Lin ONUS (1948-1996) Lin Onus was integral to the recognition of Aboriginal art in the contemporary Australian art landscape. His work expresses the dynamism of living culture; Onus was a prominent figure in renegotiating the history of colonial and Aboriginal Australian. An early influence of this dedication was his father, who was the founder of the Aboriginal Advancement League in Victoria and a maker of artefacts. As a young boy Onus was subsequently exposed to visiting Aboriginal artists and assisted his father in decorating artefacts. His painting Barmah Forest won the Aboriginal Heritage Award in 1994; Onus also received a Member of the Order of Australia “for service to the arts as a painter and sculptor and the other promotion of Aboriginal artists and their work.” (https://www.portjacksonpress.com.au/artists/lin-onus)Unframed colour screenprint with a limited edition of 60.lin onus, frogs, aboriginal, screenprint, printmaking, gippsland campus, print council australia

Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available

Watercolour by Lin Ditchfield of the Royal Blind Society of New South Wales (formerly the Sydney Industrial Blind Institution) in William Street, Sydney. Built in 1880, the Edmund Blacket designed building was eventually sold in 1971. Located on the corner of William Street and Boomerang Place, the site was keenly sought by developers as the city landscape transformed into high rise office builidings, as evidenced in the background of this painting.1 water colour in beige frameLin Ditchfield 1971royal blind society of new south wales, lin ditchfield

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of two men dressed in suits standing on the crest of a hill. One man is leaning his arm on the other's shoulder. The men are Frank Wright and Lin Jenkins.Handwritten on front - Lin to Frank January 1929. On back - printed - Kodak Print; P 612 - handwritten - Lin Jenkins & myself. Taken Black Hill, Jan 1929 by Noel Coxfrank wright, black hill, ballarat, cornet, lin jenkins, noel cox

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. LIN is the abbreviation of Lanolin.Wool bale export stencil - LINLINwool - transportation, wool sales, wool class, wool classers

Black and white image of Lin Hillman's Motor Garage at 5 Doveton Street North, Ballarat.lin hillman, motor garage, doveton street north, ballarat

Autobiography of Lin Kean Chong.102 page softcover book with B&W photos and cut pages. "With compliments-(signature)"books, military / airforce history

Lin Lobb standing on the base of the Fallen Soldier's Memorial Greensborough. The Memorial was moved from its original site in Main Street to Lower Park near Mrs Lobb's Kiosk (now Diamond Valley Learning Centre) before a final move to War Memorial Park.This photograph shows the Memorial at its Lower Park site.Digital copy of black and white photograph.fallen soldiers memorial greensborough, lobbs kiosk, lobbs tea rooms, lower park greensborough

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a man dressed in a suit, leaning back against a large canon on wheels. The man is Frank Wright and the place is Black Hill, Ballarat.Written on the back in pencil - FW, Taken on Black Hill by Lin Jenkins, Jan 1929 Printed on back - Kodak Printfrank wright, lin jenkins, black hill, ballarat, canon

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man with one hand in the pocket of his suit trousers, standing before the front porch of a timber house. There is some wrought iron over the entrance to the porch. The man is Frank Wright and the house is at 118 Doveton Street South, Ballarat.Handwritten on the back - Frank Wright, at the age of 19 years taken at 118 Doveton St Sth, Ballarat, by Lin Jenkins, 23-7-1921frank wright, lin jenkins, timber house, wrought iron, ballarat

Includes copy of will of William Clark. Resident of the property at 9 Wolseley Close in 1910. Includes copy of the Alan Holts home occupier / tenant records - names from 1920 - 1980. Includes photo of Wolseley Close house, taken 1888/1889 plus colour photo of Wolseley Close house taken by Lin Merry, 2010. Land Title information, surveys, subdivision Includes list of occupants of the house, p.17Includes some plans of houses built in Wolseley Close, Mont Albert, Victoria. Outlines details of property at 9 Wolseley Close19p : col illcragg family, windsor crescent, surrey hills, (mr) william ainger, (mr) isaiah ainger, whitehorse road, noorn hill, house names, koonda, d j maloney, (mrs) louisa clara maggs, taramera, union road, st.abbs, york street, (mr) william henry cleverdon, wolseley street, windsor park estate, tarawera, merry family, clinton family, adams family, tel-el-kebir, farrell family, (mr) william clark, trafalgar street, (mr) (sir) matthew davies, (mr) c h james, (mr) james munro, (mrs) elizabeth clark, langdale, (mr) stanley dewar, (mr) john jose, (mrs) emily hampton, potton, (mr) alexander potton, (mr) john atkinson morris, freehold investment & banking co., mont albert, windsor park surrey hills, dalton family, (mr) henry wood, wolsley close

Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection

Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection

Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection

Framed photograph of Flight Lieutenant E W LinsPlaque affixed; "Donated to THE FRANKSTON RSL 23-8-93 By FLIGHT/LIEUT. E.W. LINS R.A.F - R.A.A.F CX 203 - 521A . ATTACHED 4 YEARS 1942 1946 MIDDLE EAST - ITALY - SICILY "LEST WE FORGET"ww2, e w lins, raaf

