This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of John (left) and George (right), sons of Captain John Barnard Lock of Rhyll, Phillip Island.local history, photography, family of john barnard lock, black & white photograph, lock family, john & george lock

Lock family were early settlers of Rhyll. Captain John Barnard Lock was a sea captain involved in oystering and carrying cargo at Rhyll.Historical4 sepia portraits, one is a duplicate, of Elsie and Myrel Lock. 4 certificates - 2 confirmation, Temperance Union and Examination. 2 church newsletters, and a coloured postcard of Rhyll.Very little except Elsie written on small photo and Temperance pledge.captain john barnard lock, myrel lock, lock family, rhyll, elsie lock, william john lock

This photograph belonged to the Lock family before being acquired by the Museum.Black & White Portrait photograph of Elizabeth Lock (nee Caville), wife of Captain John Barnard Lock Jnr ).local history, photographs, family of john barnard lock, black & white photograph, elizabeth lock, john barnard lock

This photograph belonged to the Lock family before being acquired by the Museum.Group including the West & Lock families. Back row (L-R) Alfred West, Edward West, Harry Thomas West, Harmon West, Charlie West, William West. Front row (L-R) Albert West, Lizzie Bemmell (nee West), Alice McDonald (nee West),???? Fanny Morrison (nee West), Emily Lock (nee West) The photo used is the same as described above - 3rd lady between Alice & Fanny not named.local history, photography, west family, black & white photograph, lock family

This photograph belonged to the Lock family before being acquired by the MuseumBlack & White photograph. Family of John Barnard Lock. Standing on left - John, younger son of John Barnard Lock.local history, photographs, family of john barnard lock, black & white photograph, lock family, john barnard lock jnr

This copy belonged to the Lock family before being acquired by the MuseumBlack & White photograph of Death Certificate of John Barnard Lock.local history, photographs, death notices, family of john barnard lock, black & white photograph, lock family

This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of John Barnard Lock, youngest son of Capt. John Barnard Lock of Rhyll, Phillip Island.local history, photographs, john barnard lock, black & white photograph, lock family

This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of Capt. John Barnard Lock of Rhyll, Phillip Island, Victoria. Died aged 75, buried in Phillip Island Cemetery.local history, photography, john barnard lock, black & white photograph, lock family, capt john barnard lock

This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of Captain John Barnard Lock and his wife Elizabeth (nee Cavell).local history, photography, captain john barnard lock & elizabeth, black & white photograph, lock family, john barnard lock jnr

This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of one of Captain John Barnard Lock's boats.local history, photography, boats, family of john barnard lock, black & white photograph, lock family, capt john barnard lock boats

This photograph belonged to the Lock family before being acquired by the Museum.Black & White Photograph of Martha Lock, eldest daughter of Captain J. B. Lock & Elizabeth, of Rhyll. She was the first girl child born on Phillip Island.local history, photography, family of john barnard lock, black & white photograph, lock family, martha lock

This photograph belonged to the Lock family before being acquired by the Museum.Tinted photograph of John Barnard Lock, younger son of Captain John Barnard Lock. Very young child.local history, photography, family of john barnard lock, coloured photograph, lock family, john barnard lock jnr

This photocopy belonged to the Lock family before being acquired by the Museum.List of passengers on ship 'John Knox' at Point Henry, Geelong. The ship sailed from Plymouth 24, March 1851. Capt John Barnard Lock last entry.local history, documents, passenger lists, family of john barnard lock, black & white photocopy, ships, passenger list, lock family

This Manuscript belonged to the Lock family before being acquired by the museum.History of John Barnard Lock as settler on Phillip Island, including a list of his ships.local history, documents, manuscript documents, family history, family of john barnard lock, ink on paper, lock family, john barnard lock's vessels

This photograph belonged to the Lock family before being acquired by the Phillip Island & District Historical Society.Black & White Photograph of John B. Lock, youngest son of John Barnard Lock of Rhyll, Phillip Island.local history, photography, john barnard lock, black & white photograph, lock family

HistoricalColoured photograph of remains of swimming pool which was in front of the old Captain John Barnard Lock's family home, built about 1870.The remains of the swimming pool down in front of Lock home built about 1870rhyll, swimming baths, captain john barnard lock, recreation

This copy belonged to the Lock family before being acquired by the MuseumCopy of testimonial from the people of Phillip Island to Captain John Barnard Lock, signed by W. McFee of Phillip Island, dated 1st July 1897. Capt. Lock had rescued the sole survivor of a boat which had been upset in heavy weather.local history, certificates, captain john barnard lock, cardboard mounted and in transparent folder, phillip island, w mcfee

