece is edged using an open crochet style.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, doily, crochet, crocheted doily, pineapple crochet pattern, pineapple whirl crochet pattern, late nineteenth century, early twentieth century, decorative household object

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

Photocopy of page 5 of an article .No date [late nineteenth century] cricket match of ladies at Upper Reserve Sandhurst.title 'The First Match ''bendigo, sporting clubs, cricket

The desk was used by the head keeper and supplied by the Public Works Department, and possibly dates to when the lightstation commenced operations in 1884. Closer inspection of the wood may reveal the Crown motif and PWD monogram on the side or underpart of the furnishing. The PWD operated in Victoria from 1855 to 1987 and was responsible for the design of Victoria’s major public buildings and infrastructure as well as the supply of stores, furniture and equipment. The desk is identical to the large example remaining at Point Hicks. A smaller version, which is at Cape Schanck, has two sides stamped with the crown motif and PWD monogram. Another of the smaller desks formerly at Cape Schanck is now missing. Gabo Island has a small cedar desk or table in the same style, but with one drawer. There are also c.mid‐twentieth century desks remaining in the collections at Wilsons Promontory and Gabo Island. The Cape Nelson desk has first level contributory significance for its provenance and historical value as a government issued furnishing that is original to lightstation’s head keeper’s office.The large, late nineteenth century cedar desk has two drawers, leather inset top and sturdy turned legs. The drawers each have a pair of wooden knob pulls.

A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school.Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Section of a late nineteenth century wallpaper sample showing boys and girls playing games and boating amongst a decorative background of leaves and flowers. The colourway uses tones of greens, purples and blues on a fawn background.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham

This book is a guide to eyecare for the intelligent lay-reader, not so different from books still published today. It appeared in a number of editions until about 1900. This one is edited by George Black MB(Edin) as part of the Long Life Series. As this book is a guide to eyecare for the lay-reader it is socially significant. It is not rare, but being somewhat ephemeral it would not be expected to see copies of this book surviving in the very good condition of our copy. No other copies are listed on WorlCat for Australia.Small hardback book in original printed green cloth covers, 139 pages and 21 figures with 20 pages of book advertisements. The decorative Art Nouveau cover is visually attractive. It is a late nineteenth century guide to eyecare for the intelligent lay-reader. It was priced at one shilling.Signature of J B Shattock on half title page.ophthalmology, eye, eyesight, eyecare

Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion of local trailblazing women during the late nineteenth and early twentieth centuries with explanation leaflet.Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion. marion, edwina, schwerkolt, wilhelmina, weber, ivy, goyder, constance, serpell, jane, gaff, janet, sutherland, jane, boorat, annie, burchill, elizabeth

This bookmark was found in a book called 'The English Lakes' owned by Elizabeth Chatham-Holmes. The bookmark is a Stevenograph. In 1854 Thomas Stevens began with weaving plain and fancy ribbons, but was soon experimenting with a development of jacquard weaving to produce pictures. For this, the picture was plotted on squared paper, in the fashion of a cross-stitch embroidery design, and a large card then perforated to represent each colour appearing in every "line" of the picture. The cards, arranged in an endless chain and attached to the loom, controlled the manipulation of the warp threads. Each time the shuttle crossed the loom a different card came into use, changing the arrangement of the warp threads and, consequently, the pattern woven..When the industry collapsed in 1860, Stevens determined to make use of his experiments by producing pictures in such variety as to appeal to all tastes. The earliest productions seem to have been bookmarkers... The pictures included portraits of celebrities and local scenes, scriptural texts, hymns and psalms, and verses from the poets. Stevens also introduced to the Admiralty a hat ribbon with the name of the ship woven in gold wire. This he patented; it was adopted and for many years the firm was the sole supplier to the Admiralty Contracts Department. https://stevengraphs.com/thomstevandh.html Also found in the book was a small card with dried flowers glued with the words 'Flowers from the Holy Land' and a WW2 photograph of the bust of a man in uniform with a cap..1) Red hard covered book called 'The English Lakes' by W.T. Palmer. .2) Woven silk bookmark with white (now cream) and yellow background and red, purple, green and yellow detail and the start of Psalm 23 woven into the bookmark. Possibly made in the late nineteenth century. .3) Small card with dried flowers glued with the words Flowers from the Holy Land .4) WW2 photograph of the bust of a man in uniform with a cap. .1) Inside front cover "E.S. Holmes Ascot" .2) Woven into the bookmark - The Lord is my Shepard I shall not want, & T. Stevens, Coventry .3) Printed on the front - Flowers from the Holy Land, Placed on the Holy Sepulchreholmes, ec holmes, ascot, religious, religion, bookmark, english lakes, w.t. palmer, chatham-holmes collection, flowers from the the holy land, stevengraph

