The artwork undertaking at the Ballarat School of Mines was found in a folio on top of wardrobe at the nursing home where Edith Watson lived. It is assumed that the artworks were quite precious to the maker.A number of certificates awarded to Edith Alice (Alice) Watson. .9) Blue print on cream card, black ink hand writing with purple director's stamp. Certificate No. 166936 Awarded to Edith A. Watson"ADVANCED" stamped in purple ink. "Ballarat School of Mines No. 10" stamped in red. Edith A. Watson Pass in Drawing Ornament from a cast in Light and Shade, 1931. art, technical school certificate, edith a watson, m p h ansen director of education, edith watson, drawing from the antique, m. p. h. ansen, certificate, alice watson, alumni

Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Bal larat Treasure' in 2007.Pencil drawing of a plaster cast floral form.Written on the mat board below the drawing "Drawing ornament from cast in light and shade. For Drawing Teacher's Secondary Certificate by Albert E. Williams, Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, plaster cast

Cut glass light shade base.lighting, electric, shade

One of the most common centre draft kerosene lamps one can find in the USA and Canada is the Rayo. Large and sturdy, simple to use, but also notorious for being a fuel hog. This lamp was made by Bradley and Hubbard Metalworks in Chicago also Bradley and Hubbard made the “Perfection” brand lamps that look like the Rayo and are pretty much the same lamp with all parts interchangeable. The Rayo was given away to customers for free as a promotional item by the Standard Oil Company. The lamp’s huge appetite for fuel meant a hefty increase in sales of kerosene for the company and increased profits. The Rayo is a classic centre draft lamp that uses a widely available tubular wick that measures 62mm flat. It employs a simple and reliable mechanism for securing wicks in the burner along with a brass tube with many small teeth at its end. The tube is attached to the toothed rack that’s moved up and down by the adjuster knob.This type of lamp was used in most households and on rural properties before the introduction of electricity and is an early example of a promotional. The lamp was given away to customers of Kerosene oil as a means of increasing the Standard Oil Company sales of Kerosene during the late19th to early 20th century.Lamp of metal without shade. Mantle burner, plated light metal base. Ornate shade holder. Broken glass.Marked "Rayo Junior"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp, mantle lamp, metal lamp, lighting, oil lamp, bradley & hubbard

Pink etched glass gas light shade with fluted bottom.lighting, gas, shade

Slide, ALLAN BUDGE COLLECTION, Polychome Brickwork, Bancroft Street. Light and shade and polychrome.house, public, allan budge collection, allan budge collection

A large dark blue/purple spherical light shade made of glass. It has aluminium fittings.

This specimen was recovered from Sedgwick, VIC. Spotted slate is a fine-grained porphyroblastic metamorphic rock with a number of compounds including muscovite, quartz, graphite with cordierite poikiloblasts and more. The cordierite poikiloblasts are rounded crystals that size up to 2.5 mm. the growth of these crystals is in response to metamorphism of low to medium intensity. The town Sedgwick was named after British geologist Adam Sedgwick This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid rectangular hand-sized spotted slate specimen in a shade of light grey with darker flecks throughout Spotted Slate / Locality: Sedgwick Victoria | This is an early specimen / from the Quarter sheet / map. See sample 62 / page 18. Described as 'Spotted Slate' but these / days we would call it spotted hornfels / C. William 15/4/21 slate, spotted slate, victoria, beechworth, burke museum, geological specimen, mineralogy, sedgwick, sedgwick victoria, spotted slate specimen

The Vagabond Papers First Series Sketches of Melbroune Life, in Light and Shade Publisher: George Robertson Date: 1877Label on spine with typed text R.A. 994.5 VAG Inside front cover has a sticker from Warrnambool Mechanics Institute and Free Library warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, the vagabond papers first series

The Vagabond Papers Third Series Sketches of Melbroune Life, in Light and Shade Publisher: George Robertson Date: 1877 Label on spine with typed text R.A. 994.5 VAG Inside front cover has a sticker from Warrnambool Mechanics Institute and Free Library warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, the vagabond papers third series

Carl Hermann Nier in 1877 a silverware maker started to produce miners lamps and household lanterns in Beierfeld, Saxonia, East Germany. In January 1902 he established the Nier-Feuerh and company in his home town to produce kerosene lanterns. Carl's three sons Bruno, Curt and Woldemar Nier made the company into the largest lantern producer in the 1930s with Bruno Nier holding many patents for lamps. Lantern production was interrupted by World War II and ceased at the end of 1944 because of the shortage of materials and the advancing Russian army. After the Second World War the company restart the lantern production in 1947 at Luedenscheid and Hohenlockstedt north of Hamburg and fully re-establishing the company in 1950. A domestic item with an interesting history that now is sought after by collectors giving an insight into how hurricane kerosene lamps came into being from a manufacturer in Germany that held numerous patents for oil lamps from 1902 until 1940.Kerosene Lamp with handle, blue in colour, badly rusted. Lamp shade has lever to lift so you can light. Marked "Feuerhand Nr 327" "Made in Germany".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp, kerosene lamp, hurricane lamp, nier-feuerh, carl hermann nier