This photograph shows the extent of the Euston lock in the early 20th Century. There is a paddle steamer in the background which appears to be going around the lock. This photograph might have been taken during construction of the lock?This photograph possibly shows the Euston lock being constructed. There is a paddle steamer in the background passing around the lock.A black and white photograph of Euston lock.Written on the back in lead pencil "Price. Euston Lock."murray river, euston (lock construction), price family collection, paddle steamer traffic

This is a copy of a photograph from the Price Collection. The river and town are unknown. The photograph shows how locks were constructed using long vertical planks to form a wall. One of the cranes is floating on a pontoon.This shows how the river was locked to develop the irrigation industry in the early 20th Century.A copy of a black and white rectangular photograph of a lock being constructed . The river is in the foreground and in the background, cranes and rigs can be seen. A wooden wall dominates the centre of the photograph. Houses and buildings can be seen in the distance.In pencil on the back is written; 'Price / Lock construction? 'Jenkins Print Mildura.'lock construction, price family collection, mildura, jenkins print, irrigation

Black and white photograph of an unknown lock scene where 3 men are working from a hollow platform structure, with one person being a diver coming up or going down a ladder. Another person appears to have hold of a hose (could be oxygen) and the back view of the other person appears to be working with them watching what is happening. This could be part of lock construction as there appears to be cranes and a tripod in the distance.This black and white photograph demonstrates historical and social significance in that it gives a close up view of workmen in the process of lock construction. It appears that there is a diver suited up with helmet on, descending the ladder and a person holding what appears to be hose connected to the person diving. This scene is possibly from the beginning of the 20th century and could be about the development of the irrigation industry.Black and white photograph , portrait format, of 3 men on a hollow platform structure in a river. One man is a diver and is on a ladder which steps down into the water. Copy of an original photograph. On reverse in pencil: Price, Lock scene, location Unknown. lock scene, lock construction, price family collection, irrigation industry

This sewing machine was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's grandmother used it in 1942 to make button holes.Historical: Type of machine used by S.E.C.V. wives living in Mt Beauty in the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and chook fetes e.g.. children's clothes and dolls clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Green & white box containing black & silver metal with 4 parts for attaching to Singer sewing machine for sewing button holes."Singer Buttonhole Attachment" on green 'cloud' top of box. "The Singer manufacturing Company" on green 'cloud' on side of box. "For Light Manufacturing and Home Use" on green 'cloud' on side of box. "Made in Great Britain" on white top half of end of box & teen 'cloud' below end of box is "Singer / Buttonhole Attachment / No. 86662 / For Singer Lock Stitch/ Family Sewing Machines.singer manufacturing co.. clothes. fetes. domestic. sewing.

Book, black hard cover with embossed pattern and gold test, metal locking clasp. King James Version of the Holy Bible, containing the Old and New Testaments. It was published by Oxford University Press in 1866. Inscriptions on the loose endpaper list the marriage of Joseph and Elizabeth Bell in 1854 at St Paul's, Bristol, England, and their ten children born from 1856 to 1878.non-fictionTo understand the nature of your 1866 Oxford University Press (OUP) Bible, it helps to look at how Bibles were produced in the 19th century and the massive historical scale of the publisher. The context of the King James Version Bible is indicated by the standard phrase on the flyleaf: "Translated out of the Original Tongues... By His Majesty's Special Command." This work is a historical 1866 reprint of the original version published in 1611. This particular volume served as the family Bible for Joseph and Elizabeth Bell, documenting their family history through the births and deaths noted on its end papers.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, holy bible, book, religious book, bell family, bell family bible, elizabeth bell, joseph bell, 1826, 1833, 1854, st paul's bristol