This photograph provides a fascinating insight into clothing and deportment in school sport in the late nineteenth century. A significant social record of clothing and deportment in school sport during the late nineteenth century. Sepia toned photograph pasted grey card mount and framed behind glass. Thin wooden frame. Photograph depicts the Ballarat College premiership football club in 1890. Players are in uniform - sleeveless, collarless shirts, knickerbockers, stockings and laced boots or shoes. There are 20 boys. The photograph is titled. 'Premiers', 'Ballarat College Football Club, 1890' and the students names are p[rinted on the mount. Printed on mount above photograph: 'Premiers' Printed below phoograph: 'Willets, Photo. Ballarat/Ballarat College Football Club, 1890/ J. Cohen, A. Greenfield, J. Cameron, A. Bregazzi, H. O'Farrell, C. Robinson, W. McCook, A. Laidlaw, W. Mockett/ F. Kersley, W. Whykes, A. McCook, M. Lynch, B. Martin, J. Rentoule, H. Bailey, H. Levein, D. Williamson/ P. Smith, E. Wanliss' Stamped on rear of framing board: 'J. A. Reynolds/Decorator and picture framer/28 Sturt St. Ballarat' ballarat college, football, 1890, uniform sports, premiership, ballarat college football club, j cohen, a greenfield, j cameron, a bregazzi, h o farrell, c robinson, w mccook, a laidlaw, w mockett, f kersley, w whykes, a mccook, m lynch, b martin, j rentoule, h bailey, h levein, d williamson, p smith, e wanliss

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.An assortment of late nineteenth and early twentieth century medical items, including medicine bottles, ointments and a package of cotton wool.medical, medicine, history of medicine, haeulser, haeusler collection, wodonga, albury wodonga

This pretty folding silver lorgnette appears European in styling and may be French. The extensive scratching on the lenses indicates many years of use. This form of lorgnette was popular in the mid to late nineteenth century.This lorgnette is significant to the collection as one of the most ornate.Silver folding short handled lorgnette with pivoted bridge and ornamental loop handle. Round convex lenses badly scratched.lenses, glasses, lorgnette, folding spectacles

Owned by Ruby Wilson nee Mills (?), includes photographs of members of the Wilson, Godber, Partington and Whatmough families, most of which were taken in the late nineteenth century, and one newspaper cutting from 1936.Large collection of photographs of local Greensborough family members from the nineteenth centuryDigital copies of 42 p. photograph albumRuby Mills, 41 Pultney St. Dandenong 3175godber family, whatmough family, partington family

Whitehorse Manningham Libraries Periodical Issue 1, 2017 containing an article on 8 local remarkable women of the late nineteenth and early twentieth centuries.Whitehorse Manningham Libraries Periodical Issue 1, 2017whitehorse manningham regional library corporation, libraries, public libraries, marion, edwina

The bells were sent to the Melbourne Exhibition of 1881. They were awarded first prize. Guaranteed to chime to the sixteenth of a tone. They were purchased by Frederick Perkins Stevens and given to Christ Church Warrnambool as a gift in memory of his son, Frederick Stephen Stevens, who died at his Queensland property in1879.These German bells are the oldest matched peal in Australia.Three bells weighing 9cwt, 5cwt and 3cwt respectively, decorated with angels, medallions and inscriptionsThe largest bell has "Gloria in excelsis Deo: (Glory to God in the highest)"Vivos voco" (I summon the living) and "Motuos plango" (I bewail the dead). The second bell has "In terra pax" (Peace on earth); and the third bell has "In hominibus beneplacitum" (Goodwill towards men) Another inscription in German is "Siehe die Steine Rufen, Ehre sei Gott in de Hohe" (Behold the stones cry, Honour to God in the height)frederick perkins stevens, frederick stephen stevens, melbourne exhibition 1881, radler, warrnambool victoria

Linoleum was introduced in the late nineteenth century and the examples at Hymettus include this original early twentieth century hall runner. While other examples in the house date to the 1940s his example from much earlier is a rare survivor of its type and vintage. It was a popular product of its time reproducing the look of encaustic tiles as were found in wealthier homes.linoleum, nineteenth century, wealth, hymettus, encaustic tiles.