Carl Hermann Nier in 1877 a silverware maker started to produce miners lamps and household lanterns in Beierfeld, Saxonia, East Germany. In January 1902 he established the Nier-Feuerh and company in his home town to produce kerosene lanterns. Carl's three sons Bruno, Curt and Woldemar Nier made the company into the largest lantern producer in the 1930s with Bruno Nier holding many patents for lamps. Lantern production was interrupted by World War II and ceased at the end of 1944 because of the shortage of materials and the advancing Russian army. After the Second World War the company restart the lantern production in 1947 at Luedenscheid and Hohenlockstedt north of Hamburg and fully re-establishing the company in 1950. A domestic item with an interesting history that now is sought after by collectors giving an insight into how hurricane kerosene lamps came into being from a manufacturer in Germany that held numerous patents for oil lamps from 1902 until 1940.Kerosene lamp with handle, red in colour, badly rusted. Lamp shade has lever to lift so you can light it.Marked "Feuerhand Nr 327" "Made in Germany".flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lamp, kerosene lamp, hurricane lamp, nier-feuerh, carl hermann nier

The item was taken by J.P MURPHY VX17294, 2/29th Bn A.I.F while a P.O.W. Refer Cat No 1090 for his service history.Glass light shade taken from a cellblock in Changi Prison. The glass is clear all through. Shape is more oval than round.lighting - accessories, changi, murphy, pow

ink pen drawing of a Schoolhouse by Patrick Tobin, Toolleen, Victoria Notation: plate 4 Light & shade sketch is damaged, torn and agedPatrick Tobin

Helen Nall enlisted in the RAAF No 500602 on 1.11.1944 age 23 years. Discharged with the rank of Sister on 21.4.1946 serving in No 6 RAAF Hospital.Black & white portrait of Helen NALL RAAF Member WWII. Lady is wearing a dark uniform jacket, tie, light shirt with RAAF pattern, broad brimmed hat with light shade badges in front.Rear: “1944 Sister Helen Nall No 500602 RAAF Nursing Service. Rank - Flying Officer. Now Helen MAYOR, 7 Bancroft St Bendigo 3550”photographs, raaf, nursing

During WW2 headlight covers were used for night driving during brown out periods. They were compulsory from late 1941 to the end of 1943 when it was thought that the danger of invasion had passed. They were designed to restrict the amount of light emitted by cars and vans.Head light covers used during WW2. Small rectangular opening to allow a sliver of light to shine at night .Metal round piece with metal shade for headlights to point to the ground. Originally painted black.Stamped Lucasww2, blackout, cars

Norm Harris Collection charcoal sketch of Rosalind Park by R. Heddle . Large tree in the foreground surrounded by many others.The sketch is quite effective showing light and shade well.R. Heddledrawing, charcoal, rosalind park bendigo

Soldier is George Bailey Jackson No 2172Refer Cat No 3446P for his service details.Black & white photo of a man & woman. The lady on L is wearing a light shaded blouse & a medallion or pendant brooch. The gentleman on R is Australian, his slouch hat is resting on a bannister between them.On back: “(Bailey) George & Louise Jane (Hobbs) Jackson. First (? illegible) in England. Dear Rays mum & dad”photography-photographs, military history - souvenirs, bailey

This young lady was to be the bride of George Bailey JACKSON. See Cat No 3460P & 3446P.Black & white photo of a young lady wearing a light shade hat with decorations & a light blouse with large collar. Her jacket has a single row of buttons, 2 large pockets at hip line & a belt of the same material. A Rising Sun brooch can be seen on the jacket L lapel.On front: “Yours sincerely Louise”photography-photographs, military history - souvenirs

Navigators Light from a Wellington Bomber. Item belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service history. Adjustable lamp, metal square rod stand with black paint, metal bracket (rusted), white electrical cord, small clear globe (missing remainder of stand), bakelite electrical socket, metal light shade, grey paint.lighting-electric, military history - air force

A large lamp used used to light a room by showing light from above. Used in the Orbost district late 19th to early 20th century prior to electricity connection. Generally, lamps like this had a matching decorations on the shade and vase. It would have been almost impossible to find an exact match if the shade was broken so the next best thing was to replace it with a plain white one. The majority of the removable slip fonts were made to the same dimensions so it was not uncommon for an original font to be replaced with a different brand if it became unusable. This is an example of a domestic lighting device in use before the widespread connection of electricity to houses in Orbost.A large lamp which hangs from a bracket. It has a large white glass cover above the wick burner and below is a white bowl decorated with flowers. The hanging lamp is American and, from the design and pattern of the brass work, it was made by Edward Miller & Co. Both the shade and vase (font holder) are glass. It is most likely that the shade has been replaced at some stage. (ref. oillampantiques.com) illumination-lamp hanging-lamp kerosene-lamp

This work is an example of "Drawing from cast in light and shade". This item was probably undertaken at the Ballarat Technical Art School, a division of the Ballarat School of Mines. It is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Drawing from cast art, artwork, h.n. nye, ballarat technical art school, unframed, alumni, fruit, plaster cast

Black and white negative, by Wal Jack, of SW6 915, in Riversdale Road, Camberwell decorated for the 50th anniversary of Federal Government, 1951. Tram in bound to the City, Route 74 passing a tram stop, south of Camberwell Junction. Note the shade in the overhead by the street light. See also Reg Item 5179.trams, tramways, sw6 class, riversdale road, tram stops, route 74, tram 915

Black and white negative, by Wal Jack, of SW6 915, in Riversdale Road, Camberwell decorated for the 50th anniversary of Federal Government, 1951. Tram in bound to the City, Route 74 passing a tram stop, south of Camberwell Junction. Note the shade in the overhead by the street light. See also Reg Item 5160.trams, tramways, sw6 class, riversdale road, route 74, tram 915