The wooden pattern forms part of a larger collection, securely stored within a durable wooden crate. This pattern was an essential tool at Briggs’ Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process results in the production of brass and copper alloy items, which are particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper-based, composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. In the early years of Flagstaff Hill, the Briggs family generously donated the crate of patterns along with other related items such as brassware, tools and machinery. These items were prominently displayed in a simulated Brass Foundry within the Village, alongside other working crafts, trades and services typical of a maritime town. From the completion of the building in 1986 until its repurposing in 1994, visitors could view these items and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. The Brass Foundry display featured a historic Cornish chimney, constructed as a working model to illustrate the process of smelting metal in furnaces and pouring it into sand moulds. The chimney, crafted from specially curved bricks, currently stands at approximately two-thirds of its original height, having previously been located at the Grassmere Cheese factory. The craft of sand-casting, which utilises intricately carved wooden patterns to create metal objects, stands as a testament to the enduring value of traditional skills. This age-old technique remains relevant today, linking past craftsmanship to ongoing industrial practices. The foundry pattern set holds particular significance due to its strong associations with brass foundries, both locally and in coastal regions across Victoria. In these areas, marine industries such as ship and boat building have long depended on high-quality metal castings for the machinery, equipment, and fittings essential to their operations. The alloys formulated by Briggs Brass Foundry, crafted from non-ferrous metals, were specifically designed to provide superior longevity and durability in maritime environments. These patterns are closely tied to the history of the Briggs Brass Foundry, a respected and long-running company that specialised in producing cast goods for the marine sector. The foundry was equipped to supply both unique, one-off items and mass-produced components, ensuring that its products found their way onto a variety of sail and steam vessels along the Victorian coast, including in Warrnambool. In addition to its broader marine applications, Briggs Brass Foundry established itself as a bell-founder specialist. The company’s expertise is notably linked to the historic Schomberg Bell at Flagstaff Hill, which they restored to its original splendour as a fine example of a bell from a luxury migrant ship of the mid-19th century. The significance of the pattern set is further heightened by its association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its proficiency in producing, repairing, and restoring ship bells and other marine equipment. Renowned for their non-ferrous metal casting, Briggs Brass Founders consistently supplied high-quality fittings and equipment vital to maritime pursuits. Moreover, the company expanded its influence by opening a branch in Warrnambool. Through this local presence, Briggs Brass Founders supported the regional marine industry and forged strong connections with fishermen and businesses. This not only reinforced their reputation as skilled manufacturers but also highlighted their commitment to community engagement and support. Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, traditional send casting

This postcard was sent from France during World War One WW1 to Violet Holmes [mother and aunty of other WW1 soldiers], by the son of a neighbouring Ascot Tourello District Family, the Wrigley Family. Violet inherited "Sauchieburn" an Ascot property on the death of her husband William Holmes in 1914. On her death this property was to be left to their 4 children and administered by a relative till the youngest child turned 27. As young boys, Violet's husband William, and his brother Henry, lived with their Aunt Catherine Coghill and Uncle William Coghill at ‘Sauchieburn’ Ascot. The Coghills had no children of their own. He and his brother Edward started a stock and station business at Clunes. Henry and Violet Holmes subsequently inherited "Sauchieburn" from Catherine (nee Holmes) and William Coghill, direct descendants of the Coghills Creek, Ascot, Tourello pioneer settler Captain William Coghill [Jane Dyer, May 2024] Catherine and her brother Edward Carter Holmes drowned at sea.This is an extract from the Korumburra Times, Wednesday June 6, 1956: The fated travellers wrecked off N.S.W. ‘On May 29th, 1886 in bright moonlight the Ly-e-Moon, the pride of the Australian coastal fleet, broke her back on the treacherous rocks of Green Cape, off the NSW coast. Eighty souls perished within range of the beacon rays of the lighthouse, including representatives of the earliest families ever to settle in Poowong. The passengers. On the main deck, Mr Edward Holmes, a Poowong grazier and former owner of ‘Wombalano’. He had sold this property with the object of going to Queensland and settling there. The proceeds of sale amounting to 1,200 pounds in gold sovereigns were under lock and key in the Purser's Office. Mr Holmes, although advanced in years, had unformed plans to invest his money in some Queensland enterprise. In the meantime he would visit his married daughter and [his] two sons, who had previously settled in Queensland. With him on board was his widowed sister Mrs Coghill who had also accepted an invitation to go north. News of the shipwreck, means of communication being slow, did not reach Korumburra for nearly a week. By then all hope had been abandoned for the missing. Relations and friends thronged the Melbourne shipping office, but the answer was always the same - All passengers unaccounted for were presumed drowned. Black and white postcard of a sugar refinery in The Somme, France. The name of the town has been scrubbed out in purple pencil by a censor during World War One. The back of the card is written on in pencil,Written on back of card: Dear Violet, received photos and letters and thank you for forwarding same. Are we having lovely spell of weather. This morning is quite warm and pleasant. The photo of you all standing in front of your house is a good one and you all look to be getting enough to eat. Mother looks as if she it getting stronger after her severe illness. Your concert party will be broken up through the Vale girls leaving but you should have no difficulty in finding volunteers to fill the ranks. By all of your letters you are all looking forward to the day we return 9as we are). I wouldn't like to bet too much that we would be home by this time next year [ ? ] by the way fritz is fighting lately he would very much like to get [peace?] I think we will give him all he wants this summer. J. Waller was here last night is looking well. With best wished to you all. I am sincerely. [W.Wrigbee? Wrigley]somme, la suererie, chatham family collection, amiens, france, world war 1, postcard, ly-ee-moon, william coghill junior, ascot victoria, pioneers of ascot, shipwreck