The flour bag is an example of packaging from the grocery store, Moran & Cato's. Moran & Cato's were a large chain of grocery stores operating from the late nineteenth century to the mid twentieth century across Victoria, Tasmania and New South Wales. The address on the flour bag is for the warehouse (wholesale depot) of the business which was a significant building in Brunswick St, Fitzroy.The flour bag provides a snapshot of packaging for a well known grocery store of the early twentieth century. The advertisement on the back for 'Cleaned Fruits' is an example of advertising that highlighted important facts relevant to that time (e.g. "latest Special Machinery" and "with running water").Small calico flour bag for self-raising flour (7lb) supplied from Moran & Cato's in Brunswick Street, Fitzroy, Melbourne. The front of the bag includes not only the detail of the business but ideas for baking, images of wheat and claims as to its excellence. The back of the bag has a written advertisement for 'Cleaned Fruits' another product of the company.Front - Wheaten Flour, Moran & Cato's, Trade mark The M & C Brand Registered, 7lbs Nett, The Highest Standard of Purity and Excellence, prepared with phosphate aerator, Self-raising Flour, For making scones bread cakes puddings & pastry, Warehouse & Office- Brunswick Street, Fitzroy, Melbourne Back - Moran & Cato's, Cleaned Fruits are Perfection, (advertising text), The Same High Quality, The Same Prices at all our Branches.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, moran & cato's, flour bag, self-raising flour

Tea cosy dolls originated in the Eighteenth Century, becoming commonplace after the 1870s. Most later Nineteenth Century examples were produced in continental European factories. These half-dolls were created using a number of mediums including soft and hard paste porcelain. They were frequently attached to a 'dressed' wire frame that covered the tea pot like a modern tea cosy.Hand-painted ceramic tea cosy half-doll with articulated arms. The half-doll has attached human hair.tea cosy top, tea cosy doll, half dolls

Tea cosy dolls originated in the Eighteenth Century, becoming commonplace after the 1870s. Most later Nineteenth Century examples were produced in continental European factories. These half-dolls were created using a number of mediums including soft and hard paste porcelain. They were frequently attached to a 'dressed' wire frame that covered the tea pot like a modern tea cosy. Hand-painted ceramic tea cosy half-doll with articulated arms. The half-doll has attached human hair.tea cosy top, tea cosy doll, half dolls

This velvet bonnet hat is believed to have belonged to Ellen Dowsett (1858-1953), who lived in Maidstone, Victoria in the late nineteenth century. It was donated by an Emerald resident who received it from Ellen's daughter, Ruby May Selina Wallace. The hat was likely worn between 1880 and 1910, and is an adorned, likely handmade example of the bonnet hats that remained popular at that time. This bag is an example of handmade fashion from late 19th century Australia.A black velvet bonnet hat. The front is adorned with a black velvet bow, complemented by a small section of lace and a petal-like velvet section reaching upwards. The rear features two black velvet ribbons, made to tie together below the wearer's chin and secure the hat on the wearer's head. Other layers of velvet decorate the top of the hat. The inner lining uses a different black fabric and is unadorned.No inscriptionsclothing, fashion, hats, 19th century

This table was found in the shed and restored in the 1990's by lightstation staff. The late nineteenth century cedar table has turned legs, a front drawer with brass knob pull (this may not be original). The wood has lost its original finish. Despite this, it has first level contributory significance for its historic value as an original furnishing that has remained at the lightstation since the nineteenth century.It has first level contributory significance for its historic value as an original furnishing that has remained at the lightstation since the nineteenth century.Australian cedar table with turned legs and front drawer with brass keyhole and wooden knob. Unpainted.

The table was used to separate gold from crushed quartz through vibration movement The Phoenix Foundry, part of James Martin and Company, was established by James Martin, MLC, often referred to as the “Father of Gawler”. The Phoenix Foundry was significant, historically, because it formed part of the leading engineering works in the state in the late nineteenth century when Gawler was one of Australia's most important industrial centres. The company was established in 1848 and ceased operation: in1907 Large Phoenix-Weir concentrating table. Rectangular green and pink painted table, inscription on one side with decorative motives, comprises of slatted table top which creates ridges, wooden channel which is bolted on table top, box with holes in base sitting loosely next to channel, table is joined to gear/s which in turn runs belt wheel, gear/s sits on unpainted concrete block, whole table sits on 2 concrete pillars which are raised, table top is tilted on an angle, wooden trough is on lower side of table and sits underneath which is sitting on rusty tins."the phoenix-weir jas martin & co/concentrating table sole makers/gawler. S.A"

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. A pelerine is a small cape that covers the shoulders. It was most popular during the mid- to late nineteenth century. Cream net machine embroidered collar with ruffle of chemical lace. Machine constructed post World War 1. Worn in the evening women's clothing, lace, collars, pelerines