Letter To Lin ? from Wal.Sent from 2nd Victorian Training Battalion Sutton Veny Warminster Wiltshire England Dated 28/03/1918

Two photographs of the Ballarat School of Mines Lin Hillman Building. This building was demolished in late 2005.ballarat school of mines, hillman, hillman recreation building

Dental practice GreensboroughBusiness card, printed in colour both sidesDr. Matthew Lin; appointment sectiondentists, matthew lin, greensborough plaza dental, greensborough plaza

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an original plan by George Watson and John Henry Harvey, architects of the Department of Public Works (Victoria), in 1887 for New Public Offices at Kew. This plan was copied by the donor from an original held at the Commonwealth Archives in Brighton (Vic). The copy was made to illustrate a report that the donor made on ‘The functional planning design, building materials and construction methods of the Kew Post Office’ as part of course work at RMIT.SECTION ON LINE J-K / ELEVATION LIN... …kew court house, kew police station, kew post office, architectural drawings, khs - slides, new public offices — kew (vic.), architecture — queen anne style

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an original plan by George Watson and John Henry Harvey, architects of the Department of Public Works (Victoria), in 1887 for New Public Offices at Kew. This plan was copied by the donor from an original held at the Commonwealth Archives in Brighton (Vic). The copy was made to illustrate a report that the donor made on ‘The functional planning design, building materials and construction methods of the Kew Post Office’ as part of course work at RMIT.SECTION ON LINE J-K / ELEVATION LIN... …kew court house, kew police station, kew post office, architectural drawings, khs - slides, new public offices — kew (vic.), architecture — queen anne style

Pamphlet has images of: Tram 824 - Alex Danko 814 - Philip Faulks 829 - Lin Onus 837 - Terry Matassoni 726 - Jenny Watson 760 - Brett Colquhoun Notes the involvement of the Heath Foundation and Arts Victoria. 4 copies held.Demonstrates a publication promoting the second series of Melbourne Art Trams.Pamphlet - 6 fold - titled "Melbourne's Painted Trams - detailing six of Melbourne's - cut with serrated edges on the left and right-hand sides and the base in the outline of a tramcar.trams, tramways, transporting art, decorated trams, melbourne, tram 824, tram 814, tram 829, tram 837, tram 726, tram 760

Chapters entitled History of Aboriginal Art, Imagining Albert Namatjira, Indigenous Renaissance, Creative Revolution, The Art of Les Griggs and The Art of Lin Onus.colour photographs, b&w photographs, colour illustrations, document reproductionsyorta yorta, cummeragunja, albert namatjira, les griggs, lin onus, indigenous art

This docket from the firm of Stephen Holgate and Co. of Ballarat gives details of this firm’s sale in 1916 of nine bullocks on behalf of Joseph Tilley of ‘Aringa’ of Port Fairy. The sale yielded £215-15-0 and, with costs of £14-12-2, the profit for Joseph Tilley was £201-2-10. Stephen Holgate established his auctioneering firm in Ballarat in the late 19th century and was an authority on sheep and cattle breeding. Joseph Tilley was farming at ‘Aringa’ in the early 20th century and also owned the Penshurst Hotel. ‘Aringa’, five miles west of Port Fairy on the Portland Road, was established by John Ritchie in 1839.This docket is of some importance as it is an original one and gives details of a 1916 sale of cattle with the names Joseph Tilley and Stephen Holgate of interest. It gives us the prices for bullocks in 1916 and the type of receipt forms used at that time.This is an original receipt for an account sale of 1916. The docket is a printed one from the firm of Stephen Holgate and Co. of Ballarat with printed blue and red lines for entering the details of the sale. The client’ s name is typed in blue type and the details of the sale are handwritten. On the back of the docket: ‘Wm Delaney from Lin Shoppee’ ‘1916’aringa, joseph tilley, stephen holgate and co.

This group were the Regimental cook for Annual Camp 1973. Sergeant Robertson was the Regimental Sergeant Cook.Good photo showing cookhouse staff at camp.Black and white photograph of four 8/13 Victorian Mounted Rifles soldiers standing behind table outside a tent. One is in white cook's dress." Blue Bullock, Lin Lacey, Sgt. Jimmy Robertson.". One soldier not identified.military, camp, cooks, robinson, bullock

Lin Hind clubs first secretary and Millie Mason nee Theos. Associates first secretary. Celebrating 50th anniversary by cutting cake S/N 24/10/1986stawell

The Busybird Publishing Studio Gallery opened in Montmorency in 2013 with an exhibition of paintings by Lin van Hecke, inspired by the murder of Jill Meagher. The Gallery is owned by Kev Howlet and Blaise van Hecke.This is a new gallery opened in Montmorency, aiming to bring local artists together.News article, text and colour image.DV Leader May 22 2013.busybird publishing studio gallery, linvanhek, lin van hecke, blaise van hecke, kev howlett, montmorency