Sewing machine, portable, hand operated, with Premier logo. Has folding crank handle, body painted black with floral design, wooden base and separate wooden cover with lock. Base has compartment with accessories, covered by curved ended, sliding wooden panel. Decorative linework on side, carvings on each corner. Wooden handle on cover is carved in rings, folds down. Below handle is decorative inlaid pattern. Serial number on plate at back of machine. Accessories include 13 attachments, key (broken), screwdriver, sewing machine needle, razor blades (2) and buttons. Attached to inside of case is a square of paper with a number on it. Instruction book for Singer Sewing Machines is included. Also with machine are white tailor's chalk and a cut out, fabric pocket with tissue paper pattern pinned to it.Serial number "579200" is stamped into plate at back of machine. Brand on transfer on front of machine is "Premier". Paper inside case has hand written number "334A". Instruction book "Instructions for using Singer Sewing Machines No. 66 - Oscillating hook for family use" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, permier sewing machine, hand operated sewing machine, dressmaker, fasion, singer no. 66 manual, textile, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, permier sewing machine, hand operated sewing machine, dressmaker, fasion, singer no. 66 manual, textile

This lock was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. It is part of the John Chance Collection. The small size of the lock indicates that it was possibly used for cabinetry such as a cupboard, desk or wardrobe. It may have been part of the ship’s fittings or perhaps luggage or cargo. The blue-green patina on the metal is caused by a reaction from its exposure to external elements such as the sea water. The lock is likely to have been in the water for over 100 years, as the more widely known shipwrecks along Victoria’s Shipwreck Coast date from 1837 to 1940. Although the lock is not linked to a particular shipwreck, it is recognised as being historically significant as an example of hardware either as part of the ship’s fittings or imported for use in Colonial Victoria in the 19th to early 20th century. The lock is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Lock, brass, with separated moving parts. Rectangular plate with keyhole, plus two cogs and a latch.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, hardware, door fitting, ship’s fitting, furniture fitting, security, 19th century lock, cabinetry, brass lock

The Bowler hat, characterised by its dome-like crown, was invented in 1849 by a pair of hat-makers: brothers Thomas and William Bowler. They were commissioned by the famous London hat retailer “Lock & Co” to invent a close-fitting, low-crowned hat for their customer Mr. Edward Coke. It would be sturdy and not easily knocked or blown off the wearer’s head. The difference between a Bowler hat and a Derby hat is simply that Bowler hats are British, Derby hats are American. The Bowler / Derby hat was devised in London during a time when the top hat was the upper-class men’s hat of choice and the lower social class wore soft, cloth caps. However, the top hat was impractical and inconvenient for those on horseback as it easily toppled over and was easily damaged. Bowler hats were termed “stiff” hats– they were given a coat of shellac in the construction process and therefore never conformed to the shape of the wearers head. While very stiff, the hat is lined in a beautiful, soft silk to ensure comfort. The Bowler hat marked the first middle ground between formality and casual wear. c1900 The Derby hats were very popular for all classes in USA including criminals like Butch Cassidy & Sundance Kid and c1920 many fashionable women also wore them. In England and Commonwealth the Bowler hat remained popular throughout the 1800s and through the first half of the 1900s, being worn by everyone from politicians, actors, accountants, bankers, and the 'everyman' on the street.The family of Nance Blackman were early settlers in Moorabbin ShireA black felt Bowler hat with cream silk lining and black ribbon bandInside Crown & Band ; The Cobweb Felt / easiest/ fitting / extra light / Inside Band Best Quality / 6111hats, hatters, blackman nance, clothing, suits, fashion wear, bankers, actors, politicians, bowler hats, derby hats, top hats, social classes, moorabbin, cheltenham, bentleigh, brighton, market gardeners, pioneers, early settlers, bowler thomas, bowler william, lock & co. ltd. london, england, america, canada

c1900 Decorative silver 'pill boxes' were popular accessories carried in a small purse by women for evening and special occasions . This 'pill box' was used by a lady in the family of Ailsa Hunt in Moorabbin SSmall decorative silver pill boxes were a common accessory for early settler women in Moorabbin Shire c1900A small rectangular white metal pill box with gold lining, a hinged lid and snap lock machined pattern on lid with beading on edgeclothing, pill boxes, silver, pewter, brass, evening bags, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,