Hand operated sewing machine made in Germany in the late nineteenth century. Mrs Weiss, a young Templer Lutheran living in Palestine, owned it and took it with her to Heluan, Egypt, where Germans in this region were interned during WWI. Her permission to take it was dependent on her sharing the machine with other internees. When the Templers in Palestine were interned in WWII, the sewing machine accompained Mrs Weiss and her family to Tatura in 1941 on the condition that other imternees would also use it. After the war it was taken to South Australia where its use by Mrs Weiss continued until they replaced it with an electric machine.Wooden case/cover for hand operated sewing machine. Has silver metal collapsible carrying handle and metal keyhole. Has Decorative inlay border on top and around handle. Metal hand operated table top sewing machine, painted black with gold decorative pattern. Hinged to a wooden base. Drawer built into base with sliding panel for holding accessories.Kayser, Johannes Weiss, Christine Weiss.sewing machine case, kayser, tatura internment camps, templer, palestine

The fragments appear to be associated with three stoneware vessels, with two at least dating from the nineteenth century. One of the vessels is a late-nineteenth century stoneware ale or stout bottle which survives largely intact except for the base which is broken into three pieces and held together by a band wrapped around the bottle. The upper part of the bottle has a light brown glaze, and interestingly the pale stoneware body is discoloured by ash. The other items in this sub-set; two ceramic fragments from another unidentified vessel and a brown glazed short neck from a third (perhaps an ink bottle), are also fire damaged. -Ceramic Bottle & fragments, ceramic, fire damaged.

James Legg married Emerald Watson at Gembrook in 1885. The couple had at least 10 children. The San Francisco Instantaneous Photographic Company developed a new technique after 1870 which required exposures for only a fraction of a second. The Company would travel to advertised locations where they would take portrait photographs. This photograph is circa late nineteenth century. This and other postcards and photographs came from the estate of David Moyle (1938-2015) who was a police officer in Emerald during late 1960s-early 1970s, and subsequently at Belgrave in the early 1980s. David Moyle was closely associated with the now defunct Sherbrooke Historical Association.This postcard is significant because of its representation of a well-known local man and its evocation of a style of portraiture. It is also part of a collection belonging to a community member who had a close association with a local historical society.A style of photographic portraiture which became popular in Melbourne in the late 19th century, and which could be shared amongst family and friends. This one is sepia colored with rounded corners. The subject, James Legg, appears to be deliberately dressed as a working man and he is holding a long stick or tool and standing on leaves. Some background details are too faded to be able to be discerned accurately.On back printed: 'SAN FRANCISCO / INSTANTANEOUS / PHOTOGRAPHIC COMPANY' On back on the L side handwritten: 'Mr J Legg / alias / Ned Kelly' On back underneath the company information, handwritten: ' Pakenham / J. Legg'david moyle, police, san francisco instantaneous photographic company, gembrook, james legg, emerald

North east Victoria was a major dairy producing region in the late nineteenth century. The first iteration of the Wodonga Butter Factory Ltd was established in 1892. Dairy was sent from farmers across the district for processing at the factory in Wodonga in the 1890s. Victorian creameries regularly exported frozen butter to London, stock was transported by rail for sale in Melbourne, and of course sold and consumed locally. E.W. Mann, of the prominent local Wodonga family, was a shareholder and was closely involved in the establishment of the Wodonga Butter Company. Many families living on farms also owned their own cow, and had equipment to process their own dairy products at home. This item has strong links to the history of Wodonga and north east Victoria. It has interpretative potential in the areas of local agricultural history, and the social history of food and farming.A wooden butter churn with metal turning handle, and two butter paddles and removal lid.butter, butter churn, dairy, cream, milk, cow, agriculture, farms, farmers, farm, food, social history, food history

North east Victoria was a major dairy producing region in the late nineteenth century. The Wodonga Butter Factory Ltd was established in 1892. Many families living in the town or on farms also owned their own cow for family needs and produced their milk and butter. This churn is representative of the equipment they used to process their own dairy products at home. This churn was made by E. Cherry & Sons which was established in Gisborne, Victoria in 1858. Edward Cherry (1830-1910) arrived in Australia from Hertfordshire, England, in 1855. The business manufactured churns and in 1875 opened a larger factory. On his death, the business was taken over by his son and continued to operate until the 1970s.This item has strong links to the history of Wodonga and north east Victoria. It has interpretative potential in the areas of local agricultural history, and the social history of food and farming.A wooden butter churn with metal turning handle and removable lid. The wooden paddle inside is attached to the turning handle which rotates to churn the butter. The model number is T1. It was probably made by E Cherry & Sons of Gisborne although the brand is blurred.On one side in black: "T 1"butter churns, dairying industry, domestic appliances, e. cherry churns